White lies: Amelia E. Johnson's Sunday School fiction and the politics of racelessness

Abstract

This article reevaluates the cultural significance and literary complexity of the Sunday School novels published by Amelia E. Johnson during the 'Black Woman's Era'. The critical recovery of this lesser-known African American woman writer and editor focuses on her cultural activism and on the fictional strategies she deployed to challenge the limitations imposed by a white-dominated audience and publishing industry, as well as by the religious orthodoxy promoted by her denominational publishers. Problematizing the critical discourse that opposes her confrontational non-fiction writing to her racially indeterminate fiction, the article foregrounds Johnson's critique of gender, class and racial inequalities, her experimentation with narrative conventions, and her growing sense of disillusionment in the face of unrelenting discrimination, showing how Johnson's writing career illuminates the broader trends of African American women's literature at the turn into the 20th century.     

Imagining a Life

ABSTRACT

Born in Ohio in 1876 to wealthy parents, Natalie Clifford Barney is today better known for the freedom of her lesbian life-style than for her writing. Nevertheless, she was a serious writer, and consciously engaged in writing from a specifically lesbian point of view. With her lover Renée Vivien, she attempted to revive the cult of Sappho, and thus to revitalize a lost lesbian literary tradition. Through her weekly salon, Barney encouraged women writers, serving as a mentor and muse, and often as a lover. She enjoyed enduring friendships with many well-known women and men of letters, such as Gertrude Stein, Remy de Gourmont, Colette, and Dolly Wilde. Fictional characters based on Barney appear in novels by Lucie Delarue-Mardrus, Liane de Pougy, Djuna Barnes, and Radclyffe Hall. Barney's own writing consists of one novel (The One Who Is Legion, an eccentric meditation on gender and personality); a few collections of plays, poetry, and “portraits” of women; several volumes of memoirs; and two major volumes of “pensées,” or aphorisms, in which she comments on society, politics, and sexuality using a variety of urbane personae. Natalie Barney's work deserves more recognition than it has received, and her life still can serve as a model of self-creation uninhibitied by social strictures.     

Reading Some Fragments From the Work of Muriel Dimen,or Contradictions on the Spicy Side

ABSTRACT

My piece is concerned with some of Muriel Dimen’s feminist writing of the 1980s and her bold and unyielding pleasure in elaborating a sexual politics rooted in an acceptance of the proliferation of sexual diversities and the ambivalent relations of feelings and theories that so marked the moment. Between subjective narrative, social theory and psychoanalysis Muriel found a new kind of space for a feminist enunciation that could be undertaken while wearing extravagantly lascivious red lizard skin shoes.     

Doubly troubling narratives Writing 'the oppression of possibility' in Puerto Rico and Cuba

Abstract

Since the 'boom' of US ethnic writing, a number of writers have published novels dealing with the colonial-era Hispanic Caribbean. US-authored novels such as The Agüero Sisters (Cristina García, 1998) have received little critical attention in the USA. Similarly, English language novels written by Hispanic Caribbean authors such as The House on the Lagoon (Rosario Ferré, 1996) have received even less, if not hostile, critical attention from Caribbean scholars. Both novels locate the origins of Caribbean modernity in the violent movement from Iberian colonialism to US neo-colonialism. By comparing these novels' narrative concerns about writing, history and race, the complex relationship between 'possibility' and 'violence' they depict is delineated. Such texts reflect a growing corpus of historical fiction about the Hispanic Caribbean and complicate the flawed and persistent schism between US Latina and Latin American literary traditions.     

Protecting difference or promoting equality? US Government approaches to women's rights and the UN Commission on the Status of Women, 1945–50

Abstract

American propagandists and policy-makers throughout the Cold War era embraced the discourse of domesticity and the need to protect women as key markers of difference between the United States and the Soviet Union. However, with the establishment of the United Nations institutions, legislation and discourse on women's equality emerged, which prioritized equality over the protection of difference. This article will explore how the United States sought to negotiate between these two competing strands in women's status. It will focus on the relationship between the US government, particularly the State Department, and Dorothy Kenyon, the first US delegate to the Commission on the Status of Women at the United Nations. It will demonstrate that, whilst Kenyon became increasingly convinced of the need for the USA to embrace a more proactive position on international women's rights, the US government's position remained dismissive and superficial.     

A still,small voice: Letter‐writing,testimony and the project of address in Etty Hillesum's letters from Westerbork

Abstract

This paper derives from an exploration of the ways in which the letters of Holocaust writer Etty Hillesum, which are seemingly resistant to many of the interests of current trauma theory, can be read in relation to contemporary writing on testimonial. In particular, the three theorists I shall discuss here, Derrida, Caruth and Irigaray, directly address Freud's Beyond the Pleasure Principle, a central text in the current refiguring of trauma. This paper traces the ways in which Hillesum's letters can be read across the theoretical accounts. An interpretation of Hillesum's writing emerges in which the conventional emphasis on the mystical aspect of her texts is reinterpreted in terms of Caruth's emphasis on the life drive. Viewed as forging a creative language of departure, Hillesum's letters are situated in a central relation to the most recent developments in the theoretical discourse around testimony.     

Between Philosophy and Art: The Avant-Garde Work of Debora Vogel

ABSTRACT

Debora Vogel (1900–1942) helped develop modernism in Lviv in the interwar period. As a philosopher and writer, she was able to make connections between the dominant Polish school of philosophical logic (the so-called Lviv-Warsaw School) and the artistic circles in Lviv, to which Bruno Schulz, Stanis?aw Ignacy Witkiewicz and Leon Chwistek belonged.

Inspired by Cubism and Surrealism, but also by recent philosophical discussions, Vogel developed a writing technique called montage. In her poems and prose written in Yiddish and Polish, she reflected on the relationship between humans and modern urban architecture, playing with mathematical or geometric words and color predicates. At the same time she abandoned traditional narrative models with her style of writing.

In view of the above, this article presents Vogel's experimental writing practices and aesthetics concepts by locating her work in Lviv's culture of knowledge.     

Figuring the future in Los(t) Angeles

Abstract

This article examines Los Angeles' symbolic relation to the rest of the US, deriving from its multi-layered political, social, economic, racialized and environmental complexity. Metropolitan Los Angeles has become 'a dystopian symbol of Dickensian inequalities and intractible racial contradictions', according to historian Mike Davis. Rather than representing America's modernity, Los Angeles has come to symbolize 'the collapse of the American Century'. Accordingly this article explores the motives of African American writers in representing Los Angeles as a politically and environmentally disastrous living space and a figure for the state of the nation. The value that black writers place upon and celebrate in the multiple range of urban ethnicities is at odds, not only with the class and racialized political and economic hierarchies of the city which oppresses its black residents but also contrary to contemporary dominant models of American citizenship. The article considers work by Chester Himes, Octavia Butler and Walter Mosley and argues that within and without the borders of the US, labels like 'minority' or 'ethnic' literature ghettoize, marginalize and minimize its significance. Yet the work of these authors currently carries the weight of the search for a more ethical and moral sense of responsibility for the state of a nation skidding down the path of increasing inhumanity, injustice and disregard, not only for the majority of its own population but for the majority of the residents of this planet. These works are significant acts of dissent from the perpetuation of injustice in contemporary politics, from the increasing extremes of wealth and poverty, and from the parasitic relation of the US to the environment.     

Sweeping the world clean of capitalism: Samir Amin,Abdullah Ocalan and the world of autonomous regions

ABSTRACT

This paper will attempt to rethink Samir Amin's concept of delinking in terms of selective delinking and selective engagement. The notion of delinking is perhaps Samir Amin's most distinctive contribution to alternative development, as well as to a vision of a new kind of politics. Inspired by the ideas of Abdullah Ocalan, this talk will focus on stateless (con)federalism seen as an active dialectical engagement with the modern capitalist world-system, an active process of (dis)engagement capable of modifying the conditions of capitalist world-economy.     

The Price of 'Free' Trade: NAFTA and the Economies of Border Crossing in George Rabasa's The Floating Kingdom and Leslie Marmon Silko's Almanac of the Dead

Abstract

Under contemporary US immigration policy, the US-Mexico border has become a new 'American Frontier', a 'Tortilla Curtain' that marks the edges of nation and of national knowledge. As a result of such US policies and the increased cultural and political tensions in the area that result from them, the border region has more clearly emerged imaginatively and culturally as, in Gloria Anzaldúa's terms, a 'third country'. This paper analyses that 'third country' and its relationship to an arbitrarily imposed and emphatically enforced political and cultural border in the work of the Chicano writer George Rabasa and the Native American writer Leslie Marmon Silko. Both Rabasa and Silko actively map a wide variety of ethnicities and cultures into the physical border region itself, engaging with the complex relationships between culture and nature, community and place. Both also emphasise an increasingly transgressive and transnational perspective. In this context, both writers highlight and expose the indeterminacy, fragility and permeability of borders of all kinds.     

Love and Alcohol: Performance in the Fiction and Life of Writer-Singer Nataliia Medvedeva

Abstract

The multifaceted Russian author, singer, and actress Nataliia Medvedeva’s (1958–2003) creative output was synonymous with performance. Her image became iconic in worldwide popular culture as the carefree, smiling young woman on the cover of the New Wave rock group “The Cars”’s eponymous 1978 album. Then Medvedeva was twenty years old and had been living in the United States for about three years; she returned to Russia in 1994 after nineteen years abroad, mainly in the US and France, and died at the age of forty-four, possibly of a fatal mixture of alcohol and tranquilizers. By the time of her death, Medvedeva—author, poet, journalist, singer, musician, model, and designer—was, and remains, an enigmatic yet colourful figure of the Russian émigré and post-Soviet literary, music, and cultural scenes.

From an early age in Leningrad, she showed an aptitude for constructing performance and (re)presenting herself. This article suggests that Medvedeva used her early autobiographical writing as a method of thinking through her ideas and beliefs about the nature of performance, especially as it related to perceptions of the sexual, sexuality, and shocking-ness, as well as to the relationship between the audience and herself, indeed, between society and the self. To support my thesis, I focus, in particular, on her autobiographical novel Liubov’ s alkogolem [Drunk Love, 1987?, 1995, 2001], as well as foundational ideas from the field of performance studies.     

Internationalizing the US Ethnic Canon: Revisiting Carlos Bulosan

Abstract

The quasi-autobiographical writing of Carlos Bulosan, a migrant farmworker from the US colony of the Philippines from the 1930s to the 1950s, was discovered by ethnic activists during the US Civil Rights struggles. Once adopted as canonical texts in the US academy from the 1980s on, Bulosan's radical edge was blunted in critical readings of his work, his subversive tendencies sanitized to promote a conformist multiculturalism. We need to recover a submerged decolonizing strand in the history of Filipino deracination, sedimented in Bulosan's testimonies. This essay seeks to excavate those oppositional impulses in Bulosan's works by re-contextualizing them in the anti-colonial revolutionary movement of Filipinos dating back to the revolution of 1896; to the Filipino-American War together with the peasant insurgencies during the first three decades of US occupation (1899–1935); and in the popular-front mobilization during the US Great Depression up to the onset of the Cold War. Re-situated in their historical-biographical milieu and geopolitical provenance, Bulosan's oeuvre acquires immediacy and resonance.     

Setting the Agenda

Abstract

Foreign funding for women's non-governmental organizations (NGOs) during democratic transition plays a crucial role in shaping values and attitudes within civil society. Concepts of feminism, gender equality and the role of women in democratic politics are affected by the discourse established by foreign funders. In this article, the role of US and Nordic gender policies are examined in the Estonian context using a feminist constructivist framework. I explore the effects of neoliberal versus social-democratic gender policies and conclude that, while funding for women's NGOs serves to create a necessary discourse on women's equality, these policies may actually serve the funders' needs to gain geopolitical influence in the region.     

The limits of imperial incorporation: Alternative sociological frameworks to study Asian American subjects

This paper argues existing scholarship on Asian American communities is limited by an assumption that incorporation into the US can productively address racial and economic precarity. As an alternative, we offer “Extinguishing Asian (American) Insurgency”, a theoretical framework that incorporates histories of colonialism, imperialism, and postcolonial politics of incorporation into contemporary sociological analyses of Asian subject formation. Applying Du Boisian sociology alongside Frantz Fanon and Joy James, the framework adopts a global, relational analysis of Asian Americans and the US state. We demonstrate the framework's utility through two case studies: anti-colonial Sikh diasporic politics through the Gadar Party and US state efforts to tie diasporic South Vietnamese identity to an anti-communist politic. As such, we encourage the study of alternative possibilities of Asian subject formation that are extinguished by state incorporation, particularly through imperialism and military serivce. Specifically, we address sociologists who extinguish the insurgent Asian American subject in their scholarship by assuming incorporation and pro-state politics as a natural end goal of migration, or those who simply do not name the US as the institutional force extinguishing possibilities of Asian Americans' insurgency.     

The First Lady Scholarship Reconsidered

Abstract

Interdisciplinary scholarship on America's first ladies is slowly coming into its own both as an independent category of research and as an extension of presidential and gender research. However, aside from a brief review of scholarly literature on Hillary Rodham Clinton's tenure as First Lady (Watson 2000a), no one has systematically reviewed the research to date to ascertain what work has been accomplished and where more scholarly attention is needed, vis-a-vis this burgeoning sub-field of American government and politics. This work seeks to fill that void.     

Portraits and collaborations: a reflection on the work of Wendy Ewald

This reflection on the work of Wendy Ewald as a photographer, storyteller and teacher highlights Ewald's methodology, her manner of presenting work and her images. First, in describing Ewald's artistic practice, I discuss the innovative ways she collaborates with children, sharing control over the process of visually representing children's lives, their stories and their faces. I also describe her influence as an educator and suggest that researchers as well may benefit from Ewald's approach to exploring individuals' social realities. Next, I propose that Ewald's body of work provides a rich source of material for those interested in the analysis of visual culture. As an example, I focus on Ewald's American Alphabets, which presents four visual alphabets and deals with questions of identity and language. The collaborative images simultaneously address and raise sociological questions and offer a compelling visual example of the confluence of gender, race and social class. I finish with a discussion of Ewald's two latest collaborations—In Peace and Harmony: Carver Portraits in Richmond, Virginia and Towards a Promised Land from Margate, England. In these new works, Ewald places larger‐than‐life portraits in symbolically meaningful public spaces. Her public art involves a complicated and conceptual exploration of context.     

'Re-cognition' of the borderlines of German-American authorship The case of Friedrich Gerstäcker

Abstract

Focusing on the literary life of Friedrich Gerstäcker (1816–72), this article attempts to (re-)negotiate the range of 'German-American' authorship in the light of new, transnational views of hyphenated literatures. In the process, it reexamines several of Gerstäcker's best known texts with an eye to their potential hybridity and transnational nature, resulting from the influence of, notably, James F. Cooper and William G. Simms. Gerstäcker, who had read Cooper before he emigrated to the USA, adapted the mode, style and tone of US adventure tales for German purposes – he might even be seen as writing 'American' novels and stories in Germany. This transnational format and the reception of Gerstäcker's works, in both languages and in Germany as well as the USA, make him a special literary figure that transgresses traditional conventions.     

Enabling Fictions: Philip Roth's Prosthetic Anne Franks

Abstract

In this article, it is argued that insufficient attention has been paid to Philip Roth's uses of Anne Frank in his work. Concentrating on the 'Zuckerman' and 'Philip Roth' novels in which Anne Frank is discussed, it is illustrated that Anne Frank functions as a 'narrative prosthesis' not only in Roth's work and within American postwar culture, but that all representations of Anne Frank function as narrative prosthesis. The concept of Anne Frank as narrative prosthesis allows for recognition of the fact that Roth characterises writing and identity as prosthesis. Exploration of Roth's uses of Anne Frank also exposes problematics in his own work, particularly in his representations of women.     

'Hirelings in the Camp,the Court & the University': some figurations of US English departments,area studies and Masao Miyoshi as Blakean poet Written for the 'Imminent Questions' Conference at NYU, 29 April–1 May 2004

Abstract

This article concerns figuring forth and dismantling the poesis of area studies in the era of transnational capital and what Jack Spicer called 'the English Department of the Spirit'. I will build out from some poems, anecdotes and historical memories as well as play upon Kenzaburo Oe's figurations of Blake as visionary poet of geopolitical transformation and a revolutionary will to liberationist energies to connect the work Masao Miyoshi has done and prodded into trans/disciplinary and transnational coalition since the 1970s. I will figure forth Masao Miyoshi as a Blakean poet working to energize the refiguration and dismantling of the whole US field-imaginary of Japanese and Asian, as well as British and American area studies, which was our shared starting point in the dialectics of post-1968 history as teacher/student on the left-coast trans-Pacific US front.