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1.
ABSTRACT

This article explores Black queer country music listening, performance, and fandom as a source of pleasure, nostalgia, and longing for Black listeners. Country music can be a space for alliance and community, as well as a way of accessing sometimes repressed cultural and personal histories of violence: lynching and other forms of racial terror, gender surveillance and disciplining, and continued racial and economic segregation. For many Black country music listeners and performers, the experience of being a closeted fan also fosters an experience of ideological hailing, as well as queer world-making. Royster suggests that through Black queer country music fandom and performance, fans construct risky and soulful identities. The article uses Tina Turner's solo album, Tina Turns the Country On! (1974) as an example of country music's power as a tool for resistance to racial, sexual, and class disciplining.  相似文献   

2.
ABSTRACT

Discrimination toward lesbian, gay, bisexual, transgender, and queer (LGBTQ) social work students can negatively affect academic performance and personal and professional identity development. Intersectionality is a conceptual approach that states that social identities interact to form different meanings and experiences from those that could be explained by a single identity. This study explored how the educational experiences of LGBTQ social work students in the United States and Canada influenced their professional and personal identities. Using an intersectional analysis, three major themes emerged: the need for social work programs to better promote LGBTQ identity and emerging social work professional identity integration, a lack of LGBTQ content in the curriculum, and unsupportive LGBTQ school climates. Implications for social work education are considered.  相似文献   

3.
Abstract

The absence of scholarship on South Asian discrimination in Western queer discourse contributes to a narrative that South Asians are not subjected to racially charged forms of discrimination in the LGBTQ community, which is fundamentally untrue. This article presents narrative-based accounts of nine queer South Asian women in Toronto, Canada, to examine the ways in which they experience racial discrimination in the LGBTQ community, and the impact that this mistreatment has on identity formation and connectivity to queer spheres. It finds that queer South Asian women experience racial discrimination in the form of racially charged microaggressions, which are evidenced through expectations of assimilation to Western-normative performances of queer identity and erasure of South Asian culture in the LGBTQ community. Further, it reveals that Toronto’s LGBTQ community perpetuates a culture of White privilege that discredits the intersectional identity of queer South Asian women, and consequently invisibilizes, alienates, and revokes agency from these women who do not fit the majority’s conceptualizations about what a queer woman looks like.  相似文献   

4.
ABSTRACT

The rise of queer theory and activism have posed problems of identity and of goals. Queer theory has problemaiized identity, including queer identity: who or what is queer? Queer activism, on the other hand, has been fraught with those challenging sexual boundaries and those for whom “queer” is just the new name for gays and lesbians. Many of these latter activists reject earlier politics, and are in danger of returning to interest-group liberalism as a result. This paper sketches these problems and argues that wholesale rejection of lesbian-feminism and gay liberation is a mistake. The broader vision of these movements offers the possibility of articulation with other movements for change, and this possibility must be renewed and rethought.  相似文献   

5.
This essay responds to Luce Irigaray's essentialist call for men and women to assume their proper places in love's division of labour. In it, I propose a queer reading of her call, resituating it as a confining aesthetic for solo performance.  相似文献   

6.
Abstract

In this essay, I suggest that artistic production provides valuable insights into the nature of the Canada-US border during the late-twentieth century when significant changes were occurring to dominant understandings of Canada in relation to North America. Focusing on the medium of video art, I trace the sustained engagement of Canadian contemporary artists to respond to and comment on the move towards continental integration through free trade. I contextualize my discussion in relation to trade developments that opened Canada’s border with the US, such as the 1989 implementation of the Canada-US Free Trade Agreement. This agreement, along with the later North American Free Trade Agreement, led to increasing continental integration at the end of the twentieth century, as well as hope for hemispheric integration with the subsequent negotiations towards the Free Trade Area of the Americas. With attention to works by Lisa Steele and Kim Tomczak, Eva Manly, and Clive Robertson, I foreground cultural contributions to redefining the Canada-US borderlands. Here, I chart the artists’ intention to echo narratives of the border’s porousness and address the power dynamics between the Canadian state and its trade partners. Examining themes of cultural imperialism, colonialism, and national identity, I point to the importance of cultural production in assessing the borderlands and, more broadly, histories of free trade in North America.  相似文献   

7.
Using data from in‐depth interviews with young queer people, this article proposes revisions for four areas of Goffman's classic work, Stigma. Interviews reveal a situation between complete acceptance of queer identity and outright hostility, which I term “being in the line of fire,” and three strategies participants use to manage their identity in this situation. Unlike classical identity management, this project considers how their “double consciousness” allows them to respond to stigmatizing situations while remaining insulated from the negative appraisals of others. Instead, they orient toward educating the stigmatizer, minimizing interaction by tailoring their identity, or disengaging. I use these strategies to demonstrate that identity management theory does not properly consider possible responses to hostile reactions, the diversity of stigmatized groups, Goffman's so‐called sympathetic others, or different frames of reference on stigmatized attributes. Orienting to the point of view of the marginalized, this article demonstrates how one manages an accepted identity when one is in the line of fire.  相似文献   

8.
Lesbian, gay, bisexual and transgender (LGBT) movements have too often been dominated by US liberal individualist framings of lesbian and gay rights, resulting in the hegemony of US‐focused issues and institutional actions, despite the irony that the US government has been relatively unsupportive of LGBT rights on the international stage. We argue that transnational, grassroots queer movements embody more profound aspirations that do not limit the meaning of queer liberation to singular identity politics or rights‐restraining institutions. Specifically, we point to transnational and Third World‐based queer movements that offer more complex structural analyses of sexual oppression as well as more visionary praxes of sexual rights. Drawing on lessons from two cases of queer human rights praxis from the Philippines and México, we assert that a queer grassroots enactment of human rights allows for multiple subaltern constituencies to find – and to make – a place in human rights discourses; queer identity and actions create social formations that expand human rights agendas to further embody the intersectionality, interdependence and transnationality of daily life. Key to these enactments of queer human rights praxis are prefigurative politics and rooted cosmopolitanism, which catalyze new expansions of human rights to include intersectional framings and practices of erotic justice.  相似文献   

9.
Abstract

Contemporary Russian state ideology has turned towards instituting “traditional family values,” an official turn that increased legal and social discrimination against queer families. The concept of “traditional family values” in the contemporary Russian state discourse refers to the “naturalness” of the heterosexual family, consisting of two parents and their biological offspring. This discourse eliminates the possibility of public lesbian parenting. Following the idea of the conceptualizations of queer temporalities in different geo-cultural contexts, I examine the impact of recent oppressive legal changes in Russia on reproductive choices, everyday parenting strategies, and social interactions among lesbian mothers. In this work, I seek to show more than the obvious harm caused by the “anti-gay law” in terms of its effects on lesbian-headed families. To do so, I analyze the strategies applied by Russian lesbian mothers to tackle the rapidly changing state ideologies and legislative landscapes. I do this by discussing the ways in which lesbian mothers in Russia “manipulate” their social status to avoid possible official or unofficial homophobic actions directed towards them and their children. For example, they may come out selectively, carefully choosing the people to whom they openly present their identity. I argue that to adhere to “ordinary” or “normal” family life, lesbian mothers in Russia use several survival strategies. One of these strategies relates to speculation about immigration to the “West.” That is, some lesbian families prepare all of the necessary documentation, secure valid visas, and attend special workshops where they receive legal and informational support on asylum seeking and emigration from Russia. Another set of strategies for maintaining family identity relies on the decision to come out as a co-mother during interactions with official institutions or to choose other identities; for example, godmother or sister of the birth mother of a child. An additional important strategy for lesbian mothers relies on drafting documents that maintain their rights in severe circumstances. This set of actions focuses on legally supporting the parental rights through the use of loopholes in the Russian legislation and drafting documents that maintain their rights to child custody and their partner’s property.  相似文献   

10.
Abstract

Disabled artists with physical impairments can experience significant barriers in producing creative work. Digital technologies offer alternative opportunities to support artistic practice, but there has been a lack of research investigating the impact of assistive digital tools in this context. This article explores the current practice of physically impaired visual artists and their experiences around the use of digital technologies. An online survey was conducted with professional disabled artists and followed up by face-to-face interviews with 10 invited artists. The findings illustrate the issues disabled artists experience in their practice and highlight how they are commonly using mainstream digital technologies as part of their practice. However, there is little awareness around novel forms of technology (e.g. eye gaze tracking) that present new creative opportunities. The importance of digital tools for supporting wider practice (i.e. administrative and business tasks) was also highlighted as a key area where further work is required.  相似文献   

11.
Translation     
ABSTRACT

I offer a personal story, seen through contemporary queer theory, to turn positivity on its head and imagine how the “queer art of failure” disrupts the reproduction of compulsory ways of loving and making family.  相似文献   

12.
Abstract

This article proposes to examine the self-concept of members of an occupational category referred to as the “solo self-employed”—women and men who work alone and do not employ other workers. Our findings reveal that although the solo self-employed themselves do not make clear phenomenological use of the solo-self-employed category, they do speak similarly about their occupational independence, albeit without group awareness. The self-concept of the solo self-employed is mainly based on boundary work in relation to two well-known cultural-occupational categories: “employed workers” and “businesspeople.” Solo-employed workers prefer to distance themselves from these two categories and define themselves through negative comparisons between themselves and the two preceding categories. The Discussion section proposes perceiving solo self-employment as a social category that constructs an alternative self in relation to the selves associated with popular cultural-occupational scenarios.  相似文献   

13.
Queer Questions     
Abstract

As rights claims on the basis of sexual orientation and gender identity occupy an increasingly prominent place in international politics, it seems clear that the long-running Woman Question has been supplemented by a set of variously articulated “queer questions.” Drawing on postcolonial, feminist and queer theory, and readings of queer literary and cinematic texts from India and Iran, this article explores moments of resonance, intersection and tension between the Woman Question and queer questions. It argues, first, that contemporary queer questions echo the preoccupations of the Woman Question even as they are uncannily prefigured by it; second, that these questions have been mutually disruptive of one another, so that queer questions are not simply a rerun of the Woman Question; and third, that differences between these questions are problematically flattened out in projections of shared futurity articulated in the abstract universality of “human rights.” Navigating the shared pasts, fraught presents and imagined futures of Woman and queer questions, the article brings queer critiques of temporality to bear on the concerns of postcolonial queer activism. It elucidates opportunities and challenges for alliance between the subjectivities interpellated by these various questions. In addition, it asks how the proliferation of new subjectivities under the sign of “queer” troubles notions of universal human rights.  相似文献   

14.
ABSTRACT

Contemporary Detroit has gone through many changes – or so it appears. From streets lined with vehicles made by Chrysler, Ford, and General Motors and driven by the nearly 2 million people who called the city home in 1950 to certain parts of the city looking like ghost towns; from a population that dwindled to 670,000 to the revival of downtown. Yet, what has been remarkably consistent is the invisibility of the Motor City’s Indigenous population. Indeed, Indigenous erasure, combined with rhetoric and policies that continue to marginalize and subjugate African Americans in Detroit, create a place rooted in multiple colonialisms. This essay examines how Detroit’s Indigenous Hip Hop artists resist settler colonialism through art, creativity, and culture as well as the practices of Detroit 2.0, a rhetoric and policy used by Detroit elites to reimagine it as a place of opportunity. By making visible the connections between blackness and indigeneity, as well as by linking the struggle of colonized peoples in Detroit to those in Palestine, Indigenous artists are not only asserting their humanity and challenging the longstanding idea of their erasure, but also constructing pathways for artists and activists to disrupt the effects of multiple colonialisms that continue to marginalize people of colour in urban areas. Detroit’s Indigenous Hip Hop artists make socially conscious music and also participate as activists in the city of Detroit. They serve as a window onto contemporary Indigenous identity, represent an exemplar of the urban Indigenous experience, and combine activism with art in a variety of ways.  相似文献   

15.
ABSTRACT

There has been a sudden proliferation of short story anthologies published in direct response to the refugee ‘crisis’ of 2015 and the US travel ban of 2017. This article focuses on two of these collections (The Displaced and Banthology, both published in 2018) in order to theorize the reasons behind this phenomenon. What makes an anthology better equipped than a single authored piece of writing to respond to such contemporary themes as migration and displacement? I argue that the answer might lie in the precise nature of their heterogeneous form, which allows anthologies to be assembled and reassembled by various stakeholders during their production and reception so that they mean differently in different times and places. My analysis of the anthology as assemblage brings Deleuze and Guattari’s original concept into dialogue with newer notions of queer curation and postcolonial reading in order to conceive of processes of selecting and fitting elements together as deliberate tactics. I pay particular attention to how such processes highlight the agentic role of the reader, allowing them to make their own assemblages from the multiple interrelations that emerge between the anthology’s composite elements, and I show through specific examples from primary texts of how this might be done. Developing this concept of assemblage reading (which is here also transnational by nature) allows me to extend the framework of the refugee anthology to encompass a much wider range of acts of collective creation in my conclusion.  相似文献   

16.
Abstract

This article presents empirical data from survey research into lesbian and queer masculinities in the United Kingdom, conducted in 2017, which garnered over two hundred responses. Dominant themes emerged which addressed the differences between the sexed body and gender identity; the contradictions of identifying with masculinities while critiquing hegemonic masculinity; a sense of anxiety or loss around a perceived decline of lesbian community and identities within it, particularly the identity of butch lesbian; and, finally, the variety of trans identities and how they are defined and distinct. The focus in this article is on the latter theme, the variety of trans identities, and particularly the shared experiences of individuals across different identifications. Namely, I consider how butch, non-binary, and queer individuals reported possible areas of resonance and recognition with transgender or transmasculine experiences or the experiences of trans men. I argue that rumors of “border wars” have been exaggerated, as these territories are often overlapping. In addition, some individuals inhabit multiple sites of identity or shift between and across shared sites. Degrees of sex and gender dysphoria were not only reported by trans-identified individuals, and while not all such individuals adopted a trans identity, this was not necessarily because these border zone denizens felt a strong connection to femaleness or womanhood; often far from it.  相似文献   

17.
ABSTRACT

The language one uses for self-identification can be instrumental in the development and integration of one’s sense of self. This is particularly true regarding gender, gender identity, and sexual orientation. This seems to be particularly marked with use of the term “queer.” This research project explored terms that college-aged people use for self and other reference, especially use of the word queer. The results from this study provide empirical evidence that college-aged people have reclaimed the word queer as acceptable for gender or sexual orientation identification, although it is not the most frequent term used for their own self-identification.  相似文献   

18.
ABSTRACT

This article considers the possibilities and limits of applying institutional ethnography, a feminist theoretical and methodological approach that contributes to collective projects of investigating and transforming social life. Elaborating on the approach, the article reports on an ethnographic exploration of visual artists’ experiences and struggles in Canada's art world – a project that started from the standpoint of practising visual artists, examined their work and relations, and explicated practices and logics of art and valued work conditioning their lives. Speaking back to formal or text-based investigations of particular institutions, the article grapples with how to engage in research that more fully reveals the ‘social,’ attending to everyday life, to the ‘life work’ that people do, and to social forms that are threaded through intersecting, localized intimate and institutional spheres.  相似文献   

19.
ABSTRACT

This article addresses the questions of why to include and how to approach LGBT issues in the context of European social work education. Referring to social work’s commitment to LGBT people, the article points out its ongoing relevance as questions of marginalisation and discrimination point far beyond formal equality in legislation and normalisation of homosexuality within existing societal institutions. Furthermore, new questions and dynamics in rapidly changing and highly diverse societal contexts bring about new challenges in addressing LGBT issues. Against this background, the article discusses problems of representation and knowledge and underlines the potential of a queer approach. A queer perspective questions taken-for-granted assumptions about sexual orientation, gender identity and intimate relationships. It challenges normalising categories of sex, gender and desire and brings out possibilities existing beyond the heteronormative order. This way, it offers social work education a powerful theoretical lens to address issues on sexual orientation and gender identity not only as yet another minority issue, but as transversal matter and as good news for all. In this article, we use the acronym LGBT to refer to lesbian, gay, bisexual and trans people. LGBT is meant to include and at the same time emphasise the differences between people who do not (exclusively) define themselves as heterosexual and who cannot or do not want to match or identify with binarities of sex, gender and desire. We do not use the acronym LGBTI because we find it problematic to include intersex people without taking explicitly into account their specific situations and needs. Making a plea for a queer approach, we share – of course – a critical view on categorisations and identity labels.  相似文献   

20.
ABSTRACT

This article presents an historical overview of queer activism and inquiry, advocating for queer theorizing in public relations, and outlining future directions for theory building. It proposes making public relations theory queer (challenging the heterosexist foundations and presumptions that constitute theory in public relations) and queering public relations theory (challenging the discomfort in theorizing sexuality and gender identity). This article is intended to be provocative and to serve as a disruption to contemporary public relations theory; it is a cry for radical rethinking of how we come to identify, define, and understand the discipline.  相似文献   

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