BANALITY FOR CULTURAL STUDIES

In her 1990 essay, ‘Banality in Cultural Studies,’ Meaghan Morris raises very serious concerns about the relatively unexamined role that banality plays in cultural studies' work. Taking up her challenge, this essay endeavors to unlock some of the ways that banality might be, as Morris suggests, ‘empowering’ and ‘enabling’ for cultural studies and, thus, not merely banality as something that is left behind after it has been exorcised or redeemed in the movements of cultural analysis itself. Beginning with a few of Morris' own critical coordinates (such as Michel de Certeau and Maurice Blanchot), this essay, then, looks to how banality enters into the triadic philosophical conceptualizations of Henri Lefebvre on ‘everyday life’ particularly through his concept of ‘everydayness’. Most of all, this essay investigates the ways that this often-undertheorized concept from Lefebvre might be brought to ‘life’ (in the widest sense imaginable) in the writings of Gilles Deleuze and Felix Guattari on ‘the virtual.’ The virtual is, in one sense, a means of grasping what lies beyond the realm of cognition a more diffuse view of the real that would include the incorporeal, the inorganic, and all points in-between (including a more broadly drawn version of consciousness). It will be argued that, through ‘the virtual,’ everyday life becomes available to cultural studies' accounts as a radically ‘open totality’ or Outside and, as such, the movements, as well as the politics, of critique take on a different sort of tone and trajectory.     

DIRTY DIAPERS AND THE NEW ORGANIC INTELLECTUAL

This article examines the conjuncture in the last decade of the political, economic, demographic and cultural forces in the USA that have facilitated the emergence of a complex identity category, the ‘single mom’ – a category that has come to stand for the failure of the welfare state and the purported possibilities of neo-liberal self-sufficiency as well as for the rearticulation of those conditions. The ‘rationalities of government’ that make freedom an increasingly difficult state for poor women to achieve are connected to the production of a set of ‘practices of the self’, in the form of cultural texts ranging from self-help literature to television and film that represent and advise single mothers on how to demonstrate their self-sufficiency and self-governance. It is argued that analysis of single mothers is a critical component of understanding current social conditions as they are played out in the USA in the realms of domesticity, family and mothering, realms often given short shrift in comparison to cultural studies' work on public cultures and spaces.     

The magic of mundane objects: culture,identity and power in a country vets' practice

This article explores and extends the idea that material objects lie at the heart of many of our social, and specifically workplace, interactions. The site of exploration is an ethnography of a British farm animal veterinary surgery. Drawing upon traditional cultural studies approaches alongside contemporary sociological understandings about the place of materials in social life, the article analyses how objects function to track and structure the ways that people of different professional status experience work at a veterinary surgery. It is argued that the power of the veterinary elite in this setting is best understood by paying close attention to ‘mundane’ artefacts. The article argues that such objects, having almost no meaning on their own, can become potent cultural symbols if actors have the necessary social capital to ‘transform’ them. Here, Latimer's concept of ‘strong moves’ (2004) is extended to consider how the reinterpretation of objects might constitute a form of ‘cultural magic’. This article seeks to uncover some of the practical scenarios in which such ‘magical’ transformations play out and describes, through a series of tales from the field (Van Maanen, 1985), the ways in which vets control and regulate their interactions with those outside the professional elite.     

‘THE RAIN IN SPAIN STAYS MAINLY IN THE PLAIN’

As is known, ‘the rain in Spain stays mainly in the plain’ is a famous line from George Bernard Shaw's play, Pygmalion (1912), a witty and highly entertaining study of Victorian class distinctions and social conventions. Broadly speaking, my aim is to exploit the cultural credentials of both the work and its celebrated rhyme by using them as a rhetorical device from which to stake out the position of cultural studies within the Spanish university. The approach I will advance tries to take account of the principles listed by Cary Nelson in his cultural manifesto (1996, pp. 273–86), even though it derives more directly from the immediate conditions of higher education in Spain and specifically from my own experience as a university teacher. As I hope to demonstrate, several connections may be established between ‘the rain in Spain stays mainly in the plain’ and the difficulties that arise in trying to speak/write about cultural studies. Likewise, the rhyme as well as certain details in the comedy's plot can serve as useful cultural analogies for some of the ‘meta-problems’ faced by cultural studies in the Spanish context. And more crucially, the famous line can be put to use in the classroom as a helpful, eye-opening exercise for future cultural agents or ‘producers’ (Striphas, 1998: 457). I shall therefore move from problems of discourse, to inherent power structures and finally unto the actual practice of cultural studies.     

WHAT MAKES THE LOCAL? A BRIEF CONSIDERATION OF THE REJUVENATION OF HONG KONG IDENTITY

This paper ascertains what makes the local and why the local is important, in the context of change in Hong Kong due to the political transition to PRC sovereignty.In doing so, I hope to pose a modest polemical challenge to cultural studies' tendency to overlook seemingly simplistic empirical information. The return of Hong Kong to China in 1997 has led to a contraction of the political sphere, as the convergence of political structures curbed the development of local identities. The label or category ‘Hong Kong people’ was then appropriated with a specific meaning for the local to resist encroachment of the national. It was true that the high intensity of dominant national discourses during the political transition created a favourable atmosphere for re-nationalization. However, as soon as the political transition was over, Hong Kongers re-adhered to their own label in their struggle for cultural autonomy.Their strong cultural affect toward various national icons during the transition quickly diminished. This multiyear discourse study (1996–1998), which utilizes social scientific methods in conjunction with cultural theories, illustrates important political and methodological impulses necessary for the formulation of a socio-political approach to cultural studies within the Hong Kong context.     

From Mastery to Accountability: Cultural Humility as an Alternative to Cultural Competence

Cultural competency has been a long held ideal for social work educators and practitioners. However, definitions and approaches to cultural competency vary widely depending on worldview, discipline, and practice context. Within social work and beyond, cultural competency has been challenged for its failure to account for the structural forces that shape individuals' experiences and opportunities. In contrast, the concept ofcultural humility takes into account the fluidity of culture and challenges both individuals and institutions to address inequalities. This article takes a critical look at cultural competence as a concept, examining its explicit and implicit assumptions, and the impact these assumptions have on practitioners. It suggests that cultural humility may offer social work an alternative framework as it acknowledges power differentials between provider and client and challenges institutional-level barriers. The authors advocate a move from a focus on mastery in understanding ‘others’ to a framework that requires personal accountability in challenging institutional barriers that impact marginalized communities. Cultural humility, while a promising concept, has not been fully explored in social work. Therefore, the authors present a conceptual model of cultural competency along with strategic questions for providers and organizations to integrate into social work practice and education.     

Moving images: world cities,connections and projects in Sydney's TV production industry

World city research concerned with connectivity has tended to focus on advanced producer service firms and on selected North American and European cities; the prevailing methodology has been quantitative. In this article I answer the call to ‘go beyond counting’ by bringing together a project‐based enquiry — on a TV mini‐series Mary Bryant— with a more conventional assessment of network connectivity. The inclusion of a practice‐centred approach to this case study adds the performative data to the network, highlighting the actions and processes of those involved in maintaining the city networks. Furthermore, I demonstrate how this method of analysis is more suited to the study of project‐based cultural industries and highlight the role of Sydney in the global television industry — a city hitherto under‐explored in world city literature.     

‘Western hegemony’ in the social sciences: fields and model systems

This paper discusses the role of privileged research objects (‘model systems’) in producing patterns in transnational knowledge production. In its approach it follows Bourdieu's call to focus on contexts of production and forces internal to disciplines as well as his insistence on practice. Learning from work in science and technology studies it also considers material objects of knowledge and spaces of knowledge-production. It discusses the case of sociology and argues that conventions surrounding privileged research objects matter relatively independently of authors’ national origin or field-position. Examining model systems, I argue, can contribute to our understanding of how some well-established inequalities are produced and reproduced. This focus adds specific stakes to the debates about global knowledge production: we can discuss the problem of neglected cases in ways that are not always included in current reflections that draw on general political – rather than specifically knowledge-political – categories.     

Understanding the Alteration and Decline of a Music Scene: Observations from Rave Culture1

The sociological study of scenes—music and otherwise—has flourished in the latter twentieth and early twenty‐first centuries. Most research has documented a scene’s origins or its “evolution” into mainstream culture. Fewer studies have systematically addressed what leads to a scene’s alteration and decline, although many scholars have partially addressed it in authenticity studies anchored in the Frankfurt School’s claims about culture and economics. Are culture industries sufficient in explaining music scene transformation? The present article attempts to explain the cultural transformation of the Philadelphia rave scene and to articulate its relevance for other kinds of social worlds. Using a multimethod ethnographic approach, I show that five forces (generational schism, commercialization, cultural otherness/deviance and self destruction, social control, and genre‐based scene fragmentation) help explain the alteration and decline of the rave scene from its high point in the mid to late 1990s to its diminished and fragmented state presently. In describing these forces, I hope to move beyond culture industry narratives toward a broader explanation of cultural change, one that is lacking not only in music scene studies, but also in literatures on many other kinds of social worlds.     

Organizing the organism: a re-casting of the bio-social interface for our times

I present a future-oriented look at sociology and anthropology's historical appropriation of the concept of organism. The ‘future’ of which I speak is one in which the biological and technological are blending together. In cultural and science studies, the figure of the ‘cyborg’ is often discussed in this context. But the cyborg tends to be treated as a specifically ‘postmodern’ innovation, whereas the organism has always invited the cyborg's ontological ambivalence. This sensibility goes back to the dawn of both the modern biomedical sciences and the social sciences. I begin on the relatively familiar terrain of the role that emerging medical conceptions of the organism in the mid-nineteenth century played in the formation of such founding figures of sociology and anthropology as Emile Durkheim and Franz Boas. I then move to the specific ‘relativization’ of Darwin's theory of evolution that fostered turn-of-the-century conceptions of the social organism, including that emergent entity, the ‘superorganism’, which figures prominently – albeit differently – in the attempts to characterize the uniquely ‘human’ character of culture and technology. Finally I look at one very explicitly ‘constructivist’ approach to the social organism promoted by the distinguished chemist Wilhelm Ostwald, who was in turn anathematized by Max Weber in one of the original episodes of sociology's disciplinary boundary maintenance. The pride of place that Ostwald gave to ‘catalysts’ in consolidating and enhancing social organisms – from business firms to academic disciplines – earns his perspective a second look in our time. I end with directions for further exploration, which include reviving Norbert Wiener's cybernetic vision.     

Why Postmodern Theory may be a Problematic Basis for Therapeutic Practice: A Feminist Perspective

Both poststructural and social constructionist thinking are imbued with a masculine bias. First, I demonstrate that Foucault's theory of power and knowledge fails to take into account the female experience of power and the gendered nature of knowledge production. With the support of psychoanalytic theory I also claim that Foucault's theory of the ‘social’, ‘discursive’ production of ‘selves’ omits the contribution of the prelinguistic but no less ‘social’ mother–infant relationship, and in so doing obscures the prelinguistic foundations of emotionality. This poststructural reduction of ‘selves’ to, and subsequent subsuming of emotionality within, the instance of ‘language’, ‘discourse’ or ‘narrative’, is, I claim, replicated in the social constructionist thinking of Gergen and Bruner. Finally, I consider some of the consequences of a therapeutic practice which has its foundations in these two interrelated bodies of thought, suggesting, from a feminist perspective, that a major shortcoming of this narrative practice is its failure to attend to emotionality.     

Cosmopolitical Realism: On the Distinction between Cosmopolitanism in Philosophy and the Social Sciences

Abstract In the article I outline a wide range of challenges, both normative and analytical, that the rise of globalism represents for the social sciences. In the first part, a distinction is drawn between ‘normative’ or ‘philosophical’ cosmopolitanism on the one hand and an analytical‐empirical social science cosmopolitanism, which is no longer contained by thinking in national categories, on the other. From such a perspective we can observe the growing interdependence and interconnection of social actors across national boundaries, more often than not as a side effect of actions that are not meant to be ‘cosmopolitan’ in the normative sense. In the second part I focus on the opposition between methodological nationalism and the actual cosmopolitanization of reality and outline the various errors of the former. In the third and final part of the article I outline a research programme of a ‘cosmopolitan social science’ around four topics: first, the rise of a global public arena resulting from the reactions to the unintended side effects (risks) of modernization; second, a cosmopolitan perspective allows us to go beyond International Relations and to analyse a multitude of interconnections not only between states but also between actors on other levels; third, a denationalized social science can research into the global inequalities that are hidden by the traditional focus on national inequality and its legitimation; finally, everyday or banal cosmopolitanism on the level of cultural consumption and media representation leads to a growing awareness of the relativity of one's own social position and culture in the global arena.     

The birth of the queen/the modern homosexual: historical explanations revisited

In this paper I review a number of explanations for the emergence of the modern homosexual category in Western (mainly Northwest European) cultures. I suggest there are four different emphases in respect of the social and cultural factors given priority in interpretations of the formation of the homosexual category. Of course, individual studies have often taken into consideration more than one single factor (most notably, Greenberg, 1988; Chauncey, 1994), and the grouping of previous studies that I here suggest only indicates where the focus of a given study is. The social and cultural factors emphasized in these four approaches are: 1) the effects of competitive capitalism on the bourgeois/middle class political economy of sexuality and sexual morals; 2) the rise of expert knowledges, controlling systems, and modern bureaucracies; 3) tensions within gender order and the struggle over new definitions of gender roles; 4) the rise of free wage labour, the proliferation of urban anonymity, and the unfolding of new modes of existence in the life-world of modern pluralist urban society. Finally, the article briefly considers the potential erosion of the homosexual vs. heterosexual divide in the light of the historical background. Almost thirty years have passed since ‘The Homosexual Role’, by Mary McIntosh (1968), the first notable contribution to the historical sociology of homosexuality operating within a social constructionist view of homosexuality. Since then, there have been numerous studies of the formation of the conceptual category and social aggregate of ‘modern homosexual’. Researchers have differed about whether the pedigree of ‘homosexual’ and homosexual identities and subcultures in Western societies can be traced back to the late nineteenth century or to the early eighteenth century, and whether or not some notion of ‘homosexual’ was established in the cultural imagery before the last fifty years or so. It might be fruitful to distinguish between the historically older categories of ‘molly’, ‘queen’, and ‘fairy’ on the one hand, and the more recent ‘homosexual’ on the other hand. It can be argued that the decisive feature of the first-mentioned ‘deviant men’ was their status as gender-crossers (which as a side-effect entailed an interest in homosexual conduct), whereas the modern term homosexual does not necessarily suggest gender-crossing or more generic ‘sexual inversion’(cf. Chauncey, 1994). However, allusions to gay men's purported effeminacy and lesbian women's purported masculinity continue to surface frequently also in contemporary culture. Hence, for the sake of brevity, I here use the term modern homosexual, by which I refer to a notion that there is in some people an inherent sexual desire exclusively for persons of the same sex, and that this so-called sexual orientation is to some degree intertwined with a tendency to gender-crossing conduct. ¹ 1 Historically there has been a mutually re-enforcing dynamics between the forma-tion of the conceptual category and the social aggregate of homosexual(s). Methodological considerations and also certain presumptions about the dynam-ics of culture and society help explain why, until recently, most studies have focused on the trajectory of concepts, identities, and social roles, rather than on the experiential, embodied aspects of the social aggregate of homosexual(s). The idea of sexual inversion predicates that homosexual desire is evidence of a faulty combination of body and soul: there is ‘a female soul in a male body’, or vice versa. On the distinctions between sexual orientation and sexual role see, King, 1984.
     

Not necessarily a place: How mobile transnational online workers (digital nomads) construct and experience ‘home’

This article adds to current research on mobile transnational online workers (digital nomads) who travel the world in search of a holistic lifestyle that balances work and leisure. Using Kannisto's (2014) and D'Andrea's (2007) work on ‘global nomads’ as a theoretical lens and Nowicka's (2007) research on mobile professionals as a guide, I discuss the multiple meanings of ‘home’ for digital nomads who stayed in Chiang Mai, Thailand, in 2019. I will show that people feel at home when travelling with a loved one or by surrounding themselves with objects of emotional value. Furthermore, digital nomads create a feeling of being at home by connecting with their family via social media and video calling apps, while at the same time keeping them at a comfortable distance. Finally, some digital nomads envision an idealized ‘home base’ that is defined by social relations and not necessarily by the geography or amenities of a place.     

Laddishness Online

In a textual analysis of public social network site (SNS) profiles owned by young women aged between 18 and 21, many of the profiles contain representations of self which would typically be considered ‘unfeminine’. Photos of young women and their friends posed with wide open mouths and protruding tongues and images depicting drunkenness and raucousness are common. This kind of ‘laddish’ performativity by young women leaves feminists, especially those concerned with cultural representation, with a dilemma: is ‘feminist representation’ to be found in this aspect of SNS representation, in this kind of ‘symbolically inverted’ depiction of feminine bodies? Does this kind of ‘laddish’ performativity by young women function less as a rebellion against femininity and more as a kind of ‘giving in’ to a certain model of masculinity; as a ‘phallic’ form of girlhood now licensed by the patriarchy; or even an indication of ‘feminine melancholia’, predicated on the broader cultural rejection of critical feminist voices? In this article, I suggest that neither paradigms of resistance or conformity completely suffice for understanding ‘laddishness’ by young women in the context of a viewing premise of self-production, such as that we encounter with SNS material. I start by offering a possible feminist reading of ‘laddish’ body performativity by young women on SNSs, drawing from theories of the ‘grotesque body’ in representation as well as from Mulvey's psychological explanation of ‘voyeuristic’ viewing pleasure in narrative cinema. I go on to develop the concept of ‘performative shamelessness’ by young women and expand upon its possible significations in the post-feminist, neoliberal cultural landscape. Engaging in particular with McRobbie's ideas about the post-feminist era, I suggest that performative shamelessness may be one of the few options available to young women wishing to maintain a sense of self-definition in the face of intense social and cultural scrutinizing, and often sexually objectifying, gazes.     

Cultural studies in the present tense

Cultural studies professed ‘radical contextualism’ imbues the project with a particular orientation toward ‘the present,’ a consideration of ‘the current moment’ as a configuration of forces shaping possibilities for politically engaged practice and affording concrete potentials for telling better stories. This essay elaborates these claims by way of tribute to Lawrence Grossberg. It is neither retrospective nor prospective. Instead – and in a manner more befitting a figure who continues to champion the political-intellectual practice of cultural studies here and now, in the present – this essay reflects on the author’s experiences learning with and from Grossberg in order to explore the the temporality of the cultural studies project.     

Migrant narratives as photo stories: on the properties of photography and the mediation of migrant voices

This article examines how the properties of photography might mediate voice, defined as the capacity to speak and to be heard speaking about one’s life and the social conditions in which one’s life is embedded. It focuses on the affordances that the image provides for migrant cultural minorities to articulate such a voice within the context of collaborative research. I look at the case of Shutter Stories, a collaborative photography exhibition featuring the photo stories of Indian and Korean migrants from Manila, The Philippines. Using participant observation data, I show that it was photography’s ability to be all at once indexical, iconic, and symbolic that became important in voice as ‘speaking’. It allowed migrants to tell rich, multimodal narratives about their lives, albeit with some key limitations. I also show that it was photography’s inability to fix meanings with finality that mattered in voice as ‘being heard’. Although the locals who visited the exhibition engaged with the photo stories in an overwhelmingly positive manner, they often did not completely grasp the migrants’ complex narratives. All these data indicate that collaborative photography exhibition projects should not just be about how migrants speak and are heard. They should also be about how migrants can listen, so that they can adjust what they say to how they are being heard. This is a valuable reminder that in conceptualising photography and migrant cultural minority voices, we also need to take into account the broader process of multicultural dialogue.     

The Social Model of Disability as a Threshold Concept: Troublesome Knowledge and Liminal Spaces in Social Work Education

This paper draws on the notion of threshold concepts to consider the way in which disability studies has the capacity to transform social work students' understandings of disability and therefore influence their practice. Most students enter social work programmes with the professed aim of ‘helping’ and so to be confronted by an approach (the social model of disability) and a body of research and theorising (disability studies) that challenges their taken-for-granted assumption that social work practice is ‘helpful’ is unsettling and can lead to resistance. The purpose of this article is to interrogate practice on a social work programme where a commitment to social model practice is explicated and embedded with the purpose of identifying what it is we want students to ‘get’, whether they find this troubling and how they can be effectively supported as they move through liminal spaces in social work education.     

Performances of social class,race and gender through youth subculture: putting structure back in to youth subcultural studies

This paper aims to advance debates in youth studies about the contemporary relevance of social structures of class, race and gender to the formation of youth subcultures. I demonstrate how drawing on a cultural class analysis and education literature on learner identities and performativity can be productive in theorising the continued significance of class, and indeed also race and gender in young people's lives. In examining school-based friendships and (sub)cultural forms through empirical research in urban schools, I argue that not only are young people's subcultural groups structured by class, race and gender but also they are integral to the production of these identities. By examining the discursive productions of two school-based subcultures as examples: the ‘Smokers’ and the ‘Football’ crowd, I further argue that these identity positions embody resources or capitals which have differing value in the context of the urban school and thus demonstrate how race, class and gender privilege are maintained and reproduced through youth subculture.