Negotiating Risk and Promoting Empowerment through Rap Music: Development of a Measure to Capture Risk and Empowerment Pathways to Change

The purpose of this study was to report on the development and construction of the Individual and Community Empowerment (ICE) inventory, a measure seeking to capture the specific pathways by which either risk-enhancing impacts or empowering impacts of rap music manifest. Data were analyzed via structural equation modeling from a convenience sample of 128 high school and college students. Results found that respondents elicited (1) empowering themes that related to them individually and to the broader community and (2) high-risk themes that may promote risky health behaviors. Implications about research and practice relevance of the ICE inventory are discussed.     

Understanding the Alteration and Decline of a Music Scene: Observations from Rave Culture1

The sociological study of scenes—music and otherwise—has flourished in the latter twentieth and early twenty‐first centuries. Most research has documented a scene’s origins or its “evolution” into mainstream culture. Fewer studies have systematically addressed what leads to a scene’s alteration and decline, although many scholars have partially addressed it in authenticity studies anchored in the Frankfurt School’s claims about culture and economics. Are culture industries sufficient in explaining music scene transformation? The present article attempts to explain the cultural transformation of the Philadelphia rave scene and to articulate its relevance for other kinds of social worlds. Using a multimethod ethnographic approach, I show that five forces (generational schism, commercialization, cultural otherness/deviance and self destruction, social control, and genre‐based scene fragmentation) help explain the alteration and decline of the rave scene from its high point in the mid to late 1990s to its diminished and fragmented state presently. In describing these forces, I hope to move beyond culture industry narratives toward a broader explanation of cultural change, one that is lacking not only in music scene studies, but also in literatures on many other kinds of social worlds.     

The Problem with Tragic Narratives: Lessons from the Los Angeles Uprising

This article considers the different media narratives about the 1992 Los Angeles uprising, in order to explain how the genre of tragedy became the most powerful representational form for talking about race and civil society during the 1990s. Three narrative mechanisms were used to shift discussions of race and civil society toward the tragic frame: (1) a change in temporality, (2) the rhetorical failures of politicians, and (3) the emplotment of new events into the dominant tragic narratives. Because most crises get their dramatic power from the tension between romance and tragedy, the shift to tragic discourse led to cynicism, skepticism, resignation, and inaction. The article concludes by arguing that the search for genre imbalance is an important tool for those interested in studying culture and ideology during times of crisis.     

Popular Culture,Social Identities,and Internal/External Cultural Politics: The Case of Rangers Supporters in Scottish Football

The article examines the construction of critical, resistant identities among supporters of the powerful Scottish football club, Rangers. The analysis is underpinned by two general arguments relating to identity construction: (1) the need to examine carefully the cultural politics of relatively advantaged groups within the field of popular culture and (2) the need to explore how forms of cultural resistance and contestation are focused particularly on relations within the popular culture, rather than on forms of determination by the wider societal order. The article draws heavily on substantial fieldwork with Rangers supporters in the UK and overseas. The findings highlight the complex and contingent relationships between popular culture and broader societal forces, as illustrated by the diverging arguments of Rangers fans on the legitimacy of ethno-religious and market-focused identities within football.     

The end of the world as we know it: Popular music's cultural mobility

Abstract

Popular music has moved to the centre of economic life, suggesting a shift in the political economy of advanced societies. The transition has been marked by a concomitant shift in the centrality of popular music in social life, assisted by new technologies. More importantly, the changes have been brought about by the reorganization of record company ownership and activity since the 1980s. This paper suggests that cultural studies could apply aspects of the research and analysis methods developed in institutional economics, to a study of the relationship between cultural and economic formations. Institutional economics, especially as proposed by Thorstein Veblen, provides a pragmatic critique for cultural industries in an era of globalization and rising corporate power. In this paper I have used institutional economics to illustrate how the shift in the organization of popular music has taken place within the corporate economy. The use of popular music as a feature of the corporate economy has involved the expansion of all forms of entertainment into the information economy. This convergence of activities and interests located in and around popular music is described by the term ‘cultural mobility’.     

Culture and Stigma: Popular Culture and the Case of Comic Books

This paper argues that a better articulated conception of stigma can enhance the analysis of popular culture. Beginning with the work on stigma by Erving Goffman and other scholars, the article contends that the stigma sometimes attached to the production and consumption of popular culture is distinct from the low status associated with certain forms of popular culture. Unlike low status, stigma discredits cultural forms and practitioners often rendering them problematic. This reassessment of stigma is applied and developed further through a study of comic books, showing the various ways stigma can operate in popular culture. The analysis suggests that stigma significantly impeded the evolution of the comic book as an art form, illustrating the potential negative effects of stigma in popular culture.

The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues

In this article I argue that the production of live music shares many formal properties with that of confidence games: specifically, (1) a set of structural relationships in which operators, ropers, insiders, shills and marks are enmeshed, (2) the deployment of carefully planned strategies of deception, and (3) a pattern of success owed in part to the moral and financial motivations of insiders, the willingness of the state to assist in the enterprise, and the desire among victims to be swayed by the production. Drawing on ethnographic research conducted in some of Chicago's most popular blues clubs, I examine these three components of live music production qua confidence game. I also briefly discuss how one group of participants—local blues musicians—reacts to their own performances as musicians/confidence artists. Finally, I conclude by exploring the broader implications this case suggests regarding other types of live music production.     

Musical Ties That Bind: Nostalgia,Affect, and Heritage in Festival Narratives

Affective heritage embracement, a collective narrative of nostalgia, is identified at two popular music festivals. “MusicFest” embraces a tradition of “Red Dirt” country music through performance (music festival), whereas the “Walnut Valley Festival” embraces a bluegrass/folk musical heritage through performance and participation (musicians' festival). The symbolic importance of musical interaction is explored to highlight the experienced emotionality that leads to the affective ties that bind these otherwise temporary communities. This collective narrative reveals the various functions of nostalgia wherein collective sentiment both reflects and creates the perceived authentic experiences of festival attendees.     

Commemorating Narratives of Violence: The Yitzhak Rabin Memorial Day in Israeli Schools

Based on an analysis of ceremonies in thirty Israeli schools, this article focuses on the way in which the Israeli educational system grappled with the problematic narrative of Yitzhak Rabin's assassination, a narrative that challenged the system's basic assumptions about commemorative logic. The challenge was met by playing with the narrative's multiple frames of meaning (protagonist, act, and context). Rabin's image and biography were elevated and nearly sanctified, while the assassination itself was individualized and the context in which it occurred was de-politicized and virtually bypassed. Thus, the commemoration of even a problematic narrative of political violence could be held on school premises, where it could meet the challenge of enhancing unity and proud national identity. Even events that are not heroic, even shameful, and which do not enjoy a consensus can be reframed in a consensual manner.     

Social Class,Cultural Repertoires,and Popular Culture: The Case of Film

This research examines two different conceptions of the relationship between social class and familiarity with popular culture in the United States. Specifically, it focuses on differences between members of the upper-middle class and members of the lower-middle class in terms of their film viewing practices. The data for this analysis was obtained from a survey of 364 individuals randomly selected from two neighborhoods in a medium-sized city, one predominantly upper-middle class and the other predominantly lower-middle class. Members of the upper-middle class view more art films, as well as more classic films and blockbuster films, than members of the lower-middle class. These differences are largely attributable to the fact that members of the upper-middle class view more films both in theaters and on videocassettes than members of the lower-middle class. Moreover, these differences are reduced, but not entirely eliminated, by the fact that members of the lower-middle class view more films on television than members of the upper-middle class. Finally, these differences in the film-viewing practices of the members of these two social classes, as identified by their neighborhood of residence, obtain even controlling for a series of demographic and socioeconomic background variables.     

Remaking Self After Domestic Violence: Mongolian and Australian Women's Narratives of Recovery

My feminist, narrative research comprises a cross‐cultural narrative analysis of 11 Mongolian and 11 Australian women's stories of survival, recovery and remaking of self, following intimate partner violence. With a major focus on narrative identity, the research process involved me as researcher, as well as the participants themselves, bearing witness to and reflecting on their stories. While similarities between the Mongolian and Australian stories stood out above differences, there was some evidence that the Mongolian women had moved further away from the violence and its effects than their Australian counterparts. Perhaps the cohesive nature of the Mongolian women's family supports strengthened their narrative identities, enabling their greater resilience.     

Popular Culture and Workplace Gendering among Varieties of Capitalism: Working Women and their Representation in Japanese Manga

Female empowerment is a prerequisite for a just and sustainable developed society. Being the most developed non‐western country, Japan offers an instructive window onto concerns about gender worldwide. Although overall gender equality is advancing in Japan, difficulties remain, especially in achieving equality in the workplace. We draw on theories of ontological commitment and the psychology of fiction to critically analyse the role of popular culture — in this case manga — in the reproduction of gender inequality in the Japanese workplace. We present examples of four of the most popular mainstream manga aimed at working men and women in Japan and show how women are depicted. We argue that the hyper‐mediated fictional realism of representative tropes generates an ontological commitment to characters and narratives among consumers that reinforces the reproduction of a culturally exceptionalist national political economic space, one of whose essential defining characteristics is a gendered workplace. Our research suggests important implications for researching the relationship between culture, in all its forms, and spatial variation in persistent institutional biases among varieties of capitalism.     

Precious,Pure, Uncivilised,Vulnerable: Infant Embodiment in Australian Popular Media

This article describes how infants' bodies were portrayed in a range of Australian popular media texts. Four main discourses on infant embodiment were identified: the infant as ‘precious’, ‘pure’, ‘uncivilised’ and ‘vulnerable’. While, on the one hand, infants were positioned as the most valuable and affectively appealing of humans, they were alternatively represented as uncivilised. Infant bodies were portrayed as appropriately inhabiting the domestic sphere of the home and as barely tolerated or even as excluded in the public sphere. The discussion looks at how concepts of ‘nature’, civility and Self and Otherness underpinned the identified discourses.     

Communities under fire: Empowering families and children in the aftermath of homicide

This article presents an empowerment approach to clinical services for families and children surviving homicides. Narrative theory is used to integrate child, family and community interventions. The article presents a framework for the examination of narratives and guidelines for co-constructing narratives that empower children, families and communities.     

Validation of the Individual and Community Empowerment Inventory: A Measure of Rap Music Engagement among First-Year College Students

Amid robust debates about the impact of music on the lives of young people, empirically validated measures of music engagement are absent. The present study builds on the construction of the Individual and Community Empowerment (ICE) inventory, a measure to capture different types of empowerment and different types of risk potential from rap music engagement. The scientific intent of the scale development and the present validation study was to test the simultaneous presence of empowerment and risk associated with music engagement and its application to the individual and community. A unique sample existed for the present study in comparison to the original, with the bulk of respondents being first-year college students and White. Results of the present study suggest that the ICE inventory is an effective and comparative measure of risk and empowerment. Major findings about the instrument’s utility were replicated, but results were divergent from original research on certain demographic trends with respect to gender, age, and race/ethnicity. Empowering and risky music engagement scale means were higher among male and younger respondents. White respondents had significantly lower mean scores than all other groups on empowerment scales, and African Americans had lower scores on the individual risk scale than other groups. Each result suggests the need for additional research. The validation of the ICE inventory offers promise for helping to collect, organize, and interpret new data on associations between music engagement and desirable health and well-being outcomes.     

From Prowar Soldier to Antiwar Activist: Change and Continuity in the Narratives of Political Conversion among Iraq War Veterans

This study examines conversion narratives of Iraq War military veterans who have become antiwar political activists. I examine how antiwar veterans construct and emplot prewar, wartime, and postwar narrative periods to shape and reclaim their moral identities as patriots fighting for a just cause, and how through a communal antiwar story they work to both challenge and reappropriate the rhetorical framework they associate with justifications for the invasion of Iraq. The study draws on in‐depth interviews with forty members of Iraq Veterans Against the War (IVAW). In sum, the research describes how veterans engage with dominant narratives, shape new moral identities, and transition from soldiers to political activists.     

Factors Related to Domestic Violence in Asia: The Conflict between Culture and Patriarchy

While most research on domestic violence (DV) has focused on the West, there is an increasing interest in DV in Asian countries. This article explores the extent of DV against women in areas where most of the research has been conducted, including South Asia, Southeast Asia, and East Asia. The factors associated with DV in the Asian region is explored through the Heise model that considers four levels of analysis, including personal factors, the microsystem, the exosystem, and the macrosystem. The analysis points to the importance of the patriarchal culture that is inextricably linked to culture that is resistant to change and must be addressed at a range of levels.     

The sound of liminality: MHD's afro trap,affective listening,and the (re)invention of Afropean identities in France

This article is an exploration of the world making capacities of afro trap. Through an extended case study of MHD's discography, I ask what can be learnt about the liminal experiences of postcolonial black citizens, or Afropean citizens, in France, by listening to popular music. I argue that through embracing, reinventing, and (re)producing familiar Afropean soundscapes, MHD claims and creates from his liminal subject position. Going against the assumption that Frenchness and blackness are always mutually exclusive and in tension, this music sonically proposes a way of being otherwise in France, stemming from this liminality. I see in what I call ‘the sound of liminality’ an instance of ‘queering ethnicity,’ one which channels the affective capacities of sound. I propose affective listening as a method that, incorporating autoethnography to consider critical listening positionality, facilitates a renewed attention to sound as an object of sociological inquiry.