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张昕 《唐都学刊》2006,22(4):138-141
英国女作家夏洛蒂·勃朗特成功地塑造了朴实、自尊,追求自由、平等的地位和敢于反抗的简·爱形象。在这部作品中,作者在进行肖像描写时,运用了对比和衬托的艺术手法,对塑造简·爱形象起了重要作用,使简·爱这一形象生动丰满,极具鲜明色彩。  相似文献   

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In order to provide benefits to society, human medical trials must place subjects at risk of harm. This activity is thought to be justified in part by the consent of the subjects involved. But, studies have shown that most such consents are based on a therapeutic misconception (TM); the false belief of subjects that their researchers will act as their personal physicians (seeking their benefit and protecting them from harm), rather than placing them at risk of harm for the good of others. Toleration by researchers of the TM in their subjects is a form of "informational manipulation" that renders consent procedures disrespectful to subject autonomy. Consent obtained from subjects who labor under a TM is neither voluntary nor informed; as long as they have not been disabused of the TM, the action they take in enrolling in a trial is not the one they intend nor is it autonomously chosen. Changes in consent procedures should be adopted to ensure that all subjects are aware inter alia that (a) the health interests of future patients (as well as the researchers' and their sponsors' financial interests) may be more important to researchers than the interest of a subject in his or her health, and (b) normal subjects neither understand nor believe this when told. Close attention to the response of prospective subjects to this information should allow for the exclusion of all but the truly altruistic. However, the result of conscientious implementation of such policies would likely be that human medical research could no longer be conducted on more than a minimal level.  相似文献   

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Summary Some people seek social work help with problems that have arisenin their relationships with others to whom they are very closeand by whom they feel betrayed, attacked or maltreated. Often,so great are the distress and force with which the problem isbrought, the social worker may find himself drawn to acceptas substantially accurate the client's view of the situationand to act accordingly. This article argues that such a lineof action may be misguided or even harmful, and that help canonly be effective in the situations described if it has as oneof its basic assumptions the notion that the picture conveyedof 'the absent third person' has more connection with the client'sown inner needs than with anyone else  相似文献   

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In order to provide benefits to society, human medical trials must place subjects at risk of harm. This activity is thought to be justified in part by the consent of the subjects involved. But, studies have shown that most such consents are based on a therapeutic misconception (TM); the false belief of subjects that their researchers will act as their personal physicians (seeking their benefit and protecting them from harm), rather than placing them at risk of harm for the good of others. Toleration by researchers of the TM in their subjects is a form of “informational manipulation”; that renders consent procedures disrespectful to subject autonomy. Consent obtained from subjects who labor under a TM is neither voluntary nor informed; as long as they have not been disabused of the TM, the action they take in enrolling in a trial is not the one they intend nor is it autonomously chosen. Changes in consent procedures should be adopted to ensure that all subjects are aware inter alia that (a) the health interests of future patients (as well as the researchers’ and their sponsors’ financial interests) may be more important to researchers than the interest of a subject in his or her health, and (b) normal subjects neither understand nor believe this when told. Close attention to the response of prospective subjects to this information should allow for the exclusion of all but the truly altruistic. However, the result of conscientious implementation of such policies would likely be that human medical research could no longer be conducted on more than a minimal level.  相似文献   

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哐哐哐哐哐哐哐,一阵强烈的铜钹声后,板鼓、铜锣齐响,板胡等弦乐吱吱嘎嘎的声音也极具穿透力,气势宏大,震耳欲聋。男主角的动作极为夸张,迈步时,一定要向前高抬腿,再随鼓点慢慢落下,两臂也较为  相似文献   

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