死囚档案：他为死刑犯写遗书

欢镜听1965年．出生干重庆永川一个农民家庭，热爱写作； 1984年．19岁成为重庆作家协会会员。 1989年．24岁成为当地商海中的佼佼者。 1996年．因侵害他人财产罪．被判处有期徒刑两年。     

军人电子健康档案互联互通性相关标准概述和应用建议

在介绍互联互通性概念的基础上,分析了电子健康档案互联互通性标准的分类和引用关系,并分别对互联互通性标准的3个层次,即信息集成规范、信息模型标准和信息语义标准的主要代表性标准的内容和典型应用进行了综述,提出了在军人电子健康档案系统建设中如何运用上述标准的建议。     

Post Gulf War Forum Women marginalized in Japan

This article does not have an abstract     

Retirement Planning and the Women Business Owner

This article investigates similarities and differences in the relationship between "public" and "private" in the lives of women and men who hold elective and appointive office. An analysis of data collected through surveys of federal appointees and state legislators indicates that men's political choices may be more influenced by private sphere considerations than commonly believed, but that private sphere concerns are nevertheless of greater significance to women than to men. Findings provide support for a conceptualization of public and private as an interrelated system of social relations rather than as two largely separate spheres of existence.     

Post Gulf War Forum Women in Afghanistan,Iraq and Palestine

This article does not have an abstract     

Beijing Capital International Airport Opens

Bright and spaciouswaiting hall.One of the restaurantsBaggage claim areaThe new airport will be able to welcome 3 5 million passengers each yearBeijing Capital International Airport Opens     

Performance and Performativity: Undoing Fictions of Women Business Owners

This article explores the representation of women small business owners in three contemporary novels; Chocolat, The Shipping News and Back When We Were Grownups. The primary contribution is to demonstrate how fiction can both challenge and collude in dominant constructions of entrepreneurship, which is more generally gendered as male and masculine. Judith Butler's thinking on performativity with regard to gender and sexual desire is applied to women's identities and extended to include their behaviour as entrepreneurs. The article demonstrates that these novels both ‘do’ and ‘undo’ gender and business ownership. They portray women who are successful in business while displaying culturally accepted norms of femininity but who are set apart from other female characters. However, their partial and conflictual identification with norms of gender and entrepreneurship could lead a reader to question those norms and through the undoing of the protagonists, the novels offer alternative performances and performativities of doing gender and of doing business.