Expanding black subjectivities in Toni Morrison’s Song of Solomon and Chimamanda Ngozi Adichie’s Americanah

Deploying the call-and-response mode as the artistic premise of her fiction, foremost African-American author, Toni Morrison, has persistently called in her criticism for a participatory, intellectual and political, engagement with her position on and concerns around blackness. Morrison’s ideas are being critiqued and expanded to reflect contemporary ‘African’ attitudes and perspectives within the contemporary Afrodiasporic writing of critically acclaimed emergent author, Chimamanda Ngozi Adichie. In particular, Adichie has, in conversation and in her most recent fiction, suggested that Africans (in the diaspora) articulate themselves differently from African-Americans. Problematized and politicized thus as contested, rather than universally accepted, subjective terrain, blackness more significantly points to the diversity and dynamism of black culture and testifies, in the current socio-political/-historical moment, to recognition of the enduring complexity of black subjectivity. In a close, comparative reading of Morrison’s celebrated novel, Song of Solomon (1977), and Adichie’s popular text, Americanah (2013) – both recipients of the National Book Critics Circle award, this essay offers a fresh, specifically transatlantic and transnational, analysis of Morrison’s African-American views on blackness through the contemporary, Afrodiasporic lens of Adichie. Guided by the dialogic call-and-response mode, and underpinned by cultural, race and diaspora theory, the essay suggests and explores the ways in which Americanah speaks (back) to Morrison’s Song of Solomon, interrogating ontologies of race, particularly blackness, through an ‘Africanness’ that takes cognizance of culturally specific and context-responsive, globalized configurations of female subjectivity in particular. In this way, this essay seeks to expand understandings of, and discussions around, black issues and black life in order not just to resituate the relevance of black cultural ontologies but, through comparative engagement with the ‘politics’ of blackness, to revive in the political consciousness and imagination their crucial significance.     

Embodying the environment in everyday life practices1

This paper suggests ways in which ‘the environment’ needs to be reconfigured so that it better resonates with how people are experiencing politics, nature and everyday life. Through empirical research on environmental concerns and everyday practices, this paper sketches a framework through which the values associated with contemporary environmentalism might be developed in a more reflexive relationship to wider transformations in society. In particular, the research critically evaluates the standard storyline of a ‘global nature’ under threat and in need of collective action by a global imagined community. In contrast to rhetorics of the global environment, this paper explores ways in which the environment is being embodied, valued and experienced in an array of social practices. The paper further outlines the significance of such embodied practices as significant yet undervalued points of connection for wider, global environmental issues.     

Contesting racism: how do the black middle-class use cultural consumption for anti-racism?

ABSTRACT

Drawing on interviews with thirty-two black British professionals, and ethnographic work in middle-class cultural spaces across London, this paper asks ‘How do the black middle-class use cultural consumption for anti-racism?’ I argue that the black middle-class contest the racial hierarchy at three levels through their cultural consumption: the material, the ideological, and the symbolic. At the material level, black middle-class people consume cultural forms they decode as ‘white’ in order to establish an equity with whites in levels of cultural capital. At the ideological level, black middle-class people consume cultural forms that uplift meanings and representations of blackness, thus challenging controlling images of blackness. Lastly, at the symbolic level, black middle-class folks create and sustain cultural spaces where black people’s cultural and symbolic knowledge is given proper recognition and authority.     

Challenging the spatial politics of the European crisis: nationed narratives and trans-local solidarities in the post-crisis conjuncture

This paper explores the potential for the formation of political solidarities across the spatial divisions being intensified by dominant responses to the European crisis. In doing so, it takes inspiration from Doreen Massey’s thinking around the contested terms on which space and politics are articulated and her engagement with the 2008 crisis through projects such as the Kilburn manifesto. We argue that her book World city powerfully articulates a way of thinking about the spatial politics of a particular conjuncture. The paper traces the ways in which various political interventions in post-crisis politics have been shaped by distinctive ‘nationed’ geographical imaginaries. In particular, we explore how left-wing nationed narratives impact on the discursive horizon and unpack their implications for the articulation of solidarities and emancipatory politics in the context of the ‘European Crisis’. Building on this, we reflect on how trans-local solidarities and alliances might be articulated across socio-spatial divisions and contest the decidedly uneven, racialized, gendered and classed impacts of dominant European politics. We argue that such solidarities and alliances can form a crucial intervention in challenging the dominant spatial politics of crisis and articulating left political strategies on different terms.     

Disembodied politics: commitment and formal distance in Rancière*

Abstract

In light of the theme and concerns of the present collection of essays, we may ask whether ‘distance in general’, and ‘critical distance in particular’ (Fredric Jameson), has truly disappeared with postmodernity. Proposing an immediate and interruptive political engagement with local issues, Jacques Rancière’s articulation of political mobilisation does seem to confirm this claim. Upon further inspection, however, his emancipatory politics repeat the same mistake of valuing an abstract universal at the expense of a concrete particular, however paradoxical this may seem at first sight. The present article develops this thesis in three moments. On the first hand, it highlights Rancière’s notion of conflict as being institutive of politics. Secondly, it connects this ‘sensible’, and Rancière’s understanding of politics as being aesthetic, to Kant’s ‘Transcendental Aesthetics’. The French author sees in the leading section of the first Critique the grounding possibility of (I) freeing up time and space within the social realm; (II) the representation of a common political surface that can be reshaped; (III) political equality; (IV) emancipation. The last section shows how this recourse to the transcendental subject in Rancière’s politics follows and embraces a traditional position in the history of philosophy whereby identity is denigrated at the profit of a disembodied universalism.     

Pulping the Black Atlantic: Chester Himes’ A Case of Rape and the Limits of Expatriation

Abstract

This article examines the early expatriate career of Chester Himes, and his overlooked Paris-set novella A Case of Rape (1956). Scholars have identified postwar Paris as the locus of a ‘Black Atlantic’ cosmopolitanism that allowed African American writers to transcend American racial and literary regimes, and in particular the stigma of black ‘protest’ fiction. By contrast, this article argues that Himes’ exile was paradoxical; defined by an exchange, rather than an ‘exceeding’ of American racial and literary stigmas. First, I explore the fetishistic racial politics that energized the Left Bank’s construction of black expatriates as symbols of individualist, masculine, and specifically western transgression. Second, I examine the way in which A Case of Rape, and its narrative of the false conviction of four African American expatriates for rape, dramatizes this paradox. With supreme irony, the novella sees the expatriate celebrity merge with a central symbol of the African American ‘protest’ novel: the black male rapist of white women. Finally, I argue that A Case of Rape is of particular importance for the ways in which it anticipates Himes’ move into pulp fiction. Like his later detective series, A Case of Rape captures Himes’ own disillusionment with conventional notions of authorial autonomy, and literary instrumentality. I conclude that expatriation worked to galvanize, rather than displace, Himes’ interest in the overdetermination of African American literature within dominant western racial discourses.     

The ambiguity of Europe and European identity in Finnish populist political discourse

Europe is a profoundly flexible concept and, in Ernesto Laclau’s terms, a ‘floating signifier’ which is given various meanings depending on the speaker’s political aims. The article focuses on current populist and nationalist political discourses in Finland and the articulation of Europe and European identity in the political rhetoric of The Finns Party. In the rhetoric, Europe is given contradictory meanings. On the one hand, it is perceived as a cultural and value-based community which shares a common (Christian) heritage and values. Identification with Europe and the promotion of European communality are particularly pronounced when a threat towards ‘us’ is experienced as coming from outside the imagined European borders. On the other hand, the European integration process and Europe as a political project can be articulated as threats not only to national independence, identity and cultural particularity but to European cultural identity as well.     

Rearticulating Black Mixed-Race in the Era of Globalization

Since the mid-2000s, the term multiculturalism has entered the Korean lexicon as migration has become more and more prevalent due to globalization. The cornerstone of this multicultural explosion was a 2006 visit by American football star Hines Ward, born to an African-American father and a Korean mother. As a black mixed-race sports celebrity, he suddenly became an emblematic media figure in the Korean televisual landscape, signifying a broader racial reconfiguration in Korean society. This media event – what I shall call ‘the Hines Ward moment’ – created and opened the discursive space for racial politics and multicultural issues in Korean society. Hence, this article aims to look at what this discursive explosion of multiculturalism and mixed-race means in the context of globalization. Reading the Hines Ward moment as a symbolic media text, the paper examines how the media discourse on Hines Ward articulates the issues of national identity and racial politics in contemporary Korean society. For analysis, newspaper articles, television programmes and television commercials that deal with the Hines Ward case are examined. By analyzing the modes of articulation of the Hines Ward moment, this study deconstructs the image of a ‘global, multicultural Korea’ shaped by the Korean media and examines the struggle for Koreanness in the televisual area of contemporary Korean media.     

The sound of liminality: MHD's afro trap,affective listening,and the (re)invention of Afropean identities in France

This article is an exploration of the world making capacities of afro trap. Through an extended case study of MHD's discography, I ask what can be learnt about the liminal experiences of postcolonial black citizens, or Afropean citizens, in France, by listening to popular music. I argue that through embracing, reinventing, and (re)producing familiar Afropean soundscapes, MHD claims and creates from his liminal subject position. Going against the assumption that Frenchness and blackness are always mutually exclusive and in tension, this music sonically proposes a way of being otherwise in France, stemming from this liminality. I see in what I call ‘the sound of liminality’ an instance of ‘queering ethnicity,’ one which channels the affective capacities of sound. I propose affective listening as a method that, incorporating autoethnography to consider critical listening positionality, facilitates a renewed attention to sound as an object of sociological inquiry.     

(Un)settled states: Indian Ocean passages,performative belonging and restless mobility in post‐apartheid South African fiction

A number of post‐apartheid literary works revisit nineteenth‐ to early twentieth‐century Indian Ocean passages. Bringing into visibility South Africa’s other ocean – until recently largely occluded by the conceptual bedazzlement of the black Atlantic – they unsettle some of the paradigms through which it has been imagined. This article explores five such novels, which articulate or critique various citizenship claims through a poetics of (un)settlement. One strand from this cluster employs rhetorical strategies such as an ‘Atlantic register’ to translate oceanic routes into territorial roots, mobility into autochthony; the other registers a more unsettled state as it scrutinises the gendered politics of home‐making and national belonging, and issues a retort to the multicultural imagination.     

Isaac Julien's looking for Langston: Hugues,biography and queer(ed) history

This writing ‘performs’ theory and ‘embodies’ writing as it questions specific psychoanalytic theories of the phallus, the mirror and jouissance in the context of ruminations of what it means to make art and judge it. Art, theory, and blackness are at once essentialized and fragmented in the pull between Lacanian notions of phallic power and the notions of a black woman needing to respond to the changing demands of truth and creation. Noir, a woman, troubled by resentments of the popular and of cultural critics, writes letters to her friend and next door neighbour, Oedipus Rex, in her search for the truth of affective/effective creation. Oedipus Rex as a prevailing taboo, a universal symbol, and a cornerstone of the psychoanalytic is recast into a‘silent’ respondent as Noir contemplates desire, the phallus, and the alchemy of black women in the gothic film Eve's Bayou. That Oedipus is ‘not read’ through his own letters, but only through the letters of this black woman is an oblique repositioning of subjectivity and voice.     

Moving away or staying local: the role of locality in young people's ‘spatial horizons’ and career aspirations

Social mobility has been a central tenet of UK Government public policy, viewed as a silver bullet to creating a socially just and ‘fair’ society as well as an economically successful one. Within policy discourse young people's aspirations are deemed of critical importance to achieving educational success and in turn social mobility. However, within both popular and policy rhetoric ‘place attachment’ is routinely posited as a serious hindrance to successful realisation of aspiration, putatively because it embeds young people in ‘place’ (e.g. a particular community or geographical location) and prevents them from accessing employment in national labour markets. This paper, however, problematises the notion that ‘place attachment’ and ‘spatial mobility’ are necessarily mutually exclusive. Calling on data from a qualitative study of young people's aspirations in two distinctive regions of South Wales, UK, the analyses reveal that despite the largely localised ‘imagined futures’ of these young people they held very ‘high’ aspirations for professional forms of employment, which for some young people meant moving away from home and locality in order to achieve. The paper calls for a rethinking of how young people's aspirations are conceptualised both in government policy and academic research.     

Strangers of the north: South Asians,cricket and the culture of ‘Yorkshireness’

As a county, Yorkshire is a ‘cultural region’: an imagined space, where culture is constructed, refined and articulated by a set of discursive relationships between local populations and a whole range of cultural forms. In this context however, culture is conceived as something which belongs to, and is only accessible by, certain groups of people. Our focus in this article is on the culture of Yorkshire cricket. Historically, Yorkshire cricket has been linked with White male privilege and some studies have shown that people within Yorkshire take a degree of pride in this. Consequently, the county and its cricket club have faced frequent accusations from minority ethnic communities of inveterate and institutionalised racism. Drawing upon Bauman’s notion of ‘liquid modernity’, we argue that the processes of deregulation and individualisation championed by New Right policies have led to a divorce between power and politics, a cornerstone of the old solid modern world. This in turn has led to an erosion of the state, causing individuals to navigate turbulent life projects which are consistently haunted by the spectres of fear and insecurity. Such an environment has caused cricket to be pushed further behind gated social spaces, in an attempt to maintain a semblance of ‘community’.     

Changing Space,Making Race: Distance,Nostalgia, and the Folklorization of Blackness in Puerto Rico

In this article, I critique some of the discursive terms in which blackness is folklorized and celebrated institutionally as part of the nation in Puerto Rico. I examine a government-sponsored housing project that meant to revitalize and stylize the community of San Ant n, in Ponce, as a historic black site. Although government officials tried to preserve what they considered to be traditional aspects of this community, conflict arose because not all residents agreed with this preservationist agenda. I document the controversy, linking the government's approach to racial discourses that represent blackness as a vanishing and distant component of Puerto Rico. I argue that this inclusion and celebration complements ideologies of blanqueamiento (whitening) and race-mixture that distance blackness to the margins of the nation and romanticize black communities as remnants of a past era. I link these dynamics to modernizing State agendas and discourses of authenticity that fuel cultural nationalism worldwide.     

Family structures and the moral politics of caring

The paper seeks to develop the discussion of informal care in the community stimulated by feminist analyses in social policy of what has been called ‘the moral politics of caring’. In particular the paper enquires into the relationship between family structures and the ‘political styles’ through which families bargain about caring issues. A selection of studies dealing with family structure and decision-making are discussed. The paper closes by making some observations about the potential development of family therapy strategies, particularly by social workers trying to ensure the co-operation and involvement of family members, friends and neighbors in caring responsibilities within the new community care framework.     

Reframing Black Perspectives in Social Work: New Directions?

This paper aims to focus on the politics of exclusion by opening up a debate about black perspectives in social work and articulates a comparative assessment between the UK and USA which includes contributions from social and political theory, particularly the ‘politics of recognition’. The paper begins by mapping the territory denoted in the growth of ‘studies’ in sociology and academia. Following these discussions, I review criticisms and possibilities of anti‐racist social work and black perspectives to argue that in the British context, the dilution of anti‐racist social work into a discriminatory practice framework undermined the place of black perspectives in social work education. In the next section, a reframing of black perspectives is envisaged with implications for social work learning and practice. By attending to these issues, social work learning and practice can support a more inclusive approach to professional knowledge which recognizes changing patterns of social life, complexity and multiple perspectives.     

Globalisation and local experience: encounters with difference in a UK school

This paper explores issues of identity, difference and globalisation in the micropolitical context of a UK school. Drawing on ethnographic data and theoretical perspectives from the sociology of education, development and globalisation, the paper takes the communication of the ‘Third World’ in the curriculum as a case study of the ways in which UK schools engage with difference. Thus, the paper goes beyond the traditional focus on ‘race’ and ethnicity, emphasising the importance of distant difference in the context of globalisation. It is suggested that whilst teachers may identify local and global factors as underpinning the need to engender critical engagements with difference, the realisation of this is complex; the communication of the ‘Third World’ in the school is characterised by contradiction, reinforcing as well as unsettling ethnocentrism. To understand this situation, we need to locate these contradictions in terms of the complex interplay of restructuring processes, policy frameworks and the micro‐politics of the school. The paper highlights the impacts of increased assessment and measurement in education alongside policy contradictions around curriculum authority. Teacher empowerment in the articulation of an appropriate curriculum is identified as a priority.     

Identity,community and the lived experience of black Scots from the late eighteenth to the mid‐nineteenth centuries

The existing literature on Black Scots is little developed, has a certain bias towards a limited number of elite figures and, in common with the literature on Black people in Britain in general, tends to treat the question of their identity as unproblematic, even eternalizing it. This article presents a number of case histories of plebeian Black Scots, male and female, alongside, in particular, Benedict Anderson's concept of national identity as ‘imagined community’, in order to attempt a reconstruction of the styles in which these people imagined their own identities. It is argued that this yields a clearer and more fruitful understanding of the varieties of ways in which such people developed strategies of survival and/or resistance. Most of the social data for the case histories are taken from criminal records; any supposition that to do so is to ‘criminalize’ Black History is rejected. Despite the likelihood that there were comparatively few Black people in Scotland in the period under scrutiny, it is argued that the Black Scots have a global as well as a local significance.     

A usable body: coaxing the body into and out of captivity at the museum

The visual logic of ‘black’ identity as a social and historical fact is presented at museums depicting the transformation of enslaved Africans to racial citizens. I focus on the work of the body in narrating this transition at a black history museum: the historical object on display – the captive African and later the US citizen – and the imagined visitor moving through the physical space of the museum. I consider the visual treatment of the enslaved body in captivity as broken, bowed, beaten and often nude in contrast to the post-abolition period when the body is positioned as erect, individuated, self-possessed and always clothed. I also discuss how the imagined visitor’s body is oriented both to the narratives on display and to the built environment of the museum itself.     

Ethnicizing Ulster’s Protestants?: Ulster-Scots education in Northern Ireland

The Ulster-Scots ethnolinguistic ‘revival,’ often considered to be the ethnic, cultural or linguistic expression of unionism and loyalism, has recently made inroads into schools across Northern Ireland. With intercommunal educational segregation pervasive in the province, the teaching of such an ‘ethnic identity’ has potential sociological ramifications. Utilizing an in-depth textual analysis of the Ulster-Scots Agency’s educational materials and interviews with educationalists and political elites, I contend that although this ethnicization represents a break of sorts with traditional unionist-loyalist ideas rather than an unproblematic reinforcement of them, it holds considerable potential for the deepening of normative senses of communal difference.