探析叙事题材在高校舞蹈创排中的实践教学机制

在高校舞蹈作品中引入叙事性题材的创编形式，能够在舞蹈教学内容、教学方式两个方面形成舞蹈创排的实践教学的价值和意义。很多高校在舞蹈作品的创作中都有体现叙事舞蹈教育作品的实践成果。然而，想要在高校舞蹈教育实践教学中，将叙事的意义更好的融入教学、增强对学生实践教学的实效性、提升文化自信及对历史叙事题材的传承，还远远不够。在此，笔者认为应进一步分析叙事题材在舞蹈教育实践教学中的制约因素，并且建立有效可行的叙事题材舞蹈创排中的实践教学机制。     

中国钢琴作品中的民族化研究

中国钢琴音乐创作历经百余年的洗礼与变革,逐渐别具一格、自成一派,既最大程度地保留、发挥着西洋乐器音色华丽、音域宽广的特色,又注入了独特的中国音乐韵味与风格。细数中国钢琴音乐的创作历程,其中大部分作品创作构思都源自民族民间音乐,有改编自少数民族民歌小调,也有选取民族器乐旋律进行延展、创新,甚至还有在戏剧、歌舞剧的赏析中迸发出灵感的火花,利用钢琴的交响性进行丰富的模仿与创作,这些作品无不体现出独特的民族化艺术特征。本文就中国钢琴作品中的民族化特点进行研究与写作,旨在熟悉中国钢琴乐曲的基础上提高演奏水平。     

中国舞蹈表演艺术的美学特征和规律分析

舞蹈是社会精神、物质文明不断发展中形成的产物，可以说是人类非常古老的艺术之一。在舞蹈中，其具有音乐、美学、运动以及舞蹈元素的融合，通过舞蹈者肢体方式的应用对美进行表现以及诠释，可以说，舞蹈艺术具有着非常独特的美学规律以及美学特征，如果舞蹈失去了美，那么则不能够称其为舞蹈。对此，在舞蹈艺术表演中，如何能够对美的性质产生正确的认识，在对舞蹈美学规律、特征进行探索的基础上进一步实现我国舞蹈文化的发展，则成为了非常重要的一项内容。在本文中，将对中国舞蹈表演艺术的美学特征和规律进行一定的研究与分析。     

《相和歌》中的汉代世界

《相和歌》是中国民族舞剧经典作品《铜雀伎》中的舞蹈片段，编导孙颖老师在作品中复现了汉代时期盛行的女乐舞蹈——《盘鼓舞》。《盘鼓舞》因舞者敏捷踏盘踏鼓而舞的形式得名，既具有如飞似行的高超舞技又展现出独特的柔婉韵律，代表着汉代舞蹈的最高水平。本文通过对舞蹈作品《相和歌》的舞蹈语言、舞蹈构图等要素进行深入分析，进一步探索汉代艺术文化的审美取向与美学意蕴，以汉代舞蹈的形象与意象展望汉代社会的文化面貌。     

从文字符号到身体符号——《德寿宫舞谱》复现研究综述

《德寿宫舞谱》是南宋词人周密著作《癸辛杂识》中的一部分，首次以文字的形式记录了中国宋代宫廷舞蹈的姿态，集中体现了宋代舞蹈的规范化和程式性，审美性与艺术性。本文对《德寿宫舞谱》的破译方法进行文献梳理，总结出戏剧身段、符号转译、活态传承等舞谱复现的途径，并在前人研究的基础上，探索新时代语境下科技助力古代舞蹈重建的创新路径。     

当代中国流行歌曲“民族化”创作中“原创性”表达探析——以歌曲《别君叹》为例

自20世纪初西方音乐进入中国伊始,我国音乐创作者一直将“民族化”作为创作中的关键要素。在流行歌曲的创作中,经过近一个世纪的探索,“民族化”的手段已由一开始的五声性旋律,民族器乐音色的使用不断扩大和深化。进入21世纪,越来越多流行歌曲的作曲者在创作时考虑使用或融入民族民间音乐、古典意蕴与优秀传统文化元素,然而在此过程中也出现了作品良莠不齐的现象。随着民族化手段的日益多样,流行歌曲创作时民族性元素运用的“原创性”表达成为作品（歌曲）创作价值的重要标志。原创非简单化的新创作。民族化的原创性表达也不是简单意义上五声音阶、民族乐器音色、古诗词的运用等。原创性表达中创新是其核心概念,此外,应与时代相关联,其核心应承载中国优秀传统文化及精神内涵并体现当代气息。     

舞蹈技术技巧在舞蹈表演中的运用

舞蹈作为艺术作品，主要是通过不同的形式向大众传递人物的情感。而舞蹈技术与技巧在舞蹈表演中具有不可替代的作用，能够丰富作品内容，给予观众强烈的视觉冲击，进而让其意境渲染得到全面提升，提高舞蹈作品的技术性以及价值。为了探究舞蹈在表演中的具体应用，本文就以舞蹈技术技巧为例，对其进行深入分析，结合舞蹈表演展开全面研究。     

基层文化馆群众舞蹈创作编排的创新途径

随着经济社会与精神文明建设的推进,群众舞蹈的创作编排面临更多创新需求。因此,本文梳理了新时代背景下群众舞蹈创作编排的现状,分析研究其产生因素,并结合实践工作经历,对基层文化馆群众舞蹈创作编排创新途径进行深入研究,试图为之提供行之有效的可行性建议。     

浅析情感表达在舞蹈表演中的重要性

本文从舞蹈演员自身情感表达出发,分析情感对与舞蹈演员表达作品的重要性,舞蹈演员表演作品时的内心情感状态,将决定该舞蹈作品最终呈现的舞蹈效果。作品同样也要求舞蹈演员必须拥有情感表达的能力,以情带动肢体,完成整个作品。情感是演员通过角色来表达情感,并将情感贯穿于整个作品的始末,舞蹈演员的情感表达会影响舞蹈作品的最终效果,在此过程中,演员通过情感与观众对话,最终完成作品,获得收获。     

回族舞蹈传承、创新的探索与实践

本文主要从探索建立系统的、科学的回族舞蹈教学体系,该体系重在实践和创新,以实践带动作品创作,寻求一条传承、创新回族民间舞,繁荣和发展回族舞蹈文化的途径,同时对培养具有回族舞蹈教学、编创、表演能力和修养的舞蹈人才,有较大的现实作用.     

Meeting / Derrida

In August 1999, Jacques Derrida gave a number of lectures and seminars in Melbourne and Sydney. The seminar of 13 August, held at Sydney's Seymour Centre Theatre, was open to the public. It consisted of a question-and-answer session with Genevieve Lloyd, David Wills, Paul Patton and Penelope Deutscher. Its title, 'Themes from Recent Work', reflected interests in the work from Specters of Marx (1994) onwards which some, including Paul Patton, have referred to as deconstruction in its affirmative phase. What follows is a by-no-means verbatim record of the event. Rather it is but one member of the audience's account of what transpired in the seminar – an account which is therefore necessarily selective and pressed through the grid of my own quasi-philosophical interests. Following this account of the seminar, I offer some marginal notes on the open discussion following the seminar, then, finally, some reflections on a particular matter discussed at the dinner which followed that – madness.     

Defining ‘real India’: representations of authenticity in independent travel

As an alternative to the stereotypical mass tourism, independent travellers – travellers who travel for extended periods on low budgets while ostensibly avoiding formalized tourist activities and locales – are invested in constructing ‘authentic’ travel experiences. Practices such as ‘off-the-beaten-track’ travel and cultural engagement provide the means by which independent travellers are able to make claims to such authenticity. Authenticity is constructed by travellers through idealizations of intimacy and non-commodification. These idealizations are tangled in narrative representations of ‘real’ India and ‘real’ Indians, their ‘real’-ness typified by an absence of other travellers, tourists and, more generally, Western contamination. In these ways, ‘authentic’ travel is dependent upon actively constructed binaries of Western travelling subjects and exotic Indian objects. Yet travellers' fantasies of the Other are fragile and subject to collapse at moments in which so-called Others articulate their subjectivity in a way that is inconsistent with travellers' expectations. Through a focus on travellers' narratives of their experience, both the requirement for an Orientalist dichotomy as well as the ruptures that continually challenge this dichotomy, will emerge.     

Oestrogen Rising 2016: Ireland’s stained and bloodied cloths

A weaver, seamstress, laundress and artist, in this essay I shall spin a yarn, tangle a web, and construct a text(ile) of the inter-weave of narrative and identity that I define as my intellectual, textual, somatic and material/visual practice obsessions. My work explores ‘the places in-between’ in the entanglements of Irish and Northern Irish gender and identity, and in the abject fabrics of death and of desire. As an Irish feminist, sense-making of the complexities, conundrums, challenges and contradictions of my land, my cloth, my body and my culture owes much to Irish women before me who fought for female suffrage, and Irish women now – north and south of the border that divides the island of Ireland – who still struggle for equality of citizenship, social justice, human rights, and full reproductive autonomy. My contention is that when we accept that Ireland herself is a many-layered cloth, a stained and bloodied cloth, a cloth marked irreversibly by history, conflict, denial and abuse, stained by its own repression, marked through denial of all its people’s rights and needs, and bloodied by its greatest export, the haemorrhage of its people, then – polemical, didactic or reflective, with more compassion, empathy, humility and heart – we just might make peace with our past.     

The changing configurations of self-(m)other dialogue in North Cyprus

This paper deals with issues of identity, nationalism, postcolonialism, and self-other relations with a focus on a period of transformative events in North Cyprus. It notes how nationalism has been the dominant means of identification for Cypriots in their modern history, and argues that unless weakened and supplanted by a radically pluralist democracy, nationalism imagines one's identity as an indivisible unity and has no place for different others within the nation. However, a pressing relationship with others and otherness is no stranger to Cypriots either, which makes it clear that the border that defines the ‘we’ of such nationalism is, at the same time, the line that divides the self intrinsically, indicating the otherness of the self or its alterity. Subjectivity involves subjection to the other.     

Changing patterns of mobility,citizenship and conflict in Indonesia

ABSTRACT

Mobility and migration are inherent ingredients of Indonesian cultures. In an archipelago with thousands of islands of various size, character and nature, mobility is an important means to make a living and to survive by migration. The right to free movement in Indonesia is constitutionally granted. It can create mobility and give expression to equal citizenship rights at the same time as it can trigger the enforcement of borders among cultural groups and the ethnification of local and regional politics. Mobility thus always comes along with immobility. Physical mobility of one group of people might cause immobility of another group or it might create cultural and political immobility in the same group. In places such as Eastern Indonesia, people have developed reciprocal means to integrate newcomers. Whereas the immigrants are usually disadvantaged citizens with regards to land and customary rights, those living in the area for generations have nonetheless become integral parts of quite peaceful local settings, one way or the other. The advancement of decentralization, democratization and direct elections of political representatives can lead to political empowerment, the promotion of ethnicity as election capital and changing patterns of belonging. This paper illustrates these ambivalences by looking at mobility in Indonesia more generally and how changing national policies and laws lead to reinterpretations of mobility patterns and trigger changes in relations between local population groups and existing mechanisms of cultural and political inclusion and exclusion. Butonese migrants in Maluku will here serve as a case study.     

三江源自然保护区生态旅游开发的SWOT分析

本文就三江源自然保护区开发生态旅游产品的可行性及发展潜力,运用SWOT分析模式进行客观分析,并得出三江源开发生态旅游产品是实现该地区可持续发展的最佳途径。     

热贡鲁若中"玛泽"与藏族历史的渊源关系

文章从历史学、宗教学、民俗学等角度,将流行于黄南藏族自治州同仁县隆务河流域的六月会主体节目之一"玛泽"的文化内涵进行了新的探讨,并就"玛泽"节目的历史和宗教渊源关系,民俗形成过程,以及对军事、生产活动中的意义提出了自己的看法.     

‘Both an Arab and a woman’: gendered,racialised experiences of female Palestinian citizens of Israel

Following feminist and postcolonial discourses, this paper uses the concept of ‘everyday experience’ as a tool to trace the social world of educated Palestinian women in Israel. The term refers to the complex array of these women's experiences in racialised and gendered social sites, as well as within the class, religious, and ethnic contexts in the subordinated group and its relations with the dominant Jewish group. Based on 108 in‐depth interviews with Palestinian women citizens of Israel, the paper claims that educated Palestinian women are located in a ‘third place’ between cultural, gender, class, national and racial structures that generates a continual ambivalence. Within this marginal, ‘unhomely’ space women negotiate their own identities and challenge dominant social definitions. Women create various modes of interim spaces and multi‐dimensional, shifting identities for themselves. The ambivalent attitudes generated by the women's experiences expose the possibility of shedding categorising markers. The omnipresent existence of the gendered, racialised regime of knowledge makes every place a potential site of subversion and resistance.     

羌族宗教信仰与藏文化的关系考察研究

岷江上游羌族宗教信仰是多元混杂的,导致这种现象的产生,既有历史的因素,又有现实的因素.历史的因素可追溯到古羌人时代,从那里我们可寻羌族宗教信仰之渊源的一些踪迹;现实的因素可从羌族地处藏彝走廊,受汉藏文化影响的现状中去采撷一些实际的表现.本文拟就羌族原始宗教信仰中的藏文化因子,羌族天神信仰与藏族民间宗教信仰的渊源,羌族和藏族有关人类起源传说的相似与区分,羌族原始宗教信仰与佛教文化的糅合等方面对羌族宗教信仰与藏文化的关系作一较为深入的考察分析.     

Identification,the exercise of democracy and the fear of the Other – the June EU referendum in the UK

ABSTRACT

The focus is the oscillation among leave voters in the EU referendum from the exercise of rights - an act of dis-identification – towards the assertion of identity as members of a British community. This was mediated by voters acting in an association of citizens calling on the equalising agency of the British people whilst claiming membership of a locally circumscribed community, perceived as injured, through entanglement with the Other prominent among them Europeans. Hence the recovery of the injured community as the object of the denunciators’ desire for identity coupled with the fear of the Other. Predicated on this was the resumption of class, gender and ethnic roles reflected in division among voters. The denunciation of togetherness with Europeans served leave voters to substitute the exercise of rights with a longing for identity. Instrumental in this was the lack of deliberation in the plebiscite to articulate the will of individual voters through a general will. The ‘direct power’ exercised enabled many to cast away their role as citizen in an attempt to claim their privileges as members of a racially and culturally demarcated British community. Paradoxically, the voters’ unashamed disavowal of their agency as citizens by seeking to restore a divided social world as the source of their identity was represented as an exercise in democracy. To some playing on words was supplemented by the use of force removing the gap between the discursive exclusion of the Other and the continued physical presence of bearers of different races and culture.