From sociolinguistic variation to socially strategic stylisation1

This article investigates the indexical relation between language, interactional stance and social class. Quantitative sociolinguistic analysis of a linguistic variable (the first person possessive singular) is combined with interactional analysis of the way one particular variant (possessive ‘me’, as in Me pencil's up me jumper) is used by speakers in ‘stylised’ interactional performances. The aim of this analysis is to explore: (1) how possessive ‘me’ is implicated in the construction and management of local identities and relationships; and (2) how macro‐social categories, such as social class, relate to linguistic choice. The data for this analysis comes from an ethnographic study of the language practices of nine‐ to ten‐year‐old children in two socially‐differentiated primary schools in north‐east England. A secondary aim of the article is to spotlight the sociolinguistic sophistication of these young children, in particular, the working‐class participants, who challenge the notion that the speech of working‐class children is in any way ‘impoverished’.     

The ‘Sociology’ and ‘Anthropology’ of Berthold von Regensburg*

Abstract This article deciphers the views of the German thirteenth century preacher Berthold von Regensburg about ‘social nature’ as they are demonstrated in his sermon ‘Of the five talents’. Berthold von Regensburg interprets the Gospel parable (Matthew, 25: 14–30) quite freely, in accordance with the social realities of his own time. The ‘talents’ given by God to the human being are their personalities, social vocations, or offices, life-time, wealth, and love to their neighbours. Such an interpretation of the sacral text in the sermon read in a big South German town seems to be a kind of reflection of the burghers’ mentality. The hypothesis finds its further confirmation in other sermons in which he enumerates the professional groups of that society; this analysis is clearly town-oriented. A fuller context for this text is provided in the author's own work especially ‘Questions of Philosophy’Voprosi Philosophii (Moskva, 1990)     

KI: The ‘Fervor of Vitality’ and the Subjective Self

Curiously, in the word ki, we find that the Japanese have internalized physical energy into a felt-feeling (e.g., a sense of vital potency and aliveness), thereby significantly expanding the substance of the T phase of the self. Of conceptual interest here is that in the word ki—used as a root word to indicate and connect elementary feelings and thought processes—the Japanese have reified ‘energy’ into a subjective entity that moves the individual to become both activator and respondent of interactional processes. The general awareness of ki by the people themselves is evidenced in various facets of their personal consensual life—from socialization practices to formal presentation. In closing, the author attempts to link ki to Mead's ‘impulse’ concludes that (a) ki is more substantive and active than ‘impulse’ in the movement of the social act; and (b) in contrast to that of Mead, the Japanese model provides an explicit conceptual demonstration of the substantive role of the ‘I’ as well as affective elements in social interaction.     

Feminist Readings on Abu Ghraib: Introduction

This article examines feminist responses to mainstream media coverage of female terrorists in West Germany during 1977. Women in left-wing terrorist groups like the Red Army Faction (RAF) and ‘Movement 2. June’ (‘Bewegung 2. Juni’) inspired a gendered discourse reflecting a cultural unease about women participating in political violence, in which the media propagated notions that posited female terrorists as ‘unnatural’ women. This analysis demonstrates how different ‘Alltagstheorien’ (everyday or common sense theories) on female terrorists we find in West German media publications in the 1970s and 1980s served as a springboard for West German feminist activists to examine arguments about violence as legitimate means in their own political communities. This essay begins by briefly outlining key feminist positions on political violence that have made invisible the complex debates taking place in the 1970s. The second part of the essay uses images of female terrorists circulated by the West German media, such as the newsmagazine Der Spiegel (The Mirror), to contextualize the ‘Alltagstheorien’ the magazine propagated in an article covering RAF actions in 1977. The third and main part of the essay then examines the responses this and other articles elicited from contemporaneous feminist movement publications.     

Beyond performative talk: critical observations on the radical critique of reading interview data

ABSTRACT

We centrally consider the question of what interview data can be used to ‘say’ through a dialogue with advocates of the ‘radical critique’ of interview studies. We propose that while the critique has considerable utility in drawing to ‘the social life of interviews’ and the pervasiveness of notions of the ‘romantic subject’, it simultaneously goes too far in its reduction of interviews to narrative performance, and not far enough in its own critical departure from core characteristics of the romantic subject. We show how the critique leaves intact imagery of a seemingly unbridgeable divide between the experienced and the expressed, and involves a related conflation of what can be said at interview with what interviews can be used to say. We explore how the radical critique might productively be built upon via more ‘synthetic’ forms of research engagement, outlining alternative modes of apprehending interview data through a further critical departure from the romantic subject. Accordingly, we advance a move beyond a sole engagement with questions of how data are constructed and produced and towards how such data might otherwise be used to speak about the social world beyond the social nexus that constitutes an interview encounter.     

Authorship,gender and the construction of meaning in the Eurythmics' hit recordings

Abstract

Pop songs are often interpreted, by fans, critics and even academic analysts, in relation to traditional notions of ‘authorship’. But in recent pop, such as the Eurythmics' hits, these notions are at the very least in tension with a more fragmented construction of subjectivity. This article seeks to develop a method for analysing such constructions, both generally and in specific Eurythmics songs.

The method draws on Mikhail Bakhtin's dialogic theory of subjectivity and meaning, presenting the various parts of songs (i.e., both textural lines and structural sections) as interactive ‘voices’, each with its characteristic style-features. Such features are always culturally marked, through their multiple associations and their different positionings within various discursive domains. It is possible, therefore, to locate the styles, their features and their interrelations on a range of discursive axes (gender, ethnicity, etc.), making up a ‘map’ of the musico-discursive terrain, then to place the ‘dialogue’ constructed in a specific song in relation to these axes, this map.

For the Eurythmics, the gender axis is the most (though not the only) important one. It functions through the differential positioning of constituent styles (pop, blues, soul, disco, ballad, etc.) on this axis; in relation to other axes of meaning; through articulation in the specific socio-historical context of 1980s British pop; and via interaction with visual images (e.g., on accompanying videos).

After an analysis of eight songs, the article concludes with some implications of the method for the interpretation of gender — and more generally of the construction of subjectivity — in music.     

Where the mystical meets the market: creativity and commerce in the production of popular music

Taking as my theme the familiar opposition between commerce and creativity, this paper contrasts different sociological approaches to the production of popular music and questions some of the assumptions about the rational nature of the market and mystical character of creative inspiration, that are often implied when these terms—‘creativity’ and ‘commerce’—are used in this binary oppositional manner. In arguing for a sociology of the mundane practices that produce‘commercial’ and ‘creative’ texts, I suggest that the production of popular music does not so much involve a conflict between commerce and creativity, but a struggle over what is creative, and what is to be commercial.     

How to Sharpen Words: Mayakovsky’s Machines of Poetic Humour

Analysis of Mayakovsky’s prose writings of the mid-1920s on the craft of satire reveals that he understood it to be a scientific discipline subject to strict cause-and-effect relationships: if the satirical treatment of a theme — any theme — is correct, then the piece will produce ‘involuntary laughter’ (neproizvol’nyi smekh). As an example, he puts forward his 1923 poem ‘Schematic of Laughter’ (Skhema smekha) — a text he claims contains no comic ideas, but only the correct satirical sharpening of discourse. As a barebones inventory of comic devices, the poem is a perfect place to begin an examination of Mayakovsky’s poetics of humour. But it is not alone; in a note to the 1925 poem ‘Shallow Philosophy in Deep Places’ (Melkaia filosofiia na glubokikh mestakh), Mayakovsky explains that it too is a ‘skeleton poem’ (stikh-skelet), just like the ‘Schematic’, and another compendium of humorous devices. Together, then, these poems represent the purest and most concentrated expression of Mayakovsky’s understanding of the mechanics of poetic humour. Sustained close reading of both poems reveals that his humorous devices, ranging from formal to narrative, all serve to establish and then deceive expectations in the reader.     

Mediating affect in John Pilger’s Utopia: ‘the good life’ as a structure of whiteness

ABSTRACT

This article proposes that whiteness should be thought of as an affective structure, theorizing whiteness in terms of optimism, possessive subjectivity and multiculturalism. The article shows how the optimism of ‘the good life’ [Berlant, L., 2011. Cruel optimism. Durham, NC: Duke University Press] is linked structurally to whiteness in the construction of the Australian nation-state. In this context, Utopia [2013. Film. Directed by John Pilger. Australia: Antidote Films] specifically identifies whiteness as an affective structure. The article develops by unpacking this claim. First, I consider how the affective structure of the Australian nation-state is encountered through the mutual mediation of ‘media’ and ‘place’. I focus on the example of the film's journey to Rottnest Island – formerly an island prison, now the destination of holiday makers – to highlight how the optimism of arrival links whiteness to the present. Second, I develop an analysis of the affective surfaces of whiteness by analyzing the film's encounter with ‘White Man faciality’ [Deleuze, G. and Guattari, F., 1987. A thousand plateaus: capitalism and schizophrenia. Minneapolis: University of Minnesota Press] and Indigenous ‘slow death’ [Berlant, L., 2011. Cruel optimism. Durham, NC: Duke University Press]. Through producing a series of faces, Utopia portrays whiteness as a deflective surface that propagates the ‘onto-pathology’ of white Australia [Nicolacopoulos, T. and Vassilacopoulos, G., 2014. Indigenous sovereignty and the being of the occupier: manifesto for a white Australian philosophy of origins. Melbourne: Re.press]. Utopia also portrays whiteness as an absorptive surface in which Aboriginal self-possession – including, in the form of life – disappears. The film emphasizes the loss of Aboriginal life through illness and suicide linked to incarceration, overcrowding and state-induced impoverishment. The article concludes by locating media (including Utopia) within the tension between absorption and deflection as a tension between the different spatial actions of the affective relations that mediate whiteness.     

Margaret Atwood’s Straddling Environmentalism

Abstract

“Margaret Atwood’s Straddling Environmentalism” asks why Atwood crosses the Canada-US border in her dystopian fiction. It takes Atwood’s 2004 comments that The Handmaid’s Tale (1985) partly grew out of her ‘irritation when people say “it can’t happen here”’ and her claim that she decided to set the novel in Cambridge, Massachusetts as being related to that irritation—’”It can’t happen here,” she explained, “should be placed in the most extreme ‘here”’—as a prompt. Focusing on Oryx and Crake (2003), this article argues that one of Atwood’s motivations for crossing the Canada-US border in this novel is to provoke us to develop what Giovanna Di Chiro has termed ‘a scale-crossing environmental consciousness.’ Oryx and Crake challenges us to think about environmentalism in relation to local, embodied experiences as well as on a global, transnational scale.     

Women,work, and family in the Czech Republic—and comparisons with the West

What are the work-family experiences of Czech women, and to what extent are there similarities and differences with women in the West? Drawing on a cross-national survey and other findings, this paper points out that unlike the extensive part-time employment of many Western European women, most Czech women in the post-Communist era have continued to combine full-time employment with family roles. Maternity and parental leaves, kindergartens, and other policies have been important supports. It is argued that employment and economic independence remain important to Czech women, and although gender differentiation in women's domestic activities and men's preponderance in upper-level jobs in the economy and government is recognized, Western attributions of patriarchy have been resisted. Since family life is highly valued, many have seen women as advantaged in their greater family involvement and integration of both family and employment roles. Rather than opposition between men and women, Czechs generally point to partnership and overall social equality. During Communism Czechs learned that ‘time at work’ does not equal productivity, and women practiced an informal flextime to aid work-family integration. This ‘self-management’ of work time and of work and family activities is cited as a component of Czech women‘s sense of efficacy and gender equality. An interesting question for the post-Communist success of Czech women and work organizations is whether women's interest in self-management will be met by the support of managers and of workplace cultures and structures.     

Social Work Academics as Humboldtian Researcher‐Educators: Discussion of a Survey of Staff Profiles from Schools in Denmark,England and Germany

A survey of social work academics' education profiles in Denmark, England and Germany is discussed. Material was collected in 2004, mainly from schools' Internet websites. Findings were classified by highest achieved level of qualification, using British terminology: ‘diploma’, ‘degree’ and ‘doctoral’. Findings are discussed with reference to the status of social work knowledge and social work education. This discussion is framed by drawing on the model of the teacher‐researcher developed by Wilhelm von Humboldt (1767–1835). The German sample showed the highest proportions of social work academics with doctoral qualifications, with the lowest levels being found in the Danish sample and the English sample being situated in‐between.     

Islam,national identity and politics in contemporary Kazakhstan

This article argues that, unlike other Central Asian states, the official response in Kazakhstan to its Islamic revival is distinctively ambivalent and even contradictory. The Nazarbayev government has rhetorically embraced the Kazakh qoja-centred Sufi heritage and the Hanafi school of Sunni Islam as the ‘traditional’ forms of Islam among Kazakh nomads and perceived them as constituent elements of the nation-building process. However, the representatives of the political elite have in reality unknowingly absorbed much of ‘untraditional’ Salafi Islam and ignored, marginalised or even suppressed the revival of Kazakh Sufism. This is in part because of their limited knowledge of the indigenous Kazakh Islamic tradition and in part due to the younger generation’s greater exposure to a range of Salafi-dominated influences emanating from abroad. The article begins with a brief historical perspective on the relationship between qoja-centred Sufism and ‘Kazakh-ness’ which is essential for establishing an analysis of the fissures in the current religious and political ideology pertaining to Kazakh nation-building.     

‘Without Being Walt Whitman’: Vicente Huidobro,Whitman, and the Poetics of Sight

The Chilean vanguardista poet Vicente Huidobro singlehandedly inaugurated the Spanish-language avant-gardes with his 1918 poem Ecuatorial [Equatorial], and remained a dynamic and controversial global figure until his death in 1948. This essay demonstrates how Huidobro appropriated Walt Whitman’s ‘Salut au Monde’ into this inaugural poem, taking from the US poet an elevated, comprehensive poetics of sight. But Whitman’s all-seeing aesthetic seriously threatened Huidobro’s own ethics and avant-garde poetic philosophy — Creationism — leading the Chilean to reject Whitman and this poetic vision in his 1931 Altazor. If Whitman’s poetic speaker could ‘contain multitudes’, seeing the whole world in instant juxtaposition, Huidobro’s ideal Creationist poet must instead empty himself, to create anew. Finally, this textual and historical confrontation reveals not only how Whitman brought his unifying vision to bear on his nation’s Civil War, but also how the aging Huidobro, facing World War II and the imperialist shadow of the US, wrote back to Whitman to qualify and clarify what this vision might mean for ‘America’.     

Naturalising,Neutralising Women's Bodies: The “Headscarf Affair” and the Politics of Representation

The recent “headscarf affair” has created a divisive national crisis in several European countries. Like Turkey, France and Germany have introduced legislation prohibiting “conspicuous” religious symbols in government institutions. The article argues that interpretations of ‘Muslim’ female head covering as a sign of oppression ignore their resemblance to European symbols of ideal womanhood. The question of the ‘ethnicity’ of the symbol is thus elusive, and the assertion of categorical difference can be challenged on the level of citizenship law. Recent amendments to German citizenship law based on jus sanguinis have eased immigrants' adoption of citizenship, diminishing the contrast with the French jus soli. Thus, in Germany there has been a shift from the emphasis on the transmission of substance toward display of cultural competence through other forms of embodiment. In both Germany and France, in key social locations of state reproduction, national belonging and loyalty to the state must be demonstrated through linguistic competence and modes of bodily performance that mainly focus on women.     

Calling for accounts: numbers, monsters and membership1

This article questions how accounts are marked. In asking why some accounts ‘pass muster’ and others fail, the analysis brings into focus the extent to which membership work helps hold the social and the technical apart. The analysis contrasts a long insistence on narrative forms of interaction as defining conditions of co‐presence with numerical regimes in which there is an implicit deletion of social contact under fashionable slogans like ‘action at a distance’. Taking numbers to act as ‘bearers of culture’, the paper contests the idea that numerical forms of accountability delete the membership work traditionally associated with narrative forms of account. Attending closely to ‘occasions’ in which it is appropriate for members to deploy numerical accounts rather than verbal accounts, the argument challenges the idea that a face to face negotiation of social order has been superceded by a pervasive use of perfonnance targets. The article begins by exploring how ‘calls to account’ are created by a reporting of adverse budget variatices within organizations. Using an extended example to consider how such ‘gaps’ affect a manager's conduct towards a spouse who is sick, the analysis shows how the use of numbers becomes crucial to sustaining one's affiliation across a range of memberships. As illustrated, the rehabilitation of numerical artefacts into conceptions of the social greatly expands possibilities for interaction beyond that anticipated by the sociological ideal of ‘co‐presence’.     

(Auto)Ethnography and cycling

This article discusses the formation, salience and reformation of everyday bodily routines and resources in relation to cycling; it also examines how we can study them ethnographically in different places. I discuss forms of embodied, sensuous and mobile ethnography that can illuminate how routines, habits and affective capacities of cycling are cultivated and performed. The article argues that autoethnography is particularly apt at illuminating the embodied qualities of movement, and it sits within established ethnographies of ‘excising’ and ‘mobile bodies’. In the second part of the article, I draw upon ongoing autoethnographies of cycling in a familiar place (my hometown, Copenhagen) and by learning to cycle ‘out-of-place’ (in London) and ‘in-a-new–way’ (when commuting long distance on a racer bike). The study challenges static notions of the body by analysing how cyclists’ (and researchers’) affective capacities develop as they practice cycling.