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David R. Dickens 《Symbolic Interaction》1994,17(1):99-105
Cultural Studies as Critical Theory , by Ben Agger. Symbolic Interactionism and Cultural Studies , by Norman K. Denzin. 相似文献
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This essay proposes that sociology can learn from social theory developed in the humanities. In the face of recent challenges to sociological explanations of social outcomes (from rational choice and economic theory, cognitive psychological theories of intelligence, and communitarian social philosophy), social theory should specify the constitutive force of social signification. After identifying a key weakness in theoretical approaches currently available in sociology, the inadequacy of various conceptions of the social, I analyze three significant new works in cultural studies in order to sketch out alternative ways of defining and measuring the force of social signification. The essay concludes with an attempt to establish the basis of a dialogue between cultural studies and sociology. 相似文献
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KOICHI HASEGAWA 《International Journal of Japanese Sociology》2010,19(1):126-132
This paper outlines the life and academic accomplishments of the largely internationally unknown but foremost innovative and leading sociologist of Japan considered as the “unknown master” of Japanese sociology, Tamito Yoshida. (i) Emphasizing originality and creativity, Yoshida's success was free from the existing sociological frameworks and he liberated theoretical study from the yoke of historical perspectives that had long governed Japanese theoretical sociology. (ii) Yoshida's uniform scientific approach that used the keywords of information, selection, and variation based on evolutionist ideas was consistent throughout his life from proposing the “design of information science” in his mid‐thirties to proposing the concept of “program sciences” in his later years. (iii) One of Yoshida's major sociological contributions was in identifying the close relationship between subjectivity and the structure of possession. (iv) Yoshida's “A Historical Perspective on the Forces and Relations of Production” is an original and critical re‐creation of the Marxist possession theory located within his own theoretical framework, and is an excellent critique of the central arguments of Marxism. It successfully illustrates Yoshida's superlative critical and creative skills of theoretical dialogue. 相似文献
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Ryo Okubo 《International Journal of Japanese Sociology》2018,27(1):120-132
This article aims to construct a new perspective for analyzing the recent omnipresence of screens, the diversity of images, and their impact on our daily lives. Because of the diversification of digitalized images today, research based on film and television studies is unable to grasp the fluid relationships among screen images, spaces, and the bodies of their audience, and important task for recent scholarship is to determine how to include these screen images in media and cultural studies. In response to this issue, this article seeks to reconstruct the concept of screen practice, guided by the perspectives of Jonathan Crary and Friedrich Kittler on media and practices; Koji Taki and Ai Maeda's historical research on Japanese modernity; and Erkki Huhtamo and Yussi Parikka's media archaeological perspectives for screen and visual culture. Although the notion of screen practice was originally proposed in the field of film history, it should be expanded for broader screen cultures as the sites at which scientific discourses and technologies act on the bodies of viewers. Taking the experiences of Japanese modernity as its subject, this is a critical issue, because at these sites we can find traces of dynamic negotiations between the circulation of science and media derived from Western modernity, and existing physical and cultural vernacular practices. Moreover, going back to the screen cultures at the end of the 19th century will make clear how the process of our contemporary media environment was formed. 相似文献
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Mark W. NOVAK 《Sociological inquiry》1976,46(1):31-39
This study begins by viewing Georg Simmel's sociology as the focal point of controversy. That is, it begins with an interest in the historic dialogue between Simmel and the academic community. Through an explication of critics'complaints against Simmel's work, and through an analysis of Simmel's own essay, "The Secret Society," this investigation succeeds in uncovering in Simmel's writing a significant, alternative form of sociological life. 相似文献
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Kevin Howley 《Sociology Compass》2013,7(10):818-828
This essay provides an overview of the field of community media studies. Like the study of “alternative media,” “citizens' media,” “independent,” and “radical” media – to mention but a few of the terms applied to participatory communication projects – academic inquiry into the structures, forms, and practices of community media has surged in recent years. While scholars often use these labels interchangeably, this essay focuses on academic and practitioner perspectives that explicitly and purposefully employ the term “community media.” The overview identifies and briefly considers three prominent conceptual frameworks – media democratization, civil society, and the symbolic construction of community – which shape and inform this vibrant field of study. This overview concludes with some thoughts on the limits and possibilities of community media theory, and practice, in the new millennium. 相似文献
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Diana Crane 《Sociology Compass》2010,4(3):169-179
The subject of this article is the relationship between cultural sociology and approaches to culture in other social science disciplines. What are the characteristics of the theoretical environment, in which cultural sociology is operating? The article begins by reviewing the literature on interdisciplinarity. Many authors argue that interdisciplinarity is increasing or should be increasing, but the general consensus is that disciplinary isolation is the norm. From this perspective, the relationships between disciplines can be understood in terms of trading zones, in which fields in different disciplines have little in common, theoretically, or empirically. Interdisciplinary communication in ‘trading zones’ requires that participants laboriously construct a set of terms that permits them to exchange ideas. Alternatively, I propose that clusters of fields in different disciplines are linked by free-floating paradigms. Participants in disciplines that share ‘free-floating paradigms’ are able to communicate with one another more readily. The article presents evidence for the second interpretation, drawn from survey articles in disciplinary handbooks. Disciplines and fields in which the study of culture draws from the same pool of paradigms and models and shares a set of lines of inquiry with cultural sociology include traditional disciplines, such as anthropology, communication, geography, history and psychology, and interdisciplinary fields, such as cultural studies, communication, feminist theory, material culture, science studies, and visual culture. Interdisciplinary fields – particularly cultural studies – perform an important role in diffusing paradigms across disciplinary boundaries. Free-floating paradigms are associated with the work of major theorists, such as Lévi-Strauss, Barthes, Foucault, Bourdieu, Lyotard, Baudrillard, Clifford Geertz, Bruno Latour, Adorno, Gramsci, and Habermas. 相似文献
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《Immigrants & Minorities》2012,30(2-3):122-151
This introduction has four purposes. It first of all gives a working definition of the refugee. It then outlines the main groups of refugees which have moved to Britain since the early modern period, focusing, more particularly, upon the nineteenth and twentieth centuries, which form the main focus of this volume. The article then introduces the reader to concepts of cultural transfer, especially as applied to migration and refugees, as well as outlining the main issues under consideration in the British case study, which forms the basis of this volume. Finally, the study introduces the main essays which follow and explains the structure adopted. 相似文献
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Editor's Introduction: Sociology facing the Millennium 总被引:1,自引:0,他引:1
John Urry 《The British journal of sociology》2000,51(1):1-3
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Mark Lefton 《Sociological inquiry》1984,54(4):466-476
This essay represents an attempt to combine personal experience and general sociological knowledge in formulating (1) an analytic model of disease and (2) a definition of chronic disease that would help us better understand the trials and tribulations of chronically diseased persons as they cope with their environments. These objectives are achieved but their heuristic value as analytic tools or their utility for pragmatic intervention requires amplification and demonstration. The ideas and themes discussed are viewed as important considerations fur applied sociological pursuits, particularly in medical sociology, but also have broader implications for sociology in general. 相似文献