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1.
Broken English and the bone people, a New Zealand film and novel respectively, fall into the category of nation‐building texts. Many narratives in this ‘genre’ accomplish cultural reunification through the family. However, these two works are particularly intriguing because they use land and specific spaces in order to work through these transcultural shifts as they are played out within the main characters' relationships. ‘Breaking with English’ is therefore not only a linguistic concept, but also a metaphor for the transculturation of bodies and land undertaken throughout these two titles.  相似文献   

2.
Review article     
Social processes in the world today are characterized by the growing importance of relations between actors located in different national spaces (transnational relations). Based on case studies, this article illustrates how nowadays transnational relations between local and transnational actors affect in different ways the social production of representations that are sociopolitically significant – insofar as they articulate meanings in the constitution and practices of social organizations and movements of diverse political orientations. Through the analysis of cases related to the social production of representations of ideas of pan-ethnic indigenous identities, ‘culture and development’, ‘civil society’, and ‘free trade’, this text seeks to contribute to the theoretical debate about culture, communication, and social change in the contemporary world. The cases discussed in this article are based on field and documentary research undertaken in Argentina, Bolivia, Ecuador, Mexico, the United States, and Venezuela.  相似文献   

3.

Although Exodus is not an Israeli film, it has become an inspiring model text for the heroic-nationalist genre in Israeli cinema. The promotion of Zionism as a liberation movement by Exodus was an imperative. When the film was released in 1960, the propagation of the myth of Palestine as 'a land without the people' prior to Zionist settlement was no longer tenable, thus creating a need to rewrite the history of the Palestinian-Israeli conflict for the international community and the American audience in particular. Following a long colonialist tradition, the film presents Zionism as fulfilling a 'civilising mission' with regard to the indigenous Arab population (the 'Canaanites' of the biblical narrative). To further strengthen this reading, the film shows that the native Arabs actually welcomed the Jews and even gave them the land of Palestine voluntarily as an act of gratitude for the progress they brought to this undeveloped corner of the world.  相似文献   

4.
The subject of female participation in combative jihad has proved to be contentious in Islam. Whilst some extremist Islamist groups, such as the so-called Islamic State (IS), have advocated women’s direct engagement in fighting in defense of Islam, others, for example Al Qaeda, have endorsed only a supporting role for women, primarily for the purpose of producing the next generation of jihadis. Whatever the validity of this debate, most radical jihadi groups have deployed women for combative operations, including suicide bombings. This has been more in the Middle East, where a resolution of several conflicts requires a comprehensive political strategy as against a predominantly military approach. This article has three objectives. The first is to provide some clarification about combative jihad in conceptual terms. The second is to focus on IS and its underlying appeal to a range of foreign Muslim male and female enthusiasts and several other like-minded entities who have gone to Iraq and to Syria to serve IS for convictive or deceptive reasons. The third is to see what distinguishes IS from other extremist groups which are operational in various parts of the Muslim domain, and to harness some ideas about how to deal with violent Muslim extremism in the Greater Middle East.  相似文献   

5.
On the release of the screen adaptation of Dreamgirls (2006), ex-Motown songwriter William ‘Smokey’ Robinson fielded speculations about corruption at America's most successful black-owned business. In the broader context of racial inequalities in media ownership and distribution, this article asks how spectacles of hard-won individual success, juxtaposed sharply against sexually and financially corrupt ‘music moguls’, continue to shape popular mythologies of the US music industry. In particular, the article focuses on the ways that sexual combat, corrupt masculinities and the politics of respectability inform Dreamgirls’ dramatization of the shift from pre-integration to post-Civil Rights America. Finally, the notion of post-racial discourse is used to make sense of the competing historical interpretations at work in the film and its critical reception, especially with regard to the use of past entertainment icons to make sense of Beyoncé Knowles’ and Jennifer Hudson's own success stories. Throughout, the article argues that myths of meritocracy cannot be separated from the racialized and gendered cultures of production that continue to shape the contemporary repackaging of popular histories and musical genres.  相似文献   

6.
Editorial Note     

The issue of acculturation is an important one in the history and historiography of Dutch colonialism in the Indies. In so far as there is any substantial orthodoxy, it is that the orientalisation of Java's Dutch communities had become very marked by the late seventeenth century and remained so for the next two hundred years. It was only with the changed global circumstances of the late colonial era, c. 1880 onwards, that Western modes began to assert themselves effectively against those of the East. In turn, the profound acculturation prior to that date of the Dutch colonial communities in the Indies, and in Java in particular, came to be associated with the notion of a Tempo Doeloe [lit: 'time past'], which provided a salient contrast to the markers of a subsequent, late-colonial 'modernity' This paper questions some of the basic assumptions of this orthodoxy, from a postcolonial standpoint that challenges its inherent colonial-era binaries. The nineteenth century family histories of a number of men and women - Suikerlords [Sugar Lords] and their Ladies - from the elite strata of Dutch colonial society in the Indies demonstrates that the cultural and social nexus between The Netherlands and the Indies throughout the nineteenth century was a good deal more intimate, and colonial identity significantly more ambivalent, than enduring stereotypes might allow.  相似文献   

7.
This article provides a genealogy of the discourses that shaped the public housing policies of the mid-twentieth century in the US island colony of Puerto Rico. In the 1950s and 1960s, a conversation arose between government officials, social science experts, and the local press about how to fix social inequalities by ‘ordering’ mostly black and mulato, economically dispossessed families residing in shantytowns and barrios. This led to the establishment of caseríos (housing projects) as places where the government would attempt to ‘modernize’ residents through architectural design, planning, and social betterment programs. Because the caseríos did not address the structural causes of inequalities of power and wealth in the island, they failed in lifting residents out of poverty. From the mid-1960s onwards, a host of writings blamed caserío dwellers for the failure of the projects, attributing it to their purportedly dysfunctional – and nearly incorrigible – ‘culture of poverty’. This perpetuated a particular characterization of Puerto Rican economically dispossessed people as incapable of political or social agency without the guidance of elite Puerto Ricans and the ‘benevolent’ American colonial metropolis. It also led to the subsequent ‘bordering’ of caseríos spaces with walls and checkpoints, which in turn reproduced the branding of public housing residents as irreparably dysfunctional and ‘criminal’.  相似文献   

8.
Abstract

Shelby Steele's The Content of our Character, and John Wideman's Philadelphia Fire are contrasted for what they reveal about the two authors’ confrontation with self‐expression and self‐definition in a society that denies African‐American individuality. I argue that Steele's and Wideman's distinctive solutions to personal expression as demonstrated in these works constitute the discursive boundaries, the poles between which black male subjectivity oscillates in this racialist society. To explicate these particular positions, I draw on psychoanalytic concepts of narcissism, masculinity, and subjectivity. Thomas Mann's Death in Venice is invoked to articulate, albeit in a different society and context, the subjective crisis of the intellectual, the linkage between one's inner world and outer society, and the relation between personal identity and national self‐understanding. While Steele opts for an isolated, transcendent individualism, Wideman embraces a conception of self inextricably connected to and constrained by the wider African‐American community. I argue that each ‘solution’ produces its own form of self‐estrangement, revealing the phychic cost and intractability of racial division in America.  相似文献   

9.
ABSTRACT

In Spain, the national and local authorities boast in recent years about their progressive programs for the integration of Roma migrants from Romania. Many state efforts to work with Roma on their integration are specifically directed at women. Economic integration into the waged labor market is considered a major goal as it, supposedly, leads to the empowerment of Roma migrant women while also securing decent standards of living for entire families. This article argues that integration programs adversely result in the further discrimination and exclusion of those they pretend to relief. This adverse result is produced through a two-tier intervention in the lives of Roma families. The caring state works with a general category of ‘vulnerability’ for targeting populations, in which Roma migrant women are specifically incorporated through designated social programs. The performance of Roma as the subject–object of these programs is carefully evaluated. According to these evaluations, Roma women often fail to meet the normative standards of ‘good mothers’, ‘decent wives’, and ‘diligent workers’. Subsequently, to deal with ‘failing subjects’, the disciplining state, a-la Foucault, inflicts an array of penalties on Roma women and their families: cut-offs of social benefits, evictions from poor dwellings, withdrawal of children’s custody, and forced removals to Romania. We thus argue that initiatives by the caring state (and civil society) often prescribe or go hand-in-hand with repression from the correcting state. In welfare states, social programs can thus conclusively ‘evidence’ existing stereotypes about marginalized Roma families and about women in particular.  相似文献   

10.
ABSTRACT

This paper explores, from an ethnographic standpoint, the mobility of a Bosnian Romani community in relation to the xenophobic and anti-Romani discourses that are pervading contemporary Italian and European society in the time of the so-called migrant crisis. The analysis focuses on some so-called Xomá families who live dispersed among illegal shanties in the Rome and whose movements and social network protract into other Italian and European cities. The question of mobility is addressed both in terms of local movements within the Roman peripheries and of wider transnational trajectories. Romani mobility appears as a tactical response to processes imposed from above that challenges the forms of governmentality related to the policing of borders and the production of boundaries of the EU and its member-states.  相似文献   

11.
The Aboriginal author Alexis Wright's novels Plains of Promise, Carpentaria and The Swan Book have prompted scholars and critics towards enthusiastic comparisons with the ground-breaking work of a range of international writers. With her novels all set partly in the remote Gulf Country of north Australia, Wright's work arises from intellectual and political commitment to Indigenous people, and aspires to the idea of a distinctive ‘Aboriginal sovereignty of the mind’. Much less known yet, we argue, of complementary significance, are a broader suite of writings about this region, and we address representations of cultural identity and connections to place by authors with both Aboriginal and European ancestries. With our interest in a deliberately cross-disciplinary methodology, ethnographic research complements our focus on texts to facilitate analysis of diverse identities in a setting produced through both the resilience of Indigenous cultural traditions and the legacies of European settler colonialism. We argue that the range of authorial representations arising from this sector of Australian society provides a focus for understanding shared and contested postcolonial imaginaries about place, culture and identity.  相似文献   

12.
In 1982, Winston ‘Yellowman’ Foster rose to prominence as Jamaica's king of dancehall reggae and popularized the music genre internationally in the wake of Bob Marley's death. As a dundus, or black person with albinism, Yellowman challenged colonial-derived Jamaican social codes that questioned his blackness and masculinity. By using white society's stereotypes of black hypersexuality and symbols of blackness derived from Rastafari and its ideological forebears, Yellowman was able to transform the dundus identity by portraying himself as African, black, and included in what Carnegie in ‘The Dundus and the Nation’ (1996) calls the imaginary racially homogeneous (i.e. black) Jamaican nation. Furthermore, through his performance of slack or sexually themed songs Yellowman contested embedded cultural definitions of the dundus as impotent and instead successfully represented the body with albinism as the sexually desirable ‘modern body.’ This paper uses interpretive methodologies from interrelated fields such as cultural studies, religious studies and anthropology in recognition that the context of Yellowman's racial critique is found not only in his songs but in his life story as well. Therefore it draws on ethnographic fieldwork, textual analysis of song lyrics and a study of the discourse on Yellowman in the popular and scholarly literature.  相似文献   

13.
Nationalism and tourism have long mobilised heritage in the making and marketing of identities. This article examines the social production of the Pousadas de Portugal – a state-owned chain of tourist accommodations operating since 1942 that embodies an idea of national identity – shedding light on the official and intellectual reconfigurations of narratives about the nation's past and its culture. It argues that, from displaying national heritage, the Pousadas have become heritage themselves through a process of renationalisation grounded in long-standing meanings and representations.  相似文献   

14.
Most immigrant organisations aim to facilitate the integration of immigrants into the host society while seeking to preserve their cultural heritage. In order to explore the tension between these two apparently opposite processes within immigrant organisations, a case study was carried out on the Organization of Latin American Immigrants in Israel (OLEI). The research question focuses on how, and to what extent, OLEI contributes to the integration of Latin American immigrants into Israeli society and how, and to what extent, it contributes to their isolation. The findings indicate that while individual services promote the integration of Latin American immigrants into Israeli society, communal services both isolate and integrate them simultaneously. To address this paradox, I suggest an interpretation of this process as ‘integration through isolation’, since OLEI socially isolates immigrants, but at the same time integrates them into the host society by providing Israeli culture in Spanish.  相似文献   

15.
This paper analyses how native and immigrant women adapt their labour supply soon after childbirth in Switzerland. The analysis aims to examine whether the heterogeneity in post-birth female employment is explained by differences by women's origin with respect to skills composition, occupational attainment and household financial situation. Using 2010–2015 panel data from the Swiss Labour Force Survey, multinomial models focus on the transitions experienced by employed women from t?1 (one year prior) to different levels of labour-market involvement in t (reference week) after childbirth (which occurs when a woman has a child of less than one year of age in t). Three possible outcomes are considered: same/more working hours, fewer working hours, and withdrawal from employment. Double hurdle models are also used to account for the total amount of hours worked by those women who remain in employment after childbirth. In post-birth employment patterns, a larger positive effect of women's opportunity cost, measured through educational attainment and previous job characteristics, than of partners’ income, is observed, especially for immigrant women.  相似文献   

16.
Drawing on Delgado and Yosso’s counterstory, Yosso’s community cultural wealth, and Alsup’s borderland discourses, the authors, who are women of color academics, use narratives from their lives to discuss the ways in which they draw on resources in managing and reconfiguring their multiple identities within the academy. These include identities of scholars, mentors, teachers, community members, mothers, and partners. They suggest that rather than merely being socialized into cultural reproduction, as much of the literature oriented toward women of color advises them to do in order to become successful, they seek to actually engage in transforming their roles and that of the academy by consciously and repeatedly making present and visible facets of identity that have previously been more-or-less absent in higher education. By presenting these counter-narratives the authors attempt to engage with ways of self-positioning that are, especially for women of color in academia, not frequently discussed or presented.  相似文献   

17.
This article focuses on a key Gainsborough costume melodrama, Madonna of the Seven Moons (1944). Following the critical revaluation of the ‘woman's film’, feminist film scholars have celebrated Madonna's feminine aesthetics and extravagant Italian setting, seen as an alternative to the austerity of Britain's wartime self‐definition. Using this position as a point of debate, I explore some hitherto ignored implications of the film's representation of Italianness, arguing that Madonna actually reinforces national boundaries by relying on long‐established notions of ‘Britishness’ and ‘Italianness’, and owes its box‐office success to the validation of Italy's ambivalent place in British fantasy.  相似文献   

18.
ABSTRACT

Over the past decade, abroad range of policymakers, corporations, educators, and scholars in the United States have catapulted computer science (CS) education from the sidelines to the center of K-12 public education discourse. While calls for CS education are often framed in terms of national and economic competitiveness, there is a growing interest amongst equity scholars in curricular interventions that directly engage the ethical and sociopolitical issues surrounding CS and its role in society. Yet, less attention has been given to how sociocultural dynamics of classrooms play a mediating role in these spaces. Drawing on video data from an equity-oriented CS classroom, we argue aconflict that arose during design activities was rooted in alack of trust and solidarity between students. Ultimately, we make the case that in addition to curricular innovations, equity efforts in CS education must prioritize the cultivation of positive student relationships.  相似文献   

19.
ABSTRACT

Drawing on multiple data sources, including key informant interviews, participant observation and archival study, this paper provides an analysis of the civil society’s role in foregrounding the agenda of women migrants in migration and development (M&D) fora, and reflects on its role in realising the UN Sustainable Development Goals (SDGs). Yet, the dominant narrative within the state-led Global Forum on Migration and Development (GFMD) tends to be a gender-blind migration for development approach, which emphasises national-level economic growth at the centre of migration processes, while negating the subjectivities of women migrants and neglecting their contributions to the global economy; this approach diverts attention to a narrow focus on macro-economic development through forms of financial remittances. Based on an examination of the GFMD as a site for gender mainstreaming M&D, we reflect on lessons learned as we look forward to achieving the SDGs. We argue that while the SDGs include some significant provisions for women in migration, only critical civil society advocacy and activism networked within grassroots organisations can address the structural changes necessary (such as a re-articulation of the care economy to value economic contributions of women’s reproductive work) to transform and improve the lived realities of women in migration and realise the SDGs in a manner that fosters their empowerment.  相似文献   

20.
This paper explores Sikh transnational marriages contracted between the UK and Indian Punjab. Ethnographic and statistical studies have found that transnational marriage is less popular among UK-born Indian Sikhs than Pakistani and Bangladeshi Muslims. Those who marry transnationally tend to be less educated than those who marry in the UK, and there is an apparent pattern in transnational marriages wherein UK-born men are likely to marry women from India who are more educated than themselves, or shehri (city) women as they are called in Punjabi. The paper explores two shehri brides’ lived experience of marriage and explores the constraints on their agency and the forms that it takes at a number of ‘geographies’ or scales: in their relationships with their natal families, with their in-laws, husbands, the labour market and the state. The paper argues that state discourses problematising marriage migration in socio-economic and integration terms must be critiqued, not only because the shehri brides go against classed policy framings of the migrant wife but also because such framings deny the agency of all migrant women as they struggle to move on with their lives over time.  相似文献   

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