'If we only had some of what they have' Ralph Ellison in Wales

Abstract

During his period as a merchant marine in the Second World War, the African American novelist Ralph Ellison was stationed in Swansea, Wales. His short story 'In a Strange Country', collected in Flying Home and Other Stories (1998), is based on these Welsh experiences, and there are two other unpublished Welsh-based stories among the Ellison papers at the Library of Congress: 'A Storm of Blizzard Proportions' and 'The Red Cross at Morriston, South Wales'. This article considers these stories as a basis for exploring the cultural and historical connections and correspondences between African Americans and the Welsh. In drawing inspiration from Ellison's critical writings, the article seeks to substantiate a genuinely comparative, transatlantic approach to literary and cultural texts. This approach leads to an exploration of the ways in which the diversity of the Welsh experience – manifested in language, politics and cultural practice – led Ellison to meditate in new ways on the issues of race, nationhood and identity that he would later famously address in Invisible Man.     

Figuring the future in Los(t) Angeles

Abstract

This article examines Los Angeles' symbolic relation to the rest of the US, deriving from its multi-layered political, social, economic, racialized and environmental complexity. Metropolitan Los Angeles has become 'a dystopian symbol of Dickensian inequalities and intractible racial contradictions', according to historian Mike Davis. Rather than representing America's modernity, Los Angeles has come to symbolize 'the collapse of the American Century'. Accordingly this article explores the motives of African American writers in representing Los Angeles as a politically and environmentally disastrous living space and a figure for the state of the nation. The value that black writers place upon and celebrate in the multiple range of urban ethnicities is at odds, not only with the class and racialized political and economic hierarchies of the city which oppresses its black residents but also contrary to contemporary dominant models of American citizenship. The article considers work by Chester Himes, Octavia Butler and Walter Mosley and argues that within and without the borders of the US, labels like 'minority' or 'ethnic' literature ghettoize, marginalize and minimize its significance. Yet the work of these authors currently carries the weight of the search for a more ethical and moral sense of responsibility for the state of a nation skidding down the path of increasing inhumanity, injustice and disregard, not only for the majority of its own population but for the majority of the residents of this planet. These works are significant acts of dissent from the perpetuation of injustice in contemporary politics, from the increasing extremes of wealth and poverty, and from the parasitic relation of the US to the environment.     

Time and mobility in the writing of Charles W. Chesnutt

Abstract

This article considers the elusiveness and ambivalence that characterize Chesnutt's writing in terms of the author's imaginative efforts to probe beyond the historical circumstances that condition and frame his authorship. Noting the focus on figures of absence and illegibility in recent criticism of Chesnutt, I examine the notion of a self in the process of uprooting itself that appears to preoccupy much of his fiction. In a close reading of Chesnutt's journals and his essay on 'Superstitions and Folklore of the South', I elaborate Chesnutt's conception of a literary voice as emerging from a context of commodification and contestation and oriented on a moment of posterior reception. I then discuss how this concept of a detachable voice informs Chesnutt's exploration of a transplantable self and an understanding of freedom in terms of a re-imagined social bond. This discussion focuses on the ways Chesnutt, in some of his short stories and in The House Behind the Cedars, evokes a passage from a condition of bondage to a capacity for multiple and variable attachments.     

'Totalitarianism', Treason and Containment in Catch-22 (and 1984)

Abstract

Critical writing on Catch-22 has often centred (quite naturally and understandably, it must be said) on concepts such as paradox, black humour and the absurdity of the human condition. Although these approaches have certainly not been without profit and have produced interesting readings, they have also tended to obscure, under the generic nature of such frameworks, the novel's patent political concerns — concerns which, moreover, are not at all unrelated to the usual critical preoccupations. In a similar way, although Catch-22 criticism has often relied heavily on the detection of literary allusions and influences at work in the text, a most obvious source of influence seems to have been generally ignored. This essay attempts to offer a different reading of Catch-22 based on the assertion that what the novel is really about is 'totalitarianism'. Its starting point is, therefore, a parallel reading bringing together Heller's best-known book with one of the central literary texts on 'totalitarianism' — George Orwell's 1984. Focusing initially on the similar way(s) in which the two novels construct what is called a 'totalitarian' atmosphere, the essay proceeds to briefly demonstrate the bearing of the 'totalitarian' problematic on another important '60s novel, E. L. Doctorow's Welcome to Hard Times, and to offer a fuller reading of Catch-22, including a summary excursion into the difficult question of how the student of '60s American fictions should approach the concept of 'totalitarianism'.     

Writing of home and home of writing Chinese American diaspora and literary imagination

Abstract

The Silent Traveller's Hong Kong Zhuzhi Poems (1972) by Chiang Yee provides an interesting case for study in relation to Asian American literary theory aesthetics for at least the following three reasons: First, Chiang's poems comment on the 'idiosyncratic phenomena' in Hong Kong, and the ambiguity and sometimes contradictions in his comments allow us to explore the issues of assimilation and Americanization and to get a good understanding of the meaning of 'home' to a Chinese diasporic poet. Second, utilization of the zhuzhi form, a tradition that has been largely abandoned in modern China, suggests the intrinsic value of the cultural tradition and emotional or psychological satisfaction to a Chinese diaspora. Chiang's tenacious adherence to the cultural tradition is a reflection of his yearning for an imaginary 'home'. Third, the use of the Chinese language underlines the poet's Chinese cultural sensitivity. A discussion of the form, content, and language of these poems illustrates the complexity of Asian American cultural and ethnic identity and the significance of the imaginary 'home' – a construction through writing where a diaspora may find a haven in displacement.     

'Another History': Alternative Americas in Paul Auster's Fiction

Abstract

Even though Paul Auster's work has been influenced by European writers, he is also a fundamentally American writer. His settings, many of his literary references, his characters and most of his themes are certainly American. And so is his interest in American history and reality. Moon Palace (1989), for example, deals with the creation of the myth of the American Dream as the country extended its frontier westward. One of the ways for Auster to express his concerns is the creation of parallel fictions like 'Kepler's Blood', a story-within-the-story which fictionally rewrites the origins of the US. Almost two decades later, Travels in the Scriptorium (2006) creates another Western American fiction by moving forward and describing a parallel nineteenth-century North America and a country called 'the Confederation'. Finally, in Man in the Dark (2008), Auster's effort at the creation of alternative Americas reaches the twenty-first century by showing a country where the 2000 election has led to secession and war. This essay analyses the parallel worlds created by Auster to question American myths and archetypes, particularly as they relate to the origins of the myths behind the creation of the United States of America.     

The nightmares of the heteronormative

Abstract

Race and sexuality have always intersected in African‐American racial formation. In this article, I argue that this intersection has inspired certain epistemological, political, economic and cultural formations. In terms of epistemology, American sociology and African‐American literature have historically addressed the connections between race and sexuality. Both were interested in the ways that African‐American racial formation transgressed ideal heterosexual and patriarchal boundaries. As far as cultural formations were concerned, such transgressions materially and symbolically aligned African‐American racial formation with homosexuality. Attending to the political and economic effect of this alignment, I maintain that it helped to articulate African‐American racial difference and worked to exclude African‐Americans from the privileges of state and capital. Thus, the article argues that African‐American racial subordination can best be understood as it converges with heteronormative and patriarchal modes of regulation and exclusion. After showing how the most prominent sociology during the 1940s (Gunnar Myrdal's American Dilemma: The Negro and American Democracy) marked African‐Americans as pathologically heterosexual, I go on to read James Baldwin's Go Tell It on the Mountain to determine how the alignment between blackness and homosexuality suggests alternative and oppositional epistemological, cultural and political practices.     

The fecundity of folkloric space: Revising hierarchies in Zora Neale Hurston's Mules and Men and Lydia Cabrera's Cuentos negros de Cuba

Abstract

This article looks briefly at differences between oral and literate cultures, discusses the personal positionality and institutional authority of Zora Neale Hurston and Lydia Cabrera vis-à-vis their Afro-New World folk stories, and then focuses on a comparative reading of three tropes present in both Hurston's Mules and Men (1935) and Cabrera's Cuentos negros de Cuba (1936, 1940). In their creation myths, stories of the struggle for gender dominance, and trickster stories, Hurston and Cabrera use the folkloric space outside of the modern geopolitical space of the nation as a place to deconstruct and reconstruct hierarchies, creating the possibility for speaking new identities and new worlds into being, thus denying the paradigms of identity articulated and enforced by official culture. The properties of this folkloric space allow for new identities to be formed, in which the radical othering of the African in the New World is replaced by more inclusive paradigms.     

¿Qué hacen los nuevos americanistas? Collaborative strategies for a postnationalist American Studies

Abstract

This article advocates that the field of American Studies institutionalize Spanish as its second language in order both to address the cultural importance of the growing US Spanish-speaking population and to ensure productive scholarly dialogue within the context of the Americas. Its ideas follow up on recent proposals for 'new' or 'postnationalist' American Studies. It warns that Americanists must be conscious of unresolved issues raised in recent debates on Latin Americanism regarding the increasingly privileged status of English (vs. Spanish) language and US (vs. Latin America) based scholarship in the globalized field of Latin American Studies, problems sure to be exacerbated by a globalizing but US centered and monolingual American Studies. It concludes by suggesting a series of strategies to promote the incorporation of Spanish into both undergraduate and graduate level pedagogy, as well as to foment bilingual scholarly dialogue across the disciplines in the context of the Americas.     

Enabling Fictions: Philip Roth's Prosthetic Anne Franks

Abstract

In this article, it is argued that insufficient attention has been paid to Philip Roth's uses of Anne Frank in his work. Concentrating on the 'Zuckerman' and 'Philip Roth' novels in which Anne Frank is discussed, it is illustrated that Anne Frank functions as a 'narrative prosthesis' not only in Roth's work and within American postwar culture, but that all representations of Anne Frank function as narrative prosthesis. The concept of Anne Frank as narrative prosthesis allows for recognition of the fact that Roth characterises writing and identity as prosthesis. Exploration of Roth's uses of Anne Frank also exposes problematics in his own work, particularly in his representations of women.     

Romancing the nation: Family melodrama and the sentimental logics of bourgeois nationalism

Abstract

In the years since the 1970s, something of a revolution has occurred in the area of South Asian American fiction, as writers like Bharati Mukherjee, Meena Alexander, Ginu Kamani, Anita Rau Badami and Chitra Banerjee Divakaruni have begun publishing their work. Bharati Mukherjee's predominant focus is the politics of immigration, not only as a prevalent preoccupation in her fictional writing, but as the focus of a series of newspaper and journal articles as well. This article seeks to contextualize the development of Mukherjee's writing in relation to wider current debates about the nature of the American canon, the question of 'Americanness', and the continually vexed issue of multicultural politics in the US. In reading four of Mukherjee's novels both through and against her polemical writing, I will argue that Mukherjee's fictions should be read together as an ongoing counter-nativist project and, as such, constitute an important intervention in US race relations.     

Post/past-'Orientalism' Orientalism and its dis/re-orientation

Abstract

In Orientalism (1978) Edward Said articulated more a cultural filter than a cultural divide, through a catalog of historical documents on the west's representation of the east, enabling readers to share a vocabulary that has now become a part of American intellectual history. In the last quarter century Orientalism has acquired a 'symbolic value' that was at best present as a 'potential value', thus realizing itself; from its initial position as an object of cultural study it has now become a subject imbued with the agency to change perception and understanding. It has problematized Orientalism itself and associated issues of the new globalism, such as immigration, diaspora, boundary crossings, cross-border terrorism, mixed ethnicities, international and inter-racial adoptions, and travel. The article focuses on the new social, political and economic faces of the old Orientalist attitudes, and calls for a radical revision of history.     

William Blake and America: Freedom and Violence in the Atlantic World

Abstract

In this article, I consider the absence of a general readership of William Blake's poetry in nineteenth-century Britain and compare that neglect to the American Transcendentalists' reading of Songs of Innocence and Experience (1794) in the 1840s. The American interest in Blake's poetry is complemented by his fascination with the events in the Atlantic World in the years culminating in the American War of Independence. I will offer a reading of Blake's America: a Prophecy (1793) showing that the Civil War fulfilled his prophecy of inevitable future conflict. This is developed first by considering Ralph Waldo Emerson's changing responses to slavery and race during the turbulent middle decades of the century, and then by addressing Walt Whitman's attempt to negotiate postbellum America. This negotiation, I argue, results in the emergence of those two powerfully conflicting strains in his mature poetry: emancipatory fervour and simultaneous despair at the violence intrinsic in liberty.     

Theorizing the hemisphere Inter-Americas work at the intersection of American,Canadian, and Latin American studies

Abstract

This article advocates an 'inter-Americas studies' perspective that bridges the institutionalized fields of American, Canadian, and Latin American studies, which have traditionally provided separate means for studying the hemisphere. Since they encompass comparative orientations, Canadian and Latin American studies in particular have the potential to move existing work on the hemisphere beyond the currently dominant post-national assumptions of American studies. Our discussion of Canadian and Latin American studies emphasizes the different usage and degree of importance ascribed to critical terms like ethnicity, post-coloniality, post-nationality, and globalization. We argue that inter-Americas studies scholars will need to pay special attention to historically divergent forms of nation-state formation and intellectual analyses of nationalism in the Americas to arrive at more nuanced theories of continuing US domination in the hemisphere under conditions of globalization.     

Cultural Alignment African American Male Youths and Violent Crime

Abstract

Four theories-racial inferiority, culture of poverty, racial discrimination, and political economy-are usually advanced to explain violence among African Americans. These theories, however, fail to underscore the deleterious influence that cultural oppression and cultural alienation have on African Americans generally and African American male youths specifically. To examine the role both cultural oppression and cultural alienation play in the lives of African American male youths, this article presents a Cultural Alignment Framework. The basic assumption of the framework is that African American male youth violence is a function of these males' internalization of alien concepts of manhood that reflect the impositions of European American culture and the nefarious legacy of slavery.     

The Inter-ethnic Return: Racial and Cultural Multiplicity in Foundational Asian American and Chicana/o Literatures

Abstract

This article advocates that inter-ethnic contact and cross-cultural traffic condition the possibilities of imagining Asian American and Chicana/o identities, respectively, in early Asian American and Chicana/o novels. Using Maxine Hong Kingston's The Woman Warrior and Sandra Cisneros' The House on Mango Street as my primary examples, I demonstrate how early Asian American and Chicana/o literatures that have been critiqued almost exclusively within binary analytic paradigms articulate identity within a diverse field of racial and cultural differences. I argue that, in order to regard properly the inter-ethnic trends of recent US fiction and to liberate foundational minority texts from ethnic specific enclaves within US institutions, scholars need to recognize how negotiating a diverse spectrum of racial and cultural distinctions is a critical element of the early Asian American and Chicana/o literary imagination.     

'America' in transit The heresies of American studies abroad

Abstract

In arguing for the need to move beyond the export model and the global/local dialectic to internationalize American studies, this article explores the resiliency of the nation and nationalism to shape the transcontinental dynamics of the production, circulation, and consumption of 'America' as a commodity in a global market. In discussing the institutionalization of American studies in India, I argue that outside the boundaries of US American studies, we need to engage with the heretical practices of the globalization of American studies, which embody the translational yet conflictual itineraries of diverse interpretive communities across the world. Theorizing the relations among modernity, colonialism, and 'America', and re-imagining the emergence and significance of the many meanings and traditions of 'America' and American studies in transit along a global circuit are the central concerns of this article.     

Sui Sin Far's American Words

Abstract

This essay offers readings of three stories from Sui Sin Far's 1912 collection Mrs. Spring Fragrance: the title story, 'The Americanizing of Pau Tsu', and '"Its Wavering Image."' Each of these stories treats an episode of romance in a multiracial society as, simultaneously, a problem of reading and of writing in a contested culture. Each turns on a quoted passage from a poem, by Tennyson, Ban Jieyu, and Longfellow, respectively. (For the latter two stories, the sources have not previously been identified in published criticism.) Analysis of Sui Sin Far's subtle and transformative engagements with literary works from several national traditions both reveals new complexities in her fiction and has the potential to revise current views of literary history.     

The institutional origins of American literary history

Abstract

This article deals with the importance of institutions in the construction of literary classifications. Following Mary Douglas, the article offers a double-stranded perspective on institutions that stresses both their social and cognitive anchorage. This is applied to one particular case, namely the genealogy connecting Emerson (and the Transcendentalists) to Jonathan Edwards. The article shows how Perry Miller's 'discovery' of that lineage in 1940 has an institutional history that goes as far back as the early beginnings of American literature as an academic discipline. Part of the function of the discipline, the article argues, is to hide this history in order to bring out the continuing relevance of such taxonomies. The concluding paragraph identifies some implications of this view on institutionalization for current discussions about the (post-) nationality of American literature.     

Building an Institution Second to None: Dr. Inabel Burns Lindsay—A Social Work Leader in the Academy

ABSTRACT

This article describes Dr. Inabel Burns Lindsay's leadership as the founding dean at Howard University School of Social Work during her 30 years of service from 1937 to 1967. It chronicles her efforts to build the School as well as her efforts to highlight social injustices of the time. Her lifelong efforts promoted the inclusion of African American social workers in the workforce and the need to understand sociocultural factors in working with different ethnic and racial groups. As a female dean, Dr. Lindsay was an avid promoter of social justice and a prolific writer and speaker on the topic. This article introduces the reader to this under-recognized social work pioneer, with emphases on the challenges of her time and her leadership style.