Theory: The Plague of the Subject: Psychoanalysis and Judith Butler's Psychic Life of Power

In her book The Psychic Life of Power, Judith Butler explores the relation between power and subjectivity. The Psychic Life of Power presents a political account of the formation of the subject. For Butler, psychoanalysis is a crucial theoretical tool for providing such an account of the subject. This essay considers Butler's Foucauldian rereading of psychoanalytic theory through an analysis of her theory of the formation of the subject. In particular, the essay examines Butler's appropriation of psychoanalysis for her theory of subjectivity. The author argues that while Butler's theorising of the psychic life of power represents an important linking of Foucauldian and psychoanalytic theories, nevertheless, her use of psychoanalysis does not fully engage with the complexity of its theory of the subject nor with the implications of that theory for her political project.     

Renaissance Body Matters: Judith Butler and the Sex That Is One

This essay explores the impact of Judith Butler's work on the study of gender in Renaissance England. Theatre, in particular, has proved a productive site for New Historicist readers of the Renaissance in recent years. It has been argued that Renaissance theatre, and its opponents, called attention to the possibility that gender was a performative, rather than ontological state. This has been further influenced by Thomas Laqueur's formulation of the one-sex body. Feminist critics, however, have also pointed out other cultural sites where the reverse occurs: where gender is both naturalized and binary. Taking female witches as an example, this essay explores the possible readings opened up by Judith Butler's observations about the performativity of gender, particularly in terms of the framework for thinking about Renaissance practices of theatricality and cross-dressing, which can be drawn from Butler's Gender Trouble, and the framework, offered by her Bodies that Matter, for problematising those notions and, potentially, for negotiating the relationship between performativity and constraint in Renaissance models of gender.     

When All That Is Solid Melts Into Language: Judith Butler and the Question of Matter

Judith Butler's analysis of corporeal matters offers an exemplary account of the hidden political agenda within the very grain of representation and discourse. This essay, however, argues that language and its political implications are even more complex and curious than Butler concedes. The author contests the conflation of writing with Culture, as if Culture is the constitutive and enclosed space of productivity and transformation. She argues that the question of Nature has not been provoked in Butler's analysis but answered and dismissed much too quickly. The author extends the problematic of writing to biology and suggests that Nature is literate.     

Wherein Lie the “Secrets of Life”?: An Argument Against Biological Essentialism

There is a very strong trend in American culture to impute fixed, stable, and universal properties to a wide range of behaviors and conditions, thereby essentializing their qualities and locating them within nature. Both persons with disabilities and queers have been designated as nature's deviants. The author explores parallels and points of divergence in the responses of both disability rights and queer rights activism and scholarship to this assigned classification. She further illuminates this exploration by drawing upon insights derived from growing up with a congenital disability. As a child, the author felt that her body was a text composed, crafted, and edited by those who had the power to manipulate it. Recently, she entered a lesbian relationship, and together she and her partner planned a commitment ceremony that allowed her to reclaim her own body, because the body of the text that ensued was one of their own creation.     

“Come, Join Our Family”: Discipline and Integration in Corporate Organizational Culture

This article critically examines primaryprocesses and effects of the so-called neworganizational culture that is organized on theprinciples and practices of Total Quality Management(and its variations) and increasingly practiced incorporate organizations in the 1990s. The paperspecifically analyzes the effects of the organizationalcultural practices of family and"team" on the employee and discusses their role incorporate discipline, integration, and control. Data aredrawn from field research conducted in a largemultinational corporation and the analyses andinterpretive propositions are informed by a critical socialpsychoanalytic perspective. The paper disputes theconventional view that the practices of the "newculture" and its purported reform of thehierarchical, specialized, conflict-ridden workplaces oftraditional industrial organizationsempower employees and providemeaningful relationships in the workplace.It is argued, on the contrary, that these new designer culturalpractices serve as processes of regulation, discipline,and control of employee subject selves.     

The elusiveness of identity in social work practice with women: A postmodern feminist perspective

During the 1980s, feminist literature proposed the existence of a silent, tongue-tied, different woman who craves to exercise her own voice. The more recent postmodern feminism raises questions about the existence of woman, self, and identity as categories, promoting instead the idea of multiple selves and multiple identities. This article visits the concept of identity and its partner self in psychological, feminist, and postmodern feminist literature and discusses why self/identity is problematic for women. An alternative narrative identity is proposed with narrative identity reconstruction integrated into clinical social work practice with women. A narrative excerpt from an interview illustrates the process.Based on a paper presented at a program jointly sponsored by Loyola University of Chicago School of Social Work and The Institute for Clinical Social Work, May 19, 1995, Chicago, Illinois.     

The Nomothetic-Idiographic Issue: Some Roots and Recent Trends

A review of the history of the nomothetic-idiographic issue suggests that the problem of the uniqueness of the individual is secondary in this context to that of the right approach to the study of the human person. Idiographic approaches emphasize the need for an unmutilated conceptualization of psychological processes. The requirements of this unmutilated kind of research need to be integrated with those of nomothetic science asking for the controlled gaining and analyzing of information regarding psychological processes. One form of such a kind of integration is represented by biographical studies based on semistructured interviews and a systematic qualitative and quantitative analysis of their contents. Findings from such research as especially related to developmental and personality psychology are reported here by summarizing a series of studies conducted at the University of Bonn.     

The treatment of bulimia from a self psychological perspective

This paper examines concepts from self psychology which contribute to the understanding of bulimia. A case example from the author's work illustrates the significance of the sense of self both in the development of bulimic symptoms and also in the therapeutic process. Painful feelings of shame and humiliation over who and what one is are often part of the bulimic experience. The author suggests that therapist's role is not so much to change the bulimic person, but to accept and understand who the person is and how he or she came to be that way. Change often follows such understanding.     

Social Class,Cultural Repertoires,and Popular Culture: The Case of Film

This research examines two different conceptions of the relationship between social class and familiarity with popular culture in the United States. Specifically, it focuses on differences between members of the upper-middle class and members of the lower-middle class in terms of their film viewing practices. The data for this analysis was obtained from a survey of 364 individuals randomly selected from two neighborhoods in a medium-sized city, one predominantly upper-middle class and the other predominantly lower-middle class. Members of the upper-middle class view more art films, as well as more classic films and blockbuster films, than members of the lower-middle class. These differences are largely attributable to the fact that members of the upper-middle class view more films both in theaters and on videocassettes than members of the lower-middle class. Moreover, these differences are reduced, but not entirely eliminated, by the fact that members of the lower-middle class view more films on television than members of the upper-middle class. Finally, these differences in the film-viewing practices of the members of these two social classes, as identified by their neighborhood of residence, obtain even controlling for a series of demographic and socioeconomic background variables.     

Making Minorities: Cultural Space,Stigma Transformation Frames,and the Categorical Status Claims of Deaf,Gay, and White Supremacist Activists in Late Twentieth Century America

This article compares the efforts of movement activists in three dissimilar groups to replace a stigmatized status with a valued one by portraying their groups as resembling established minorities (claims of contiguity in cultural space) and as differing from groups stigmatized as deviant (claims of distance). The most common claims assert similarity to African Americans, and frequently incorporate civil rights themes (exemplifying frame diffusion). Tactically, these minority status claims exploit both the resonance of cultural pluralism and state recognition of minorities. Strategically, minority status framing enables stigmatized groups to claim legitimacy without changing — simultaneously asserting both normality and difference.     

The Use of Coercion in the Treatment of Incarcerated Juveniles Adjudicated on Sexual Offenses: Consequences and Implications

Since the inception of specialized treatment for juveniles accused of and adjudicated on sexual offenses (JASOs), denial has been an organizing principle. Most clinicians believe that breaking through denial is a necessary prerequisite for successful treatment. Unfortunately, there is little empirical evidence to support this claim. Further, when admitting to one's sexually offensive behavior in treatment becomes paramount, the risk that other therapeutic issues are missed or ignored increases. This article calls attention to the dangers of coercion, in its varied forms, when attempting to get youth to take responsibility for their sexually offensive behavior. Based on interviews with 40 incarcerated JASOs, the author suggests that using presumptive realities as an organizing principle rather than denial, helps to focus treatment providers on their role in the therapeutic process. In using presumptive realities the JASO's story or interpretation of the abuse event is considered therapeutically relevant and reflective of the context in which treatment occurs.     

A token of loving: From melancholia to mourning

This paper explores the work of mourning for what was missing in childhood. Specifically, it addresses patients who did not have good enough parents and who present in treatment in a state of melancholy or despair. The paper delineates phases of the treatment process and highlights Winnicott's token of loving as the vehicle of healing in the therapeutic relationship. Through dreams and case material the paper illustrates the process of recovery.     

Snarls,Quacks, and Quarrels: Culture and Structure in Political Process Theory

Political process theories of social movements have relied on a set of oppositions between culture and structure that has limited their capacity to capture the supraindividual, durable, and constraining dimensions of culture. The solution is not to abandon an emphasis on objective political structures in favor of potential insurgents' subjective perceptions of political opportunities, but rather to probe the (objective) resources and constraints generated by the cultural dimensions of political structures. Such a perspective would pay closer attention to the cultural traditions, ideological principles, institutional memories, and political taboos that create and limit political opportunities; and would link the master frames that animate protest to dominant political structures and processes.     

Courage in the Telling: The Critical Rise and Fall of David Leavitt

Openly gay American fiction writer David Leavitt, who had received positive reviews for his previous novels and short story collections, was sued in 1993 over his novel While England Sleeps by English poet Stephen Spender, who claimed that Leavitt plagiarized an episode from his own 1951 memoir World Within World, and grafted pornographic fantasies onto his biography. The accusations created a homophobic backlash against Leavitt, whose career has yet to recover fully. The result is that Leavitt, who had once been viewed as the one gay writer to find a footing in the mainstream literary community, is now firmly positioned in the gay literary subgenre and his work categorized as such. This essay examines book reviews in order to illustrate the difficulties that a writer who deals with gay life frankly and unapologetically finds in being accepted by the mainstream literary establishment, no matter how normal or assimilationist he or others might perceive his work to be.     

Aesthetic Identity,Race, and American Folk Music

This article uses the concept of aesthetic identity to interrogate the relationship among musical genres, social movements and racial identity. American folk music has at some times subverted and other times reinforced the categorical boundaries between blacks and whites in twentieth-century United States. Aesthetic identity is the cultural alignment of artistic genres to social groups by which groups come to feel that genres represent our or their art, music, and literature. Genre boundaries then become social boundaries. Folk music inverts the usual relationship of genre and social boundaries. Folk music is always the culture of some other, either racial, regional, class, or national. Before it was called folk music, American vernacular music was much more racially integrated than the society around it, creolized across a spectrum from predominantly European to predominantly African- influenced, but with most exhibiting both. Before the era of commercial recording, black and white musicians sang the same music, learned techniques and songs from each other, and shared a social world of performance. The concept of folk music was created by academic elites, but remained unfamiliar to most people until the organized left took it on as a cultural project in the late 1930s and 1940s. Both academic elites and political activists constructed the genre as an alternative to the racialized genres that the commercial recording industry had dubbed race records and hillbilly music. American communists and their allies were especially self-conscious about using folk music as an instrument of racial solidarity in a particularly racially polarized era. Submerged by McCarthyism until the 1960s, folk music was revived as a racially unified genre, but quickly became whitened. My explanation for why the folk revival was so white revolves around three factors: the continuing legacy of commercial racial categories, the failure of the New Left to control music through a cultural infrastructure as effectively as had the old left, and the cultural momentum of an understanding of folk music as the music of the other at a time when blacks were trying to enter a system that white middle-class youth were rejecting.     

Re-Figuring Marked Bodies on the Borders: Breast Cancer and “Femininity”

The author discusses writings by Eve Kosofsky Sedgwick, Kathleen Martindale, Audre Lorde, and Barbara Rosenblum on their experiences with breast cancer, and explores their articulations of the impact mastectomy has had on their sense of femininity in relation to their own identities and body images, and in relation to cultural expectations, and how others perceive them. Their identification of the body as socially produced, and as a site of contestation and multiple struggles, offers a strategic site from which to engage with the violent gender-inflected notion of the ideal female body. Themes addressed include: the process of writing embodied experience to make it real, the body's role in the process of identity formation, the culturally constructed significance of appearance to the individual's sense of femininity, the value of the female body in a capitalistic society, and heterosexism in society and in the health care system.     

Masculinity and Visual Representation: A Butlerian Approach to Dirk Bogarde

Judith Butler's work allows for a liberating consideration of the formulation of gender by foregrounding its socially constructed nature and historical specificity. In this essay, the author discusses how the theoretical analysis of gender constructed by Butler in foundational works such as Gender Trouble: Feminism and the Subversion of Identity can be applied to the study of gender outside of feminist/queer discourses and, in particular, to visual representations of masculinity such as those produced in popular cinema. The author extrapolates three central methodological strands from Butler's work: the transient nature of gender identification; the need to place constructions of gender within a specific historical context; and a consideration of the role of fantasy or masquerade as it relates to the expression of socially-repressed desires and in its function within the production of representations of masculinity. The author applies these approaches in turn to a case study analysis of the British film star, Dirk Bogarde. The author demonstrates how theory such as Butler's can be used to provide both a sound theoretical and methodological basis for developing a practical form of film analysis, and as a means to problematise the concept of traditional male identity.     

The development of a capacity for concern in antisocial children: Winnicott's concept of human relatedness

Winnicott's refreshing view of clinical practice includes the unique notion that delinquency is a sign of hope. Several of Winnicott's interpersonal concepts fit together to develop this thought: holding environment, capacity for concern, the use of the object, and hate in the counter transference. In this paper these four concepts are described and the case of a ten-year-old antisocial youngster is used to illustrate Winnicott's thinking and tie some of his illusive ideas into a difficult but familiar kind of practice situation. The therapeutic approach used was a mixture of case management and play therapy. What is different however is the way in which the therapist interpreted the youngster's behavior and stimulated his rich fantasy life.     

Gift Giving, Identity, and Transformation: The AIDS Memorial Quilt

Those who have originated the AIDS Memorial Quilt have often referred to it as a gift. In this essay, the author discusses theories related to gift giving to discuss the quilt and its constructed effects for those who experience it as a gift. In particular, Weiner's notion of inalienable possessions is highlighted to address how the quilt, as a gift that is kept inalienable from its original creators, maintains historical identity and immortality for its originators, many of whom are gay and bisexual men. Also, Hyde's notion of erotic gifts is presented to consider the quilt's ability to draw people together, create feeling-bonds among them, and affect their transformation.     

Paradigm Warriors: Regress and Progress in the Study of Contentious Politics

Paradigm warfare is a well-worn way of engaging in the polemics of research, but it frequently reduces paradigms to caricatures and turns complex reports of empirical research into cartoons. This is illustrated by two one-sided accounts of the Chiapas rebellion: one based on a simplistic political opportunity cartoon and the other on a foreshortened culturalist one. Reducing the many-sided (and in some ways ambiguous) approaches of the political process model to a supposedly hegemonic paradigm neglects many substantive contributions and cuts with too broad a stroke at social movements while ignoring the many-branched contributions of research and theory on contentious politics.