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Jack Michael was the quintessential behavior analyst. Despite his reputation as a theoretician and expert in verbal behavior and on Skinner’s book Verbal Behavior, Jack was actually an applied behavior analyst in the literal sense before anyone had coined the term. Prior to becoming one of Jack’s doctoral students at Western Michigan University, I was a behavior-analytic neophyte. After I graduated and began my own teaching (modeled after Jack’s behavior-analytic method of teaching) and thinking and writing about behavior analysis, I found myself talking and thinking like Jack. He had a similar behavior changing effect not only on many of his other students, but also on others who had the good fortune to know him.  相似文献   

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The Analysis of Verbal Behavior -  相似文献   

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The Analysis of Verbal Behavior -  相似文献   

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This article traces an evolution in Jack London's views on violence from 'Revolution', The Iron Heel and 'Goliath' to The Assassination Bureau. In the former, London hailed acts of terrorism as a means of revolutionary struggle; in the latter, he denounced violence as a socially inexpedient tactic. Possible reasons for this shift in vision are considered. One of these was the impact of dramatic events in Russia. Methods used by the 'Fighting Organization of the Social Revolutionary Party' were indirectly described in The Iron Heel and viewed approvingly. A subsequent disillusionment with its activities is reflected in The Assassination Bureau. The role of William Walling, a famous journalist-socialist who became a prototype of Winter Hall, is discussed in the article. The plot of the never-completed late novel and the characterization testify to a change, though temporary, in London's Social Darwinistic sensibilities.  相似文献   

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The Analysis of Verbal Behavior -  相似文献   

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Jack Michael left a legacy of fine discriminations among technical terms, a careful parsing of theoretical concepts, and a variety of behavioral interpretations of complex behavioral phenomena. When pushing into relatively unfamiliar territory in areas such as “memory,” automatic reinforcement, multiple control, and additivity of response strength, I have been surprised and delighted to find evidence that Jack had once explored the same topics, in the same way, and had come to the same conclusions toward which I was groping.  相似文献   

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British sociologists have long been interested in youth sub‐cultures. However British sociologists have tended to focus on working class subcultures and avoided engagement with exclusive sub‐cultures of elite social groups. This article seeks to attend to this gap by examining the subculture of a British elite: ex‐public school students at select universities in the UK in the twenty‐first century. This group consists of a relatively small group of young adults, aged between 18 and 23, who attended public schools, especially one of the nine Clarendon schools (Eton, Winchester, Westminster, St. Paul's, Merchant Taylor's, Shrewsbury, Rugby, Harrow and Charterhouse), and were students at a selective group of British universities, primarily Oxford and Cambridge, Durham, Bristol, Exeter, Bath, Manchester, St Andrews and Edinburgh. The article examines the way in which this group has reconfigured and re‐constituted itself in the face of globalizing challenges. Specifically, it examines the way in which participation of ex‐public school students in events run by and under the patronage of the high street retailing company, Jack Wills, has played a galvanising role for this group in the last decade. The Jack Wills crowd is an example of how some young adults form exclusive social networks and reproduce prevailing forms of privilege. The social networks built around the Jack Wills subculture is likely to provide them with advantages in the job market through a prodigious network of connections and patrons. The Jack Wills subculture potentially contributions to the socio‐economic reproduction of the higher professional middle classes.  相似文献   

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It gives me particular pleasure to publish this review of a major but neglected figure in the recent history of symbolic interactionism. I only heard Jack Douglas speak once, when he gave a plenary address to the British Sociological Association annual conference in Lancaster in the mid‐1980s. The audience treated him quite disgracefully on that occasion. Douglas made two subtle points about the need for sociologists to take contemporary research in primate ethology more seriously and to reconsider spontaneous order theories in social science. His listeners assumed that he was talking about the crasser forms of sociobiology and praising the laissez‐faire ideologies of Thatcherism, and booed him off the stage. I declined to renew my membership to the BSA for about ten years after this episode. I only rejoined when I became a department chair and it was important to be engaged with the professional association, whatever my personal views. John Johnson's paper reminds us of Douglas's important and challenging legacy of ideas, and of the support and inspiration that he gave to a whole generation of outstanding scholars. Robert Dingwall Jack Douglas published 26 books and many articles between 1967 and 1989, and by his intellectual charisma influenced a productive cohort of young scholars who have produced over 70 books and 700 articles and chapters since the 1970s. He combined phenomenology, existentialism, and naturalistic field work to create an approach he termed Existential Sociology, also the title of a 1977 anthology. His thinking has undergone significant changes during the course of a long intellectual career. Following his 1992 retirement, the development of the internet and new technologies of communication afforded Jack a “second life” with a transdisciplinary intellectual community outside of the university environment. This paper briefly summarizes a small part of his life and intellectual project.  相似文献   

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The way the scroll text of Kerouac’s On the Road creatively manifests the writer’s unconscious concerns about his dichotomous hybrid French– Canadian–American heritage is analysed. The characters of Gabrielle Kerouac, Henri Cru and Neal Cassady are shown to operate metaphorically to symbolize Kerouac’s tumultuous relationship with the various elements of his genealogy. How the writer’s depiction of, and the protagonist’s allegiances with, these characters, who, respectively, represent French– Canadian maternity, European respectability and American unreliability, betray Kerouac’s covert attempts to reconcile his autobiographical feelings about the dualities implicit in his identity and mirror his efforts to navigate disparate cultural ideologies is examined.  相似文献   

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