Knowledge,identity and the middle class: from collective to individualised class formation?

This paper highlights a number of strong indications of important changes in the work and labour market experiences of professionals and managers, the core of the ‘new middle class’(nmc) in most contemporary class theories. Following an outline of some of these changes, it is argued that several central theoretical strategies shared by class theorists -notably a residual ‘functional essentialism’ and the choice of microfoundations - prevent them from adequately theorising these changes. The paper offers an altemative approach to theorising the contemporary nmc that avoids the reductionism of many existing approaches, and that is grounded in microfoundations focused on the relation of narratively constructed identities to social action. On this basis, an account of the contemporary emergence of a new segment of the nmc, the ‘nmc bricoleur’, is outlined, and its relation to empirical studies of the changing nmc is suggested. The paper concludes with some speculations about the likely future of Anglophone new middle classes.     

Do today’s sociologists really appreciate Weber’s essay The Protestant Ethic and the Spirit of Capitalism?

It is noted that Max Weber is held in very high regard by the majority of contemporary sociologists, while his essay, The Protestant Ethic and the Spirit of Capitalism, is generally considered his most important as well as his most famous work. However attention is drawn to the marked contradiction between the practice of today’s sociologists in routinely heaping praise on this essay and the fact that their own self‐confessed theoretical statements constitute a direct rejection of Weber’s approach. This contradiction is illustrated by demonstrating that although The Protestant Ethic is essentially an examination of the role of motives in human action the concept of motive is effectively missing from contemporary sociology. A possible explanation for this apparent contradiction is then considered in the form of the claim that those theoretical positions favoured by contemporary sociologists could be considered as ‘developed out of’ or ‘descended from’ Weber’s theory of ‘motivational understanding’. This however is shown to be an untenable claim, given that the vocabulary of motives perspective, the treatment of motives as reasons, and rational choice theory all represent straightforward rejections of Weber’s position. Consequently it is concluded that there remains an unresolved and largely unrecognised contradiction between the iconic status accorded to Weber’s essay by contemporary sociologists and their own very obvious rejection of his theoretical approach.     

Untouchable cultures: memory,power and the construction of Dalit selfhood

In the context of the philosophical literature on multiculturalism, I argue in this article that models of cultural identity based entirely on the nonvoluntary possession of a set of cultural characteristics are seriously incomplete. In particular, such models cannot address the need, among some groups, to reconstruct, invent and imagine alternative positive identities as a result of historical injustice, and to fill in the content of ‘culture’ accordingly. As an illustrative case, I survey processes of identity construction among ‘Dalits’, members of former ‘untouchable’ and other lower caste communities in India, with a focus on the role of historical consciousness and existing power relations in the imagination of Dalit culture. Dalit strategies of identity negotiation reveal the understandable need, on the part of the members of this community in progress, to produce a cultural identity that makes sense, psychologically and politically, given who they cannot imagine themselves to be, due to the fact of historical oppression. My analysis does not merely target essentialism, nor is it meant to be deconstructive of identity claims. Rather, I highlight select elements within the negotiation of Dalit identity to illustrate (1) the relevance of real historical relations of discrimination and inequality to the construction of culture; (2) the equivocal character of ‘choice’ within this process; and (3) the emancipatory possibilities provided by imagined narratives of cultural selfhood.     

Recentering the world: the quest for ‘elective’centers in a secularized universe

The various ‘quests for meaning’of the ‘decentralized’contemporary Western youths are interpreted as so many attempts to ‘recenter the world’around new ‘elective centers’. Rather than being centers of the contemporary world into which the individual is born, such centers are located outside it, and freely chosen by the seekers. Four such elective centers are discussed: (1) traditional religious conversion, (2) the occult, (3) science fiction, and (4) tourism. Each of these elective centers is first briefly described and then analysed in a comparative framework, focused on six principal questions: (a) the social and cultural conditions which engender the contemporary ‘quest for a center’, (b) the nature of elective centers, (c) mechanisms of election and rejection of alternative elective centers, (d) extent of involvement with elective centers, (e) elective centers and the wider social framework, (f) the institution-building potential of the elective centers.     

Cursed creatives: alienation,sublimation, and the plight of contemporary creative work

ABSTRACT

This paper connects the critical discourse on the ‘creative class’ with a longstanding lineage of thought on creativity in psychoanalysis, demonstrating their combined value in understanding worker subjectivity and exposing the perils of contemporary creative work. Drawing upon object relations theorizing in particular, the argument is made that the ‘objects’ of contemporary creative work coupled with its surrounding ‘potential space’ prove severely impoverished, giving rise to a newfound experience of alienation. Accounts of creative workers are presented to further elucidate alienation’s unconscious correlates, as well as to suggest ways of mitigating creativity’s compromised expression through the process of ‘sublimation’ – a concept central to the psychoanalytic theorizing on creativity, yet wholly absent from the contemporary discourse. Implications for the critical study of the ‘creative class’ are discussed.     

Abandoned negatives,Themeless Parks: images of contemporary China in two photographic projects

Abstract

This article juxtaposes two photographic projects to illustrate ways of perceiving everyday space in contemporary China: on the one hand, ‘Silvermine Project’ (2009–2013), by French collector and editor Thomas Sauvin, recycles a vast collection of abandoned film negatives from the 1980s to the early 2000s, and subsequently ‘curates’ these amateur images into the frame of a quasi-ethnographic approach. On the other hand, Hong Kong photographer Dustin Shum’s ‘Themeless Parks’ (2008) presents a series images of public parks in Chinese cities and towns. The two projects propose different readings of the ‘postsocialist’ condition in contemporary China. While the domestic shots curated by Sauvin actively mobilise individual and national identities in private and public spaces, Shum’s compositions of shape, colour and architectural density reveal a highly orchestrated ‘China’ that pre-empts the emergence of an individual identity. This paper analyses the textual articulations of individuality, space, and temporality in the two projects.     

Governance for reconstruction in Africa: challenges for policy communities and coalitions

This article seeks to advance analyses and responses to conflict prevention and reconstruction in Africa that go beyond state‐centric perspectives to include a range of non‐state players. Drawing on examples from both Uganda and Canada, it focuses on the activities of NGOs that have ‘partnered’ with state‐based actors in various peacekeeping and peace‐building operations as well as on the increasingly important role played by think‐tanks. The latter have emerged in Africa as major contributors to the proliferating literature on the political economy of violence, an approach that recognizes that African conflict reflects imperatives of production and consumption in relations that juxtapose Africa’s political institutions and cultures with international and global political economies. The article argues that novel forms of ‘security communities’ are emerging from the non‐state/state/international partnerships and coalitions that have developed around contemporary issues like ‘blood’ diamonds, small arms, debt and HIV/AIDS, thus drawing attention to connections between conflict and development.     

INVOKING AFFECT

This article interrogates the contemporary emergence of affect as critical object and perspective through which to understand the social world and our place within it. Emphasising the unexpected, the singular or the quirky over the generally applicable, the turn to affect builds on important work in cultural studies on the pitfalls of writing the body out of theory. More importantly for this article, the contemporary interest in affect evidences a dissatisfaction with poststructuralist approaches to power, framed as hegemonic in their negativity and insistence of social structures rather than interpersonal relationships as formative of the subject. The article focuses on the recent contributions of Brain Massumi and Eve Kosofsky Sedgwick in particular, unpacking their celebration of the difference that affect makes. The author's critique of the affective turn focuses on both the illusion of choice that it offers the cultural critic, and its rewriting of the recent history of cultural theory to position affect as ‘the new cutting edge’. While affect may constitute a valuable critical focus in context, it frequently emerges through a circular logic designed to persuade ‘paranoid theorists’ into a more productive frame of mind - for who would not prefer affective freedom to social determinism? Yet it remains unclear what role affect may have once this rhetoric has worked its persuasive magic. In addition, and more worryingly, affective rewriting flattens out poststructuralist inquiry by ignoring the counter-hegemonic contributions of postcolonial and feminist theorists, only thereby positioning affect as ‘the answer’ to contemporary problems of cultural theory.     

Self-work and social change: disindividualised participation amongst young Australian Buddhist practitioners

Recent work on youth participation has mobilised a ‘DIY’ or ‘individualised’ framework to explain the nature of contemporary participation, particularly amongst minoritised religious youth. This paper examines this conceptual framework in light of concurrent claims that contemporary participation can be better conceptualised using a ‘doing it with others’ (DIWO) approach, which emphasises the collaborative nature of participation. In light of these claims, I analyse the participation experiences of 22 young adult Buddhist practitioners who are located within a neo-liberal Australian context, yet simultaneously have access to religious teachings and practices which challenge distinct notions of selfhood. This paper shows that both ‘DIY’ and ‘DIWO’ conceptions of participation find expression in the participation experiences of participants from the study, and that both DIY and DIWO approaches can additionally be seen as mutually reinforcing rather than distinctly contrasting. I propose a new concept of ‘disindividualisation’, suggesting that Maffesoli's concept of ‘disindividuation’ and Elias's work linking psychological development and social change should be considered in conjunction with an individualised or DIY perspective on youth participation to denote this kind of participatory work.     

EARLY CINEMA'S HEYDAY OF COPYING

Between 1895 and 1909, new American film entrepreneurs complained that ‘copying’ was out of control. Although ‘copying’ may have been widespread, and sometimes referred to as ‘theft’, it was more a worldwide industry practice than an extralegal operation. Before the 1909 US court case that decided the question of copyright in the motion picture, movie producers copied in an attempt to meet the demand for product. My discussion of the notion of ‘copying’, however, is somewhat ambiguous in that I need to make the term cover motion picture print duplication (‘duping’) as well as remaking. Framed by Lawrence Lessig's statement about the contemporary period, ‘copyright is out of control’, I wonder here if today's excessive use of copyright could be foretold in the way in which early cinema pioneers talked about the order that regulation would bring to the new industry. I ask, more specifically, if this early period of unfettered reproduction can tell us anything about contemporary conditions in which the technological capacity to duplicate has outstripped the state's capacity to regulate duplication.     

Rwanda's ‘Hutsi’: intersections of ethnicity and violence in the lives of youth of ‘mixed’ heritage

This article looks at young Rwandans of ‘mixed’ Hutu–Tutsi heritage, exploring how their mixed identity shaped their experiences during the 1994 genocide and how it influences their everyday experiences of categorization and belonging in contemporary Rwanda. It reveals the complex position of these young ‘Hutsi’ and the significant constraints they face in exercising identity choices in a context with a history of ethnic violence and where state policies have outlawed ethnicity. This article argues that the experiences, narratives and performances of these young Rwandans simultaneously challenge and reinforce the binary ‘ethnic logic’ that persists in contemporary Rwanda. Yet it suggests that providing space for Rwanda's ‘Hutsi’ and their diverse experiences could help to de-essentialize the categories ‘Hutu’ and ‘Tutsi’ and reduce the risks of future violence.     

On the relation between ‘visual research methods’ and contemporary visual culture

One of the most striking developments across the social sciences in the past decade has been the growth of research methods using visual materials. It is often suggested that this growth is somehow related to the increasing importance of visual images in contemporary social and cultural practice. However, the form of the relationship between ‘visual research methods’ and ‘contemporary visual culture’ has not yet been interrogated. This paper conducts such an interrogation, exploring the relation between ‘visual research methods’ – as they are constituted in quite particular ways by a growing number of handbooks, reviews, conference and journals – and contemporary visual culture – as characterized by discussions of ‘convergence culture’. The paper adopts a performative approach to ‘visual research methods’. It suggests that when they are used, ‘visual research methods’ create neither a ‘social’ articulated through culturally mediated images, nor a ‘research participant’ competency in using such images. Instead, the paper argues that the intersection of visual culture and ‘visual research methods’ should be located in their shared way of using images, since in both, images tend to be deployed much more as communicational tools than as representational texts. The paper concludes by placing this argument in the context of recent discussions about the production of sociological knowledge in the wider social field.     

Family Change and New Balance of Family Roles: The Case of Siberia

The paper examines results of the study of the phenomenon of contemporary fatherhood from the viewpoint of the transformation of men's family roles. The modernization of marriage and family in Russia has led to an increasing dominance of individual values: broader freedom of choice for the woman and the man both in the family and in social fields, the equality of spouses or partners, as well as higher opportunities for self-realization. The Russian husband–wife ‘equality’ in exercising the role of ‘breadwinner’ seems to further diminish the man's role in the family and leads to a weakening of the function of social fatherhood; in consequence, fathers take less responsibility for the rearing and socialization of their offspring.     

Natural relations: horses,knowledge, technology1

Maintaining the tensions and divisions between the human and non‐human, nature and culture has been a mainstay of Euro‐American thought. Drawing upon two studies of people's associations with horses, we examine how these divisions are being reworked in the social sciences as well in everyday life. We focus on how different ideas about ‘horses’, ‘horsemanship’ and how knowledge is acquired, accomplishes different social worlds. Specifically, what emerges in these differential discourses is that a paradox is put into play to make a distinction between traditional and contemporary ways of being in relation to nature and the animal; it is the paradox of what we want to refer to as ‘natural technologies’. We suggest that the paradox of ‘natural technologies’ is a proliferating feature of Euro‐American cultural life that troubles old divisions between nature and culture and propose that it indicates less about a politics of nature than a politics of culture. Specifically, we show that the preoccupation with bringing nature, and the non‐human, more into alignment with the human promotes ethics and equality as matters of lifestyle choice to the exclusion of very specific ideas about tradition, hierarchy, evolution and socialization.     

Critical proximity

Abstract

This article explores the relationship between critical distance and the idea of proximity. In times that are often described as ‘global’, ‘24/7’, ‘connected’, ‘networked’ and ‘immersive’, distance seems ever reduced and proximity omnipresent. The contemporary impression of ubiquitous proximity might constitute a threat to the survival of critical distance understood either as a cornerstone of enlightened and humanist critical practice or as a key metaphysical ‘technology’. The resulting ‘crisis of critical distance’ produces the question of how to position oneself with regard to the ‘other’ in a time that lacks distance and privileges proximity? In tracking the ambiguity (or the ‘aporia’) that surrounds proximity – the desire to be near and the need to maintain a distance – this article rereads some key Heideggerian and Derridean texts in order to attempt a deconstruction of the opposition of distance and proximity at work in the ‘metaphysics of presence’.     

Marxism and capitalist possession

This paper evaluates marxist attempts to identify a ‘class of possessors’ under capitalism. It suggests that such attempts are unsuccessful for three reasons. Firstly, marxism wrongly equates the agent of possession with the human individual. Secondly, its conception of the capitalist economy rests upon teleological assumptions. Thirdly, it wrongly asserts the priority of capitalist relations of production over and above their legal conditions of existence, causing it to misrecognise corporate forms of possession. After considering marxist attempts to theorise possession through the analysis of management and monopoly we consider a more fundamental question: whether it is possible to analyse possession/separation in conventional marxist class terms at all.     

Towards an immature sociology

Sociological theory displays a tendency to depict the social world in terms of completed ‘beings’. The social, thus depicted, is a world of powers to ‘finish’(such as the power granted to convention to provide for social order), and finished products (such as agents and ethical points-of-view). As sociologists of childhood have attempted to bring children into sociological focus in their own right, the disciplinary concern with the ‘complete’ has required that children be attributed the properties assumed more normally to belong to adults. The sociology of childhood has thus preserved the privilege of the complete and the mature over the incomplete and the immature. In this paper the key sociological issues of convention, agency and ethics are given a theoretical interpretation that makes them fit for understanding childhood. The ability of convention to complete social order is questioned. Agency is portrayed as the emergent property of networks of dependency rather than the possession of individuals. An alternative to the ethics of ‘positions’ is offered in the form of an ethics of ‘motion’. Where extant sociologies of childhood have brought children into the ‘finished’ world of sociological theory, this paper uses childhood's ontological ambiguity to open the door onto an unfinished social world.     

Remembering the imperial context of emancipation commemoration in the former British slave-port cities of Bristol and Liverpool, 1933–1934

This article considers the marking of the centenary of British emancipation in 1933 and 1934 in two former slave-trading provincial port cities, Bristol and Liverpool. Nationally, this centenary was used by the Anti-Slavery and Aborigines Protection Society to celebrate white abolition heroes and promote contemporary campaigns against ‘modern-day slavery’. However, in Bristol and Liverpool this picture was complicated by both cities’ particular historic involvements in transatlantic slavery and contemporary imperial and demographic contexts. Looking at ‘local’ dimensions to this ‘national’ commemorative occasion brings to the fore variations which emphasise the influence of civic identities, racial contestations and the distinctly imperial context of this memorial discourse seen through these interwar ports of empire.     

Affective Housing Ownership in China’s New Property Regime

This article investigates the ‘affective’ dimension of Chinese urbanites’ ubiquitous practices of real estate investment and hard bargaining against housing demolition. In their endeavours regarding the active or ‘passive’ possession of housing property, investors and evictees share an immense mania and anxiety over exploiting or missing out on this once-in-a-lifetime opportunity to participate in the property pursuit. I depict how the notion of affect, as represented by anxiety and a vernacular moral expression, conjoined to reshape urban subjectivity. The present case of housing investment mania and counter-demolition acuity in a whole new private property regime represents a fluid context for exploring affect’s concrete penetrating power that allows us to go deeper toward revealing social phenomena and sociality.     

Public crises,public futures

This article begins to map out a novel approach to analysing contemporary contexts of public crisis, relationships between them and possibilities that these scenes hold out for politics. The article illustrates and analyses a small selection of examples of these kinds of contemporary scenes and calls for greater attention to be given to the conditions and consequences of different forms and practices of public and political mediation. In offering a three-fold typology to delineate differences between ‘abject’, ‘audience’ and ‘agentic’ publics the article begins to draw out how political and public futures may be seen as being bound up with how the potentialities, capacities and qualities that publics are imagined to have and resourced to perform. Public action and future publics are therefore analysed here in relation to different versions of contemporary crisis and the political concerns and publics these crises work to articulate, foreground and imaginatively and practically support.