Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s

Music, as a form of public discourse, invariably becomes a social science field that is considered more in the postmodern era when the boundaries are blurred. This study examines the political and cultural links between the emergence of the heavy metal genre and Turkish democracy. There are correlations between the prevalence of heavy metal in Turkey and the country's social and political transition in the 1990s and the search for a new path. The main argument here is that, among the country's tense democratization efforts and social problems, the heavy metal genre also indirectly carries the distinct traces of a different political search for the youth of the 1990s, although not directly. Democratic politics is a process established by daily life with the direct influence of societal interactions, and Turkish politics, and cultural life, in this case, heavy metal, include important notions in this remarkable manner. The main point symbolized by metal music in Turkey was its lyrical and artistic ability to express different points of view loudly enough against the uniform religious and nationalist culture that could be offensive, while other mainstream ranges such as pop and arabesque music didn't mind this issue.     

The Defeat of the Guitar Army: Don DeLillo,John Sinclair,and the Rock Revolution

Abstract

Don DeLillo’s 1973 novel Great Jones Street is seldom analysed as a serious engagement with the rock music and countercultural politics of the 1960s, yet these constitute its historical context, its subject matter, and its central concerns. An historicized reading positions the novel as an intervention into contemporary debates about the causes and consequences of the defeat of the 1960s ‘rock revolution’. These debates were most thoroughly synthesized by the rock culture’s chief agitator and organic intellectual John Sinclair in his 1972 book Guitar Army. Like Guitar Army, Great Jones Street dwells on the connections between the political failure of the rock revolution and the provenance and validity of rock’s anti-rational aesthetic. Sinclair finds political hope in re-emphasizing rock’s anti-rationalism, rooted equally in black music and the psychedelic experience. More sceptical, DeLillo offers a very different reading of the rock culture’s view of African American aesthetics and its use of psychedelics.     

WikiLeaks: Between disclosure and whistle‐blowing in digital times

The 2010 WikiLeaks' disclosures of U.S. war logs were the first megaleaks to shake the world of international diplomacy and political elites. Since then, more leaks followed, from the Snowden to the Panama Papers. As this phenomenon continues to evolve, a significant body of scholarly work has analysed the emergence, the struggle, and the history of WikiLeaks .This article aims to provide a cross disciplinary overview of the research that has explored the rise and the legacy of the disclosure platform and whistle‐blowing website WikiLeaks. It identifies four scholarship approaches to research focusing on Julian Assange's platform in order to understand its impact on various aspects of the media and of public life. The approaches considered range from the effect WikiLeaks has had on traditional journalism to the platform's challenge to power in the realm of the balance between openness and secrecy in domestic and international politics; further scholarships use WikiLeaks as a case study to understand the relationship between media and social movements and to study the platform's ethics and the legal consequences of its operations. The impact of WikiLeaks's revelations still poses relevant questions the media, politics, and regulators must address in such a pivotal time that sees a change in news consumption and an increasingly bitter debate between online privacy and transparency. The conclusion reflects upon current development of what the author calls “new digital culture of disclosure.” Future research should explore questions about the opportunities, challenges, and obstacles for this emerging culture of disclosure. What are the socio‐political‐economic conditions that have enabled this new culture? Are these leaks becoming a renewed example of democratic accountability? Is this culture of disclosure replacing public interest journalism in times of crisis?     

Shifting visibilities: the social implications of a Roma aesthetic

ABSTRACT

This paper is a personal reflection by a Roma artist upon the mutual influence of Roma social relations and Roma visual culture. Strategies of art making are considered via analyses of contemporary Roma art works. It is suggested that historic marginalisation and continuing discrimination have determined the contingent nature of the Roma aesthetic resulting in keen facilities for adaptation and obscured visibility. Roma artefacts are shown to employ these resistant characteristics of Roma visuality to convey social, cultural, artistic and political agency via visual and performative means. The conclusion calls for a reconceptualisation of Roma visibilities so that we as Roma might forge new political unities and new forms of politics to more effectively challenge embedded Romaphobia.     

The Hobo Anomalous: Class,minorities and political invention in the Industrial Workers of the World

This article is an analysis of minority political invention in the Industrial Workers of the World (IWW). Against the tendency in recent social and cultural theory to dichotomize class and difference, it argues that it was in and through the IWW's formulation of class that minority political and cultural invention occurred. Using the framework of Deleuze and Guattari's minor politics, the article shows how the IWW's composition in the simultaneously diffuse and cramped plane of work operated against the major political identities and subjects of worker, immigrant, American, citizen and 'people', and towards the creation of minority political knowledges, tactics and cultural styles premised on the condition that 'the people are missing'. Seeking to understand the IWW's modes and techniques of invention, the article explores the general plane of IWW composition, its particular political and cultural expressions (in songs, manifestos, cartoons and tactics), and its minor mode of authorship. The article focuses in particular on two aspects of IWW minority composition, the itinerant worker, or hobo, and the politics of sabotage.     

“You Don't Get to Sing a Song When You Have Nothing to Say”: Oliver Mtukudzi's Music as a Vehicle for Socio-Political Commentary

Abstract

Oliver Mtukudzi's music is known for both its musicality and because it addresses social and political issues. Mtukudzi uses his music to tackle the political realities of Zimbabwe and issues related to AIDS, gender and street children. The use of riddles and innuendo is common within Shona music and it is these tools that Mtukudzi uses to deal with these issues that are not commonly addressed by many other musicians. This article analyses his lyrics and music to examine these particular issues. Particular attention is paid to music because the embedded subtexts of music help to illuminate the subtexts of the lyrics.     

Commodities in action: measuring embeddedness and imposing values

Recent approaches in political economy look at the effects of technology and social values on economic action. Combining these approaches with those of economic anthropologists, this article poses that the way the economy is instituted can be understood by looking at reasons actors have for participating in actor‐networks of production, distribution and consumption. Using the author's research on American recycling, this article first shows that much of the‘making’or instituting of the economy happens outside the market, through political machinations, contracts and standards. Second, it suggests that these relationships impose value upon goods differently than do market relations. The details of the recycling‘chain’show the ways actors shape the network and demonstrate that the social values that add‘economic value’to goods are not uniform, but are highly contextual. Starting from Mark Granovetter's notion of 'social embeddedness', the article explains that the measure of social embeddedness is not as important as the values imposed upon other actors through social structure in the economy. It calls for a close observation of economic action in the locales within which production takes place to understand better the‘actions‐at‐a‐distance’where the politics of technology, social movements and power create the empirical, instituted economy.     

Women in Politics in Norway

This paper attempts to explain how and why women in Norway have achieved unusually high political representation. The study, based on forty-three personal interviews with female politicians and persons familiar with Norwegian political culture, found that certain favorable social and political preconditions existed in Norway that encouraged women's entry into politics. However, it was the strong and effectively organized women's movement which was responsible for the significant increase of women in politics. A number of environmental opportunities and threats facilitated the formation of a successful coalition between establishment and new feminist factions of the women's movement. This coalition then used effective strategies to get more women into politics.     

Joseph Mainzer (1801–1851) and the Popularisation of Choral Singing in Britain

Singing master Joseph Mainzer came to England in 1841 as a political refugee from Germany. Through his music schools, his textbook Singing for the Million, and his journal Mainzer's Musical Times (today The Musical Times) he contributed significantly to the popularisation of choral singing in Britain. This essay takes Mainzer's political background as a starting point to investigate the complex relationship between refuge and artistic production. It is argued that the latter was deeply informed by the former. Mainzer not only transferred choral traditions but also a politicised concept of popular culture which started to take hold in pre-revolutionary Vormärz-Germany. The case study is integrated into the larger framework of Anglo-German cultural relations and political refuge in mid-nineteenth century Britain.     

Songwriting and Activism: A Young Singer's Efforts to Write Himself into the Traditions of an Activist Group

This article examines how music functions as a vehicle by which people may place themselves in social movements. Centering questions of culture, the article describes how an environmentalist group based in the northeastern USA used music to: (1) assert a collective identity; (2) project a past, present and future; and (3) forge relationships among group members and between group members and the general public. Against this background, the article considers how a young activist used music to take on and adapt a movement identity and position himself within the movement's traditions and social relations. In a discourse analysis of a song this young activist composed and performed at the group's summer music festival, the article shows how he adapted a range of cultural resources to reimagine and place himself within the group's relations of time and social space.     

The people of California are suffering': The ideology of white injury in discourses of immigration

Abstract

This article examines how the ideology of white injury both conceals and sustains inequitable social relations in turn‐of‐the‐millenium California. Understanding the political and economic context of California in the early 1990s in relation to media, law, and culture helps explain why Californian citizens passed the unconstitutional initiative, Proposition 187, in 1994. Targeting undocumented Mexican immigrants, this ‘color‐blind’ Proposition functioned to conflate economic insecurities with racial anxieties. An analysis of culture, law, and media discloses how racial anxieties limit our understandings of exploitative capitalist relations, serving to artificially augment the white middle‐class ‘ wealth, opportunities, and power, while making vulnerable populations in the United States even more open to exploitation.     

Women’s Political Firsts and Symbolic Representation

ABSTRACT

The extent to which politics is still a “man’s game” is made evident every time a top political office has a female holder for the first time. These incredibly revealing moments may give a new social meaning to women in politics—women’s political presence—and women and politics—gendered social constructions about women’s capacity to rule. This article explores the types of gendered mediation underpinning the representation of first-ever women serving in historically male-dominated political offices in Spain. It shows that gender media frames are pervasive, which may lead to an effective annihilation of women’s symbolic representation.     

Watching The Daily Show in Kenya

Global distribution of a popular American television programme – Jon Stewart's Daily Show – offers a rare opportunity to examine transnational contingencies of meaning in political satire. Drawing on focus group discussions in Kenya, this analysis shows how some East Africans appropriated and reinterpreted – indeed unexpectedly subverted – The Daily Show's political content, deriving from it insights that Stewart himself might have found surprising. Kenyan viewers perceived in The Daily Show gaps between the rhetoric and reality of empire and pointed to limitations of Stewart's dissident satire as they rejected its depictions of non-wealthy nations and marginalized peoples. They reconfigured Daily Show episodes as commentaries on global power relations; reflected critically on Kenyan politics, media and their own political subjectivities; and revised their own earlier assumptions about the gap between Africa and supposedly ‘mature’ democracies such as the United States. Thus, American political satire such as The Daily Show can activate in foreign audiences new perceptions of differences between the ‘West’ and the rest and new forms of political imagination.     

Invisible republics and secret histories: A politics of music

Abstract

How does music ‐ or any cultural artefact ‐ assume significance for those who encounter it? Why does one sound or image come to matter, while others are overlooked or forgotten? The answer is not to be found in the sounds alone, but in the context and conditions in which they are heard. This article explores this argument by considering the case of The Anthology of American Folk Music, a set of recordings from the 1920s and 1930s, which has exercised an extraordinary power over popular music since its release in 1952. Using the arguments expounded by Robert Cantwell and Greil Marcus, and pointing to the uses of music in establishing national identities and mobilising social movements, the article argues for an understanding of music's significance that links social experience, aesthetic pleasure and political values.     

Political cultures and transnational social fields: Chileans,Colombians and Canadian activists in Toronto

We offer an institutional analysis of Chilean and Colombian transnational politics in Toronto to account for cross‐group variation in transnational political practices and the formation of different types of transnational social fields of political action. The article is based on interviews conducted with Chilean and Colombian community activists and Canadian refugee rights and social justice activists. We use the concept of political culture to account for differences in Chilean and Colombian transnational politics and to explain the different kinds of relationships the two groups have developed with non‐migrants. We introduce the concept of activist dialogues, understood as patterns of strategic political interaction between groups, to characterize how migrants and non‐migrants read and navigate their interlocutors' ways of doing politics. We argue that variation in the character of activist dialogues results in different types of transnational social fields of political action. Chilean–Canadian activist dialogues reflect a convergence of political cultures and strategies of action; Colombian–Canadian activist dialogues are marked by a relationship in which there is a divergence of strategies of action. Convergent dialogues produce thicker and more stable transnational social fields. Divergent dialogues are associated with a series of ad hoc initiatives, the absence of stable and strongly institutionalized partnerships, and a thinner transnational social field of political action.     

“Anyone Can Be a Lesbian”

ABSTRACT

An overview of the history, politics, and marketing of the 1970s lesbian-feminist music movement. This article addresses the specific audience created by and receptive to the women's music “sound” and message, and examines some of the backlash and critique concerning the meaning and application of a separatist message. Artists' responses to questions of women-only space and coalition building are included in the analysis of concert and recording politics.     

'Pitbulls' and Populist Politicians: Sarah Palin,Pauline Hanson and the Use of Gendered Nostalgia in Electoral Campaigns

Abstract

Sarah Palin and Pauline Hanson were charismatic and populist politicians, whose home states of Alaska and Queensland became central to their political narrative. Both women gained political influence at times of intense debate regarding their respective countries' national identities. Voters perceived the states to be locales that evoked antiestablishment authenticity, and which echoed the historical dynamism of frontier society. The women used this association to consolidate their call for social renewal that would return politics to sections of the citizenry who felt themselves to be marginalized. The women's authority was augmented by gendered stereotypes that directed attention to their apparent vulnerability and honesty in attempting public service. Although their messages were calibrated differently, Palin and Hanson both demanded moral and political renewal, and generated intense support through their sexualized rhetoric of economic security and social nostalgia.     

Street art in non-capital urban centres: between exploiting commercial appeal and expressing social concerns

ABSTRACT

How do local cultural agents in particular places adopt new policies towards street art as having commercial and political value? The present article takes up this question through a discussion of street art festivals and their role within urban culture and cultural policies in two large Russian cities. It considers the activities of cultural intermediaries promoting street art vis-à-vis the existing constellation of over-centralized politics, creative industries, urban development and precarious labour. Drawing on fieldwork in these cities and conducting critical sociological analysis of the street art curating, I show how the appropriation of street art by cultural intermediaries is subtly changing its ecology and values and argue that this change contributes to the range of ambivalences of neoliberal cultural politics. The article also sheds light on cultural policy and practice in Russia at a juncture characterised by the impact of globalization, on the one hand, and the country's isolationist and conservative politics, on the other.     

The spatial politics of the past unbound: transnational networks and the making of political identities

In this article I consider the relations between historical and contemporary forms of transnational political networks. I contest accounts that counterpose a networked present against a more settled and bounded past, arguing that this contrast rests on a problematic temporalization of difference in the construction of political identities. I consider how this temporalization produces particular accounts of relations between space, politics and identity. Drawing on the insurgent imaginative geography of resistance in C. L. R. James's The Black Jacobins, I argue for a focus on the dynamic geographies of connection formed through transnational networks. I develop this position through a discussion of the relations of the London Corresponding Society, formed in London in 1792, to transnational routes of political activists, organizational forms and ideas. This account highlights the multiple political identities crafted through transnational political networks. I conclude by outlining elements of a ‘usable past’ for contemporary counter‐global struggles.     

The Social Work and Politics Initiative

Abstract

Social work is becoming a more politically oriented profession. In addition, social work education is including politics as a greater part of the curriculum. Still, much more can be done to increase the amount of political content in social work education. This paper describes a model for involving students in political social work without drastically altering current arrangements. The model consists of two parts: a class on politics and social work and field practica in state legislators' district offices. Following a discussion of the literature on education for political social work, we look closely at the Social Work and Politics Initiative. We also examine problems encountered with the program.