REVEALING THE UNSEEN: TOURISM,ART AND PHOTOGRAPHY

Contemporary cultural criticism is increasingly recognizing the central place that tourism occupies in organizing interactions, both economic and social, between different peoples in the world today. In this paper, I take up the question of what role photography plays in determining the nature of touristic experience.By drawing on Martin Heidegger's account of modernity as the epoch of modern technology, I seek to articulate an understanding of touristic photography that goes beyond conventional critiques of its objectifying character and tendency to conform to predetermined semiotic markers. Instead, by considering the examples of the photographing of local peoples, and of attempts to photograph what I refer to ‘the unphotographable sight’, I develop an alternative perspective on both the dangers and the epistemic possibilities of touristic photography. Such a perspective, it is argued, allows us to move beyond the identification of photography with the ocularcentric discourses of Western modernity and towards a consideration of the possibilities of touristic photography as art. By foregrounding the role of photographic images in the production of memory and self identity, it is suggested that tourism can be understood in terms of what Michel Foucault refers to as the creation of one's life as a work of art. Finally, I argue that by attending to the limits of touristic photography, the potential to develop a new way of seeing may be fostered.     

FIGURES OF HOPE AND THE FILMIC IMAGINARY OF JIANGHU IN CONTEMPORARY HONG KONG CINEMA

Through an extensive allegorical reading of films, this paper attempts to capture a certain cultural form of imagination in Hong Kong during the transitional period leading up to the historical handover of power in 1997. Dwelling on the world of signification conjured up through what I call the jianghu filmic imaginary,the analysis focuses on the ideological and utopian impulses registered in relation to a whole emotional complex of anxiety, bewilderment and despair in the works of some highly creative local filmmakers of the genre: Ching Siu-Tong, Ann Hui, Tsui Hark and Wong KarWai. The study draws theoretically from Castoriadis's notion of the social imaginary and Bloch's aesthetics of hope, to focus on the textual and contextual re-constructions of a number of very unconventional martial arts swordplay (wuxia) films made in Hong Kong in the last two decades: namely, Tsui's Butterfly Murders (1979), Hui's Romance of Book and Sword (1987), Ching/Tsui's Swordsman II (1992), and Wong's Ashes of Time (1994). By identifying the ideological and affective moments in the filmic imaginary,I want to trace what has been left in a ruined culture for utopian longings, and point to the presence/absence of ‘hope’ as the cultural imagination for an unknown and unknowable future (beyond 1997). It is my contention that an understanding of that peculiar form of popular imaginary at the unusual juncture of Hong Kong's history can begin with a critical attempt to cope with this subtle practice of hope, so as to recognize (or reject) it as mediation in the process of our collective cultural crisis, anticipation and identification.     

THE ARCHIVE STATE AND THE FEAR OF POLLUTION: FROM THE OPIUM WARS TO FU-MANCHU

This article considers the relationship between the production of a British imperial archive on China and the global politics of empire over the last century and a half. Drawing upon the theoretical work of Bruno Latour, Gayatri Spivak and Thomas Richards,the archive is explored as a coherent set of material practices designed to decode and recode China and other colonized territories. Imagined as an interface between knowledge and the state, the British archive required the establishment of an epistemological network designed to generate knowledge on China. The knowledge so produced was then used to manipulate local scenes and to provide intelligence in ‘the Great Game’, the continuing contest with Russia over domination in Central Asia. Because of its desire for comprehensive knowledge of other peoples and places, the archive also generated its own phantasms, ones which threatened to undermine and destroy empire. This process of self-haunting is explored through the figure of Fu-Manchu, a discernible mutation of epistemological empire, and linked to the cold war which emerged on the Eurasian landmass after 1945.     

TECHNOLOGY AND THE FUTURE OF THE UNIVERSITY: A SOBER VIEW

Technology has had considerable impact on education and the university, but the Internet - today's newest technology - will not lead to the death of the university. While there is clearly a role for virtual education over the Internet, the conventional university will survive since students are well served by a real, physical, educational experience.     

LOCATING CULTURE IN THE US AND CENTRAL EUROPE - A TRANSATLANTIC PERSPECTIVE ON CULTURAL STUDIES

This article attempts a comparative critique of interdisciplinary cultural analysis in the US and Central Europe. It tries to sketch out the different points of departure and methodological approaches used in American and British cultural studies on the side, and in German Kulturwissenschaften (cultural sciences) on the other side. Furthermore it is asked in which ways the critical political impetus of cultural studies can be made productive for the further advancement of Kulturwissenschaften, and how they could perform an innovative role for the understanding of problems posed by the current political and social situation in Central Europe.     

INFORMATION TECHNOLOGY AND THE CHARACTER OF CONTEMPORARY LIFE

The paper deals with the basic features of the life-space created by contemporary information industry,and with the dominant attitudes towards the opportunities and limitations information technology offers and imposes. We consider the problem of information glut, the quality of public discourse, the question of privacy and technological alienation. Concerning the basic attitudes, we discuss the aesthetic, the moral and the religious views, considered in the context of the present life-space pervaded and shaped by information technology. The paper concludes with a discussion of the possible consequences of global homogenization and of the cultural ahistoricity that are being created by the massive use of information technology. Among the positive aspects of this new 'global culture of the present' we point out the possible increase of global human solidarity; among the negative ones, we point out the flattening and shrinking of the space of human experience, which this uniform culture of the present imposes.     

WOMEN AND THE INTERNET The natural history of a research project

This article represents a narrative, 'women and the internet', as a women and technology origin story with a fixed beginning, a contested centre, and an open ending. This article analyses our engagement with this narrative as a pilot study was conducted to look at women's perceptions of, and relationships to, the internet. Although this story felt like a coherent and persuasive narrative, this was questioned as the outcomes of the pilot study were reflected upon. Women coming to the 'net' led to a reconstruction of the questions that need to be addressed in researching gender and information technology. This article begins by describing and deconstructing the motivating story which was brought to this research project. Three genres are introduced-'the webbed utopia', 'flamed out' and 'locked into locality'-which are seen as forming the contested centre of this narrative. While each genre has its own narrative logic, all of them draw on a common tale of historical origins. From each of these perspectives 'Women and the internet' has an ending which is still open, but is rapidly closing. Three questions are then identified which have been raised by analysis: what do we mean by 'access'?; what do we mean by 'the internet'? and 'which women'? The seeming simplicity of these questions disguises serious difficulties which research in this area must address.     

ON 'MAELSTROMS LARGE AND SMALL,METAPHORICAL AND ACTUAL': 'GRAY ZONES' IN THE WRITINGS OF PRIMO LEVI

This article examines the work of Primo Levi, with a focus on the tensions between ‘witness’ and ‘public intellectual’ in Levi's work. It analyses the notion of ‘gray zones’ in Levi's writings, where it functions as a way of indicating transformations in political action and public discourse in the wake of Auschwitz: most importantly, the Nazi genocide undermined the position of ‘spectator’ crucial to liberal discourse by implicating the spectator as a ‘bystander’. The study goes on to discuss the concepts of ‘work’, ‘science’ and ‘intellect’ in Levi's writing, showing how these categories reflect Levi's ultimately unsuccessful struggle to uncover a mode of political thought and public intervention adequate to the changes in political space of which the ‘gray zone’ is symptomatic, i.e. a condition of universal complicity and powerlessness. It concludes that implicit (and undeveloped) in Levi's thought is a set of ‘aesthetico-political’ presuppositions concerned with the articulation of founding, legitimacy and judgement. These presuppositions challenge the reliance of emancipatory discourses upon subjectivity and the logic of self-determination, indicating the need for a politics based on ‘pedagogical accountability’. Resisting the postmodern logic of ‘testimony’, which emerges in the gap between universal claims and their performance and hence dismantles the ‘outside’ as a space of judgement, i.e. the determination of the legitimacy of actions, the politics of pedagogical accountability grounds such an outside in the conjoining of power, responsibility for the world and boundary thinking. This space ‘outside’ ideology and the circulation of subjectivities emerges via resistance to the specifically ‘anti-political’ violence pervasive in late capitalism, and through the clarification of the distinction between this mode of violence and that (‘pre-political’) violence aimed at ‘subjects’.     

GLOBALIZATION: INFORMATION TECHNOLOGY AND CULTURE WITHIN THE SPACE ECONOMY OF LATE CAPITALISM

This article analyses the process of globalization from the perspective of a 'political economy of space' where the interactions of the processes of capitalist accumulation within contexts of geographic and social space has profound shaping effects upon the nature of politics, economics and society more generally. The argument will show that contemporary globalization has two dimensions: outward into geographic space, and inward into culture and society. The focus then moves to culture and information technology within the space economy of late capitalism and argues that a crisis of finite geographic space has led to the deepening of the commodificationary processes of capitalist accumulation into the 'identity-spaces' of culture and society. For hugely popular 'cyber-gurus' such as Howard Rheingold and Myron W . Krueger, the development of information technologies such as the Internet-derived 'virtual communities' are spaces where new forms of democracy and 'being' can emerge. This article argues that 'cyberspace' and 'virtual communities' are deeply dystopic and alienated spaces, and cyber-Utopian dreams of other, possible worlds made virtual through information technology are at best naive, when it is realised that the information revolution that evolved from the processes of a particular type of globalization, has conceived and developed technologies with primarily profit, productivity, surveillance labour-saving and escapism in mind.     

THE ROLE OF TEMPORALITY IN MEDIATED COMMUNICATION AND TECHNOLOGY CONVERGENCE

This article examines two components of temporality that have implications for electronically mediated communication. One is the dichotomy of simultaneous/non-simultaneous communication and then the varying degrees of non-simultaneity that are possible. The other is the fundamental difference between timed and untimed communication. Timed communication is temporally based and sequential, while untimed communication, such as print and still image content, is spatially based. The article argues that there are two fundamental types of mediated communication: communication mediated across time and communication mediated across space. The implications of temporality for both forms of mediated communication are examined in detail. The implications of temporality and mediated communication for multimedia, technology convergence, and research are discussed.     

THE POLITICAL ECONOMY OF TIME IN THE INTERNET ERA: FEMINIST PERSPECTIVES AND CHALLENGES

This paper examines the gender matrix of time, arguing for cross-disciplinary consideration of political economy, globalization and technology to achieve a detailed understanding of gendered hierarchies of time and the ways in which public/private identifications of social space and time have variously constructed and maintained them. It is argued that women are alienated from their own time, which is identified as most legitimately allocated to the service of others both in the home and at work. The inter-relationship of technologies and gendered identities is explored in relation to public/private divisions and the political-economic and scientific-technological knowledge processes that contribute to upholding them. ICTs reflect these historically established gendered patterns, but international projects such as 'Women on the Net' also demonstrate the capacities of these technologies for disrupting the gender matrix of time through their use by women for women.     

SUFFERING AND LEGITIMACY

This study aims to discover what sort of consumption culture developed among Yugoslavians due to the fact that in the 1960s and 1970s several thousands of them went to Western Europe as guest workers. By analyzing life interviews and literary works the author comes to the conclusion that while consumption culture had evolved in Yugoslavia much earlier than in any other socialist countries thanks to the returning guest workers, these people also created the ‘culture of suffering’ which emerged in the context of feeling homeless, strange and homesick. All of that also meant that in Yugoslavia the system was partly legitimized by the consumption culture imported by the guest workers.     

MUSIC THAT MOVES: POPULAR MUSIC,DISTRIBUTION AND NETWORK TECHNOLOGIES

This essay examines the consequences of technology for how music reaches people and for how people reach music. It is argued that new media technologies, particularly the Internet, create new territorializations of space and of affect. The spatial distribution of music wrought by new technologies provides an opportunity for cultural studies to bring distribution to the centre of the study of media. By so doing we can better understand cultural processes as not only industrial ones but ones of geography, audience and fan, and thereby de-centre production and consumption as the sites of cultural critique.     

FAIRY SALES: THE BUDAPEST INTERNATIONAL FAIRS AS VIRTUAL SHOPPING TOURS

Shopping tourism has been a widespread phenomenon since the emergence of the modern consumer culture. It has played a crucial role in the formation and transformation of the structures of wants by constructing and displaying tangible instantiations of cultural otherness. By centring our paper around the concept of ‘virtual shopping tours’ we would like to make sense of the historical and theoretical momentum of shopping tourism in the context of the socialist shortage economies. In post-war Central and Eastern Europe travelling to the West was few people's privilege; nevertheless, almost everybody was interested in, fantasized about, and imitated Western trends. Our attempt is to understand how people sought information and tried to keep up with the Western world in their lifestyles. By ‘virtual shopping’, we mean a sort of quasi-consumption where the choice of goods is shown but not or not immediately available. Visiting international commercial fairs – just as discussing the inaccessible goods seen in Western movies or in expired catalogues of Western department stores – was among the chief occasions for virtual shopping tours. The Budapest International Fairs have been the greatest and most significant fairs in Hungary since the 1890s. Focusing on the post-war period, our paper describes the changing selection of goods, explores the hidden political and cultural functions of the different forms of display, and analyses the attitudes of the various groups of visitors and the meanings they attached to certain products and practices.     

INFORMATION WARFARE AND THE FUTURE OF THE SPY

This article examines the impact of the new ICTs on the collection of covert intelligence and covert political actions undertaken by national intelligence agencies. It is argued that there exist two distinct doctrines in the literatures of intelligence and information warfare concerning the future relative importance of information from human sources ('agents') and technical methods (signal interception, overhead imagery and the emerging field of clandestine penetration of networked information systems). The arguments in favour of human and technical methods are examined in the context of information warfare techniques and technologies, as are covert action methods such as disinformation, disruptive action and 'cyber-sabotage'. Certain civil liberties implications of ICT-based strong encryption are also examined. The article concludes that what is required is a greater emphasis on integrating human and technical methods into a unified whole, especially where human methods can provide opportunities which can be further exploited by technical methods.     

MAKING IT TRADEABLE: VIDEOTAPES,CULTURAL TECHNOLOGIES AND DIASPORAS

In this commentary I address some of the key ideas presented in Kolar-Panov's paper titled ‘Video as the diasporic imagination of selfhood: a case study of the Croatians in Australia’ which was published in Cultural Studies 10: 2, 1996. My own research, conducted during the same period, on the same group of migrants and in the same country, found very little evidence to support some of the assertions made in the paper. I therefore challenge the author's main assumptions about the impact of video technology on the formation of diaspora identities and address some of the theoretical issues behind the notion that video technology is the first widespread postmodern communication medium. I highlight the intrinsic similarities between telecast and video technologies and show how Kolar-Panov's argument tends to slide into both technological and social determinism.