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1.
The fraction of U.S. college graduate women who ever marry has increased relative to less educated women since the mid-1970s. In contrast, college graduate women in developed Asian countries have had decreased rates of marriage, so much so that the term “Gold Misses” has been coined to describe them. This paper argues that the interaction of rapid economic growth in Asia combined with the intergenerational transmission of gender attitudes causes the “Gold Miss” phenomenon. I present a simple dynamic model then test its implications using U.S. and Asian data on marriage and time use.  相似文献   

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Female journalists’ experiences of sexual harassment are barely documented in the literature about Australian news journalism despite evidence of its ongoing prevalence. There have been some stories of harassment detailed in autobiographies by female journalists and the occasional article in the mainstream media about individual incidents, but it wasn’t until 1996 that a union survey provided statistical evidence of an industry-wide problem. That Media, Entertainment and Arts Alliance survey found that more than half of the 368 female participants had experienced sexual harassment at work. In 2012, I conducted the largest survey of female journalists in Australia finding that there was an increased number of respondents who had experienced sexual harassment in their workplaces. In a bid to better understand female journalists’ experiences of sexual harassment, this paper analyses written comments made by survey participants in relation to key questions about harassment. It finds that most downplay its seriousness and do not make formal reports because they fear victimisation or retaliation. As a consequence, a culture of secrecy hides a major industry problem where many women believe they should work it out themselves and that harassment is the price they have to pay for working in a male-dominated industry.  相似文献   

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On February 23, 2016, OutQ, the nation’s only LGBT-focused satellite radio station, ceased broadcasting. This essay theorizes a queer listening public as intentionally imagined as such and concomitantly taken up as a queer listening public by queers. It utilizes in-depth interviews with OutQ founder John McMullen, and OutQ show hosts Frank DeCaro, Romaine Patterson, and Michelangelo Signorile, as well as posts from Facebook Fan Pages, to explore the ways OutQ was both imagined and functioned as a queer listening public. Using the interview data, the essay argues that a queer listening public functions in three ways. First, it creates a specifically queer space for queer listeners, almost at the exclusion of heterosexual listeners. Second, it creates a queer affective community where events important to LGBT citizens can be “felt” in a communal, mediated space. Third, a queer listening public seeks to create a national/transnational queer listening public for geographically isolated queers. Additionally, this essay argues that in the cessation of OutQ, SiriusXM practiced what I call queer dispersal, a term deployed to describe the ways marketable aspects of queer life, like entertainment and music, are dispersed and hegemonically incorporated into mainstream media properties.  相似文献   

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《当代中国人口》2015,(3):20-36
February 26,2015General Outlook By the end of 2014,the total number of Chinese population at the mainland reached 1 367.82million,an increase of 7.10 million over that at the end of 2013.Of this total,urban permanent residents numbered 749.16million,accounting for 54.77 percent.The year 2014 saw 16.87 million births,a crude birth rate of 12.37 per thousand,and9.77 million deaths,or a crude death rate  相似文献   

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Food systems are of increasing interest in both research and policy communities. Surveys of post-socialist countries of Central and Eastern Europe (CEE) show high rates of food self-provisioning. These practices have been explained in terms of being ‘coping strategies of the poor’. Alber and Kohler’s ‘Informal Food Production in the Enlarged European Union’ (2008) offers a prominent account of this argument, supported by quantitative data. However, evidence from our case study of food self-provisioning in one CEE state–Czechia–contradicts their findings. Newly commissioned survey data, as well as a fresh look at the data they were working from, demonstrate that rather than being motivated by poverty, these widespread practices serve as a hobby and as a way of accessing ‘healthy food’. With food self-provisioning becoming an increasingly prominent subject in advanced industrial countries, in terms of both health and environmental policy, we propose that much greater care is taken in researching and interpreting the reasons for differences in food systems. Our findings are that environmentally sustainable and healthy self-provisioning in Czechia is motivated by a range of reasons, and practised by a significant proportion of the population across all social groups. This conclusion questions linear narratives of progress that figure ‘western’ practices as advanced or complete or automatically desirable, and contributes in a modest way to a decentring of narratives of progress.  相似文献   

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Population Research and Policy Review - Evidence on a causal link between family size and children’s education is still inconclusive. Recent empirical studies have focused heavily on China,...  相似文献   

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《Mobilities》2013,8(2):204-217
ABSTRACT

Prominent artists and activists have documented, collected and appropriated discarded materials of refugee journeys, such as life jackets, rafts and clothing, transforming them into largescale artworks. Material belongings play an important role in migration experiences. However, materials are often used as representational measures of rights to movement, mode of travel and refugee status. This article explores how the mobilisation and transformation of materials into artworks raises questions on the material agencies operating within global representations of refugee mobilities. Discussing recent artworks of Ai Weiwei, I explore the emerging material aesthetics that open alternative dialogues on migration flows and mobilities futures.  相似文献   

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Many studies have examined representations of gay, lesbian, bisexual, and transgender (LGBT) people in the U.S. media. Yet they have centered on portrayals of adults or teenagers. This investigation considered a potential LGBT population that has been neglected in media research, namely gender-variant, preadolescent children. Surveying the U.S. media at large but with an emphasis on television, the article reveals that gender-creative youth are nearly invisible. When depictions of gender-variant kids do appear, they often focus on either children who express extreme gender dysphoria or in some way signify the “tragic queer” motif (or both). The implications of these findings are discussed.  相似文献   

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Much scholarship on mediated representations of race and gender claims that contemporary texts are examples of post-race and post-feminism, effectively communicating that our society is past the eras of inequality of races and sexes. Yet, many scholars have also argued that such representations are not so straightforward. Extending the work of this latter group of scholars, we call this tension refraction, a term we define as representational practices that draw attention to, or magnify, innate oppositions and inconsistencies in mediated representations surrounding identity markers. Through a case study of the first three seasons of the television series Scandal, we find multiple examples of refraction, as the protagonist Olivia Pope simultaneously embodies and critiques specific race/gender tropes. This ultimately depoliticizes issues of race and gender by simultaneously calling attention to, and drawing attention away from, those issues.  相似文献   

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Previous research saw older gay men as subject to structural marginalization of ageism but yet possessing agency to interpret aging in diverse ways. I move beyond this duality, drawing on the theory of defensive othering to understand how older gay men live with the aging discourse in the gay community. Informed by grounded theory, I analyzed interviews with 25 self-identified single gay men aged 50 or above in England inductively. It emerged that many older gay men found it difficult to escape the discourse that marginalizes the aging body. Even when they argued they were the exception and “looked good,” they were discursively producing a two-tier system: they themselves as the “good older gay men,” as opposed to the other “bad older gay men,” who “had given up.” Such a defensive othering tactic seemingly allowed them to resist age norms from applying to them personally, but unintentionally reinforced an ageist discourse.  相似文献   

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As a sexually promiscuous and outrageously flamboyant young woman, Nicole “Snooki” Polizzi of MTV’s Jersey Shore (2009–2012) Jersey Shore. 2009–2012. Television Series. Seasons 1–6. USA: MTV. [Google Scholar] could be said to be the ultimate example of Angela McRobbie’s post-feminist subject. However, as pervasive as post-feminist narratives have become in popular culture, the figure of Snooki problematizes its ideal forms of femininity and meritocratic success. In this paper I argue that Snooki’s potential challenges to post-feminist ideology were contained by news reporting on her at the height of her fame. This analysis posits a noteworthy divide in that those most inclined to watch/consume Snooki-as-text (the MTV audience) likely remained beyond the reach of the news media’s attempt to re-inscribe hegemonic ideologies onto her star image/text. I examine the relation between Snooki-as-text (the Snooki presented on Jersey Shore) and the extra-textual attempts to undermine her popularity and legitimacy. I frame this discussion along three axes of transgression and containment: the sexual empowerment/threat paradigm; the physical markings of class and ethnic subjectivity; and the textual boundaries of meritocratic success. Despite efforts to contain her, Snooki’s short-lived success hints at an ambivalence toward post-feminism today that could help chart a revitalized form of feminist politics within youth-driven popular culture.  相似文献   

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There is an ongoing debate between focalization and universalization on welfare policies as the best way to develop the welfare state in Latin America and the Caribbean. However, there is a need to develop a measure that exhibits the multidimensional nature of the welfare state, instead of focusing on the social spending dimension. Segura-Ubiergo (The political economy of the welfare state in Latin America: globalization, democracy and development. Cambridge University Press, New York, 2007) constructed a welfare effort index (WEI) to facilitate understand the relative degrees of welfare state development among Latin American countries. The WEI focuses mainly on social spending and ignores the other dimensions of welfare. Based on a comparative analysis of 17 Latin American countries and following the methodology of Segura-Ubiergo, a new index that aims at enriching the WEI was constructed. The new index is multidimensional in that it has eight indicators relating to three dimensions of welfare: social spending, coverage of welfare programs and outcome of welfare institutions. Principal component analysis was used for reducing the indicators into three indexes that represent three proposed dimensions of welfare. The combination of these three indexes gives the multidimensional welfare index. The results of the index account for more than 75 % of the data variance.  相似文献   

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We evaluate men's retrospective fertility histories from the British Household Panel Survey and the U.S. Panel Study of Income Dynamics (PSID). Further, we analyze the PSID men's panel-updated fertility histories for their possible superiority over retrospective collection. One third to one half of men's nonmarital births and births within previous marriages are missed in estimates from retrospective histories. Differential survey underrepresentation of previously married men compared with previously married women accounts for a substantial proportion of the deficits in previous-marriage fertility. More recent retrospective histories and panel-updated fertility histories improve reporting completeness, primarily by reducing the proportion of marital births from unions that are no longer intact at the survey date.  相似文献   

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Scholarship has pointed to contemporary feminism’s popularity and cultural “luminosity.” While this research has highlighted the limitations of feminist politics in a context of neoliberal individualism, this paper seeks to ask what possibilities for critiques and transformation of gender inequalities might be enabled by feminism’s visibility in neoliberalism. Using a framework of critical feminist hope, we highlight that capitalism’s embrace of feminism inarguably limits its political scope, but it may also open up opportunities for new forms of representation. To illustrate this, the paper analyses WWE 24: Women’s Evolution, a “brandcasting” documentary made to mark the rebrand of the sport entertainment promotion’s women’s division in 2016. While never naming it directly, the documentary draws heavily upon the signifiers of popular feminism. Although this mobilisation is often highly limited, a critically hopeful feminist reading allows us to move beyond dismissing this text as an example of feminism’s “co-optation” by neoliberalism. We highlight the documentary’s scathing critique of past failings in the representation and treatment of women performers, and, more importantly, the way feminism is used to make the case for corporate re-structure and change.  相似文献   

20.
In Singapore, many middle-class families employ foreign domestic workers (FDWs) to take on care and domestic work. In this setup, female FDWs need to be “a part of the family” and “feel at home” to better perform and render intimate labor, but they are structurally displaced and prevented from being fully integrated in both their employer’s homes and in the host country. Ilo Ilo (2013), a debut film by a Singaporean director Anthony Chen, has poignantly portrayed this paradoxical relationship by showing a young boy’s growing affection to his Filipina maid, and how this brief yet enduring bond demonstrates migration’s effects on both the foreign helpers and the middle-class families employing them. This Singaporean family melodrama depicts the affective nature of migration by demonstrating how FDWs are positioned as an intimate yet excluded figure inside the employer’s homes. The contradiction between intimacy and social exclusion seen in the film also simultaneously describes and prescribes the FDW’s place in the host country. The film illustrates the paradox of intimacy and exclusion in the host–guest worker relationship of employers and their maids within the private domains of household and the public discourse on FDWs’ claims in Singapore.  相似文献   

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