Neoliberalism,Soul Food,and the Weight of Black Women

This article examines the representation of Black women's weight in contemporary diet advertising and African American film. It positions socioeconomic class as a significant factor that distinguishes between “good” weight and “bad” weight. I argue that there is a distinction to be made between representations of poor and working-class fat Black women and middle-class fat Black women. The increased presence of Black women as diet spokeswomen is also questioned. The social construction and filmic representation of the African American cuisine “Soul Food” and the political economic notion of neoliberalism are used as frameworks to deconstruct how notions of self-discipline, personal responsibility, and citizenship impact upon Black women's bodies. As a case study, I examine the careers of Oprah Winfrey and Gabourey Sidibe and the ways in which their weight has been differently coded based on class, the neoliberal rhetoric of “personal responsibility,” and food. I ultimately critique how contemporary media has helped to shape contemporary discourses on Black women's weight.     

Gender and Racial Stereotyping in Rape Coverage

This article uses critical discourse analysis to discuss and analyse articles about rape that appeared in a South African newspaper, Grocott's Mail, between 14 October, 2008 and 29 October, 2009. Drawing on existing literature on “rape myths” in media coverage of rape, this article argues that Grocott's Mail perpetuates racial and gender stereotypes through the way in which it reports on rape. While not all of the articles included in the analysis use rape myths, most use one or more when discussing rape incidents. Specifically, Grocott's Mail tends to use rape myths that blame the victim for the rape and de-emphasise the role of the perpetrator in the rape.     

Sexism Re-Loaded … or Sexism Re-Presented?

If part of the project of a feminist media studies is to explore the various ways in which sexism operates through the media, then how might this be achieved? Any answer to this question will depend upon how the concept of “sexism” is understood. Much existing research has tended to approach sexism as an etic, analyst-driven phenomenon; that is, as something to be defined by the analyst during the study of media representations that may be sexist, but that are very rarely about sexism. In this article, however, attention is given to the hitherto largely unexplored idea of sexism as an emic, participant-driven phenomenon that gets defined within media representations that are, very directly, about incidents of sexism. Newspaper reports of an incident of sexist behaviour in the world of English Premier League football are analysed for the ways in which they re-presented complaints about that behaviour. Developing the concept of “irrelevant precision,” this article shows that and how those re-presentations worked to undermine the legitimacy of the complaints and, by implication, the idea that anything sexist had taken place. The article concludes with a discussion of how this concept contributes to the project of a feminist media studies.     

Drinking as a Feminine Practice: Post-Feminist images of women's drinking in Swedish women's magazines

Previous feminist analyses have pointed out how the news media demonize women who drink, labelling them as irresponsible, disturbing or behaving “like men.” Popular media such as women's magazines, however, construct alternative representations, that frame women's drinking encouragingly and as part of a successful and “modern” femininity. This study carries out an analysis of fashion reports from six Swedish women's magazines, published between 1984 and 2008. It concludes that despite the fact that women's magazines create an alternative to problematizing portrayals of women who drink, this does not necessarily make them unproblematic from a feminist point of view. While the prevalence of positive and encouraging images may be interpreted as indicating a change towards more gender equal or gender neutral depictions of drinking; this article argues instead that these images should be regarded as parts of a discourse that celebrates stereotypical femininity and reproduces gender difference. As such, the present article brings new perspectives to the complex discourses that give shape to ideas about gender and alcohol in general, and women's drinking in particular.     

“Battle of the Mei-Meis”

On May 7, 2011, Singapore held its 16th General Election. The ruling People’s Action Party (PAP) predictably secured a landslide victory, and yet the result was contextually historic, with the opposition winning six seats from a possible eighty-seven—the largest loss for the PAP since political independence in 1965. At the centre of the General Election was a persistent media buzz surrounding two young female candidates: Tin Pei Ling of the People’s Action Party and Nicole Seah of the National Solidarity Party. While the former suffered sustained criticism, the latter received sustained praise. This article seeks to analyze the manner in which these two women were positioned as inverse feminine subjects within the mediascape. The analysis emerges from data collected from 194 sources which appeared online between March 29, 2011 and May 8, 2011, comprising political blogs, discussion forums, articles, and reports from online news sites. It aims to reveal how the gendered media constructions of, and public responses to, both women interpolate a diametrically opposed positive and negative binary of womanhood which functions to: (1) reify national discourses of ideal femininity; and (2) corroborate regional conceptualizations of “good” and “bad” feminine subjectivities.     

Incongruous encounters: media representations and lived experiences of stay-at-home mothers

This article juxtaposes mediated representations of stay-at-home mothers (SAHMs) with accounts of twenty-two UK -educated middle-class SAHMs. It exposes a fundamental chasm between media constructions of women’s “opting out” of the workplace as a personal choice, and the factors shaping women’s decisions to leave a career, and their complex, often painful consequences. The juxtaposition highlights three aspects largely rendered invisible in current representations of SAHMs: (1) the influence of husbands’ demanding careers and work cultures on their wives’ “choices” to not return to paid employment; (2) the issue of childcare; and (3) women’s immense unpaid domestic and maternal labour. Although media representations often fail to correspond to middle-class SAHMs’ lives, they shape their thinking and feelings and reconstruct their deepest yearnings and sense of self. In particular, SAHMs speak of feeling invisible, lacking confidence, and being silent and silenced. I conclude by discussing how the disconnect between media representation and SAHMs’ experience may be enhancing and sustaining their silence, which supports and re-secures a patriarchal capitalist system, and by reflecting on the role of feminist media research to voice the lived experience of gender inequality.     

#Slane Girl,beauty pageants and padded bras: flashpoints in the sexualisation of children debate in Irish media and political discourse

Public and academic concern about the sexualisation of children first emerged in the early 1980s in the US, and has been traced back to the early 1990s in the UK. By contrast, public concern about child sexualisation is relatively new in Irish public discourse. In 2013 in particular, a number of “flashpoint” events occurred in Ireland, prompting both political and media reactions, which set the dominant tone of Irish discourse on this issue. This article examines how the sexualisation of children has come to be specifically framed in Irish media coverage and political debate. It derives from the first ever government funded study on the sexualisation and commercialisation of children in Ireland, which was also conducted by the authors of this article. The section of the study that is addressed here involved a broad qualitative analysis of print media coverage of child sexualisation in the period 2011–2013 and Parliamentary discussions from the first mention of child sexualisation (1998) to the time of analysis (2013). This article thus revisits data collected for the report, and subjects it to further analysis We conclude that the current status of Irish public debate on this issue lacks clarity and complexity, and indicates an urgent need to respond to Duschinsky and Barker’s call for a more sophisticated and nuanced discussion that eschews moral panic responses in favour of listening to the opinions and experiences of young people.     

Crossover Fatigue: The Persistence of Gender at Motown Records

This article examines the cultural politics of “crossover” at Motown Records, focussing on the relationship between genre, gender, and career longevity. Beginning with the Supremes' covers albums in the mid-1960s, the article links notions of musical originality to commercial logics of publishing, gendered divisions of labour, and racialised channels of record distribution. It also traces the rise of the celebrity songwriter-producer in soul, including artists like Isaac Hayes, Norman Whitfield, and Stevie Wonder, who fit a new mould of artistic authenticity that clashed with the carefully manicured performances of 1960s “girl pop.” The professional mobility afforded to men in both rock and r&b should prompt media scholars to consider the temporal dimensions of artist trajectories in the music industry, and taking the constraints on girl group singers seriously allows for reflection on (gendered) music industry knowledge about which audiences matter and for how long.     

Taking time between g-string changes to educate ourselves: Sinéad O’Connor,Miley Cyrus,and celebrity feminism

This article examines the feminist response to a 2013 online “feud” between singers Miley Cyrus and Sinéad O’Connor that began when Cyrus connected the video for her single “Wrecking Ball” to O’Connor’s video for “Nothing Compares 2 U.” O’Connor’s response criticised Cyrus’ sexualised image, and the exchanges that followed sparked debate among feminists over the limits of sexual “agency,” and the sexual politics of feminism. This took place within a wider media context that has seen an apparent increase in female celebrities explicitly identifying themselves as feminist. Critics of this “celebrity feminism” argue that the sexualised star systems of its proponents are at odds with the aims of feminist politics. This article draws on post-structuralist feminist theory to question the positioning of celebrity feminism as exterior to an imagined “feminist movement.” Using the Cyrus/O’Connor feud, I argue that such a binary potentially reaffirms the structures of power that feminism seeks to oppose, and ignores the ways celebrity culture and contemporary media practice might combine to produce new understandings of the field of feminism.     

Playing with Sims as a Space of One's Own

Studies of women's use of popular media have highlighted how these contested genres may be used by women to create a space of their own. Is this also the case when the media text in question is a digital game and the community around it moves online? Investigated via a netnographic approach, this article analyses the articulated experiences of playing The Sims 2 and The Sims 3 in relation to how the players perceive the activity's function in their everyday lives. Seven emic categories are identified and discussed in the inductive analysis, namely “relaxation and dealing with stress,” “playing according to mood,” “managing and taking control,” “experimentation,” “get what one does not have,” “making something one's own,” and “creative outlet.” A central denominator of these seven categories is the notion of a space of one's own in the widest sense of the phrase. In the discussed accounts playing becomes a way not only to escape other obligations for a while but also in various ways to work with the self and its place in everyday life.     

Debating LGBT Workplace Protections in the Bible Belt: Social Identities in Legislative and Media Discourse

ABSTRACT

This article reports a case study of the legislative and media discourse surrounding the addition of sexual orientation and gender identity language to the employment nondiscrimination ordinance of a city in the heart of the Bible Belt. The purpose of the study is to uncover how different identities were constructed and contested at city council meetings and in the news media on the way to passing legal protection for LGBT city employees in a region that is often characterized by anti-gay prejudice. This debate over the nondiscrimination ordinance centered on the question of whether LGBT identities are equivalent to identity categories based on race, gender, or religious belief, and it was shaped by various intergroup communication dynamics, specifically between members of the LGBT minority and the straight majority, between LGBT and Christian identities, and between “true” and “false” Christian identities.     

Pop,Porn, and Rebellious Speech

In Excitable Speech, Judith Butler contends that rebellious speech constitutes a “risk taken in response to being put at risk, a repetition in language that forces change.” With this in mind, this article examines the politics of employing and altering the language and imagery of “porn” in texts and multi-media performances of (post-)feminist (pop-)artists. The discussions about Elfriede Jelinek's novel Lust in the early 1990s exemplify the difficulties associated with transforming the language of pornography into rebellious feminist speech. The text received extensive media attention, but most critics felt ambivalent about Jelinek's attempt to create artificial, repetitious, pornographic speech and questioned the text's ability to foster any kind of “change.” At the beginning of the twenty-first century, the multi-media performances of Charlotte Roche and Reyhan Sahin aka Lady Bitch Ray again triggered discussions about feminism, pornography, body politics, and sexual expression. Their provocative pop-performances use multiple media outlets, TV, music, and electronic media. They are commercially successful and mainstream media understand them as challenging social conventions. This essay critically examines the politics of Jelinek's, Roche's, and Sahin's texts and performances and contextualizes the politics of their rebellious speech within discussions about social roles, gender, and sexuality.     

Drink Sluts,Brats and Immigrants as Others

Drawing on an analysis of the media debate on two Swedish rape cases involving alcohol, the present article argues that social norms and power structures are made visible both when debaters ascribe explanatory power to alcohol and when they do not. Using feminist intersectional theory, we argue that when debaters employ the concepts of “foreign culture” and “jet-set drinking culture,” respectively, to explain the rapes, they simultaneously (re)produce stereotypical discourses on gender, sexuality, class and ethnicity/nationality. The troublesome positions of the Immigrant, the Drink Slut and the Brat symbolize how these discourses intersect in the specific cases. To understand why alcohol is central in explaining rape in a fashionable area, but not in a socially disadvantaged area, we suggest that the official image of Sweden as a gender-equal, sexually liberal and multicultural society with small class differences blocks discussion of existing inequalities within the country. When rape happens in a place constructed as a “Swedish middle- and upper-class area,” alcohol and intoxication are used to symbolize the “uncivilized,” unpleasant and malicious among Swedish men. When rape happens in “socially disadvantaged neighbourhoods” populated by “immigrants,” the unpleasant instead resides in the “foreign culture.”     

“The Consummate Material Girl?”

This paper examines one facet of the media persona of high profile South African liberation struggle figure, Winnie Madikizela-Mandela: how English-language media represented her conspicuous consumption during a monumental decade in the country's history, the 1990s. In the framework of theories of post-coloniality and intersectionality, the paper analyses the discourses in a corpus of thematically coherent media texts featuring Winnie's lifestyle and consumption practices. Media narratives of Winnie's taste for “diamonds,” “champagne,” “mansions,” and “expensive clothes” are deconstructed as ideologically loaded and influenced by racialized and gendered power struggles. The extent to which Winnie is presented as having “sold out” on the liberation struggle and having “bought in” to neoliberal values is theorized in the context of the politics of wealth and poverty in a newly liberated society.     

(Un)ethical practices: intimacy and Internet in the media coverage of the Ashley Madison hack

In the summer of 2015, the “cheating website” known as Ashley Madison came under scrutiny, as a group calling itself the Impact Team revealed users’ private information. This case study explores the controversy’s Canadian media coverage and sheds light on the main discourses about intimacy and the Internet that were made visible during this event. It interrogates how cheaters, hackers, and the company were represented. To varying degrees, the mainstream press condemns the cheaters, the hackers, and the company for their behaviour. The article also addresses the ways intimate practices are politicized and commercialized in the digital context, including a discussion of the emphasis on “privacy.” To conclude the article, I discuss the transparency and privacy issues implicated in digital intimacies and the power–knowledge (im)balance implied by hackers’ online anonymity.     

Science,Modernity, and the Making of China's One‐Child Policy

China's one‐child‐per‐couple policy represents an extraordinary attempt to engineer national wealth, power, and global standing by drastically braking population growth. Despite the policy's external notoriety and internal might, its origins remain obscure. In the absence of scholarly research on this question, public discourse in the United States has been shaped by media representations portraying the policy as the product of a repressive communist regime. This article shows that the core ideas underlying the one‐child policy came instead from Western science, in particular from the Club of Rome's world‐in‐crisis work of the early 1970s. Drawing on research in science studies, the article analyzes the two notions lying at the policy's core—that China faced a virtual “population crisis” and that the one‐child policy was “the only solution” to it—as human constructs forged by specific groups of scientists working in particular, highly consequential contexts. It documents how the fundamentally political process of constituting population as an object of science and governance was then depoliticized by scientizing rhetorics that presented China's population crisis and its only solution as numerically describable, objective facts. By probing the human and historical character of population research, this article underscores the complexity of demographic knowledge‐making and the power of scientific practices in helping constitute demographic reality itself.     

“We’re a movement”: crowdfunding,journalism, and feminism

As media organizations struggle to remain financially viable, and layoffs become more common, crowdfunding has been championed as one way for journalists to finance new ventures and create work outside of mainstream media. There is a growing body of research that is starting to critically examine the relationship between journalism and crowdfunding. This research, however, has tended to look at journalism as a whole, rather than specific genres. The purpose of this paper is to look at how crowdfunding is being used to create feminist online magazines, online spaces, and freelance journalism to tell stories about women, or aimed at a female-identified audience. It argues that beyond simply wanting to write and produce content the hope is to create change and often the crowdfunding campaigns are positioned as trying to create a “community” and/or a “movement.” This article uses a political economic framework, drawing on the concept of structuration, to analyze how these crowdfunding campaigns are being used to push back against, and open up, mainstream dialogues of what it means to be a woman or female-identified, as well as create safe and open spaces for these conversations.     

Sexy women sports fans: femininity,sexuality, and the global sport spectacle

In recent years the relationship between women and sport fandom has undergone significant shifts. The rapidly changing sphere of global sport is seen to offer women newly visible roles in the global sport economy as fans, broadcasters, celebrity athletes, and media personalities. In light of calls for greater inclusivity and diversity in sport, this paper examines the emergence of new forms of “sexually empowered” female fandom, which situate women as active participants in the sporting spectacle. Whereas sexy women who followed men’s sport or male athletes were once derided as “groupies,” thus socially marginalised and excluded from identification with sport fan communities, I argue that the sexy sport fan has emerged in the context of post-feminism as a visible and necessary type of feminine fan identity to meet the needs of the global sport economy. This study extends feminist sport media analysis beyond its focus on how female athletes are represented whilst also contributing new insights to sport fan research by analysing how female supporters are constructed through mediated accounts in terms of gender, sexuality, and nation.