From the English Cottage Garden to the Swedish Allotment: Banal Nationalism and the Concept of the Garden

ABSTRACT

This article considers Billig's concept of “banal nationalism” in relation to a comparative material culture study of ordinary English and Swedish gardens and gardeners. Banal nationalism is about the myriad everyday practices, rather than overt ideologies, by means of which nations reproduce themselves as nations. While Billig's own work considers this solely in terms of linguistic discourses in relation to such matters as political speech and reporting sporting events, this article is concerned with how everyday nationalism may be reproduced through the humble and mundane material practice of gardening, and its relationship to the gardens people both create in reality and imagine.     

A matter of culture

Abstract

The nature of culture as the symbolic expression of inarticulate matter is explored from a range of different cultural perspectives. Raymond Williams's work on culture, especially his ideas on material and symbolic production, serves to introduce an analysis of matter and its place in cultural production. The mutable nature of matter is explored through the modern physics of quantum theory as well as modern art, especially the work of Jasper Johns. Late‐modern culture is viewed in terms of a mutable space of matter that resists meaning and location. The implications of this resistance for understanding the cultivation of knowledge and subject‐object relations are then pursued in the contexts of art history (Michael Baxandall), the ‘social body’ (Jean‐Frangois Lyotard), the society of generalized communication (Gianni Vattimo), multi‐media culture (J. Hillis Miller), and computerization.     

Straight out the barrio: Ozomatli and the importance of place in the formation of Chicano/a popular culture in Los Angeles

Abstract

Ozomatli's history of formation, the multiplicity of its sounds, the role played by its music in enabling political activism and political coalitions illuminate the relations between identities and politics at the present moment. The group is grounded in Los Angeles contemporary Chicano/a culture and in the new social relations, new knowledges, and new sensibilities of an emerging global city in a transnational era. Speaking from the interstices between commercial culture and the new social movements, Ozomatli's music and political work offers us invaluable bottom‐up perspectives on the terrain of counter‐politics and cultural creation at the beginning of the twenty‐first century.     

Material beings: Objecthood and ethnographic photographs

This paper argues that the material and presentational forms of photographs are central to their meaning as images. Drawing on work from the anthropology of material culture, it explores the significance of the materiality of ethnographic photographs as socially salient objects. The argument suggests that, while the analytical focus has been on the semiotic and iconographical in the representation of race and culture, material forms of images are integral to this discourse.     

Employment Practices and the Gendering of Air Canada's Culture during its Trans Canada Airlines Days

From the earliest days women have had active roles in the commercial aviation industry. Yet most airlines' employment practices have led to narrow definitions of what constituted women's work. This study, as a part of a broader study on employment practices and the gendering of organizational culture, mirrors a similar study of British Airways by Mills (1994) and takes a rules approach, within a sensemaking framework (Helms Mills and Mills, 2000), to analyze the data. In this case, the first three 'junctures' in the history of Air Canada/TCA will be explored to show how women's work was understood and how women were represented during each of these periods. The use of corporate documents will support the notion that women were mostly thought of and portrayed as idealised, sexualised objects, which were considered dispensable. This narrow definition of women's roles has not only diminished the opportunities for career advancement but it has also minimized the importance of the work women in the airline industry have done.     

Enabling Fictions: Philip Roth's Prosthetic Anne Franks

Abstract

In this article, it is argued that insufficient attention has been paid to Philip Roth's uses of Anne Frank in his work. Concentrating on the 'Zuckerman' and 'Philip Roth' novels in which Anne Frank is discussed, it is illustrated that Anne Frank functions as a 'narrative prosthesis' not only in Roth's work and within American postwar culture, but that all representations of Anne Frank function as narrative prosthesis. The concept of Anne Frank as narrative prosthesis allows for recognition of the fact that Roth characterises writing and identity as prosthesis. Exploration of Roth's uses of Anne Frank also exposes problematics in his own work, particularly in his representations of women.     

What is so bad about being rich? The representation of wealth in American culture

Abstract

Today, the USA is the Western nation with the greatest percentage of the world's rich and with the greatest gap between rich and poor. However, there is hardly any national debate or outcry about this growth of wealth polarization. From a Cultural Studies perspective, this puzzling absence of protest raises the question whether and in what way culture plays a role in shaping US attitudes toward economic and social inequality. This article traces these changing attitudes by focusing on cultural representations of wealth in four different stages of US cultural history: the 'Protestant ethic', 'robber barons', 'conspicuous consumption' and the recent 'greed' periods. The article concludes by discussing the conflicting attitudes currently at work in the perception and representation of wealth in US culture.     

Joseph Cornell’s Subversive Materialism

Abstract

Joseph Cornell’s box assemblages have proven difficult for art historians and gallerists to categorize. Being neither painting, sculpture, nor precisely collage, their unique position within the history of twentieth-century American art highlights the disruptive materialist strategies the artist employed in forming his objects in the 1940s. This article discusses three related strategies derived from material culture that the assemblages subvert by deviating from the established pathways of particular object categories: the inauthentic object, the souvenir, and the biographical object. These related strategies helped the artist to negotiate his relationship with the city of New York and its immersive consumer culture, and mediate the anxieties recalled in his diaries regarding eternity and the infinite expanse of space. Finally, the article contends that these deviations represent the source of the works’ spiritual and social resonance.     

Ethnic- and Gender-Sensitive Social Work Practice

Abstract

Attempts to incorporate into social work educational programs subject matter related to culture, ethnicity, and women have not produced sequential articulated content. This article presents a framework which provides systematic inclusion of topics pertaining to racial, cultural, ethnic, and women's issues and concerns through all social work curriculum and practice.     

Feeling at Home: Interiors,Domesticity, and the Everyday Life of Belgian Limburg Miners in the 1950s

ABSTRACT

The article aims at contributing to the knowledge of the decisive breakthrough of mass consumption by exploring the significance of seemingly banal consumer goods in the 1950s (wallpaper, radio, china…). The case under investigation is the Belgian Limburg mining community that was formed in the late 1920s. The article analyzes the interior decoration of the homes of four families and questions identity, aspirations, and meaning of particular consumer durable goods. Photographs, as bearers of unique information for historical research, will be used in place of more traditional historical source material. The study shows that the houses of the miners' families became homes, with the addition of seemingly trivial objects. Of course, this was nothing new, but it was greatly magnified by the wave of consumption that struck Belgium in the 1950s.     

Ecstatic things

Abstract

This article addresses the orchestration of domestic lighting as an object of anthropological study. It takes Bedouin domestic architecture in southern Jordan as a starting point in an analysis of how light is used as means of safeguarding spaces as part of hospitality practices central to Bedouin culture. By arguing that things are “ecstatic” in the sense that they transcend their own tangibility, the article shows how objects, such as tinted windows, impose themselves on other objects to shape the particular visual presence of the world that informants opt for. Such a presence of the world is analyzed through the notion of “atmosphere” as a contemporaneity of subjective emotions, cultural ideals, and material phenomena. Thus, while boundaries between interior and exterior may be upheld by tangible material strategies, such as walls, these boundaries may also simultaneously be permeated by the ecstasy of material things, which aim to safeguard other aspects of life through less tangible strategies.     

Urban Ethnography of the 1920s Working Girl

The 1920s was the era of the city. The urban population of the USA for the first time exceeded the population of rural areas and the nascent institutions of city life were flourishing. This article discusses the urban ethnography of the era with a focus on the way women and work was conceptualized, especially how ‘the city’ figured in explanation. Three ethnographies are examined — Frances Donovan's The Woman Who Waits (1920) and The Saleslady (1929) and Paul Cressey's The Taxi‐Dance Hall (1932). Donovan and Cressey presented their empirical material to show that the so‐called working girl faced a multifaceted world of opportunity in employment, not of disadvantage, as commonly emphasized in today's ethnographic studies of women and work. The conclusion reflects on the past, present and future in terms of the city's explanatory prominence in various eras.     

My Room,My Home,My Self

Abstract

The material culture of home cannot be supplanted in its entirety when moving into an aged care facility. When the time comes, the decision of what to take and what to leave behind is not simple. This article presents the balance between practical and emotional considerations in the choice and presence of personal objects in the rooms of residents. Intersubjective relationships between material objects in the room and the people who enter that space is viewed through a narrative lens. In this way, it is the materiality of the room-as-home for the self, which is key. Three major themes relating to the objects in the room of the older person were found to be: 1. Safety, 2. Family, and 3. Home. These themes emerged from ethnographic research in an aged care setting. Participants included residents, their families, care staff, and management of the facility. The article contributes to understandings of material objects as carriers of identity and meaning in an aged care facility.     

Closet and Cabinet: Clutter as Cosmology

ABSTRACT

In Central Slovakia, homes “grow” and get cluttered with age. Cabinets and closets are used to house this profusion of possessions. However, their very role as containers for precious and meaningful objects—such as expensive cut glass or family heirlooms—gives them a poetic and symbolic weight that belies their modest appearance. Based on anthropological fieldwork, this article investigates how practices of collection, storage, and display of particular genres of domestic objects create spaces of intimacy in the home that work to perpetuate a sense of family history amongst middle-aged Slovaks in and around the provincial town of Banská Bystrica. Inspired by the historiography of Walter Benjamin, as well as his biographical writings, the focus of the study lies on the relation between memory and material culture in the home. Rather than relying on narratives of consumption and aesthetic choice recently popular amongst anthropologists studying domestic decor, it forms an attempt to reengage with literature that looks to the home as a site for the poetic imagination in order to grasp sentiments that are rarely verbalized.     

Logics of violence: Religion and the practice of philosophy

Abstract

By considering the way in which the mechanism of the scapegoat in René Girard's work is predicated on a phenomenal and anthropic understanding of violence, the following shows how Girard's anthropological conception of religion determines and limits from the beginning relations between the violent and the nonviolent and the phenomenal and the nonphenornenal. This conception is then inscribed within a larger economy of violence that opens up Girard's account of victimization and sacrifice to wider determinations. Important distinctions are made along the way between the human sciences, religion, ethics and philosophy. If the work of Jacques Derrida in particular and deconstruction in general permit this widening in this article, I then argue however that such concepts as originary violence also short‐circuit the differentiations, with which we are concerned, to address, with and beyond Girard, a radical ethics of the lesser violence.     

Sigmund Freud's Discovery of the Etiological Significance of Childhood Sexual Traumas

ABSTRACT

Challenging assumptions that Freud's early writings have no place in the current discourse on child sexual abuse, this article reconstructs Freud's early treatment of Emma Eckstein. Setting Emma's account of childhood sexual abuse in the context of Freud's early therapeutic practice reveals how Freud first formulated his radical theory, that his patients' psycho-neuroses were due to their having been sexually traumatised as children. The article concludes by inviting a reevaluation of Freud's work.     

Extending and Broadening Blumer's Conceptualization of Fashion: Adding Notions of Generic Social Process and Semiotic Transformation

Abstract

Herbert Blumer's critics and followers have, for the most part, neglected the significance of his theory of fashion. In this paper I revisit Blumer's thesis on fashion by identifying the fashion process as an instance of the generic social process of semiotic transformation. The concept of semiotic transformation refers to the change in meanings of symbolic objects over time. By identifying six elements of the generic social process of semiotic transformation (systemic permeability, systemic freedom, logonomic fluidity, logonomic openness, indeterminacy, and logonomic hegemony) and by viewing semiotic transformation as a joint act grounded in emergence, I argue that the meaning of change over time is a process structuring both the definition of the situation and symbolic objects. I conclude the paper with a set of reflections on the significance of Blumer's work on fashion for the development of a research agenda of semiotic transformation and for the legacy and reception of Blumerian theory.     

Bodily Entanglement: Bergson and Thresholds in the Sociology of Affect

D. H. Lawrence's and Henri Bergson's systemic accounts of life in terms of material connectivity/entanglement and durational self-differentiation provide an exciting alternative to static, analytical and atomistic approaches to consciousness, the individual and the group. However, they pose important questions regarding the precise nature of boundaries in a dynamic, materially connected universe. Where does consciousness begin and end, where does the individual begin and end, where does the group begin and end? How do discrete entities emerge at all in a universe of flux, transformation and connectivity? This paper suggests that we might think in terms of dynamic 'thresholds' produced by systems of selection and limitation. Some pointers in this direction are taken from Bergson himself, but also from the work of the complexity theorist Stuart Kauffman and the neurophilosopher Gerald Edelman. One way that this might be applied in practice is demonstrated by use of a case study on African-American youth culture taken from the work of Jock Young.     

Translating Bourdieu into youth studies

ABSTRACT

Against a backdrop of lively discussion about the best ways to do youth studies, or sociology of youth, this article asks: Can Pierre Bourdieu’s work be translated into youth studies in ways that benefit the field? We begin by considering Bourdieu’s thoughts on the category of ‘youth’ using a new translation of this text, and then turn to an important discussion by Furlong, Woodman, and Wyn about certain long standing tensions in youth studies. These tensions are between writers engaging in the ‘structure versus agency’ debate that is mapped onto the ‘culture versus transitions’ binary. We consider the case for adopting a ‘middle-ground’ represented by Bourdieu’s writings. We argue that many in youth studies work from an unacknowledged substantialist tradition, which is contra to Bourdieu's relational perspective. The result includes misunderstandings of Bourdieu's thinking and expectations of his work, for example, that it can pass certain empirical tests. We argue that if Bourdieu's relational perspective is to be translated into youth studies, we will need a more determined effort to understand that perspective first.     

‘Working fathers' in Japan: Leading a change in gender relations?

Does the emergent phenomenon of ‘working fathers' herald a process of change in gender relations in Japan? Against the background of the current discourse in Japan about new modes of fathers' participation in the family, the article focuses on the small group of working fathers — men who explicitly organize their working lives around family responsibilities — to examine the potentiality of change. This supposed change in the roles of men (and women), at home and in the workplace, is considered in terms of latency, as a ‘slow‐dripping' process. The qualitative research focuses on Fathering Japan, Japan's leading fathering movement, its ideology, its members and their families. The article offers a critical perspective, juxtaposing gender ideology with practice. Exploring the real‐life experiences of working fathers caught between family and work, especially against Japan's gendered corporate culture, the article also addresses the persistence of gender inequality in Japan.