Cultural studies in the present tense

Cultural studies professed ‘radical contextualism’ imbues the project with a particular orientation toward ‘the present,’ a consideration of ‘the current moment’ as a configuration of forces shaping possibilities for politically engaged practice and affording concrete potentials for telling better stories. This essay elaborates these claims by way of tribute to Lawrence Grossberg. It is neither retrospective nor prospective. Instead – and in a manner more befitting a figure who continues to champion the political-intellectual practice of cultural studies here and now, in the present – this essay reflects on the author’s experiences learning with and from Grossberg in order to explore the the temporality of the cultural studies project.     

Poverty (lab) oratory: Rastafari and cultural studies

This paper presents Rastafari Experience in Jamaica as one of the first cultural studies projects. This cultural studies project is located as originating in the 1930s in Kingston and in 1960 within the University College of the West Indies. It is argued that the Rastafari approach was demonstrative of a faculty of cultural studies at work – its members being drawn from a folk scholastic tradition originating from before the Haitian Revolution in 1791. It views the emergence of the Movement in Jamaica, as drawing on a multidisciplinary/trans-disciplinary approach towards the work of engagement and social re-interpretation of Jamaican ‘colonized society’. Poverty (lab) Oratory is thus a reading of the historical framework of the indigenous cultural studies project tracing the ‘process of institutionalization’ in the way Mato views this as the net effect of the English speaking intellectual cultural studies project. It concludes by examining what can be rightfully considered the ‘University’ in light of the role and place of the critical scholastic tradition brought by the folk leadership, in particular, Rastafari.     

Speaking trajectories: Meaghan Morris,antipodean theory and Australian cultural studies

Over the last 30 years, the term discourse has spread throughout both the social sciences and the humanities. There is a widespread consensus that the current usage of the term ‘discourse’ originated with Foucault. This paper has three related goals: first, it demonstrates that the current usage of ‘discourse‘ did not originate with Foucault, and in some ways contradicts his own limited technical usage. Second, an intellectual history is presented that explains where the term originated – in French and British theory of the 1960s and 1970s – and how it was propagated and transformed by Anglo-American cultural studies theorists. By extending this intellectual history through the 1990s, the paper documents how Anglo-American scholars increasingly began to attribute the concept to Foucault, and how this has contributed to two important misreadings of Foucault. In conclusion, this history is drawn upon to explore and clarify several competing usages of the term in contemporary cultural studies.     

Negotiating cultural boundaries: Confucianism and trans/national identity in Korea 1

Abstract

This essay looks to the complex intercultural relations of China and Korea to highlight two important issues in political theory and international relations: the transnational nature of world politics and the limits of analytical binaries such as East‐West and tradition‐modernity. Discussions of international politics in East Asia characteristically address issues of security and development studies. More recently, Confucianism has been mobilized as part of the clash of civilizations of Asia with the West. This essay will consider how cultural boundaries are negotiated within the region via an analysis of the workings of the transnational discourse of Confucianism in the construction of Korean identity. While many make truth claims about what ‘Confucianism’ means in Korea, this essay examines the discursive economies of ‘Confucian events’ in three overlapping social spaces: official, mass media, and academic. This essay will show the diversity of Confucianism within East Asia, and underline how rather than being a simple orthodoxy, the shape of Confucianism is an active political issue. While many try to define a core ‘Korean Confucianism’, I argue that we should use Confucianism as an analytical tool to understand something else, citing how some scholars are using Confucianism for the specific project of building democracy in Korea.     

TEXTURES OF THE MODERN: VIENNESE CONTRIBUTIONS TO CULTURAL HISTORY AND URBAN STUDIES

The following essay recapitulates the findings of a research project on Viennese modernity, which since 1995 has involved a group of historians, political scientists, literary scholars and sociologists examining the different phases in the history of the city in the twentieth century from a transdisciplinary perspective. The point of departure for the project was its participants' dissatisfaction with a myopic image of twentieth-century Vienna increasingly constricted to literary and aesthetic practices, which has focused on the ‘golden age’ of high culture in the Habsburg capital of the fin-de-siècle while omitting crucial periods of the city's history, in particular the political and cultural crisis between 1918 and 1938, and the phase of material and cultural reconstruction after the ‘collapse of civilization’ that was Nazism.     

Empire,emotion, exchange: (dis)orienting encounters of/with post-9/11 US cultural diplomacy

ABSTRACT

This article disentangles how empire, emotion and exchange intersect and work to orient and disorient processes of identity formation within post-9/11 US cultural diplomacy. Focusing on everyday cultural exchange practices, it challenges the particular cosmopolitanism embedded in these programmes that hinges upon the affective and the colonial. It reflects on how this entanglement of empire, emotion and exchange operates through modes of governmentality that produce energized, more governable subjects and masks such operations of power. Analysing one particular exchange – YES – this article disorients colonial logics of subjectification by exploring affective exchange encounters that are always already (dis)orienting. It then serves as a disorienting encounter with cultural diplomacy through four provocations, illustrating how empire is (always) (dis)orientating, can (dis)orient, can be disoriented, and must undergo disorientation. First, post-9/11 US cultural diplomacy and its logic of cosmopolitanism suggest empire is always (dis)orientating via its manifestation in ‘unusual’ sites; while exchange programmes’ onus on celebrating difference appears to conflict with ‘where’ empire ‘normally’ orients itself, as post/decolonial scholarship reveals, it is in the seemingly benign/unquestionable where empire does its work most profoundly. Second, the entanglement of emotion, empire and exchange can (dis)orient exchange subjects through how they are governed to perform and oscillate between ever-shifting ‘ideal’ subjectivities (familiar national/cosmopolitan global/enterprising neoliberal). Third, tracing colonial echoes and spectres in these exchanges reveals empire as disoriented, as that which is analytically ‘less conventional’. An arguably ‘conventional’ analysis oriented around a neo-colonial logic and an imperialistic ‘America’ while seductive in its simplicity obscures the governmental and performative complexities operating within these programmes. Finally, disorientation enables empire to be challenged and disrupted, opening up possibilities for post-9/11 US cultural diplomacy, and the self-Other relations comprising it, to be reimagined. In short, this paper’s analytical disorientation can lead to a reorientation of cultural diplomacy.     

Who needs Cantonese,who speaks? Whispers across mountains,delta, and waterfronts

This essay digs into the ‘dirtiness’ of cultural studies to prioritize praxis, or as the way my mountain folks collect summer lotus: putting our feet in the muddy water, and finding ways to get the stems underneath the smooth leaves. Using Cantoneseness as a case to locate such ‘dirtiness’, I draw on personal/familial histories as well as research projects to tell how conjunctures of Cantoneseness are politically and unevenly lived. This complex journey travels roughly from my childhood in the Yuebei mountains of northern Guangdong through my teenage and early adult years in the Pearl River Delta (PRD) to my current location as a temporary resident in the East Pacific port of Vancouver. I selectively emphasize and speak on three different locations: first, the rural inland Cantonese location of Yuebei mountains – the borderland and hinterland experiences of my family and myself living what the mountains would offer and how these have changed; second, the industrial superior Cantonese location of PRD in Shenzhen and Guangzhou – my personal experiences and identities as a migrant youth, combined with a case study including interviews with migrant peasant-workers and their children; and third, the western transnational Cantonese location of East Pacific waterfronts in Vancouver and Richmond – my personal engagement with social activism as an ethnicized, international student, combined with a narrative study including interviews with social activists with different Cantoneseness and migration routes. While this mix of whispers speaks in its own way towards using cultural studies with more seriously (global) space-sensitive and (social justice) praxis-sensitive approaches, the primary focus is more modestly on my autobiographical accounts and research efforts as a specific case: to show some strategic locations of ‘Cantonescape’ on the one hand, and to invite wider conversations around cultural-spatial politics on the other.     

Introduction: Chinese cultural studies in the utilitarianism-oriented age

ABSTRACT

This brief essay, introducing the collection of essays on cultural studies in mainland China and the Chinese-speaking societies, relates the emergence and development of Chinese cultural studies to changes in society. It documents the twin pulls in cultural studies between analyzing what is happening and intervening into society with idealistic possibilities for the future. It lays out how ‘the Chinese modern legacy’ and the Chinese Revolution provide resources for cultural studies and offers some analysis of the social changes that currently confront cultural studies.     

Transnational family strategies and education in the contemporary Chinese diaspora

Abstract In this article I examine the role of education in the family strategies of recent East Asian migrants, contributing to intellectual debates around transnationalism and the contemporary Chinese diaspora. Empirically, the article provides an insight into the experiences and objectives of an often‐neglected group within studies of Chinese migration – students. I also attempt to understand the particular role that children play within a wider family project of capital accumulation. Drawing upon the work of Bourdieu, I emphasize the significance of different forms of capital in underpinning the spatial strategies of East Asian families. The research for this article was conducted in Vancouver, Canada and Hong Kong, involving in‐depth interviews with university students, recent graduates and their families. In conclusion, in the article I maintain that a geographically informed theory of ‘cultural capital’ and its relationship to the family unit can help elucidate recent patterns of trans‐Pacific, transnational mobility, moving beyond more common ‘political’ and ‘economic’ interpretations of this contemporary migration.     

Museum acrobatics: artistic intervention and the work of cultural studies

This paper responds to questions posed to the panel regarding intellectual work and the division of labour in the academic and non-academic work of cultural studies. Using examples of ‘failed attempts’ at producing change at the Art Gallery of Ontario, the paper re-frames notions of transmission in the project of cultural studies in relation to questions of participation to provide a framework for thinking about how cultural studies practitioners engage with the public sphere.     

Cultural studies as praxis: (making) an autobiographical case

This autobiographical essay ‘takes cultural studies personally’, drawing on experience, identity and the personal to indicate how and why the author is proponent of and is working on developing a model of cultural studies as social justice praxis despite the constraints academia in general and of the university as an institution in particular. The paper travels roughly from the author’s student and teacher days in Sierra Leone through his graduate student days in Canada to his current role as university teacher in the USA. He selectively concentrates on his experience as a teacher of literature (and African multi-role utilitarianism), education and cultural studies (using one of his cultural studies courses and students’ questions about the utility of cultural studies as example), his shifting and overlapping racial/ethnic identities (African/black) and the politics of identity, and his thoughts on the place of theory in cultural studies and a black approach to theory (black ambivalent elaboration) as contributory factors. While this account acts in its own way as an argument for conceptualizing cultural studies as praxis, the primary focus is more modestly on my own autobiographical account as a specific case. In fact, an autobiographical approach is employed precisely to be specific and in the attempt to avoid the pitfalls of over­generalization and the authority of authenticity.     

Phototextuality: photography,fiction, criticism

Ever since the advent of the medium in the mid-nineteenth century, photography and literature have been involved in an almost constant dialogue and process of intersemiotic cross-fertilisation. The scholarly field that has recently begun to develop around the critical study of this kind of aesthetic border crossing – what will here be called ‘phototextuality’ – is as burgeoning as it is multidisciplinary, spanning over 150 years of literary, artistic, and cultural history. In this article – conceived as a ‘state of the art’ of contemporary phototextual practice – the author proposes to clarify our understanding of what a phototext is and does by focusing on three particular manifestations of the trend: namely, narrative photographs, photographically engaged fictions and a particularly stunning work of critical inquiry that embodies, as much as it examines, the image–text paradigm.     

INTERFACING FEMINISM AND CULTURAL STUDIES IN HONG KONG: A CASE OF EVERYDAY LIFE POLITICS

Cultural studies, as a cultural and political re-articulation of common sense, knowledge and community practices, aims at opening up new cultural space for criticisms, reflections and action. Originating from the women' movement and later flourishing in the academy as well, feminism espouses similar aims to cultural studies. Both cultural studies and feminist/gender studies have a strong sense of intervening into everyday life politics. This paper is an attempt to discuss how feminism and cultural studies interface with each other, largely based on examples of gender-related everyday life politics taken from the feminist movement in Hong Kong. It will examine issues concerning the conflict of consumption and female subjectivities, the reconceptualization of home and housewives, and the representation of everyday life for women and history writing. It is argued that by blurring, negotiating or deconstructing the boundary or division between positions, identities and domains–such as subject and object, housewives and workers, private and public, personal and political, consumption and production–the re-articulation of knowledge about ‘victim’, ‘exploitation’, ‘home’ and ‘history’ in the feminist movement will not only provide the movement with new impetus and insight to reconsider its strategies in fighting for more cultural, social and economic space for women and other marginal groups at large in Hong Kong, but will also ‘metabolize’ the newly developed discipline of cultural studies in Hong Kong by providing a platform to strengthen the dynamic arm of cultural studies education and research. Based on her feminist and teaching experiences in Hong Kong, the author has highlighted activism and pedagogy as the two important dimensions of feminism and cultural studies in this paper.     

Restoring Law and (Racial) Order to the Old Dominion

In 2006, cities and counties across the USA began adopting ‘Illegal Immigration Relief Acts’ to relieve themselves of the economic and social burden that undocumented immigrants were allegedly presenting. By restricting the access of undocumented residents to housing, jobs and social services, local ordinances would encourage undocumented residents to ‘self-deport’ from the locality if not from the nation. Highly contentious, politically and juridically, local anti-illegal immigration laws have divided communities. Proponents maintain that such laws merely uphold the ‘rule of law’, while opponents see them as thinly veiled efforts to drive out Latin American residents, with immigration status serving as a proxy for race. A growing body of scholarship examines local anti-immigrant law and offers significant insights into the causes and undeniably racialized effects of these laws. Yet the issue of racism requires more scholarly attention. Critical race theory holds that all racisms are historically particular and must be examined as expressive of particular conjunctures. To that end, this essay develops a theoretically informed and historically grounded analysis of local anti-immigration law. It establishes local and national interests in local anti-immigrant law and explains how these interests converge. Through a case study of Prince William County (PWC), Virginia, I examine local anti-immigrant activism and connect them to larger political shifts in the contemporary USA. I argue that local white propertied interests converge with national conservative and federalist interests in the county's anti-illegal immigrant law. The essay seeks to demonstrate the value of bringing cultural studies methodology to bear on (local) immigration law.     

EN-COUNTERING THE OTHER DISCOURSE OF CHICANO-MEXICANO DIFFERENCE

In this period in which Mexicans in the borderlands are being constructed as aliens and sources of cheap deportable labour (not makes of intellectual traditions which encourage transnational area studies and theoretical reflections in the US), it is important to remember that not only people but also ideas cross Mexican–American borders. It is doubly important to scrutinize those intellectual movements that cross state-sanctioned borders while restricting social possibilities and movements.

In this article I consciously assume this charge by focusing critical attention on an influential venue of transnational(ist) travel (On the road to Octavio Paz/On the Road to Chicano) within cultural productions that laid the foundation for an ‘alternative’ Chicano studies epistemology and tradition in the early 1970s. Drawing on disparate cultural studies traditions and the deconstructive insights of Chicana feminists and activists, I encounter the patriarchal dynamics, conceptual idioms, political investments (nationalism/familism) and essentialist difference that undergirded this intellectual formation and its construction of Chicana/o identity. In the process I argue that this formation not only rendered the desired form of political exceptionalism, but also served to distance Chicanas/os from the political and intellectual claims of Chicanas, Chicana feminists and other women and people of colour. However, as my concluding section demonstrates, this circulation of theories was – to use the language of Clifford – ‘cut across’, interrupted and contested by other theories in circulation during the same period that offered different claims to representation, different forms of transnational travel, and other possibilities for imagining social political and intellectual relations.     

JUNO (JASON REITMAN, 2007): A PRACTICAL CASE STUDY OF TEENS,FILM AND CULTURAL STUDIES

Jason Reitman's Juno (2007), the story of how a teenager handles her pregnancy, is the kind of film that leaves no one indifferent. Released at a time of conflicting discourses on sexual education, Reitman's film addressed the confusion experienced by teenagers as they came of age in a context where patterns of masculine and feminine behaviour were rapidly changing. In this essay I argue that Juno offers a complex understanding of the disorientation suffered by adolescents during the 1990s – a time when anti-sex discourses coexisted with an increasingly sexualized youth culture. This said, my intention is to move towards the film in a roundabout way by focusing, first, on why so many, supposed ‘cultural criticisms’ of films turn out to be so superficial. In this introductory section, the argument will be made for an approach in film analyses that takes full account of cinema as a visual medium. After exposing my critical stance, I shall draw nearer to the film itself by examining various of the overlapping contexts that, together, created a conducive space for its success – namely, the political scene; changing attitudes towards sex and gender; and most importantly, cinema's aesthetic dimension and the impact of genre conventions in the film-viewing experience. Once the complex diagram of differing (and sometimes contradictory) forces at work in Juno has been mapped out, my aim is to link these conjunctures to a detailed analysis of a key scene in the film as a means of demonstrating how the combination of film studies and Cultural Studies can operate as a method that eschews too easy, ideologically oriented, assumptions.     

ENGINEERING THE ENTREPRENEURIAL INFANT: BRAIN SCIENCE,INFANT DEVELOPMENT TOYS,AND GOVERNMENTALITY

This essay re-situates current neurological research on infant brain development in terms of a matrix of cultural practices and pre-occupations. It contends that infant ‘brain science’ functions – in conjunction with the marketing promises of developmental toy manufacturers – as a form of ‘ritual magic’ (Nelson-Rowe, 1994) that ensures the transformation of ‘normal’ infants into idealized entrepreneurial subjects. Simultaneously, the discourse and practices of brain science extend and legitimize the extension of (Foucauldian) governmentality over lower income populations, which are perceived as threatening social and state security.     

Foucault and the politics of critical management studies

This paper explores the different ways in which we read Foucault in management and organisation studies but, more particularly, some of the features of his project that we seem often to exclude. In the context of a growing interest in more ‘engaged’ forms of scholarly practice among management academics, we argue that further consideration of Foucault might have something more to offer. Setting the main arguments in context, we suggest an outline of the dominant ways in which we read Foucault: the identities we assign to him. Hence we know Foucault primarily as a social theorist, genealogist, neo‐Weberian, and postmodernist. We then consider some of the engaged aspects of his project, focusing on his emergence as an activist intellectual in the 1970s. Possible implications for critical management scholars are then considered.     

Reflections on conducting research on the ‘war on terror’: religious identity,subjectivity and emotions

In recent years there has been an increase in literature which has explored the insider/outsider position through ethnic identities. However, there remains a neglect of religious identities, even though it could be argued that religious identities have become increasingly important through being prominent in international issues such as the ‘war on terror’ and the Middle East conflict. Through drawing on the concept of subjectivity, I reflect on research I conducted on the impact of the ‘war on terror’ on British Muslims. I explore the space between the insider/outsider position demonstrating how my various subjectivities – the ‘non-Islamic appearance I’, the ‘Muslim I’, the ‘personal I’, the ‘exploring I’, the ‘Kashmiri I’ or the ‘Pakistani I’, the ‘status I’ and the ‘outsider I’ – assisted in establishing trust, openness and commonality. I conclude by demonstrating how the ‘emotional I’ allowed me to manage my own emotions and participants emotions.     

Pessimism of the will,optimism of the intellect: endings and beginnings

ABSTRACT

This essay argues for the need for an ‘optimism of the intellect’ – in the form of the need for cultural studies – in the face of a growing ‘pessimism of the will.’ It illustrates the value of cultural studies by considering three contemporary problematics: post-truth, polarization and consent.