The sound of liminality: MHD's afro trap,affective listening,and the (re)invention of Afropean identities in France

This article is an exploration of the world making capacities of afro trap. Through an extended case study of MHD's discography, I ask what can be learnt about the liminal experiences of postcolonial black citizens, or Afropean citizens, in France, by listening to popular music. I argue that through embracing, reinventing, and (re)producing familiar Afropean soundscapes, MHD claims and creates from his liminal subject position. Going against the assumption that Frenchness and blackness are always mutually exclusive and in tension, this music sonically proposes a way of being otherwise in France, stemming from this liminality. I see in what I call ‘the sound of liminality’ an instance of ‘queering ethnicity,’ one which channels the affective capacities of sound. I propose affective listening as a method that, incorporating autoethnography to consider critical listening positionality, facilitates a renewed attention to sound as an object of sociological inquiry.     

Television and identities: analysis of the consumption of ‘telenovelas’ by the Latin American community in Spain

This article analyses the consumption of ‘telenovelas’ by Latin American residents in Spain. Our hypothesis is that ‘telenovelas’ are a way of constructing identities especially in communities that have emigrated to other countries and which can be seen in their specific viewing preferences for fiction. We have carried out a survey following the methodology applied in these kinds of studies. The survey was applied to 219 Latin American subjects who reside in Spain. We demonstrate that the main factors influencing the consumption of ‘telenovelas’ by the Latin American community residing in Spain are related to the cultural identities of the countries of production and which are represented in the context of the different storylines, such as natural locations, costumes and language. The results show that further research in this field is needed in order to identify the derivations of perceptions by the immigrant collectives through successful products such as ‘telenovelas’.     

Media advocates,Latino citizens and niche cable The limits of ‘no limits’ TV

In Shot in America, Chon Noriega calls for the study of media activism’s work ‘within the system’ of state institutions and for analysis of the relationships between media activism, the television industry and government policies. This article uses a cultural policy studies focus to answer this call and map the deregulated terrain upon which media advocacy groups must now operate. Liberal governance demands that media advocates find means other than state-directed appeals to advance their agendas. As such, this essay examines the efforts of several Latino advocacy groups to garner viewer support for a Latino-themed cable television show, Resurrection Boulevard, and to use the series as a vehicle for increased Latino participation in the television industry. This article focuses on the issue of access for Latinos to professional positions that affect television programming, and it presents tools for advocacy efforts within political spheres to achieve more socially equitable access to media technologies. First, the paper traces the regulatory history of the broadcasting and cable television industries to show how the federal government narrowly conceives of ‘the public interest’ as a specifically consumerist one. The article then analyses the structures that led to cable television’s ‘narrowcasting’ format, such as Showtime’s ‘No Limits’ programming, and argues that liberalism has created a context wherein several media advocates normalise the ‘citizen-consumer’ model. Having established this groundwork, the author then conducts a case study of the economic and social forces that shape Resurrection Boulevard, which is written, produced and acted by Latinos. Through this study, the author maintains that advocacy groups’ consumer-based appeals to Latinos as ‘citizen-consumers’ fail to serve as effective instruments for achieving increased minority representation in the television industry.     

Queers,Bullying and Schools: Am I Safe Here?

SUMMARY

This article reports on interviews conducted with students and educators in various Toronto-area high schools in an attempt to gauge how and to what extent so-called “formal” law (laws, policies, regulations) interacts with other, sometimes, competing normative orders, such as gender codes, sexuality, race, religion, in the educational setting. This approach is necessary to understand how anti-harassment and anti-homophobia policies are complicated by these other regulating influences.     

Military,masculinity and mediated representations: (con)fusing the real and the reel

In this paper I argue that it is time to rethink the military within Management and Organization Theory. The starting point for this discussion is a juxtaposition of the (lack of) study of the military within Management and Organization Theory compared with the recent (and sustained) interest in depicting war, the military and the military subject within popular culture. I argue that the military is a gendered and gendering organization that has wider discursive effects on the lived experience of masculinity. Having laid down these conceptual claims, I then argue for the value of film, and popular culture more broadly, as an important source of ‘knowledge’ about organizational life. To elaborate this claim, I conduct a close reading of four films that represent post‐Cold War conflicts and identify three recurring themes that tell particular ‘truths’ of the experiences of the contemporary military organizational subject. I conclude that there is something meaningful and relevant in the contemporary popular culture of war that can help address the limitations of the exploration of the military within Management and Organization Theory.     

Intellectual spaces of practice and hope: power and culture in Portugal from the 1940s to the present

This paper examines configurations of power, authority and culture in Portugal in the twentieth century, and intellectual practices and spaces related to those configurations and in opposition to them. Portuguese national history and essentialized versions of Portugueseness are analysed in the work of such distinguished and influential intellectuals as António Sérgio, António José Saraiva and Eduardo Lourenço, in articulation with the role of high culture in the process of nation building throughout the nineteenth and twentieth centuries. One particular structure of attitude and reference, constructed in the latter half of the nineteenth century, is foregrounded with reference to the History of Portugal by Oliveira Martins, in the context of the persistent contradictions and conflicts between progressive and conservative, modernizing and traditional, ‘historical’, formations and projects. In such a context, moments of oppositional, alternative and independent projects are worth looking into. Two decisive moments of social change in the second half of the twentieth century were the 1940s, and the late 1960s and early 1970s. The paper pays attention to the politics of culture of Neo-Realismo in the 1940s and its consequences for high and popular culture over the following decades, especially in the years leading to the democratic revolution of 25 April 1974. A brief analysis of the 1990s is articulated to the study of the change-producing projects in the 1940s and 1960s as part of the cultural studies practice the paper argues for.     

In search of popular management: Sensemaking,sensegiving and storytelling in the excellence project

Critical accounts of popular management have tended to caricature the authors of this literary genre and have, furthermore, made broad claims as to the nature and potential of the organizational storytelling which features in these texts. This paper re-examines such claims and proclivities. It argues that any attempt to explore the nature of popular management or to account for the organizing potential of its storytelling must be located within an account of storytelling practice. To this end, the paper offers a critical analysis of the excellence project that is situated within a review of Tom Peters’ storyworld. Acknowledging the extent to which popular management deploys organizational storytelling in its endeavours, we offer – uniquely – a longitudinal analysis of Tom Peters' storytelling practices. Noting a tension between organizational sensegiving and organizational sensemaking processes, we argue that the storyworld of the excellence project acts to obscure the frictions, stresses and dislocations associated with the pursuit of business excellence. Highlighting the persistence of local sensemaking processes within and between those forms of public speech fostered by popular management, however, we argue that the tales which constitute the excellence project are, when viewed in context, more diverse and yet less productive than previously imagined.     

Popular Culture and Workplace Gendering among Varieties of Capitalism: Working Women and their Representation in Japanese Manga

Female empowerment is a prerequisite for a just and sustainable developed society. Being the most developed non‐western country, Japan offers an instructive window onto concerns about gender worldwide. Although overall gender equality is advancing in Japan, difficulties remain, especially in achieving equality in the workplace. We draw on theories of ontological commitment and the psychology of fiction to critically analyse the role of popular culture — in this case manga — in the reproduction of gender inequality in the Japanese workplace. We present examples of four of the most popular mainstream manga aimed at working men and women in Japan and show how women are depicted. We argue that the hyper‐mediated fictional realism of representative tropes generates an ontological commitment to characters and narratives among consumers that reinforces the reproduction of a culturally exceptionalist national political economic space, one of whose essential defining characteristics is a gendered workplace. Our research suggests important implications for researching the relationship between culture, in all its forms, and spatial variation in persistent institutional biases among varieties of capitalism.     

THE END OF THE ART CONNOISSEUR? EXPERTS AND KNOWLEDGE PRODUCTION IN THE VISUAL ARTS IN THE DIGITAL AGE

In this digital age, declarations surface of the death of the expert and the democratization of information. Crowd wisdom is seen as the new guide in constructing and evaluating knowledge. In the context of the art world, this tension between the amateurs and the experts becomes particularly pronounced as popular meets high culture. Questions arise such as: what is the role of the expert in the evaluation of art in contemporary times? Do social media dismantle age-old hierarchies and established priesthoods in the art world? And can we assume that mass participation in valuation results in better judgments? This article addresses such popular notions of participation and expertise concerning social media in the art world through a historical lens by re-examining and positioning art experts from past to present. Particularly, characteristics of intermediaries in the art market are examined closely regarding their strategies in knowledge production and the establishment of expertise. This historical situatedness enables us to move beyond the hype of new media expectations, generating more appropriate avenues of investigation to better grasp possible changes amongst actors within the contemporary art world. This examination is not just theoretically relevant but practically so, given current pressures on art institutions to embrace and reach out to new audiences online.     

Rule of law: Sharia panic and the US Constitution in the House of Representatives

In spring of 2011, Peter King (R-NY) convened a hearing titled ‘The Extent of Radicalization among American Muslims’ in the US House of Representatives. Democratic participants critiqued the hearings and contextualized the proceedings within the long history of institutionalized racism in the USA. They argued that the hearings were a threat to the Constitution itself, a violation of the Fourteenth Amendment's equal protection clause and the First Amendment's guarantee of freedom of religion. Republican participants shared concerns about threats to the Constitution but suggested that the hearings were part of a strategy to combat this threat. Numerous Republican participants identified forms of Islamic law, or sharia law, as the primary threat to the integrity of the rule of law (ROL). Despite opposing positions, all actors agreed that the ‘ROL’ is that which will save the nation from threats posed from both outside and inside the nation and, as such, it is the ROL itself that must be protected. In this sense, the ‘ROL’ ensured by the Constitution inadvertently became the primary object of the hearings. In this essay, we bring analytical approaches from performance studies and anthropology to argue that the hearings impel a re-examination of the concept of ‘ROL’ itself. Rather than simply addressing the legislative effects of the hearings, we are interested in what they reveal about the performative and cultural dimensions of the law and the lawmaking process. While critics of the hearings derisively referred to them as ‘political theater’, we suggest that it is the nature of the King Hearings as staged public spectacle that imbue them with a politically performative power. We also identify the specific effects of sharia panic in contemporary US American political and legal discourse.     

Culture and Suicide Acceptability: A Cross‐National,Multilevel Analysis

Cultural perspectives on suicidality have been largely marked by work explaining variability in suicide acceptability in the United States using structural variables including marital status and demographics, and limited symbolic or values orientations such as feminism, political liberalism, and civil liberties. The present article applies recent developments in comparative cultural sociology to the problem of suicidality. The central hypothesis is that cultural approval of suicide is related to a general cultural axis of nations (self‐expressionism) encompassing several values orientations such as tolerance and post‐materialism. Data are from Wave 4 of the World Values Surveys and refer to 53,275 individuals nested in 56 nations. Controls are incorporated from previous studies and include structural and demographic constructs. A hierarchical linear regression model determined that the degree of individual‐level adherence to the values of self‐expressionism predicted suicide acceptability (SA), independent of controls including ones interpretable from Durkheimian perspectives. Furthermore, persons high in individual‐level self‐expressionism nested in like‐minded nations were relatively high in SA. The analysis of the subject is expanded to 56 nations representing all major culture zones and varied levels of economic/political development. It determined that SA is shaped by a new, broad cultural construct, self‐expressionism whose impact is independent of Durkheimian familial and religious integration.     

How to Sociologically Read a Movie

Movies embody cultural values; those of class, gender, ethnicity, region, and nation come immediately to mind. They also reflect deeper civilizational assumptions such as Enlightenment values of moral redemption through human agency toward social progress that will be examined here by comparing the movies Avatar (2009) and District 9 (2009). The methodology is to identify backstage cultural assumptions that have to be assumed to make sense out of frontstage plot development. The idea of “species jumping” is introduced to illustrate the deteriorating idea that distinctly human agency is capable of producing a better social world and attaining secular moral redemption as the protagonists in both films reincarnate into alien species.     

Symbolic Compliance and Student Concerns: Legal Endogeneity and Title IX at American Colleges and Universities

This article considers how American colleges and universities responded to rapid legal change around Title IX immediately following the 2011 release of the Office for Civil Rights’ Dear Colleague Letter. By analyzing the content of 250 campus sexual harassment policies, this article finds that contrary to the predictions of the employment discrimination literature, which suggests that the largest, most visible institutions in a field are the most likely to embed markers of symbolic compliance in their formal policies, small baccalaureate colleges are more likely to include references to the law in their formal documents than their research university peers do. To understand this intriguing finding, the article then analyzes 15 interviews with campus administrators at research universities and baccalaureate colleges to uncover the distinct logics of symbolic compliance and student concerns that differentially inform how actors at different kinds of institutions inhabit their roles and endogenously interpret new Title IX regulations in their formal policies and campus practices. In doing so, this article illuminates the ways in which processes of legal endogeneity differ across institution types within the broader field of higher education.     

A legal realist view on citizen actions in Hong Kong's umbrella movement

This article considers the legal validity of citizens' actions in civil disobedience as it pertains to the umbrella movement in Hong Kong. It introduces the critical approach of “legal realism” in order to reconsider normative law, such as police enforcement and court interventions, in relation to political struggle. It has been argued that the legal precepts of rights, responsibility, and the rule of law are capable of contingent and contextually appropriate interpretations by different legal actors, including citizens who participate in civil disobedience. In politics, justice, and most importantly law, civil disobedience offers an alternative legal normativity to consider the citizen's right, and even duty, to express dissent. Furthermore, this right or duty is legally persuasive and conducive to guarding democratic principles.     

Transmission of Ideology Through Film: The Cinematic Construction of Gendered Domination in Mr. Deeds Goes to Town

Contemporary applications of behavioral and social science to the understanding of how cinematic narratives influence viewers tend to be bifurcated. Cognitive film/media theorists and psychologists emphasize microlevel processes at the expense of the macrolevel. Sociological approaches emphasize macrolevel analysis at the expense of the microlevel. Bridging these two levels is the mesolevel concept of identification elaborated to apply to stereotypic role relationships; that is, schemas or associative networks linking thoughts, memories, emotions, and behaviors. Here assumptions of Social Cognitive Theory and Transactional Analysis are employed to contextualize a discussion of how cinematic narrative can operate to construct an ideologically hegemonic narrative reinforcing the legitimation of gendered domination at the sociocultural (macro)level of analysis.     

论法学本科专业《商法学》课程考试改革——以法商结合人才培养为视角

21世纪是法商结合的时代,商业行为离不开法律的应用和规范,法律也寸步不离地在影响着商业行为。基于现代社会对人才的这种需求,高等院校所培养的法律人才必须是法商结合的人才。为实现“法律为市场经济服务,法律人为市场经济建设服务”的法学专业人才培养目标．以社会需求为导向,法学本科专业《商法学》课程必然要进行教学改革,关注学生综合性素质的提高,强化过程性质量评价,充分发挥考试的多方面功能,以考试改革引领教学改革,将考试改革的研究贯穿于整个教学改革研究中,探索考试改革对于教学改革的推动和促进作用。     

Foreign aid and the rule of law: Institutional diffusion versus legal reach

This paper examines the role of bilateral foreign aid in supporting the diffusion and enactment of common models and institutions of the rule of law among aid-recipient low- and middle-income countries. We ask whether aid targeted at security-sector reform and the rule of law influences the adoption of constitutional and legal reforms over time (institutional diffusion), and whether aid also supports more effective implementation of the rule of law, writ large (legal reach). We use event history and fixed-effects panel regression models to examine a sample of 154 countries between 1995 and 2013 to answer these questions. Our findings suggest that aid does increase the likelihood of adopting several rule of law reforms, but its effect on increasing the depth or quality of rule of law over time within countries is much less substantial. These findings suggest that though aid may play a role in supporting the diffusion of models contributing to state isomorphism among countries, it is less effective at increasing the pervasiveness and quality of such model’s implementation. This discrepancy between the effectiveness of bilateral aid in promoting law on the books versus law in action in aid recipient countries calls into question the current approach to rule of law reforms.     

Separate and Unequal

Through an ethnographic examination of legal processes in Family Court, this article maps some of the circumstances which Indian Muslim women confront in the area of Family Law. It provides a portrait of the politically interested spaces which govern their lives, indicating the osmosis between ‘religious,’ cultural and legal realms, rather than essentialisms about the nature of Islam. It provides a reminder that we can no more separate religious practices fundamentally from patriarchal logic than we can separate jurisprudence and the workings of law, indeed the State, from its constitution in multiple embedded sites of patriarchal logic and race and imperial regimes. Optimal strategies for Indian Muslim women to be socioeconomically and legally empowered are also interrogated in this context, as the paper explores the ways in which gender equality and cultural difference and community support can, or not, protect women. It emphasizes the importance of problematizing both notions of ‘community’ and ‘gender equity’ in any attempt to address women's rights and needs.     

THE GHETTO FABULOUS AESTHETIC IN CONTEMPORARY BLACK CULTURE

With diamonds, mink, and champagne, black popular culture has, in recent years, made an audacious spectacle of conspicuous commodity consumption. Commonly termed ‘bling’, the ‘ghetto fabulous’ aesthetic of these flashy displays has prompted vociferous debate about the cultural meanings of contemporary black consumerism. Is it pathological? Subversive? Deviant? Since the nineties when it first appeared, the ghetto fabulous aesthetic has left its mark on a range of cultural productions from music videos to ghetto lit, fashion to film, walking a familiar line from defiance to bowdlerization, from raucous wild child of the streets to co-opted product tagline.

This essay explores a new cinematic genre within this repertoire, the ghetto fabulous genre of black film that has emerged to variously castigate and congratulate black investments in ghetto fabulous bling. Appearing at the close of the twentieth century, the genre reflects key shifts in the political imaginary and economic transformations of the ‘post-soul’ era. Drawing on two such texts, Barbershop (Tim Story 2002) and Barbershop 2: Back In Business (Kevin Rodney Sullivan 2004), studio films with all-black casts and directed by young African-American filmmakers, this analysis focuses on their engagement with contemporary cultural tensions over class and consumerism, their narrative containment of a transformative black politics, and their reconciliation of post-soul priorities with hegemonic discourses of the market. I argue that ghetto fabulous films are quintessential products of the post-soul era, their allegorical priorities in pointed accord with neo-liberal individualism and the promise of class transcendence. Performing crucial work of hegemonic cooptation, these texts offer archetypes of the ghetto entrepreneur and black enterprise itself as a salvational sphere for the urban poor. Reining in unruly desires, these texts draw working-class African Americans into the capitalist fold, articulating a post-soul politics that preaches black acquiescence with hegemonic discourses of advanced capitalism.