Eroticism as Embodied Emotion: The Erotics of Renaissance Faire

This paper conceptualizes eroticism as emotional experience. I use the Renaissance Faire to illustrate the construction of asexual eroticism along three dimensions: the carnal experience of Faire, its focus on physicality, and intimations of increased interpersonal access. This approach forefronts the complexity of eroticism and situates the erotic squarely in the sociology of emotion, providing a model for understanding a range of emotional, embodied, and nonsexual charges as erotic. More broadly, the analysis seeks to contribute to the study of all emotion as embodied.     

Faire œuvre commune. Dynamiques d'attribution et de valorisation des coproductions en art numérique

By bringing together various parties and multidisciplinary contributions, digitalized art parcelizes the act of creation with, as a consequence, various ways for referring to the “work” of art. The outcome of this joint, polyphonic production process might be a piece of software, separate from the work itself, or an artwork, which might or might not incorporate the computer program. What arrangements ultimately redistribute these multicentric externalities between the cooperating parties? How are the results of this coordination exploited depending on the market (academic or industrial) of destination? By emphasizing the arrangements necessary for finishing a co-production whose social career is described, this article draws attention to the changes introduced through digitalized innovations and explains the new arrangements for giving credits and promoting partnerships between art, science and technology.