Walking atomic vegas: ritual,memorial, and toxic landscapes

ABSTRACT

This article proposes the use of ritualized walking to mark and remember invisible threats and the ‘slow violence’ of contaminated landscapes undergoing gradual change. To exemplify the idea, the article describes our proposal for a Plutonium Memorial design, which would be a mnemonic device for marking the location of a proposed nuclear waste storage facility buried under the iconic Las Vegas Strip. Supported with evidence that ritual is commonly used to reinforce collective conscience and memory outside the sacred realm, the core of this memorial design would be regularized and ritualized pilgrimages from one of the most important and symbolic American landscapes, Las Vegas, through the equally prominent Grand Canyon to the less well-known uranium mines in Arizona (the source of nuclear power). Though hyperbolic, the Plutonium Memorial demonstrates how an active cultural-based memorial has potential to preserve narratives around contaminated landscapes. To expand beyond this radical example we schematically speculate on other scenarios that could incorporate more representative (less extreme) haptic rituals around memorials marking slowly unfolding environmental disasters. The intention is to provide new visions for durable memorials built around culture rather than structures, which are engaged with not only the past, but also the future.     

Symbols of Collective Memory: The Social Process of Memorializing May 4, 1970, at Kent State University

Monument and memorial building is one of the more dramatic forms of symbolic expression. This form of symbolic expression represents aspects of a community's collective history; and its existence thereby serves to crystallize consensus and solidarity. The building of the memorial is a dialectic of symbolic interaction explicated through use of a social process model. This article will first describe the theoretical issues involved with collective representation and memory. The theoretical base when applied to the activity of memorial building generates a social process model. The model is described by application to the building of various memorials, but particular interest will be focused upon the Vietnam Veterans Memorial in Washington, D. C. The model suggests how creation of this type of symbolic work involves a complicated organization of social norms or conventions. Part of this organization involves merging norms from a specialized genre of the art world with norms of collective representation residing in the non-professional community. Administrative bureaucracies and political institutions play important roles as well. After the authors explicate the social process model, they apply it to the experience of memorializing students killed and wounded at Kent State University on May 4, 1970. Erection of this memorial involves a process of constructing collective memory in such a way as to create moral unity within the community.     

Agency of internal transnationalism in social memory

The article examines the limitations of methodological nationalism in the studies of social memory through a case study of memory of Stalinist repression in Belarus. It analyses how various social agencies – national and local activists, religious organisations, and international foundations – use the memory of repression for constructing post‐Soviet Belarusian identity by embedding their national representations in larger transnational frameworks. Drawing on the concept of ‘internal globalisation’, this article develops the idea of ‘internal transnationalism’ that suggests the importance of wider transnational configurations for the definition of nation. Internalized transnationalism does not make a national memory concept less nation‐centred, but it affects the choice of its cultural, political and civilizational framing. In contrast to methodological cosmopolitanism that implies rediscovering of the national as an internalized global, methodological transnationalism emphasizes the multiplicity of co‐existing transnational networks that can be invoked by social actors in their national mnemonic agenda. Using the case of the Kurapaty memorial site the article analyses how multiple framings of memory representations – the Belarusian national memory, liberal anti‐communist memory, contesting memories, such as Polish, Baltic and Jewish – compete and juxtapose in the space of social memory of political repression.     

Institutionalizing Counter‐Memories of the U.S. Civil Rights Movement: The National Civil Rights Museum and an Application of the Interest‐Convergence Principle

During the post–Reconstruction era in the United States, white southerners marked the cultural landscape with monuments and memorials honoring the Confederate cause and its heroes. These racialized symbols enjoyed an undisputed claim to public squares and parks throughout the South. It was not until the late twentieth century that commemorations to the black freedom struggle were publicly supported. This analysis examines the institutionalization of counter‐memories of the civil rights movement in Memphis, Tennessee at the Lorraine Motel, the site of the assassination of Reverend Dr. Martin Luther King, Jr. The author draws on collective memory, cultural trauma, and social movements research as well as critical race theory to explain the creation of the National Civil Rights Museum. Using primary and secondary data sources the author examines how social memory agents, a changing political culture, and the passage of time mediated the cultural trauma of King's assassination and influenced the institutionalization of oppositional collective memories. Relying on Derrick Bell's interest‐convergence principle, the author concludes that the creation of this major memorial museum was a result of the convergence of white and black interests, specifically the economic and political interests of white elites and the cultural and political interests of black symbolic entrepreneurs.     

Assembling the pieces: a framework for the integration of multi-functional ecological main structure in the emerging urban region of Bogotá, Colombia

Bogotá, the capital of the Republic of Colombia, is a tropical highland city located 2,650 m above sea level. It is the 25th largest city in the world and, among large cities, is also one of the highest. In common with other cities in Latin America, a large part of its urban growth during recent centuries has been unplanned and informal. The introduction of green spaces into urban planning in Bogotá began in the mid-20th century, but was first included in official legislation during the 1990s through the concept of Ecological Main Structure (EMS). Initially developed by Dutch scholars, EMS was brought to Colombia via biological conservation practitioners as a means of enhancing biological connectivity in rural and natural landscapes, extended in this case to urban landscapes as a top-level planning instrument. EMS originally included a variety of components, from protected areas and biological conservation tools to environmental urban elements - the emphasis being on biodiversity conservation, without sufficient recognition of specific urban structures and functions. This process led to conceptual disciplinary-based divergence and conflicting political interpretations. The current emergence of EMS as a planning tool for urban regions represents an opportunity for integration, although the risk of divergent interpretations remains, as no integrative conceptual framework has yet been developed. In this paper we review the concepts underlying EMS that have been incorporated within urban and regional planning, especially those of ecological networks and green infrastructure, and also diagnose conceptual and institutional barriers to its current integration, challenges and opportunities which are set in the context of an emerging urban region. We propose a trans-disciplinary framework for multi-level integration of EMS, along a gradient from wild environments to built structures that incorporates emerging concepts such as urban biodiversity, ecosystem services and design in the urban landscape, with the aim of contributing to the creation of an urban landscape that is resilient to environmental change and suitable for human well-being and adaptation.     

What is the Shortest Russian Joke? Communism. Russian Cultural Consciousness Expressed Through Soviet Humor

In an environment like Soviet Russia where it was difficult, if not impossible, to make assertions that contradicted the official Communist Party word, political humor can be used to challenge, subvert, or uphold official “truths.” The Russian Soviet anekdot—a politically subversive joke—provides an intimate view into the perspective of the Russian people living under Soviet rule. The anekdot serves as a discourse of “cultural consciousness,” connecting otherwise atomized people to a homeland, collective culture, and memory. In conducting a paired content and critical discourse analysis of 1,290 anekdoty collected from Russian archives, I explore how this oral folklore served to construct a Russian collective consciousness that (1) resists Party rhetoric, social policy, and ideology, but also (2) adopts and reifies social boundaries established by Soviet discourse by constructing particular groups as “other.” Those who are familiar with cultural folklore—and the historical context to which it refers—are taught who are the perpetrators responsible for injustices, who are the victims, and how we should feel about these different people; folklore also gives insight into the perspectives of those from the hegemonic '"center."     

The Effects of Truth: Re-Presentations of the Past and the Imagining of Community

Abstract Social memory is integral to the creation of social meaning; representations of the past are central to the symbolic constitution of social groups and social identities. This paper examines the production of effects of truth and power in both official and popular historical discourses in Mexico and demonstrates how representations of the past configure the imagining of community (social memory; official/popular historical discourses; nationalism: revolution; hegemony; Mexico).     

Analyzing Politics and Change in Women's Organizations

Research on women's political action too often passes over women's organizations that do not officially adopt a feminist ideology and do not explicitly set out to change gender power relations. Based on implicit notions that such women's organizations are nonpolitical (or less interesting), the research often supports a false dichotomy between feminist and nonfeminist organizations rather than illuminates women's common political ground. This study addresses women's collective action, politics and change by focusing on the case of Nicaraguan Mothers of Heroes and Martyrs - women who lost a son or daughter in the revolution or Contra War. Although some members in Matagalpa critiqued male domination, the organization itself did not set out to challenge the gendered division of labor; indeed, their collective demands relied upon and in many ways reinforced traditional gender identities. I argue that such movements are important to feminist political analysis. As I demonstrate in this article, an organization's lack of an official feminist ideology does not mean that individual members do not express interests, identities and ideals that challenge the gendered status quo. Such research, however, requires a nuanced approach, recognizing women as both accommodating and resisting gendered social structures. Thus, this study challenges the dominant feminist-feminine dichotomy by demonstrating that women's collective action is not only per se political (and politically important) but may also challenge as well as reinforce gendered power structures.     

Maintaining and Strengthening a Shaky Regime with Mnemonic Work: Inventing a Chinese National Day from 1949 Through 1987 in Taiwan

This paper investigates the invention of a Chinese National Day from 1949 through 1987 in Taiwan to illuminate the significance of mnemonic work in nation‐building. The 1949 Retreat after the Chinese Civil War resulted in a serious legitimacy crisis for the government of the Republic of China; thus, (re)inventing the National Day became an important mission to maintain and even strengthen this shaky regime. While the role of the standardized commemorative narrative in influencing people's collective memory is granted, this article emphasizes the aspect of embodied memory in nation‐remembering. I point out that the official Chinese nationalism constructed its National Day as “inevitably” bustling, memorialized, accepted, heroic, familial‐ized, blessed, and pivotal‐ized to shape the impression of a sacred and memorable day. This paper—while essentially consistent with Billig's argument of banal nationalism—suggests that national identity is accumulated by many symbolically encoded elements found in daily life; it goes further to argue that banal nationalism needs the “hot” nationalism found in special occasions to encode, refresh, and redefine the symbolic meaning of entities. That is, the oscillations between sacred and profane are needed to guarantee that patriotic emotions can be continually created and maintained.     

(Not so) crude text and images: staging Native in ‘big oil’ advertising

Transnational energy companies' representations of Indigenous bodies and landscape in corporate advertising and social responsibility reporting can be thought of as staged and operating on more than one level of meaning. Understanding these representations as performative makes clear these are ongoing social and cultural constructs embedded in a body of discourse that is marked by White culture's own desire for permanence and fixity in relation to a privileged positioning. The staging of Native bodies and landscapes, in part intended to allay growing public concerns about environmental impacts associated with fossil fuel production, is achieved through the strategic use of images and text. Semiological analysis helps to make explicit the manner in which oil and gas transnationals' displaying of a racialised Native subject in the context of ‘partnership’ serves as a greenwashing strategy consistent with Canada's own dominant national narratives. Recognising advertisements and corporate social responsibility reports not as neutral knowledge but as sites of knowledge production reveals myths and stereotypes that serve to prevent, rather than encourage, true sustainability.     

Collective Memory and Collective Fear: How South Africans Use the Past to Explain Crime

The past is a resource that individuals can draw upon as they try to make sense of the world around them, and scholars have long assumed that individuals internalize and utilize collective memories in their daily lives. Yet capturing and analyzing the deployment of collective memory has proven elusive. This paper offers a novel approach for tapping whether, and how, individuals selectively draw on their collective pasts to explain the present. Analyzing interviews with young South African managers and professionals, this paper demonstrates racial variation in how respondents organically introduce the country’s apartheid past as an explanans for current crime, and suggests how these differences are related to divergent levels of commitment by blacks and whites to the South African nation-building project. In so doing, the paper offers a method for examining how individuals selectively use the past to construct, justify, and explain their present-day attitudes and behaviors. The study further highlights the importance of attending not only to what people remember, but also to how they think through and with collective representations of the past.     

Symbolic Capital of the Memory of communism. The quest for international recognition in Kazakhstan

Theory and Society - The article contributes to the theorisation of collective memory involved in building the international representations of a nation, and examines how strategic responses to the...     

The Sunday Times Heritage Project: heritage,the media and the formation of national consciousness

Since the advent of democracy in 1994, the landscape of memory in South Africa has undergone significant changes. While most new monuments, memorials and heritage sites have emerged under the aegis of the government, this article focuses on a private sector initiative, the Sunday Times Heritage Project (STHP), sponsored by the Sunday Times newspaper in celebration of its centenary in 2006. The project involved the installation of 30 small-scale memorials commemorating key moments in the history of South Africa, with each memorial being accompanied by a website entry. The article focuses on the role of the media in shaping a new national consciousness in South Africa and specifically investigates how a new, supposedly shared history emerges through the work of the Sunday Times journalists in selecting stories and negotiating with stakeholders. With reference to specific examples, significant differences are highlighted between the newspaper’s heritage initiative and the state-initiated memory projects, but ultimately, it is argued, the STHP reveals a calculated or unconscious acceptance of the state-endorsed historical discourse structured around resistance narratives, which has become hegemonic since 1994.     

Shot at Dawn: Late photography and the anti-war memorial

The military executions of World War One are the subject of Chloe Dewe Mathews’s 2014 photographic series Shot at Dawn. These events—in which hundreds of soldiers were court-martialled and executed for cowardice and desertion—remain controversial, without consensus or established collective narrative. This article charts historic negotiations with the subject but also considers more recent efforts to integrate these proceedings within memorial practice. World War One remembrance activities, whilst diverse, have often emphasised sacrifice, heroism and community. Correspondingly, participation and engagement were core values in the major British World War One centenary arts project, titled 14-18 NOW, from which Shot at Dawn was commissioned. Chloe Dewe Mathews’s contribution to the programme, however, presents a photographic aesthetic of resistance to the principles of inclusivity and remembrance elsewhere embraced by the project. As such, the work challenges the consensual politics of commemoration and—through the practices of late photography, land art and performance pilgrimage—substitutes trauma and forgetfulness for reconciliation and memory.     

Connectivity in urbanizing landscapes: The importance of habitat configuration,urban area size,and dispersal

Human activities affect both the amount and configuration of habitat. These changes have important ecological implications that can be measured as changes in landscape connectivity. I investigated how urbanization interacts with the initial amount and aggregation of habitat to change dispersal potential, restoration potential, and the risk of spatially extensive disturbances. I used a factorial set of simulated landscapes and subjected each landscape to habitat loss by overlaying 66 different US urban areas. I used a common connectivity metric, CONNECT, to assess the magnitude and direction of changes for a range of dispersal distances. My results show that the relationship between habitat loss and connectivity loss is non-linear and subject to interactions between the spatial patterns of habitat distribution, urban morphology, and dispersal capabilities. The implications of a given urban form vary widely as a function of habitat distribution and dispersal capabilities. This implies that impact assessments, restoration activities, and conservation planning should consider historical habitat distribution when evaluating observed changes in connectivity. While my results clearly show that more aggregated or continuous habitats are more vulnerable to connectivity loss, this approach can also be used to identify landscapes where restoring connectivity will be particularly effective, for example through placement of stepping stone habitats.     

Patches of grief and rage: Visitor responses to the NAMES project AIDS Memorial Quilt

This paper presents an analysis of comments written on signature square panels of the NAMES Project AIDS Memorial Quilt. In our paper we explore how collective memory regarding AIDS deaths emerges from conflict among members of vernacular, mainstream and official culture. The cultural contest waged over how individuals who have died from AIDS-related illnesses will be remembered in society fits within the realm of the sociology of collective memory. Visitor responses to the Quilt illustrate that as a form of commemoration the Quilt is interpreted as a therapeutic device and a political tool. Like other memorials, especially those for which there is social disdain or conflict (e.g., the Vietnam Veteran's Memorial), signature square comments provide an alternative conception of public memory. The fact that the Quilt is used to symbolically commemorate the dead, providing an outlet for collective grieving and inspiring social action, is what makes it an important sociological phenomenon. In our paper we put forward a conception of the politics of collective memory that extends previous work in this area. In doing so this paper contributes to an emerging understanding of public commemoration and to the debate over how different segments of society are to be remembered.     

The Holodomor law and national trauma construction in Ukraine

This article proposes to conceptualize the remembrance of the 1932–33 famine, known as the Holodomor, as cultural trauma construction in Ukraine. This entails the study of how the memory of this devastating historical event became the national collective symbol of suffering with which Ukrainians identify today. Based on Jeffrey Alexander’s concept of cultural trauma, the analysis focuses on the role of political elites and their claim-making regarding the meaning of the famine. Focusing specifically on the 2006 Holodomor law as the main claim of the Ukrainian policy-makers, the article investigates their definition of the historical event, their naming of victims and perpetrators, and their social mediation of famine representations. The article reveals how, through their definition of the Holodomor as genocide, the political elites promoted the understanding that Ukrainians experienced the years of 1932–33 differently from other Soviet nations. The Holodomor law should therefore be seen in the context of Ukrainian nation-building policy, which aims to forge a distinct Ukrainian collective identity.     

Fengshui theory in urban landscape planning

The spatial configuration of urban landscapes results from cumulative interactions between human activities and the physical environment. Traditional philosophies and cultural legacies have had important influences on urban development and planning in East Asia. In Seoul, traditional land use practices based on ‘Fengshui’ have significantly contributed to human-mediated patterns of landscape changes, in addition to the role of the socio-economic background (development) and other human activities. The concept of Fengshui was originally founded upon people’s empirical cognition of natural landscape patterns. Recently, however, advanced economic development, westernization and urbanization have been rapidly altering the old traditions of the holistic landscape systems through changing urban planning practices. Since the type, scale, frequency, distribution and spreading pattern of environmental and human disturbances have been changed, a new paradigm for urban landscape planning is necessary to maintain the ecological and cultural integrity of landscapes in Korea. In this paper, we discuss recent concepts and methods of landscape ecology and urban planning from the viewpoint of Fengshui, the traditional land use patterns in Seoul, whose application has so far been restricted only to traditional land evaluation. We conclude that, to maintain the sustainability of the urban landscape, it is necessary to develop a new urban planning framework for the region that is based on the integration between landscape ecology principles with the traditional concepts of Fengshui.     

Dead work: The construction and reconstruction of the Harlan Miners Memorial

In 1986, the Harlan County Jaycees club erected a monument to honor over 1300 local coal miners who had lost their lives on the job. In 1991, the Harlan County Fiscal Court demolished the original memorial and erected a new one on the same site. The following ethnographic account, based upon nine months of participant-observation research and interviews conducted with memorial sponsors, describes the events surrounding the construction and reconstruction of this memorial. The Harlan Miners Memorial, it is argued here, provides insight into the interplay between conflict and consensus which undergirds commemoration, generally. The author concludes that neither the Durkheimian perspective, which emphasizes social consensus and the collective conscience, nor the Marxian perspective, which highlights class conflict and ideological domination, adequately addresses the complex political dynamics and repercussions of this memorial.