Working the circuit: An explanation of employee turnover in the restaurant industry

This study examines the relationship between frequency of viewing television news and crime dramas, and adherence to an ideology of individualism. Attitudes toward women, blacks, and the poor were examined among members of these groups and among white males. Among women and blacks, exposure to television news increases group consciousness, while viewing crime dramas decreases personal efficacy. Among white males, we find an association between exposure to crime drama and endorsement of individual rather than structural causes of inequality. Television news, by contrast, fosters a belief that women's unequal status is due to structural sources.     

Putting together ruralities: towards a symbolic analysis of rurality in the British mass media

In recent years rural geography has become increasingly sensitised to the significance of rurality as a cultural construct. This paper examines the production and reception of mediated representations of rurality: that is, it focuses on senses of the rural conveyed by mass media such as television. The paper discusses claims that images of rurality can be understood as socio-spatialisations. It then focuses on the rurality of British rural drama programmes, and particularly on three such drama series: Dangerfield, Heartbeat and Peak Practice. Drawing together a textual analysis of these programmes with research on their production and consumption, we explore the rurality produced through these television dramas, paying particular attention to the presence, and absence, of idyllic notions of the countryside. We suggest that while these programmes do enact idyllic constructions of rurality, their rurality is not simply reducible to this. We will also highlight how these programmes may also enact particular social identities, including, but not exclusively, those of class. We argue in particular that the three drama series can be read as conveying, in a range of ways, senses of middle-classness. The overall argument of this paper is hence that the mediated ruralities of British rural drama programmes are enactments of social and spatial imaginaries, the complexity and effect of which are often ignored in their textual reduction to a middle class idyll.     

Feeling Northern: ‘heroic women’ in Sally Wainwright’s Happy Valley (BBC One, 2014—)

This article analyses a recent television drama written by Sally Wainwright in order to explore notions of Northernness, gender and class. I consider to what extent Wainwright is expanding and revising current perceptions of the North, and more specifically of Northern women, through an analysis of her recent television programme, Happy Valley. Wainwright’s work shares characteristics of the British social realist television drama from the late 50s, early 60s: they have themes of escape, they use location to say something about their characters and they take viewers on an emotional journey that is related to the social conditions they inhabit. And yet, she is also putting women, who were often on the periphery of social drama, in the centre. Wainwright takes her viewers on a journey that begins with the anger and injustice resonant with the male protagonists of social realism, but as women, this anger and injustice is worked through in terms of the family and eventually leads to a greater sense of commitment to community and the place she comes from, which, in Wainwright’s work, is the North. In so doing, she expands the genre and gives it a female voice. She offers us a sense of what ‘feeling’ Northern is to women, as well as men. Additionally, she is a screenwriter who is speaking from the position of the working-class North; she is intimate to these communities, not a ‘detached observer.’ And yet, despite these inroads, her work has only recently received praise from the British television Industry.     

QUEERLY INTIMATE:

This article examines the rise of the Girls' Love (GL) fan fiction community in contemporary China. More specifically, we focus on the ‘Pink Super Girl Bar’, an online fan fiction community devoted to the pairing of the contestants of the 2006 season of Super Girl, an entertainment program featured on Hunan Satellite TV that enjoys great popularity in the Sinophone world. Through an ethnographic account of the formation, convention and performativity of identities and socialities in this community, we demonstrate how Super Girl GL fans mobilize their emotional capital to create artworks, to have fun and to enrich their everyday lives. We argue that the GL fan fiction community has become a space of female homosociality, intimacy and affect in which a new generation of young Chinese women actively enact friendship and female subjectivity in a way that refuses the normalization of gender, sexuality and social relations. Moreover, by linking fan studies to affect studies and emotional geography, and by paying particular attention to indigenous concepts and cultural practices in mainland China's fan communities, we wish to contribute to fan studies with feminist, queer and transnational perspectives.     

Dramas,Metaphors, and Structures*

It is argued that dramaturgical sociology/social psychology must be examined as a continuation of the methods and practices of dramatism. Such an examination will reveal answers to the persistent questions regarding the work of Erving Goffman: Is he using a metaphor, simile, analogy, etc.! Is he a symbolic interactionist! Is his work a form of structuralism! What is the relationship between the sociologist and the drama of human relations! What is the relationship between interactionism and structuralism! The answers to these questions, it appears, are that drama is not used as a simple analogy in the study of human relations and that the separation of structuralism and interactionism is yet another essay in the confrontation between Heraclitus' flux and Zeno's paradox. You cannot step twice into the same river; for fresh waters are ever flowing in upon you. Heraclitus In which case, you cannot step even once into the river: there will in fact be no river. after Parmenides, Zeno etc.     

Building Indigenous Australian Social Work

Abstract

An Indigenous social work guided by Indigenous Australians’ participation and experience that has, at its heart, human rights and social justice is in its infancy in Australia. The present paper continues a discussion on Indigenous Australian social work theory and practice developments being generated by those working in this field. Aspects of this “praxis” include recognition of the effects of invasion, colonialism, and paternalistic social policies upon social work practice with Indigenous communities; recognition of the importance of self-determination; contemporary Indigenous and non-Indigenous colleagues working in partnership; the impact of contemporary racist and neocolonialist values; and rethinking contemporary social work values and practices. There is discussion of appropriation and reinterpretation of social work concepts, incorporation of international and local Indigenous theory, and the framing of social work by Indigenous Australians’ views and values.     

Confucian ethics and economic development: A study of the adaptation of Confucian values to modern Japanese economic ideology and institutions

This paper analyzes the relationship between Confucian values and odern Japanese economic development, especially in terms of the adaptation of selected Confucian values by pre- and post- World War II Japanese industrialists and government officials toward the formation of a modern Japanese ideology of capitalist economic development. The use of such Confucian values is examined in terms of their appearance in three different areas of Japanese social life: education, the workplace (including both labor-management relations and industrial organization), and the role and attitudes of the government bureaucracy. While such values were consciously used by elites to further economic development, they also reflected in many cases these elites' own personal ethical values. Moreover, although it is difficult to measure precisely how much such values impacted the course of modern Jap development, it is clear that they did have an effect, both positive and negative. Such values and their expression in institutions have also been subtly transformed over time to meet the changing needs of Japan's developing economic and social environment, with the result that in many ways they are now better termed “post-Confucian” Yet, at the same time there is a continuing emphasis on the central values of “respect for learning,” “social harmony” “loyalty” and “familism.”     

Sklair,L. The Icon Project: Architecture,Cities and Capitalist Globalization 2017 New York: Oxford University Press 352 pp. £26.49 (hardback) ISBN: 9780190464189

Architecture embeds capital. Theoretical and empirical sociology has addressed a wide variety of social contexts with the aim of illuminating how architecture provides both i) the sites and settings in which labour relations are manifest; and ii) a symbolic intervention that sees accumulation and power celebrated. Against this backdrop, Leslie Sklair's book The Icon Project: Architecture, Cities and Capitalist Globalization contributes significantly to our understanding of how architecture is entangled with the contemporary operation of international capital. Sklair's account argues that iconic architecture ‐ those landscape‐dominating buildings designed by so‐called ‘starchitects’ who are famous in their own right and have a strong aesthetic brand‐exists through and for the further generation of surplus value. Particularly sociological in orientation, The Icon Project adds much to our understanding of the architectural celebration of the transnational consumption and production practices that underpin deeply uneven cities the world over.     

The production of leisure: understanding the social function of football development in China

ABSTRACT

In this article, we utilize the social theories of Antonio Gramsci and Henri Lefebvre to explore the role that leisure activities such as football play within contemporary China in relation to issues of class. We argue that the recent promotion of football in China can be viewed as a continuation of broader top-down processes of ‘modernization from above' that serves as a microcosm of the wider class contradictions inherent in Chinese approaches to development since the 1980s. The issue of class has been strangely absent from the literature dealing with the development of football in China. We explore the major role of the middle classes as the target for the promotion of leisure activities and consumerist lifestyles patterns as part of the Party-State’s effort to integrate them into a transformed historical bloc.     

From Solidarity to Fluidarity: Social movements beyond 'collective identity'--the case of globalization conflicts

Over the 1980s 'collective identity' became established as one of the orthodoxies of the sociology of social movements. This paper considers this development, and argues that 'collective identity' does not allow a conceptualization and exploration of critical dimensions of action and identity emerging in contemporary globalization conflicts. Drawing on fieldwork undertaken with Direct Action groups in Australia and the USA, this paper considers (i) the role of affinity groups, (ii) the question of representation, (iii) network culture and fluidarity, and (iv) the narrative structure of action. In the light of these, the paper critiques the 'collective identity' model, while also suggesting limits to the 'personalized commitment' thesis (Lichterman, The Search for Political Community , Cambridge: Cambridge University Press, 1996) advanced in relation to Green activists. The paper argues in the context of network societies, the analysis of processes of action and identity within contemporary social movements must shift from 'solidarity' to one of 'fluidarity', and from 'collective identity' to one of 'public experience of self'.     

Social work guanxi: a reflexive account of the social work relationship in the Chinese context

ABSTRACT

In a guanxi-driven acquaintanceship, the worker, the client, and the community are tied together more closely than they are in mutually agreed-upon service contracts. This paper re-examines the contemporary boundaries in the social work relationship, especially in Asian nations such as China, where ‘relationships’ are generally translated and perceived as ‘guanxi’. The indigenisation of social work must be managed with care when translating from West to East. Drawing from the experiences of community development projects in rural Hong Kong, this paper discusses how guanxi among social workers, clients and other stakeholders in Chinese communities might challenge the professionalism of social work and breach the boundaries of social work relationships.     

Gendered Transnational Ties and Multipolar Economies: Chinese Migrant Women's WeChat Commerce in Taiwan

After a first migration in internal China, Chinese migrant women re‐migrate to Taiwan through marriage. There, to cope with economic discrimination, by exploiting the social network WeChat, Chinese women produce physical and virtual transnational multipolar economies, connecting the society of departure, China, and of settlement, Taiwan. Engaging with the contemporary debate about migrants’ translocal practices and economic transnationalism, this research article aims at elucidating the link between migration and entrepreneurship, through the case of Chinese migrant women's physical and virtual entrepreneurial activities across the Taiwan Strait. It explores the development of a specific culture of migration and of affections during the two mobility experiences, and the creation of gendered transnational networks across the borders. Thus, it provides empirical data for an understanding of Chinese women's cross‐strait migration in terms of interconnection, circulation and simultaneity.     

A mission beyond journalism: advocacy and media practices of award giving in China

Chinese media organizations do not yet have an established and widely adopted journalistic paradigm. Thus, some journalists believe they should go beyond journalism's conventional roles and participate directly in social advocacy. They practice not only advocacy journalism but also social advocacy by hosting public forums, organizing journalism training camps, and giving various awards to social activists, cultural elites, celebrities, business people, and fellow journalists. This research explores the award-giving practices of several influential Chinese media organizations. It contends that a complex array of forces and factors interact to shape the award-giving practices of contemporary Chinese media. In contemporary China, the marketized and mission-burdened media tend to use the award-giving practice as a means to build their brand image and fulfill their social mission (i.e. advocacy of values). Award giving is also intended to help media organizations network with like-minded representatives of civil society. This analysis thus demonstrates that award-giving practices help build mutual recognition between the media and a specific group of social elites in China and lead to the formation of an alliance of “the weak” when confronting the authoritarian state machine.     

“Ancient Volscian Border Dispute Flares”

Reception of the 2012 film adaptation of Shakespeare's Coriolanus, directed by and starring Ralph Fiennes, dealt with two particular themes: the homoerotic relationship between Fiennes' Coriolanus and the rebel leader Aufidius whose forces he eventually joins, and the choice to shoot the film in Serbia and Montenegro. While south-east Europe has become an increasingly popular location for Anglophone filmmaking, the promotion and reception of Coriolanus foregrounded the significance of Belgrade and the Balkans as a site of recent conflict. Moreover, the film constructs the world of Coriolanus and Aufidius through simulating or even re-using images of “Balkan” space with which viewers have already become familiar through news media, and it therefore draws on and contributes to representative practices that constitute the Balkans as a violent and warlike zone. Yet Aufidius' rebel force resembling militias from the Yugoslav wars is opposed to a highly disciplined “Roman” military equipped for urban warfare in 2000s Iraq. This article contends that the film achieves this contrast primarily through evoking different military masculinities associated with each force, which have been widely disseminated through still and filmed war photography, and secondarily through its use of specific ex-Yugoslav landscapes and cityscapes. The complex relationship between images of the Balkans, masculinity and military discipline in Coriolanus shows that images of military masculinities juxtaposed with a post-Yugoslav material environment continue to operate as symbolic resources in a contemporary western imaginary of war.     

Trending Trousers: Debating Kastom,Clothing and Gender in the Vanuatu Mediascape

This paper presents an ethnography of contemporary media practices in Vanuatu, with a particular focus on media narratives and debates around gender equality and women's clothing, exploring how the discourses of kastom, Christianity and ‘modernity’ are being employed and communicated across various media platforms. The use of community media to promote awareness of gender equality through participatory and entertaining content, and the use of mainstream media to communicate a narrative that reinforces existing gendered power structures are each explored. In addition, social media platforms are identified as an emerging communication tool through which users can straddle the line between producers and consumers of media content and narratives, and engage in frank debate around the issue of gender equality.     

Postmodern Dramaturgy,Premodern Drama: The Global Resurgence of Greek Tragedy Today

Numerous commentators have recently noted that the ancient art form of Greek tragedy has been undergoing something of a worldwide resurgence in popularity. This, they argue, can be attributed to the fact that contemporary societies are no less fertile a stage for tragedy than their ancient Greek antecedent. The objective of this article is to examine whether the resurgence of Greek tragedy possesses the potential to speak, metaphorically or otherwise, to political concerns today as the tragedies of Greece once did. In order to address this question, the article does two things. Firstly, it briefly outlines the political nature of tragic drama in ancient Athens, especially the connection between the political ascendency of tragedy and the rise of democracy. As illustrations of this claim, the article alludes to the political implications surrounding two notable Greek tragedies: Aeschylus' Suppliants and Sophocles' Antigone. Following this, it then makes the case for the political implications of tragic drama in the twentieth and twenty‐first centuries. To do so, it returns to the examples of Suppliants and Antigone to show how Greek tragedy can still be read as a powerful form of political discourse.     

Rereading David Morley’s The ‘Nationwide’ Audience

This article intends to revisit David Morley’s work, The ‘Nationwide’ Audience: Structure and Decoding, by reanalysing his findings in a way of revealing some distinct decoding patterns. While The ‘Nationwide’ Audience has been acclaimed as one of the most influential empirical works in audience studies, it has been often misunderstood as if the work failed to find out systemic and consistent influences of viewers’ social conditions on decoding practices. On the contrary, by using a statistical method, this paper demonstrates that the audiences’ decodings of the programme presented by Morley are in fact clearly patterned by their social positions. The findings reveal the over-determined effects of various social conditions such as class, gender, race and age. Particularly, the results seem to restore the importance of social class on the interpretive process, which has been displaced and ignored in many current media studies. Highlighting audiences’ structural social positions, the reading patterns rediscovered here allow us to rebut not only the traditional Marxist view of class determinism but also any relativist accounts of cultural activity.     

Rehabilitation Through Work? Disability and the Productivist Road to Participation in the East of Germany1

Abstract Drawing on secondary data and interviews, this paper traces the economic and socio‐cultural roots of contemporary policies to promote full participation of people with disabilities in mainstream German society. Underlying such policies and related practices has been a concept of rehabilitation through work that evolved within a context of labour shortages, Protestant work ethics, and German welfarism at the beginning of the 20^th century and that has yielded rather ambiguous consequences. I argue this elective affinity among economic, cultural, and socio‐political imperatives has undermined potentials for integration and self‐actualization of people with disabilities. Not only was rehabilitation subordinated to a productivist logic and provoked forms of ill‐paid or even forced labour; rehabilitation policies and measures have also been part of a system of social governance that effectively helped to segregate the “able” from the “unable” and that promulgated an ethos of productivism. Significantly, this essentially utilitarian ethos – which rendered health and rehabilitation into a social obligation and valued each wo/man according to his/her fitness and motivation to contribute to socio‐economic development – evolved within capitalism but was equally pronounced in East Germany under state‐socialist rule. Contrary to the egalitarian principles of both “socialist humanism” and “Western enlightenment”, policies and practices trans‐societally focussed on the promotion of those who could – potentially at least – contribute to the regime of industrial production. As the example of East Germany demonstrates, social participation through paid work remains incomplete, at best, and provokes further segregation – even in times of severe labour shortages. The paper concludes that notwithstanding contemporary rhetoric, rehabilitation through work has remained a central pillar of contemporary welfare policies. In times of unbroken structural unemployment, the productivist paradigm and ensuing policies have become increasingly problematic – not only for the inclusion of people with disabilities. Experiences with the productivist modes of participation and with rehabilitation in East Germany suggest a post‐productivist paradigm of inclusion that seeks participation beyond paid work.     

Bourdieu,Technique And Technology

This paper examines the place of technology in Pierre Bourdieu's social theory, and argues for the relevance of Bourdieu's thought to the study of technology. In moving from an examination of the status of technology in Bourdieu's work through to his broad approach to social practice and his widely cited concept of habitus, it is argued that technologies are crystalliz­ations of socially organized action. As such, they should be considered not as exceptional or special phenomena in a social theory, but rather as very much like other kinds of social practices that recur over time. Ultimately, through the use of Bourdieu's concepts of habitus, field, and capital, we are able to overcome the binary divisions such as technology/society and subject/object that have plagued technology studies.