A strange tale

We are going through such challenging times that dealing with reality is sometimes easier through fiction. Therefore, we tell the tale of a faraway land where poor women — mostly black — who make a living as domestic servants are particularly impacted by the COVID‐19 pandemic. Their abject bodies are part of a form of necropolitics that separates those who must live from those who can die. Their bodies do not matter, as they are perceived as mere working tools. And what sounds like a strange tale is the true reality of millions of women during the pandemic, in a land that is not so far away as it seems.     

Narcissism and abject aesthetics

In this article, we explore the tendency of a number of television and art shows to challenge the usual cosmetic surgery industry’s focus on the before and after images and instead bring to central stage the time of surgery itself, when the body is immobilized, cut open and remoulded. In this context, we refer to the television series Nip/Tuck and also to the art shows of Jonathan Yeo’ You’re Only Young Twice and Anthony C. Berlet’s I Am Art: An Expression of the Visual & Artistic Process of Plastic Surgery. What these television series and art shows have in common is an interest in what we call abject aesthetics, in which the anesthetized, immobile (docile) bodies are fully exposed to the viewer’s gaze as they are cut open to allow intrusion of blood into the diegetic space, creating a breakdown of bodily borders as faces and bodies are opened up and skin is pulled from side to side. We argue that the manifested and enjoyed aggressivity towards bodies is an expression of an increased level of social narcissism, which besides producing an obsession with (adulation for) an ideal body image it simultaneously fosters a strong feeling of aggressivity towards the very ideal, hence the creation in fantasy of scenarios in which the overly restrictive and deadening ideal is torn apart to reveal its abject underside. Finally, we explore the workings of this economy of revealing and concealing, by foregrounding the concept of the abject and by staging an encounter with the grotesque in order to offer a critical perspective on the beauty ideal.     

Military Invasion and Women's Political Representation

The bodies produced by the violent practice of suicide bombing are a source of horror and disgust. They are, in feminist psychoanalyst Julia Kristeva's concept, abject: that which defies borders and is expelled to create the self. As ‘abject bodies’, suicide bombers' bodies frustrate attempts at calculation and rational control of security risks, and, in their mutilated flesh, expose as unstable the idea of the body as a whole with clearly defined boundaries between inside and outside. Female suicide bombers, whose bodies are already considered ‘abject’, produce a politics of the body that exceeds narratives of victimhood, and whose very monstrosity symbolically threatens the foundations of the nation-state. Attempts at constructing subjects out of the mutilated bodily remains of victims and perpetrators of suicide bombings are key practices in the production of the state and gendered subjects. The practice of suicide bombing and efforts to recover and resignify bodies reveals how power molds and constitutes the border of the body and state simultaneously. The explosive body of the suicide bomber thus has destabilizing effects beyond the motivations of its perpetrators and exposes the political work necessary to maintain the illusion of secure, bounded bodies and states.     

Discourse, interaction, and testimony: The making of selves in the U.S. Protestant dispute over homosexuality

Ethnography helps to elaborate Foucault's conception of power at work to produce subjects through micro-level interactions. I examine interactions among Protestants as they discuss homosexuality in two sites, an ex-gay movement seminar and a pro-gay liberal congregation. In two opposed groups, the genre of testimony produced an authentic-seeming truth, working performatively to produce group boundaries, to legitimate authority and hierarchies in the group, and to tacitly define certain categories as abject, unlivable. That groups can produce this effect in spite of their intentions illustrates how certain forms of social power inhere in language and work through everyday talk.     

Discarded Histories and Queer Affects in Anne Carson’s Autobiography of Red

This article takes up Anne Carson’s Autobiography of Red (1998) as an allegory for the discarded history of queerness. The novel in verse rewrites the Greek myth of Herakles (Hercules) and the red-winged monster Geryon as a queer love story. In Carson’s rendition, Herakles is not a colonizer who murders Geryon to seize his red cattle but a lover who steals and breaks his fragile heart. Born hybrid in a modern-day context, Geryon struggles with narrating his life in words and instead takes pictures.

By asking us to pay attention to history’s queer affective traces, Carson invites us to think about how bodies become discarded social monsters and how monsters must learn to live in their bodies. She turns our attention to the traumas and their affects that render the activities of subjectivity unpredictable and undecipherable. In Autobiography of Red, “queer” is not simply sexual orientation but the abject perversions of difference, not easily nameable. Without the familiar registers of identity, we are invited to witness and to be touched by Geryon’s life through his photo-autobiography, which captures the affect of experience, otherwise lost to the foreclosures of time.     

Labiaplasty and the Melancholic Breast

This article is an attempt to think through the sociosymbolic dimensions of the phenomenon of nonmedical or cosmetic surgical reduction of the labia minora, an interventionist medical practice that is gaining currency in the contemporary Western context. The article seeks to navigate the symbolic meaning of labial excision in the contemporary Western “postfeminist” context. I suggest that the desire for labiaplasty is embedded in a dialectical narrative of femininity that draws upon a specifically postfeminist distinction between desirable sexuality and undesirable maternity. I use the Kleinian theory of melancholic loss to argue that the contemporary desire for labiaplasty is indicative of a failure of mourning and the inability to establish the maternal breast as a good internal object in the psychosocial formation of the feminine body-ego. I argue that because the mother’s breast cannot be legitimately mourned, the female body is compelled to abject its reproductive, animal materiality.     

Let People Be People: Everyday Substance Use in a Public Work Site

This article complicates the prevailing portrait of substance use as being incompatible with work. Drawing on in-depth ethnographic data of one informal economic zone collected over a four-year period between January 2010 and January 2014, I expose the daily interactions through which substance use becomes compatible with work and the mechanisms by which drug and alcohol use become embedded in the local ecology of a public work site. To capture the ways in which people link their substance use to their experience of work, I utilize three concepts—taking a break, maintaining a cycle, and tipping the balance—each of which is suggestive of different patterned relationships between substance use and work in public. Data indicate that people link their substance use to their work in different ways and with different consequences and that each of these patterned relationships becomes an interrelated part of a single social system. These findings add necessary nuance and complexity to substance use literature, which is more frequently focused on abject abuse and disorder, and provide a more complete understanding of the ways in which substance use practices become linked to urban economies. Furthermore, they illuminate how participation in informal economic activity can play a variety of roles in the lives of people engaged in substance use practices.     

Politics: Butler's Corporeal Politics: Matters of Politicized Abjection

This essay examines the work of Judith Butler in relation to corporeality through an analysis of Bodies that Matter: On the Discursive Limits of Sex and Butler's notion of politicized abjection. Abjection is considered in relation to bodily materiality and proposed as the most promising path for a revamped corporeal politics. Through a reading of two novels, Katherine Dunn's Geek Love and Barbara Gowdy's Mister Sandman, the essay examines how the abject body can function as politically subversive. Throughout, the essay analyses Butler's placing of the material body in a political domain, and argues that she ultimately endorses materiality as potentially disruptive to the symbolic domain of viable bodies. This recasting of matter within her theory is shown as redefining the body as an active agent rather than a passive receptacle for regulatory norms. The essay examines this under-theorized aspect of her work, and illustrates that politicized abjection is as crucial to her philosophy as the notion of gender as performative.     

Abjection and self‐identity: towards a revised account of purity and impurity

Kristeva describes abjection as ‘the repugnance, the retching that thrusts me to the side and turns me away from defilement, sewage, and muck’. Her account of the ‘abject’ has received a great deal of attention since the 1980s, in part due to high demand for theoretical attention to themes of purity and impurity, which remain important in contemporary society. Yet Kristeva herself has noted that ‘my investigation into abjection, violence and horror … picks up on a certain vacuum’, and other scholars have agreed that there is need for further work on what Campkin has described as an ‘under theorized’ topic. This article will begin by exploring the central line of criticism that has been made of Kristeva's concept of abjection, before then considering an attempt by Goodnow to address these concerns through a re‐reading of Kristeva. Goodnow's re‐reading of Kristeva, together with some conceptual clarifications from Hegel, will point the way towards a more precise account of purity and impurity. I shall contend that Kristeva's work on social abjection sometimes hits upon a pattern, which greater conceptual precision will be able to revise into a new social theory of when and why themes of purity and impurity are invoked in Western societies. It will be argued that impure phenomena are those in which heterogeneity is seen to disturb a qualitative homogeneity, taken to be basic; pure phenomena are those understood to be all‐of‐a‐piece and as a result identical with their essence.     

Necropenology: conquering new bodies,psychics, and territories of death in East Jerusalem

ABSTRACT

In theorising penal politics, this article investigates the marking of the colonised through an analysis of state violence over dead bodies. Delving into and describing the political scene in which the state – through its courts, law, military, and police – leaves dead bodies bleeding after death, withholds them in carceral refrigerators, and tortures their communities, uncovers what I define as necropenology. Developed from the voices of Jerusalemite families whose children were imprisoned after death, this paper argues that expanding spaces of carcerality, criminalising those who are already dead, and penetrating Palestinian spaces of mourning, illustrates new modes of penology, a necropenology. Necropenology conquers new bodies, psychics, and territories in life and in death through the performance of power that marks both dead and living bodies as disposable. Jerusalemite families articulate first-hand how this form of power strips control of one’s own emotions, inscribes indignities, and keeps the colonised as dangerous entities, always on trial in death and when dead.     

Migrant encounters with neo-colonial masculinity: producing European sovereignty through emotions

The EU/European political community’s reaction to irregular migrants is ambivalent. On the one hand, migrants are produced as people to be pitied, rescued, and saved. On the other hand, they are feared, despised, and left to die. The article explores this ambivalence from a gender perspective and asks how sovereign masculinities are produced through emotional performances in the politics of migration control and management. It will be argued that emotions such as fear, disgust, and compassion are performed in the biopolitical security governance of irregular migration by producing a “socially abject” life as its object. This is a life that is to be killed, despised, and saved. Encounters between the irregular migrant and a European border security actor constitute a neo-colonial masculinity. During the moment of the encounter with the other’s life, sovereignty is produced through emotional performances of border security actors. The discussion concludes with illustrations of how racialized bodies and lives are produced as objects of fear, disgust, and compassion through European neo-colonial masculinity. The article speaks to the debates in the literature on masculinities in global politics, emotions and politics, and critical border studies.     

Dis/entangling critical disability studies

Recently there has been discussion about the emergence of critical disability studies. In this paper I provide an inevitably partial and selective account of this trans-disciplinary space through reference to a number of emerging insights, including theorizing through materialism, bodies that matter, inter/trans-sectionality, global disability studies, and self and Other. I briefly disentangle these themes and suggest that while we may well start with disability, we often never end with it as we engage with other transformative arenas including feminist, critical race and queer theories. Yet critical disability studies reminds us of the centrality of disability when we consider the politics of life itself. In this sense, then, disability becomes entangled with other forms of oppression and revolutionary responses.     

Thinking with the Mind,Syncing with the Body: Ballet as Symbolic and Nonsymbolic Interaction

Symbolic interactionist theory describes self‐consciousness as arising through symbolic interaction. I use one empirical case, ballet training, to suggest that symbolic interaction can, by producing self‐consciousness, cultivate unself‐consciousness. Using in‐depth interviews with twenty‐three individuals reporting on training experiences in six countries and twenty‐three American states, I show that dancers can learn, through self‐conscious symbolic interaction, how it feels to embody what an audience sees, as they strive to train their bodies to portray an institutionalized aesthetic. The embodiment of technique facilitates a markedly unself‐conscious “flow” experience while performing. In contrast, having an acute awareness of embodying an incompatible physiology inhibits flow and often motivates dancers to self‐select out of ballet. These interactionist sources of “nonsymbolic” interaction both evoke and suppress “mind” through social interaction.     

Sensational signs,authority and the public sphere: Settler colonial rhetoric in times of change

The article explores the emotional regimes of settler colonialism in post‐apartheid South Africa. The focus is on apocalyptic fears of the imagined eradication of whiteness. These fears are articulated in response to postcolonial/decolonial interpellations of abject whiteness, and are made visible in a range of sensational signs that circulate online and offline. The signs cluster around two themes that are central to the ideologies of settler colonialism: land (and its feared loss), and (white) bodies (and their feared disappearance). Following Sarah Ahmed (2004a,b), emotionally charged signs can be seen as actions (akin to words in speech act theory). In contrast to Jürgen Habermas’ conception of the public sphere as an idealized place of rational debate, the article argues that a combination of affect‐emotion‐feeling and the performance of ‘reason’—what Aristotelian rhetoric refers to as pathos and ethos—are integral for understanding public‐political discourses of whiteness at a time when white privilege has been called out globally (and locally), and white dominance has lost its stronghold.     

Cleaning up public housing by sweeping out the poor

Marginalization of the poor through housing programs is a worldwide concern. As resource constraints, whether real or politically defined, have justified tighter eligibility criteria in many developed countries, the poor have been targets for programmatic changes. This article examines policy changes in the United States that will reduce the proportion of low-income tenants living in public housing on the basis that economic mixing and reduced density will facilitate the production of community. While the intention to improve housing conditions for the poor is an amiable goal, a real concern is that such a change in national housing policy is based too narrowly on a belief in physical determinism. By ignoring systemic conditions that produce economic and racial segregation in the first place, these changes can only lead to fewer units of public housing for those with the greatest needs. I conclude that the concern with producing community in public housing developments is better interpreted as a rhetorical smoke screen that masks a more powerful rationale for getting the Federal government out of the business of maintaining permanent stock of housing for the very poor.     

Male Bodies in Manhood Acts: The Role of Body‐Talk and Embodied Practice in Signifying Culturally Dominant Notions of Manhood

New developments in the critical study of men and masculinity, known as the manhood acts perspective, have focused attention on the ways that males collectively and individually engage in identity work to present themselves as men ( Schrock and Schwalbe 2009 ). This review unpacks two central processes through which males use the body to put on a convincing manhood act. First, I review research on institutions and culture in order to explain how various discourses on male bodies provide resources to signify manhood. Second, I demonstrate how males are socialized to use their bodies to symbolize manhood. Overall, I demonstrate how the manhood acts perspective provides a potentially fruitful theoretical framework for understanding previous research on manhood and the body.     

Constructing Girlhood: Abject Labour in Magazine Offices

Girls' magazines act as important texts through which meanings of childhood, girlhood and womanhood are mediated and constructed. However, previous research has focused on either the conditions of work practices or cultural production of the magazine as a product. Separately in each context women or girls have been described as abject. The paper will argue that employees working on girls' magazines experienced a simultaneous double abjection: in the gendered working practices and as an outcome of the construction of girlhood they produced. Two studies of all female teams producing teenage and pre‐teen magazines were used, including interviews and observations. Our approach engaged with the difficulty of examining abjectivity in working practices, as present but marginalized, silenced and othered. As a result of scrutinizing the gendered embodiment in these studies, the findings suggest there is a relation between the working practices and gendered cultural production, forming a process of abjection. This process was threefold: a marginalization of a particular gendered embodiment, the cracks or leaks where abjectivity became apparent and the silencing of those leaks. This study will be of value to scholars interested in gendered embodiment in workplaces, abjectivity and cultural production, noting the interrelation between these areas.     

TRAVEL AS AN ANALYTIC OF EXCLUSION: BECOMING NONCITIZENS,AND THE POLITICS OF MOBILITY AFTER THE BERLIN WALL

This article examines the ways in which travel serves as an analytic to understand citizenship and the production of noncitizens after the Berlin Wall. This production is linked to a shift in the post-Wall German and European discourses and practices of asylum, which are significantly renegotiated and restricted shortly after the Wall falls. It is not only the law that changes, but also the mobility of the subjects perceived not to belong. The production of non-citizens is also related to official and unofficial articulations that attach Germanness to “Whiteness.” “Black” subjects must not only negotiate their citizenship via real histories of mobility and displacement but also because their skin itself signifies travel and adventure. In the end, I write about the space that this imagination of travel and adventure through “Black” bodies both opens up and closes off for a politics based on “Blackness.” I turn from normative accounts to the voices and bodies of “Black” subjects themselves.     

The 21st Century Body: Introduction

Introducing the topic of body modification, I examine how the body, as cultural symbol of the 21st century, has become the site for exploring subjectivity and creating identity. I ground the 3 articles and 2 discussions that follow in terms of the issues that have revolved around this new, exciting, yet quite challenging subject. Feminists debate whether body modification is a reclaiming of the body or another form of victimization and internalization of the cultural denigration of bodies, especially women's bodies. Clinicians struggle with differentiating self-mutilation from self-empowerment and productive ways of restoring self-structures. Rather than lean in any direction, this introduction aims to open up and broaden the lenses from which we frame and understand the debates. My hope is that this will allow us to rethink the clinical struggles we face as our patients choose to pierce, cut, and reshape their bodies.