The Bengal Connection: Transnationalising America in The Namesake and The Tree Bride

Abstract

A reading is presented of The Namesake and The Tree Bride as diasporic novels that transnationalise the host culture by inscribing the ethnicity and history of Bengal on to the cultural topography of America. This interpolation is contextualised both in terms of the 'Bengal connection' — the now occluded saga of Bengal's rich commercial and intellectual contacts with New England from the seventeenth to the nineteenth centuries — and the changing paradigms of immigrant socialisation from the melting pot to multiculturalism and beyond. The inference drawn is that the non-Eurocentric and non-Atlantic 'Bengal connection', which may be taken as emblematic of other such strands in American society, not only troubles monologic myths of 'Americanness', but simultaneously interrogates the sufficiency of the 'Atlantic' template as the marker of a multi-ethnic nation. A suggested alternative is Tagore's 'vernacular nationalism' that admits intrinsic otherness as integral to its conception of national identity.     

William Blake and America: Freedom and Violence in the Atlantic World

Abstract

In this article, I consider the absence of a general readership of William Blake's poetry in nineteenth-century Britain and compare that neglect to the American Transcendentalists' reading of Songs of Innocence and Experience (1794) in the 1840s. The American interest in Blake's poetry is complemented by his fascination with the events in the Atlantic World in the years culminating in the American War of Independence. I will offer a reading of Blake's America: a Prophecy (1793) showing that the Civil War fulfilled his prophecy of inevitable future conflict. This is developed first by considering Ralph Waldo Emerson's changing responses to slavery and race during the turbulent middle decades of the century, and then by addressing Walt Whitman's attempt to negotiate postbellum America. This negotiation, I argue, results in the emergence of those two powerfully conflicting strains in his mature poetry: emancipatory fervour and simultaneous despair at the violence intrinsic in liberty.     

Edward Gibbon Wakefield,England and 'ignorant,dirty, unsocial, . . . restless,more than half-savage' America

Abstract

Edward Gibbon Wakefield is usually credited with devising a new, 'rational' system of colonization, propounded in a series of books and articles between 1829 and 1837. Certainly, this is what his contemporary champions would have us believe but, rather than identifying what he propounds as an entirely new way of understanding colonization, it is more correct to characterize Wakefield's system as a careful decoction of existing ideas, practices and proposals trailed in earlier 19th-century British writings on the Cape, Australia, Canada and America. Published in London in 1833 and New York in 1834, England and America consequently represented a particularly selective reading of contemporary British writings on America, a highly-coloured portrayal of the country designed to demonstrate how emigration and settlement was better not conducted, and a striking contrast to his own, idealized vision of how colonies should be peopled.     

Popular music and urban regeneration: The music industries of Merseyside

In this article I address the origins of America's national parks, particularly as they figure in the environmentalist discourse surrounding the institution of Yosemite Valley as a public park. Although technically speaking Yosemite did not become a national park until 1890, its cession to the State of California in 1864 provides an important cultural site for the emergence of environmentalism as part of a broader concern with the relations between aesthetic, social and natural agency. In mapping out these relations in Frederick Law Olmsted's 1865 report on the management of Yosemite, I claim that the preservation of Yosemite reproduces nature as a public park in which human agency can be simultaneously produced and elided by means of the aesthetic agency of nature. I read Olmsted's report as a discursive site on which we can trace the structural parallels between the preservation of Yosemite and several related cultural practices in which the origins of American environmentalism are embedded. I also read it as sketching out the configurations of human and natural agency within which these parallel practices are articulated.

My study operates from the assumption that science and technology need to be understood not simply by explaining how they are socially or culturally constructed, but also by looking at how certain fundamental ideas of metaphors (like natural agency or the reproduction of nature) are worked out at the same historical moment in different discursive practices. In taking up the idea of America as it both defines and is defined by the network of relations among science, technology and culture, I outline certain myths of American environmentalist origins as played out across a number of diverse and heterogeneous discourses and technologies of representation and reproduction. I hope also to illuminate the way in which American cultural origins are simultaneously constructed and destabilized through the act of reproducing nature.     

Enabling Fictions: Philip Roth's Prosthetic Anne Franks

Abstract

In this article, it is argued that insufficient attention has been paid to Philip Roth's uses of Anne Frank in his work. Concentrating on the 'Zuckerman' and 'Philip Roth' novels in which Anne Frank is discussed, it is illustrated that Anne Frank functions as a 'narrative prosthesis' not only in Roth's work and within American postwar culture, but that all representations of Anne Frank function as narrative prosthesis. The concept of Anne Frank as narrative prosthesis allows for recognition of the fact that Roth characterises writing and identity as prosthesis. Exploration of Roth's uses of Anne Frank also exposes problematics in his own work, particularly in his representations of women.     

Writing of home and home of writing Chinese American diaspora and literary imagination

Abstract

The Silent Traveller's Hong Kong Zhuzhi Poems (1972) by Chiang Yee provides an interesting case for study in relation to Asian American literary theory aesthetics for at least the following three reasons: First, Chiang's poems comment on the 'idiosyncratic phenomena' in Hong Kong, and the ambiguity and sometimes contradictions in his comments allow us to explore the issues of assimilation and Americanization and to get a good understanding of the meaning of 'home' to a Chinese diasporic poet. Second, utilization of the zhuzhi form, a tradition that has been largely abandoned in modern China, suggests the intrinsic value of the cultural tradition and emotional or psychological satisfaction to a Chinese diaspora. Chiang's tenacious adherence to the cultural tradition is a reflection of his yearning for an imaginary 'home'. Third, the use of the Chinese language underlines the poet's Chinese cultural sensitivity. A discussion of the form, content, and language of these poems illustrates the complexity of Asian American cultural and ethnic identity and the significance of the imaginary 'home' – a construction through writing where a diaspora may find a haven in displacement.     

Truth,lies, and racial consequences in Ernest Hemingway's True at First Light: A Fictional Memoir

Abstract

This article examines Ernest Hemingway's posthumously published novel True at First Light: A Fictional Memoir, by relating the author's vision of the role of Africa in the literary imagination to issues the novel raises for postcolonial cultural and historical criticism. Analyzing the novel's narrative, which draws upon Hemingway's second safari to Kenya in 1953–4, offers insight into Hemingway's 'African American' consciousness, and the new awareness that he was able substantively to arrive at for the first time in this novel, less than 10 years before his death. This awareness inaugurated what might be called a fictional reverse migration, whereby Hemingway reconnects with the black native perspective on Africa that he encountered on his first safari in 1933–4, in order to acquire material insight into what blacks were experiencing in America at the time of his second safari. Identifying this awareness also leads to the possibility of (re)reading Hemingway's racial perspective in his earlier works with African settings.     

The transnational turn,Houston Baker's new southern studies and Patrick Neate's Twelve Bar Blues

Abstract

This article considers Houston Baker's take on the 'new southern studies' in Turning South Again (2001) in relation to the transnational turn in American studies and Paul Gilroy's theory of the 'Black Atlantic'. The article begins by pointing out that the vision of 'the South' formulated in southern (literary) studies during and after the 1950s frequently cut against the nationalism and exceptionalism central to the development of American studies in the same period. However, southern literary critics and writers (both white and black) developed their own exceptionalist and nativist models of identity, including Donald Davidson's 'autochthonous ideal' and the 'Quentissential fallacy' – in William Faulkner's Absalom, Absalom!, Quentin Compson's claim that 'you would have to be born' in the South to understand it. A transnational turn displaces such southern exceptionalism and nativism. However, Baker's 'new southern studies' approach to African-American experience (from slavery to 'United States black modernism') proceeds through a predominantly regional-national framework and privileges 'the South' and his own native southern authority. From a transnational perspective, Baker's approach becomes problematic when it facilitates the 'Quentissential' repudiation of Gilroy's Black Atlantic. The article concludes by discussing the transnational South of Patrick Neate's novel, Twelve Bar Blues, with reference to Gilroy and songs by Billie Holiday and Eric B and Rakim.     

American Studies in India: a retrospect

Abstract

This article was prompted by John Muthyala's piece in Comparative American Studies entitled ' "America" in Transit: The Heresies of American Studies Abroad' (2003). However, it is not simply a response; it attempts to plug certain gaps in the earlier article and draw attention to a few factual details essential for a proper understanding of the growth and evolution of American Studies in India. During the years when funds from the US government were in ample supply, the discipline flourished in Indian universities. Following the cessation of fiscal support, it has been languishing, but by no means is it dead: committed scholars continue to work in American Studies and a lot of academic activity still takes place. The present article begins with the historical background and the earliest exchanges between India and the USA; it concludes with reference to the scenario now, in 2004, which may not be too bright but is certainly not without hope.     

Peter Kireevskii and the Development of Moscow Slavophilism

Abstract

Although the name of the folklorist Peter Kireevskii is well known to historians of nineteenth-century Russia, comparatively little has been written about his place within the Slavophile circle. Some scholars have treated him as the 'first' Slavophile. Others have questioned whether his views were in any sense really Slavophile at all. This article argues that Peter Kireevskii's life-long interest in Russian folklore was rooted both in his understanding of the Russian countryside and his exposure to the influence of a Russian Romantic tradition that viewed the narod as the authentic representative of national identity. It suggests that Kireevskii was from his youth convinced that Russia possessed a culture and history that was equal in value to any country in the West, but that it was only in the late 1830s that he stressed the role played by Orthodoxy in shaping Russia's development. Although his mature views brought him closer to the Slavophile 'mainstream', there were always some elements that set him apart, perhaps reflecting the fact that Slavophilism was a more eclectic and diverse phenomenon than sometimes realized.     

The Problems of Public Relations: Eisenhower,Latin America and the Potential Lessons for the Bush Administration

Abstract

Accompanied by intense media interest, President George W. Bush visited Latin America in March 2007. The trip, it seemed, was a rather obvious attempt to try and improve inter-American relations by demonstrating that the US did care about is neighbours to the South; to counter the seemingly endless bad press and repair some of the damage done to the American brand by Bush's policies and the influence of Venezuelan president, Hugo Chávez. As this article will demonstrate, though, this was reminiscent of another era: that of the 1950s and the presidency of Dwight D. Eisenhower. Throughout his eight years in office, Eisenhower would consistently use public relations operations as a way of improving inter-American relations. However, the intense problems that this eventually brought about suggest that the present administration may have been misguided in its attempts to follow a similar path to its Republican predecessor's.     

'Totalitarianism', Treason and Containment in Catch-22 (and 1984)

Abstract

Critical writing on Catch-22 has often centred (quite naturally and understandably, it must be said) on concepts such as paradox, black humour and the absurdity of the human condition. Although these approaches have certainly not been without profit and have produced interesting readings, they have also tended to obscure, under the generic nature of such frameworks, the novel's patent political concerns — concerns which, moreover, are not at all unrelated to the usual critical preoccupations. In a similar way, although Catch-22 criticism has often relied heavily on the detection of literary allusions and influences at work in the text, a most obvious source of influence seems to have been generally ignored. This essay attempts to offer a different reading of Catch-22 based on the assertion that what the novel is really about is 'totalitarianism'. Its starting point is, therefore, a parallel reading bringing together Heller's best-known book with one of the central literary texts on 'totalitarianism' — George Orwell's 1984. Focusing initially on the similar way(s) in which the two novels construct what is called a 'totalitarian' atmosphere, the essay proceeds to briefly demonstrate the bearing of the 'totalitarian' problematic on another important '60s novel, E. L. Doctorow's Welcome to Hard Times, and to offer a fuller reading of Catch-22, including a summary excursion into the difficult question of how the student of '60s American fictions should approach the concept of 'totalitarianism'.     

Proust's butterfly James McNeill Whistler and painterly writing in In Search of Lost Time

Abstract

This article examines the influence of Whistler's art on Proust and the role it plays in Proust's analysis of involuntary memory in In Search of Lost Time. Whistler (a near anagram of Proust's 'Elstir'), alongside Monet and Paul César Helleu, is generally credited with making up the composite figure of Elstir, the painter who takes his place as one of the central characters in Proust's novel and plays a pivotal role in linking the experiences of Proust's youthful narrator, Marcel, with those of the older Swann, and of reconciling the cultural shift in emphasis from portraits painted in studios to the en plein air style of the Impressionists. Whistler's, though, is an influence that runs deeper than historical or biographical contingency. Whistler, too, saw memory rather than direct observation as central to the creative act; and in the way in which his increasingly strictly pictorial art dramatizes the act of looking, he provides a parallel to Proust's concern with how memory, through the rhetoric of metaphor, is transformed into art.     

The fecundity of folkloric space: Revising hierarchies in Zora Neale Hurston's Mules and Men and Lydia Cabrera's Cuentos negros de Cuba

Abstract

This article looks briefly at differences between oral and literate cultures, discusses the personal positionality and institutional authority of Zora Neale Hurston and Lydia Cabrera vis-à-vis their Afro-New World folk stories, and then focuses on a comparative reading of three tropes present in both Hurston's Mules and Men (1935) and Cabrera's Cuentos negros de Cuba (1936, 1940). In their creation myths, stories of the struggle for gender dominance, and trickster stories, Hurston and Cabrera use the folkloric space outside of the modern geopolitical space of the nation as a place to deconstruct and reconstruct hierarchies, creating the possibility for speaking new identities and new worlds into being, thus denying the paradigms of identity articulated and enforced by official culture. The properties of this folkloric space allow for new identities to be formed, in which the radical othering of the African in the New World is replaced by more inclusive paradigms.     

The reproduction of culture and personality: Critique of Christopher Lasch

Following in the theoretical tradition of the Frankfurt School, Christopher Lasch contends that the narcissistic personality has become the modal personality type in the United States. According to Lasch, the narcissistic personality is nurtured in the contemporary nuclear family and sustained by a culture that promotes immediate gratification and a preoccupation with the self.

The central aim of this paper is to critically analyze Lasch's argument. The paper will show that Lasch's perspective rests on the unfounded psychoanalytic assumption that the adult personality is crystallized during childhood socialization and remains largely resistant to change. It will further be shown that Lasch's Freudianism is at odds with his Marxist politics, and that his conceptualization of culture and personality rests upon a functionalist bias in his theoretical perspective. The conclusion of this paper is that Lasch does not provide any reliable evidence for the existence of a narcissistic personality type in contemporary America.     

‘The Rule of Men Entirely Great’: Republicanism,Ritual, and Richelieu in Melville’s ‘The Two Temples’

Abstract

This article explores the complex and multifarious reasons behind Herman Melville’s decision to refer to the English playwright Edward Bulwer-Lytton’s 1839 work Richelieu, or The Conspiracy in his 1854 diptych ‘The Two Temples’. It responds to a critical consensus that has seen the reference merely as a sarcastic attack on William Macready (whose rivalry with the American actor Edwin Forrest was the nominal cause of the bloody 1849 Astor Place Riot in New York), by contextualizing the play within traditions of antebellum American Anglophilia. By using a combination of new critical work on Anglo-Americanism and anthropological ritual theory, I show how Bulwer-Lytton’s play was significant to Melville’s artistic development. In particular, I demonstrate how the play influenced his increasing engagement with republican and theatrical forms of expression that emphasized the importance of filial relationships between America and Britain in a period of increasing hostility between the two nations.     

Doubly troubling narratives Writing 'the oppression of possibility' in Puerto Rico and Cuba

Abstract

Since the 'boom' of US ethnic writing, a number of writers have published novels dealing with the colonial-era Hispanic Caribbean. US-authored novels such as The Agüero Sisters (Cristina García, 1998) have received little critical attention in the USA. Similarly, English language novels written by Hispanic Caribbean authors such as The House on the Lagoon (Rosario Ferré, 1996) have received even less, if not hostile, critical attention from Caribbean scholars. Both novels locate the origins of Caribbean modernity in the violent movement from Iberian colonialism to US neo-colonialism. By comparing these novels' narrative concerns about writing, history and race, the complex relationship between 'possibility' and 'violence' they depict is delineated. Such texts reflect a growing corpus of historical fiction about the Hispanic Caribbean and complicate the flawed and persistent schism between US Latina and Latin American literary traditions.     

The return of the Indian guide New formulations of the Indian guide at the end of the 20th century

Abstract

In the myth of the North American frontier defined as a place where two or more cultures interact, there is a set of characters who represent the capacity to move in both worlds and to build bridges between them. The translator is one and the 'guide' another. The figure of the 'Indian guide' – explored from white people's point of view ever since Fenimore Cooper's Leatherstocking Tales – staged a large scale return at the end of the 20th century in North American (Canadian and American) novel and film, but now transformed by authors (generally Native American but not exclusively so) who view the history of the North American West from, as it were, the other side of the frontier line. This article will try to describe the new, rebellious, empowering characteristics of the Indian guide as represented in novels and films of the last 30 years.     

'If we only had some of what they have' Ralph Ellison in Wales

Abstract

During his period as a merchant marine in the Second World War, the African American novelist Ralph Ellison was stationed in Swansea, Wales. His short story 'In a Strange Country', collected in Flying Home and Other Stories (1998), is based on these Welsh experiences, and there are two other unpublished Welsh-based stories among the Ellison papers at the Library of Congress: 'A Storm of Blizzard Proportions' and 'The Red Cross at Morriston, South Wales'. This article considers these stories as a basis for exploring the cultural and historical connections and correspondences between African Americans and the Welsh. In drawing inspiration from Ellison's critical writings, the article seeks to substantiate a genuinely comparative, transatlantic approach to literary and cultural texts. This approach leads to an exploration of the ways in which the diversity of the Welsh experience – manifested in language, politics and cultural practice – led Ellison to meditate in new ways on the issues of race, nationhood and identity that he would later famously address in Invisible Man.