共查询到20条相似文献,搜索用时 15 毫秒
1.
Kyung-Nan Koh 《The Asia Pacific Journal of Anthropology》2013,14(1):55-73
This paper examines how businessmen and educators in Hawai'i have semiotically ‘translated’ sustainability to promote sustainability practices. Using data gathered from an educational institute that was co-founded by a corporation and a college, I analyse how the source discourse was, using Silverstein's term, ‘transformed’ so that the target discourse (or the signs used in the target discourse) invokes Hawaiian imageries rather than imageries of capitalism. Analyses reveal that changes to keywords of sustainability occur in a way that shifts possible local interpretations of them as cultural heritage, that is, as something ‘of Hawaiian’ and not ‘of white capitalists’. I argue that this translation effort assisted the concept's transmission by making ‘sustainability’ an inhabitable category of identity and by providing a model of a future in which locals can participate because it is now interpretable as having been modelled on the narrated past. 相似文献
2.
Andrew Duffy Edson C. Tandoc Richard Ling 《Information, Communication & Society》2018,21(10):1354-1368
Confronted with circumstances altered by the Internet, professional working practices have the option to change or to stay the same. This paper looks at how newsworkers in the new form of digital newsrooms have adapted the old location- or topic-based ‘beat’ system; now that they are called upon to curate or aggregate news stories which arrive fully formed from legacy news websites or emerge from social media. Stories like these are often valued for their virality – that is, how far and fast they have already spread – and their power to attract clicks from readers. Today, a growing number of news websites aggregate or curate such stories as part of their own news offerings. Yet curating these stories bring challenges to journalists’ identities and work practices, which demands a response. Based on an ethnographic study of eight digital newsrooms, we report how newsworkers use journalistic rituals to legitimise these second-hand stories flowing into the newsroom. We observed the use of rituals of objectivity, multiple sourcing and comparison with other news outlets as mechanisms that newsworkers used to validate and justify their use of second-hand content. 相似文献
3.
This article reports on an ethnographic study with 12 Latino families of children on the autism spectrum related to obtaining autism services in Los Angeles County. Using critical discourse analysis of interviews, observations, and records, we consider the experiences of the Latino families in relation to: a discursively constructed ‘autism parent’ subject position that mandates ‘fighting’ service systems to ‘win’ autism services for children, originating from White middle-class parents’ socioeconomic resources and social capital; a neoliberal social services climate that assumes scarcity of available resources and prioritizes austerity in their authorization; and a media and institutional ‘cultural deficit’ discourse that attributes disparities in autism services for Latino children to their parents’ presumed culturally-based ‘passivity.’ We argue that parental discourse about fighting, or not fighting, for autism services is engendered by a tension between a parental logic of care, and the logic of competition of the economic market. 相似文献
4.
Angel M. Hinzo 《Information, Communication & Society》2019,22(6):791-807
ABSTRACTThe decolonizing turn in the humanities and social sciences calls for scholarship that analyzes social media practices through the lens of Indigenous epistemologies. In this article, we model the ways that Indigenous epistemologies might contribute to theories of social media practices as we explore ways that the digital image can drive identification with and engagement in political acts. The article analyzes social media tropes circulated across various platforms among Indigenous communities and allies in relation to the #NoDAPL movement. We argue that attempting to analyze Native American traditions through Western theory will only work towards colonizing these Indigenous texts. Thus, whereas we employ insights from digital and visual methods of analysis (Highfield, T., & Leaver, T. (2016). Instagrammatics and digital methods: Studying visual social media, from selfies and GIFs to memes and emoji. Communication Research and Practice, 2(1), 47–62), we also highlight the strategic use of humor in the visual materials shared through various social media platforms utilizing the framework of the Trickster. We argue that the visual and digital phenomena we studied might best be understood as a form of digital survivance, drawing upon Anishinaabe scholar Gerald Vizenor [(1994). Manifest manners: Postindian warriors of survivance. Hanover, CT: Wesleyan University Press]. term ‘survivance’ as a portmanteau that combines ‘survival’ and ‘resistance’ in its characterization of Indigenous storytelling traditions. Whereas centering the Indigenous figure of the Trickster might suggest that social media has failed to live up to its promises, this epistemological approach also explains the hope that Indigenous communities hold in uniting via social media for what has been and continues to be a long-term battle for sovereignty and for the protection of the earth and all of its beings. 相似文献
5.
Gino Canella 《Visual Studies》2020,35(2-3):273-284
Black Lives Matter 5280 (BLM5280) posts an image on its Facebook page each morning with the caption ‘Good morning #Beautiful people. #BlackIsBeautiful.’ The images in this series often depict Black people in ways that challenge heteronormative conceptions of family and white beauty standards. Through feminist visual culture and digital ethnography, I show how BLM5280’s photo series leverages the radical legacy of Black hair to claim symbolic and political power. I discuss my work as an allied filmmaker with the group, and examine BLM5280’s online practices in relation to its local organising. Although curating images on social media may not, in itself, bring about social change, this cultural practice plays an important role in shaping perceptions of Blackness, amplifying the voices and agency of underrepresented people, and strengthening the social and emotional well-being of BLM5280’s online and offline communities. 相似文献
6.
Kathryn M. Orzech Wendy Moncur Abigail Durrant Stuart James John Collomosse 《Visual Studies》2017,32(4):313-328
Over the last two decades, digital photography has been adopted by young and old. Many young adults easily take photos, share them across multiple social networks using smartphones, and create digital identities for themselves consciously and unconsciously. Is the same true for older adults? As part of a larger mixed-methods study of online life in the UK, we considered digital photographic practices at two life transitions: leaving secondary school and retiring from work. In this paper, we report on a complex picture of different kinds of interactions with visual media online, and variation across age groups in the construction of digital identities. In doing so, we argue for a blurring of the distinctions between Chalfen’s ‘Kodak Culture’ and Miller and Edwards’ ‘Snaprs’. The camera lens often faces inwards for young adults: tagged ‘Selfies’ and images co-constructed with social network members commonly contribute to their digital identities. In contrast, retirees turn the camera’s lens outwards towards the world, not inwards to themselves. In concluding, we pay special attention to the digital social norms of co-creation of self and balancing convenience and privacy for people of varying ages, and what our findings mean for the future of photo-sharing as a form of self-expression, as today’s young adults grow old and retire. 相似文献
7.
New media applications such as social networking sites are understood as important evolutions for queer youth. These media and communication technologies allow teenagers to transgress their everyday life places and connect with other queer teens. Moreover, social media websites could also be used for real political activism such as publicly sharing coming out videos on YouTube. Despite these increased opportunities for self-reflexive storytelling on digital media platforms, their everyday use and popularity also bring particular complexities in the everyday lives of young people. Talking to 51 youngsters between 13 and 19 years old in focus groups, this paper inquires how young audiences discursively constructed meanings on intimate storytelling practices such as interpreting intimate stories, reflecting on their own and other peers' intimate storytelling practices. Specifically focusing on how they relate to intimate storytelling practices of gay peers, this paper identified particular challenges for queer youth who transgress the heteronormative when being active on popular social media. The increasing mediatization of intimate youth cultures brings challenges for queer teenagers, which relate to authenticity, (self-) surveillance and fear of imagined audiences. 相似文献
8.
This exploratory work investigates the role of digital media in expanding health discourse practices in a way to transform traditional structures of agency in public health. By focusing on a sample of rare disease patient organisations as representative of contemporary health activism, this study investigates the role of digital communication in the development of (1) bottom-up sharing and co-production of health knowledge, (2) health public engagement dynamics and (3) health information pathways. Findings show that digital media affordances for patient organisations go beyond the provision of social support for patient communities; they ease one-way, two-way and crowdsourced processes of health knowledge sharing, exchange and co-production, provide personalised routes to health public engagement and bolster the emergence of varied pathways to health information where experiential knowledge and medical authority are equally valued. These forms of organisationally enabled connective action can help the surfacing of personal narratives that strengthen patient communities, the bottom-up production of health knowledge relevant to a wider public and the development of an informational and eventually cultural context that eases patients’ political action. 相似文献
9.
Guy Starkey 《Sociology Compass》2012,6(11):845-855
Radio has been variously described as the ‘forgotten’, ‘invisible’, ‘secondary’, ‘blind’ and even ‘Cinderella’ medium, and it has been relatively under‐theorised in media studies since the subject first appeared in the classroom in the 1930s. Media educators may have been slow to realise its potential, and radio’s survival may have been threatened by the emergence of new media, but this established, rather than old medium has reinvented itself before now and is doing so again in the age of media convergence. Digital migration may be slow because the benefits of new technology over the existing analogue transmission platforms may not be apparent to consumers, but now radio provides given pictures online and on mobile platforms through parallel broadcaster and user‐generated web content. Teaching radio studies can be both enjoyable and cost‐effective, with both academic and vocational outcomes, and radio’s place in media education seems assured by its longevity and durability. This article explores essential synergies between the development of radio as an industry that is now situated in a convergent, digital landscape, the state of the art of academic radio studies, and the practice of radio within media education. 相似文献
10.
Discourses regarding a ‘global obesity crisis’ and alternative frames (e.g. weight‐inclusive approaches to health) have proliferated through various media of communication. These media range from traditional print and visual formats (e.g. newspapers and television shows) to digital media (e.g. Twitter, Facebook, YouTube), which enable different publics to produce, and not just consume, text, images and other data relating to the body. Reflecting a sociological understanding of educational practices as extending beyond formal schooling, mediated obesity discourse and counter‐movements have also been conceptualised as public pedagogies, which instruct people how to relate to their own and other's bodies, health and subjectivities. This article examines what is critically known about various media at a time when governments and agencies are reinvigorating the global war on obesity, with populations being ‘advised’ to become and remain conscientious weight watchers. In conclusion, the article underscores the salience of social studies of the media when seeking to rethink obesity, incorporating critical reference to moral panic theory and the need to better understand what media can ‘do’ as enactments of public pedagogy. 相似文献
11.
Judith Bessant 《Journal of youth studies》2016,19(7):921-937
Attention is given in this article to recent action by many liberal states to regulate and criminalize certain forms of political dissent reliant on new media. I ask how those working in the fields of youth studies and social science more generally might understand such processes of criminalizing political dissent involving young people digital media. I do this mindful of the prevailing concern about a ‘crisis in democracy’ said to be evident in the withdrawal by many young people from traditional forms of political engagement, and the need to encourage greater youth participation in democratic practices. A heuristic or guiding frame is developed to analyse how new laws, amendments to existing laws and other regulatory practices are being implemented to contain certain forms of political participation, performed in large part by young people. A case study of ‘Distributed Denial of Service action’ is offered to examine government responses to political practices which I argue constitute legitimate forms of protest and civil disobedience. 相似文献
12.
Amelia Yeates 《Visual Studies》2013,28(2):110-121
Since he stepped out in a sarong in 1998, David Beckham's sexuality and gendered image has been a popular topic of discussion in the media. He has also attracted academic attention for the expanded range of masculinities he seems to represent. Some academic studies of Beckham have employed ‘queer theory’ to analyse the destabilising of gender that his public presentations seem to embody but little attention has been paid to the specifically visual dynamics of images of Beckham. In this essay, I take Sam Taylor-Wood's David (2004) as a starting point to suggest the types of visual pleasure that images of Beckham might be seen to offer to both male and female audiences. For the remainder of the essay I focus on an Armani male underwear advertisement from the 2007–2008 campaign. Informed by discourse analysis and queer theory, I identify a set of ‘queer’ responses to the advertisement, suggesting they represent the ‘policing’ of male sexuality, which often accompanies potential signifiers of homoeroticism. I conclude by considering how and why Beckham has retained his status as a heteronormative masculine icon despite his continued appearance in homoerotic images. 相似文献
13.
Cornelius Puschmann 《Information, Communication & Society》2019,22(11):1582-1589
ABSTRACTCurrent models of data access in social media research offer clear benefits, but are also fraught in a number of ways, including by posing risks to user privacy, being constrained in terms of reliability and reproducibility of results, and incentivizing questionable and in some cases unethical research practices. I argue that partnerships between academics and industry represent one potential option for improving this situation. While no panacea, such arrangements may be able to contribute to a more rules-based and less anarchic situation in social media research, placing greater emphasis on preserving user privacy and the reproducibility of results, rather than mainly on compiling large data sets. Due to a number of recent shifts, not just in research, but in the public discourse surrounding social media platforms and user data, we are entering an era of increased institutionalization and standardization in the study of online communication. This new environment appears poised to replace the ‘Wild West of social media research’ that we have witnessed in the past, in which academics compile huge troughs of data with few constraints, not always acting in the public’s best interest. 相似文献
14.
Interface methods: renegotiating relations between digital social research,STS and sociology
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This paper introduces a distinctive approach to methods development in digital social research called ‘interface methods’. We begin by discussing various methodological confluences between digital media, social studies of science and technology (STS) and sociology. Some authors have posited significant overlap between, on the one hand, sociological and STS concepts, and on the other hand, the ontologies of digital media. Others have emphasized the significant differences between prominent methods built into digital media and those of STS and sociology. This paper advocates a third approach, one that (a) highlights the dynamism and relative under‐determinacy of digital methods, and (b) affirms that multiple methodological traditions intersect in digital devices and research. We argue that these two circumstances enable a distinctive approach to methodology in digital social research – thinking methods as ‘interface methods’ – and the paper contextualizes this approach in two different ways. First, we show how the proliferation of online data tools or ‘digital analytics’ opens up distinctive opportunities for critical and creative engagement with methods development at the intersection of sociology, STS and digital research. Second, we discuss a digital research project in which we investigated a specific ‘interface method’, namely co‐occurrence analysis. In this digital pilot study we implemented this method in a critical and creative way to analyse and visualize ‘issue dynamics’ in the area of climate change on Twitter. We evaluate this project in the light of our principal objective, which was to test the possibilities for the modification of methods through experimental implementation and interfacing of various methodological traditions. To conclude, we discuss a major obstacle to the development of ‘interface methods’: digital media are marked by particular quantitative dynamics that seem adverse to some of the methodological commitments of sociology and STS. To address this, we argue in favour of a methodological approach in digital social research that affirms its maladjustment to the research methods that are prevalent in the medium. 相似文献
15.
Martin Gibbs James Meese Michael Arnold Bjorn Nansen Marcus Carter 《Information, Communication & Society》2015,18(3):255-268
This paper presents findings from a study of Instagram use and funerary practices that analysed photographs shared on public profiles tagged with ‘#funeral’. We found that the majority of images uploaded with the hashtag #funeral often communicated a person's emotional circumstances and affective context, and allowed them to reposition their funeral experience amongst wider networks of acquaintances, friends, and family. We argue that photo-sharing through Instagram echoes broader shifts in commemorative and memorialization practices, moving away from formal and institutionalized rituals to informal and personalized, vernacular practices. Finally, we consider how Instagram's ‘platform vernacular’ unfolds in relation to traditions and contexts of death, mourning, and memorialization. This research contributes to a broader understanding of how platform vernaculars are shaped through the logics of architecture and use. This research also directly contributes to the understanding of death and digital media by examining how social media is being mobilized in relation to death, the differences that different media platforms make, and the ways social media are increasingly entwined with the places, events, and rituals of mourning. 相似文献
16.
Kaixi Cathay Wang 《Chinese Journal of Communication》2020,13(2):205-220
This article presents two sets of recorded interview data in which young Chinese lesbians (i.e. born in the 1990s) performatively negotiate a capable and neoliberalized identity in narrating how their relationships are threatened by heteronormative marriage pressure. In applying discourse analysis to examine aspects of performativity and agency in the data, this study determined the ways in which the participants made use of language to index different ideologies. The findings suggest that the discursive strategies adopted by the “post-90s” lesbian subjects in dealing with marriage pressure reflect the influence of both neoliberal and nonliberal ideologies in contemporary China. The strategies demonstrate neoliberal reductionism because structural pressure was reduced to practical problems that could be settled by personal agency. They also demonstrated the nonliberal elements of Chinese sociocultural values because subject positions which are typical in heteronormative discourses were used to normalize lesbian practices. However, the participants’ discourses index new desires that are specific to this generation, which has significant exposure to global queer ideologies. Thus, the results indicate that in response to marriage pressure, a capable and neoliberalized lesbian identity could be constructed at the intersection of sociocultural heteronormative ideologies, neoliberal values in contemporary China, and global queer discourses. 相似文献
17.
Craig Robertson 《Cultural Studies》2013,27(3):329-354
This essay is concerned with a critical but under theorized practice of modern society – official identification. It makes two arguments about modern identification technologies: they develop within an archival problematization of identity, and secondly, they should be critically analyzed as practices of verification. Although the essay is historical in focus these two arguments are intended as an intervention in debates about contemporary practices of identification and surveillance. The essay examines the emergence of the passport in the US from the 1850s to the 1930s. The contested development of the conviction that the identity in a passport is in ‘fact’ someone's identity is the subject of this history of the passport. The passport is used to argue that official identification, as a modern problem was rethought as the collection, classification and circulation of information through new bureaucratic logics of objectivity. The subsequent assemblage of modern identification practices formed what is best understood as a documentary regime of verification that produced identity as a stable object critical to the governing practices of the modern state. The passport as a technology of verification foregrounds that the modern production of this ‘official identity’ through documents is collapsed into a truth claim, which presents that identity as self-evident. 相似文献
18.
New forms of youth social and political participation have been termed ‘Slacktivism’ – low-cost online forms of social engagement that decrease subsequent offline participation. Previous experimental work has provided support for a ‘Slacktivism effect,’ but it is unclear if this theoretical model applies to youth media sharing on social networking sites. This study uses a novel sharing simulation paradigm to test the effect of publicly vs. anonymously sharing a social cause video on subsequent willingness to engage in offline helping behavior. Results show that publicly (as compared to anonymously) sharing a selected video on one’s own Facebook wall led to a greater willingness to volunteer for an issue-related cause. Participants’ existing use of social media for engagement in social issues/causes moderated the effect, such that only participants low in use of social media for social engagement were susceptible to the sharing manipulation. Implications for reconceptualizing media sharing as a unique form of online participation beyond ‘Slacktivism’ are discussed. 相似文献
19.
Kerem Karaosmanoğlu 《Identities: Global Studies in Culture and Power》2013,20(5):580-597
In Turkey, the Alevi cultural ‘revival’ of the 1990s has been followed by a multifaceted identity-formation process that involves conflicting religio-cultural agendas, intersecting discourses and differing politico-ideological affiliations. Lacking a focus, this process continues to trigger an enriching public debate on Alevi identity, which has been coined an ‘enigma’ and is considered to be associated with ‘ambiguity’ and ‘ambivalence’ by many. What lies beneath the veil of ambiguity has to do with the ‘anti-essentialist’ transformation of Alevism, which reaches beyond religious, cultural and political orthodoxies. As a result of diverse political loyalties, contestation of discourses on Alevi culture and identity and the equivocal character of the Alevi subject, the Alevis seem to be resisting essentialism. In urban Turkey, an anti-essentialist discourse potentially influencing Alevism, I argue, enables the Alevi self to act with a sense of reflexivity and to search for ways to avoid political, cultural or religious orthodoxies. 相似文献
20.
Juha Herkman 《Cultural Studies》2017,31(4):470-488
Populism as a concept is elusive and has been connected to very different political movements. Generally, populism’s connotations are rather negative and the term is often used pejoratively in the academic field as well. However, Ernesto Laclau has approached populism by arguing that populist reason is a manifestation of political logic in which group identification – formed through various signifiers such as ‘the people’, which are articulated as part of an ‘equivalence chain’ – eventually establishes political agency as a totality. This paper uses Laclau’s articulation theory to analyse the public construction of contemporary populism in the Nordic countries of Sweden, Finland, Norway and Denmark. The analysis demonstrates that mainstream media frame populism rather negatively, although examples of the term’s positive identification with ‘the people’ are available, especially in the tabloid media. Thus, the positive identification behind the forming of populist movements clashes with the media discourse that prioritizes established journalistic views, practices and sources, making populism a ‘floating signifier’, that is, a concept that has several meanings which are contested in various public discourses. A general pattern in the construction of populism in Northern European multi-party democracies can be discerned, thus identifying the central role of nationalist and nativist identifications in contingent populist articulations. However, the differences between the Nordic countries emphasize a context-driven approach. 相似文献