Identifying the death gender -- the ghost of masochism in queer subject

This article re-assesses the theories of death, narcissism and identification from a selection of essays by Sigmund Freud and Jacques Lacan in order to demonstrate that gender is generated out of masochism and the 'death drive' (Todestrieb). In closely reading and amending key sections of Judith Butler's queer theories, the author argues against her Foucaltian claim that the queer subject is constituted in the face of a sadistic Law, which s/he is forced to eroticise and internalise, and therefore conflate with her/his own masochism. It is argued that the subject's masochism is a queer attempt not to be; to bridge the constitutional split enforced by the Lacanian idea of the assumption of subjectivity through misidentification, and to become a living mortuary for the (dead) identifications that found the subject on his/her illusory ground through the (contingent) foreclosure of the Other.     

"Beautiful publicity": an introduction to queer Asian film

With a few seemingly apolitical exceptions, openly queer cinemas have generally charted two opposing courses-a propagandistic search for bourgeois acceptance or a radical challenge to sexual hegemony. Yet even the most politically challenging of queer films, for example those of Pasolini, are nevertheless distributed and disseminated through the heteronormative and hegemonically capitalist means they philosophically oppose. This essay thus takes as its texts two low-budget gay male Japanese films of the 1980s, which have been made available on international home video, as opposing examples of politicoeconomic allegories enacted within the self-reflexive contexts of queer cinema and gay male political history. Taken together, the two films present an interlocking example of how Asian queer films both engage and refute "Eastern" and "Western" conceptions of homosexuality and sexual politics in general.     

The (temporary?) queering of Japanese TV

One of the primary texts of the "out" queer cinema of Japan is the television serial D s kai, first aired in 1993. Unlike Western television shows positing queer characters, D s kai presents its gay characters without apology or excuses, and as leads rather than as colorful appendages. At the same time, however, the show filters gay eroticism through the (hetero)normative mode of serial melodrama, at once pushing the boundaries of national permissiveness while normalizing and homogenizing homosexuality by rendering it within a conventional form.     

Truth or Dare

The performative identities of both Black and queer characters in film have been noted by academics in “Black queer diasporic theory” (Rinaldo Walcott) and artists such as Cheryl Dunye and Isaac Julien, with particular focus on the ways in which these identities have been constructed from both within and outside of their respective communities. Australian Indigenous and lesbian filmmaker Sonja Dare took the discourse one step further, however, in her 2007 release Destiny in Alice, a twenty-seven-minute mockumentary film which parodies a David Attenborough-style search for the rare “desert lesbian” of Alice Springs in Australia's outback. Her film actively pursues the intersection of cultural and sexual expressiveness and suppression, interrogates notions of belonging and exclusion within these communities, and challenges marginalisations of all subaltern identities in the evolving criticality of performing race, sex and gender in modernity.     

Ferment in LGBT studies and queer theory: personal ruminations on contested terrain

The tensions between queer and gay rights theorists, not surprisingly, have grown as queer theory has developed and matured. In this self-reflexive essay, the "contested terrain" between these distinct perspectives is explored, particularly within the discipline of communication studies. The assumptions of queer theory are summarized briefly, and the author takes an autoethnographic approach to demonstrate the constant interplay between lived experience and the basic assumptions of queer theory. The author challenges both LGBT theorists and queer theorists to always consider the implications of their theories and practices.     

Flexible Queers,Serious Bodies: Transgender Inclusion in Queer Spaces

Queer spaces are significant for understanding transgender inclusion as “queer spaces were places where individuals were expected to be attentive to or aware of alternative possibilities for being, including non-normative formulations of bodies, genders, desires and practices” (Nash, 2011 Nash, C. J. 2011. Trans experiences in lesbian and queer space. Canadian Geographer/Le Géographe Canadien, 55: 192–207. [Crossref], [Web of Science ®] , [Google Scholar], p. 203). Indeed, in this interview study of members of a queer leather group called the Club, members described a flexible “sexual landscape” that easily includes transgender members. However, these same queer spaces have been criticized for the way they regulate queer bodies and organize queer subjectivities. In this study, queer members of the Club also contrasted playful queer flexibility with serious transgender bodies. This article argues that, although there is a reiterative relation between transgender inclusion and queer spaces, the idealization of flexibility within queer spaces can also serve to marginalize and regulate transgender bodies.     

Outlaws or in-laws? Queer theory, LGBT studies, and religious studies

Many queer theorists, like many queer activists and perhaps many LGBT people in general, regard religion as so inimical to their purposes and lives that it is not even worthy of critique; references to religion in queer theory, queer studies, and even LGBT studies are usually sparse, brief, and generally derogatory. Likewise, within most of the field of religious studies, queerness is rarely an issue of concern or even consciousness except in the context of organizational tensions over the proper roles of "homosexuals." While there is a growing body of work that brings these two fields together, the study of religion seems to be adapting only haltingly and partially to contemporary developments inLGBTstudies and queer theory. This essay assesses the current state of the "proto-fields" of LGBT studies and queer studies in religion, offers suggestions for new directions in the future, and considers the potential benefits of the interaction of these fields.     

Patriarchy,Power, and Female Masculinity

ABSTRACT

This article examines the place of “butch” within the women's movement. The political potentials of butch in both her refusal of patriarchal constructs of femininity and her transmutation of masculinity will be explored. It will be argued that the butch lesbian threatens male power by severing the naturalized connection between masculinity and male bodies, by causing masculinity to appear “queer,” and by usurping men's roles. However, for “butch” to truly have feminist potential, it also needs to be accompanied by a feminist awareness and a rejection of aspects of masculinity that are oppressive to women. Hence, “butch feminist” need not be an oxymoron, but a strategy for challenging male domination and power.     

Disciplining "Sextext": queers, fears, and communication studies

This essay is a critical interrogation of disciplinary responses to Tom Nakayama and Fred Corey's 1997 Text and Performance Quarterly essay, "Sextext." Disciplinary responses to the essay suggest strong resistance to queer theory as a "legitimate" intellectual and critical framework. By reading the responses to "Sextext" through the lens of queer theory, and by offering a political reading of conventional studies of sexual representation, this essay suggests how disciplinary boundaries in Communication Studies are policed to protect the production of "legitimate" scholarship. By revealing these practices, this essay provides further support for the central value of queer theory to the discipline of Communication Studies.     

Containing uncertainty: sexual values and citizenship

This essay reflects on one dimension of the challenge of being a queer ethicist. Can we have norms/values without liberal assumptions that might undo the important contributions of queer theory? The reemergence of appeals to "citizenship" in lbgt and queer debates serves as illustrations of this question. Reading Weeks's Invented Moralities: Sexual Values in an Age of Uncertainty(1995), while considering various scholars who have engaged the issue of sexual citizenship since, enables me to illustrate some of the issues that emerge around ethics and queerness at this particular moment. My argument is that attempts to offer constructive ethical engagement in the end often contain challenges rather than successfully address them. Critically examining Weeks's intervention into what he sees as our "loss" of moral authority and ethical concerns to the right wing is helpful for queer ethical conversations that consider available theoretical and philosophical models of claiming citizenship as a way of claiming values in uncertain times. Weeks (1995; 1998), Richardson (2000), Bell and Binnie (2000), and Phelan (2001) provides helpful guides to the struggle with tensions that faces us in lbgt/queer debates of citizenship.     

Queer (in)frequencies: SiriusXM’s OutQ and the limits of queer listening publics

On February 23, 2016, OutQ, the nation’s only LGBT-focused satellite radio station, ceased broadcasting. This essay theorizes a queer listening public as intentionally imagined as such and concomitantly taken up as a queer listening public by queers. It utilizes in-depth interviews with OutQ founder John McMullen, and OutQ show hosts Frank DeCaro, Romaine Patterson, and Michelangelo Signorile, as well as posts from Facebook Fan Pages, to explore the ways OutQ was both imagined and functioned as a queer listening public. Using the interview data, the essay argues that a queer listening public functions in three ways. First, it creates a specifically queer space for queer listeners, almost at the exclusion of heterosexual listeners. Second, it creates a queer affective community where events important to LGBT citizens can be “felt” in a communal, mediated space. Third, a queer listening public seeks to create a national/transnational queer listening public for geographically isolated queers. Additionally, this essay argues that in the cessation of OutQ, SiriusXM practiced what I call queer dispersal, a term deployed to describe the ways marketable aspects of queer life, like entertainment and music, are dispersed and hegemonically incorporated into mainstream media properties.     

Queering Bollywood: alternative sexualities in popular Indian cinema

In this essay, I demonstrate through numerous examples taken from four identifiable Hindi film subgenres queer themes which, though nontransgressive in their native Indian context, acquire subversive value and serve as queer points of identification when viewed from a non-nationalist bias. Watching particular films with this "queer diasporic viewing practive," sex/gender play which is normative (yet still coded) in the land of the films' production can be reclaimed as queer through the differently subjective lens of transnational spectatorship, a lens removed from patriarchy, sexism, and homophobia. This particularly becomes apparent in the Bollywood dance sequence-the frequent site of Hindi sex/gender play-whose coded queer desires are much easier to de-code (or re-code) when in the diaspora.     

Jewish disappearing acts and the construction of gender

In this essay I propose to investigate the interarticulation of race/ethnicity and gender at two fin de siècle moments: the conceptualization of the Oedipus complex at the turn of the twentieth century and the conceptualization of gender as performative in contemporary queer theory. Though these gender constructions contrast strikingly with one another-queer theory opposes and calls into question the heteronormativity of the Oedipal itinerary-both theories are produced through the displacement of racial/ethnic difference onto sexual and gender difference. One line of investigation in this essay is to relate their difference to the distinct situations of ethnic in-betweenness in which they were produced. Freud's situation as a Jew undergoing assimilation to Western European customs has been compared to that of the post-colonial subject. Judith Butler's and Eve Kosofsky Sedgwick's theories of queer performativity have been located in a post-assimilationist situation in the U.S. of the 1990s. At both moments a doubling takes place but with a radical shift in perspective. Whereas the post-colonial subject undergoes a psychic splitting in which the point of view of the colonizer predominates and promotes assimilation via mimicry, the post-assimilation subject performatively constructs difference, often by a reverse mimicry that involves identification with a subaltern group. Finally, in both situations the notion of "queer incoherence" is deployed not to negate gay and lesbian specificity, but rather to articulate such specificity as historically emergent, on the verge of definition.     

Staging gender and sexuality in experimental TV entertainment

Via examples from recent Norwegian experimental TV shows, this article explores the function of "eye-catchers," parodic (hetero)sexualization, female masquerade and neo-masculinization as strategies for "repetitions with a difference" of traditional styles and motifs by female show hosts, as well as the queer gendering and sexualization of men and masculinities by their male counterparts. Both formats represent innovative renegotiations of gender and sexuality that illustrate the relationship between post-modernism and queer aesthetics.     

Heterosexuals' use of "fag" and "queer" to deride one another: a contributor to heterosexism and stigma

This paper is on heterosexuals' use of words such as "fag" and "queer" to refer to one another in an insulting manner. This behavior perpetuates heterosexism and the stigmatization of gays. Two hundred and fifty-seven university students (73% Euro-American) served as participants. Males exhibited more anti-gay prejudice and anti-gay behavior than females. Heterosexual males frequently used words such as "fag" and "queer" to put one another down. Anti-homosexual prejudice was predictive of anti-gay behavior. However, approximately half of those who engaged in the behavior were not strongly anti-homosexual. For these individuals, the behavior may win approval from their social group. Awareness campaigns and peer reminders that the derisive use of "fag" and "queer" harms homosexuals may be effective in changing this group. It is more difficult to reduce this behavior in individuals with strong anti-homosexual attitudes. The role of individuals and educational and work organizations in bringing about change is discussed.     

Three Poetry Books

In this article, I argue that Richard Matheson's (1954) vampire novella, I Am Legend, encodes the protagonist's, Robert Neville, traumatic recognition of his queer sexuality in its monstrosity (the unspeakability of male penetrability). Neville's identification with and desire for his undead neighbor, Ben Cortman, are symbolically codified through three different registers: intertextual references to vampiric conventions and codes, the semiotics of queer subculture, and a structure of doubling that links Neville to the queer vampire. Although Neville avoids encountering his unspeakable queer desire, which could be represented only at the level of the Lacanian Real, he must still confront Cortman's obsessive exhortations for him to come out. Only when he symbolically codifies his abnormality in its own monstrosity, by viewing himself through mutant vampires' eyes, can Neville reconfigure the ethical relationship between self and other, humans and mutant humans-vampires. However progressive Matheson's novella is in its advocacy of minority sexual rights, it still renders capitalism's problematic relationship with queer subjectivity invisible. Although capitalism overdetermines every aspect of the social field and makes Neville's daily life possible in its surplus enjoyment, the fundamental antagonism (class struggle) in capitalism is obscured by the assertion of identity politics.     

Getting out in the "real world": young men, queer and theories of gay community

A recent opinion piece published in the Sydney Morning Herald expresses a widely held perception that, among young same-sex attracted men in Australia, "queer" has well and truly supplanted "gay" as the language and lens through which self and practice is generated. In this article, I discuss findings from a qualitative research project that studied notions of community among young gay men, and argue that this assumption should not be taken for granted. The article explores participants' understandings of the concept of "gay community," arguing that the young men studied share a common definition of community: one based on a conventional liberal model which prioritizes sameness and the cooperation of individuals to achieve common goals. This is of particular importance in that problems around "fitting in" with these understandings are also raised. In examining the potential place for queer alternatives to these formulations, however, the article finds that queer attracts little support among participants, raising questions about the bind young men may find themselves in if they prioritize sameness as fundamental to community, yet feel themselves to be excluded from community by their own or others' perceived difference.     

“Still Raped Over Here”: Gay Male Femininity and the Rewards of Camp Ambivalence in Richard Day’s Girls Will Be Girls

ABSTRACT

Girls Will Be Girls (GWBG) delivers a substantive queer-feminist critique of heteronormative animus toward women and gay men through jokes that weaponize that animus for insurgent purposes. The film’s rape and abortion jokes showcase the provocative notion that negative representations of femininity might be wielded strategically and, in fact, more resonantly because they resist recuperation by marginalizing normative hierarchies. GBWG’s enactment of gay male femininity deploys queer dissidence by ameliorating pain through mockery while emphasizing the costs of heteronormative and patriarchal inflictions. This essay offers a test case for a queer feminist politics—one that, without discarding the imperatives for and rewards of more materially grounded political work, mines the critical as well as affective affordances of rage, mockery, and indignity against heteronormativity’s arbitrary but still formidable injunctions. A queer feminist reading of camp denaturalizes heteronormativity with a potency that queer theory and feminist theory might harness yet more effectually in less divided collaboration.     

Queering Ethnicity in the First Gay Films From Ex-Yugoslavia

Between 2002 and 2005 four of the Yugoslav successor states produced major feature films with lesbian or gay protagonists: Maja Weiss's Guardian of the Frontier (Slovenia, 2002), Dalibor Matani?'s Fine Dead Girls (Croatia, 2002), Dragan Marinkovi?'s Take a Deep Breath (Serbia, 2004), and Ahmed Imamovi?'s Go West (Bosnia and Hercegovina, 2005). As with other films from Eastern Europe that portray queer characters, all of these films were shot by straight directors, and the queer characters are not representations of real local queer communities, but instead are used as metaphors to address topics the filmmakers find more important, such as ethnicity and national identity. The ethnic hatreds that fueled the wars of the 1990s were mobilized through the heterosexual matrix. In these films anxieties about ethnicity are worked out through plots involving queer sexuality, though they work differently for male and female couples: female bodies can be conventionally objectified by the heterosexual male gaze, while male couples become the focus for anxieties about male rape.     

#Free_CeCe: the material convergence of social media activism

In 2011 CeCe McDonald, an African-American transgender woman, was charged with murder for killing her attacker during a racist and transphobic assault in Minneapolis. After McDonald’s arrest, local queer communities organized an astounding level of support. This article examines the CeCe Support Committee as a case study for effective grassroots organizing that is fueled by and increasingly reliant upon social media for advancing social justice. An ethnographic approach reveals how the success of the Committee’s social media activism largely depended on traditional activist strategies. Because the group’s activism was based on unpaid labor and supported by numerous physical protests, the use of social media platforms enabled the Support Committee to challenge news media’s racialized framing of McDonald’s gender non-conformity as deceiving and threatening and exposed the state-sanctioned violence enacted against her. Therefore, I contend that the transformative political potential of social media activism is only possible when sustained by coordinated, “on-the-ground” activism offline. Moreover, this case study illustrates that intersecting oppressions do not simply disappear in online activism, but that those oppressions—particularly the centrality of whiteness in organizing—continue to constrain the actual material achievements of social media activism. For the CeCe Support Committee the convergence of on- and offline activism resulted in a raised public consciousness about the disposability of transgender lives, turning a national spotlight on the violence transgender people face.