Art as Propaganda: Bringing Du Bois into the Sociology of Art

We examine WEB Du Bois's writings about the arts in the NAACP journal The Crisis from 1910–1934 in order to construct a Du Boisian social theory of the arts. The key elements of this theoretical framework are: artists, money, freedom, organization, truth, beauty, and propaganda. The most surprising element is propaganda, which for Du Bois meant that art needs to address racial politics. There is a strong sense in Du Bois's writings that art can and should have socially transformative effects. Comparing Du Bois's work to current theories from the sociology of art, we find that Du Bois emphasizes the role of art in social change, while current work treats art primarily as a tool for social reproduction. We argue for expanding the theoretical toolbox of the sociology of the arts through greater consideration of Du Bois's propaganda concept.     

Simmel,rationalisation and the sociology of money

Simmel was born in 1858. Raised in the centre of the Jewish business culture of Berlin. Simmel studied history and philosophy, becoming a Privatdozent in 1885. Although he published numerous books and artickes, simmel was excluded from influential university positions as a result of the pervasive anti-Semitism of the period and it was bot until 1914 that Simmel was finally promoted to a full professorship at the University of Strasbourg. Like Durkheim. Simmel was both the object of anti-Semitic prejudice and a fervent supporter of the nationalist cause in the First World War. Simmel died in 1918 if cancer of the liver.¹ This basic and naïve factual biography of Simmel in many respects provides many of the themes in Simmel's sociology. First, his sociology is held to be the brilliant reflection of the glittering, cospospolitan world of pre-war Berlin and that his commentary on that world took the form of impressionism his sociological essays are snapshots sub specie aeternitatis”? simmel's perspective has been regarded as an example of the nature of modern society as contained in Robert Musil's The Man's Without Qualities. That is a social existence without roots, commitments or purpose.³ Secondly, Simmel was and remained a social outsider despite his good connections with Berlin's cultural elite. His writing has been as a result characterised as perspectivism and an aestheticication of reality. As an indication of this, Simmel's influence has in the past often rested on such minor contributions as‘The Stranger’⁴ Thridly, because Simmel failed to secure an influential location within the German university system, there was no development of the Simmelian school of sociology at all comparable to Durkheimain sociology. Decades of sociological interpretation of Simmel's work have still left Simmel as a theoretical enigma on the ambitus of the sociological tradition. His sociology has been categorised as interactionist, formal and conflict sociology.⁵ In more recent years there has been a renewal of interest in Simmel which has begun to show a greater appreciation of the unity and stature of his sociology. This renewal has been brought about by the cominentaries of Levine. Frisby, Robertson, and Holzner. ⁶ More importantly, the translation of Simmel's The Philosophy of Money⁷ by Bottomore and Frisby provides a new opportunity for a systematic evaluation of Simmel's sociology of modern culture. The main burden of this paper is that existing commentaries have failed to focus on the central theme of‘alienation’and‘rationalisation’in The Philosophy of Money which provided the major theoretical backing for on the one hand, Weber's analysis capitalism as the iron cage and on the other Lukács so-called rediscovery of the alienation theme in the young Marx.     

Revitalizing sociology: urban life and mental illness between history and the present

This paper proposes a re‐thinking of the relationship between sociology and the biological sciences. Tracing lines of connection between the history of sociology and the contemporary landscape of biology, the paper argues for a reconfiguration of this relationship beyond popular rhetorics of ‘biologization' or ‘medicalization'. At the heart of the paper is a claim that, today, there are some potent new frames for re‐imagining the traffic between sociological and biological research – even for ‘revitalizing’ the sociological enterprise as such. The paper threads this argument through one empirical case: the relationship between urban life and mental illness. In its first section, it shows how this relationship enlivened both early psychiatric epidemiology, and some forms of the new discipline of sociology; it then traces the historical division of these sciences, as the sociological investment in psychiatric questions waned, and ‘the social' become marginalized within an increasingly ‘biological' psychiatry. In its third section, however, the paper shows how this relationship has lately been revivified, but now by a nuanced epigenetic and neurobiological attention to the links between mental health and urban life. What role can sociology play here? In its final section, the paper shows how this older sociology, with its lively interest in the psychiatric and neurobiological vicissitudes of urban social life, can be our guide in helping to identify intersections between sociological and biological attention. With a new century now underway, the paper concludes by suggesting that the relationship between urban life and mental illness may prove a core testing‐ground for a ‘revitalized' sociology.     

More than just a product: Strengthening literature in sociological analysis

Contemporary sociology of literature is predominantly shaped by the research of literary production, which approaches literary works as black boxes and subordinates them to social interactions and institutions. Even sociologists who recognize usefulness of literature for its inner quality often look at literary texts as mere passive objects to be translated into sociological discourse. In proposing a new sociology of literature, I first briefly outline the history of sociological studies of literature; second, I introduce “the state of the art” in the sociology of literature; third, I explore the relationship between sociology and literature in more general terms; and lastly, I discuss approaches and ideas with the potential to become components of a new research program, which would be a powerful alternative to the mainstream paradigms in sociological studies of literature. Such a program would make it clear that sociology can greatly benefit from cooperation with literature when sociologists are sensitive to the subtleties and (especially aesthetic) specificities of literary works.     

The next enlightenment: aesthetic reason in modern art and mass culture

Taking as its point of departure the contested claim that Horkheimer and Adorno's Dialectic of Enlightenment conceptualizes a differentiated form of aesthetic reason, this essay explicates key properties of aesthetic rationality as it later was elaborated in Adorno's Aesthetic Theory. With these properties in view, it next compares modern artworks and film and discovers that aesthetic reason has taken up residence in mass culture. Adorno's confinement of aesthetic reason to modern art, and his insistence with Horkheimer that modern art and the rationality it entails are emasculated by mass culture, appear premature. As the host for aesthetic rationality, mass culture secures the rational content of modernity against the hegemony of instrumental reason. Through the increasing universalization of mass culture aesthetic reason achieves universality, placing us on the threshold of another enlightenment, an aesthetic enlightenment that would be the completion of modernity's as yet unfinished project.     

Looking at Digital Art: Towards a Visual Methodology for Digital Sociology

Over the last decade there has been a call for a new kind of sociological gaze, a digital sociology for a digital age. Has there been fundamental change in the key principles, the nature, and functions of social life in a digital age? In social and cultural theory, there is a long history of looking at how technology transforms art. In this article, I will use the medium of digital art to consider the unique nature of the digital age, the demand for a digital sociology, and the interrelated speculative imagination of such claims. Broadly situated within the sociology of art the methodological contribution of this article is to offer an analysis of artworks themselves, via the construction of a digital visual methodology. What digital culture, politics, and revealed in digital art? How can looking at digital art expand the tools for understanding digitally mediated lives?     

Symbolic meanings of prices: Constructing the value of contemporary art in Amsterdam and New York galleries

This article develops a sociological analysis of the price mechanism on the market for contemporary art. On the basis of in-depth interviews with art dealers in New York and Amsterdam, I address two pricing norms: one norm inhibits art dealers from decreasing prices; the other induces them to set prices according to size. To account for these pricing norms, I argue that price setting is not just an economic but also a signifying act: despite their impersonal, businesslike connotations, actors on markets manage to express a range of cognitive and cultural meanings through prices. Previously, meanings of prices have been recognized in signaling theories within economics. However, these meanings are restricted to profit opportunities. Within the humanities, by contrast, meanings of prices are restricted to contaminating or corrosive meanings. The sociological perspective I develop claims that prices, price differences, and price changes convey multiple meanings related to the reputation of artists, the social status of dealers, and the quality of the artworks that are traded.     

Maintenance work: Interrogating the sociology of art

The following article explores the different ways art sociologists investigate art that is based in the participatory arts. The aim is to shift the empirical focus to the art practice, which speaks for itself, and to place the work of the artist and all who cooperate or collaborate in the making of the artwork at the center of sociological analysis. By allowing the artist to speak fully about their work, art sociologists can uncover new social and cultural phenomena and better understand the different motivations underlying art-making. The following literature highlights the recent tendencies in the sociology of art, explores the “social turn” in art and presents different sociologists who focus on the art practice and the art’s voice. For further development of the field, I suggest the sociology of art needs to catch-up with the recent tendencies in art by placing the empirical focus on participatory art practices that will not only give us a better understanding about the intricate actions taking place in the art making, but it will also illuminate new layers of social life that are hidden. To conclude, I suggest that sociologists engage with participatory-based artists to enhance sociology through a public sociology of art.     

The idea of philosophical sociology

This article introduces the idea of philosophical sociology as an enquiry into the relationships between implicit notions of human nature and explicit conceptualizations of social life within sociology. Philosophical sociology is also an invitation to reflect on the role of the normative in social life by looking at it sociologically and philosophically at the same: normative self‐reflection is a fundamental aspect of sociology's scientific tasks because key sociological questions are, in the last instance, also philosophical ones. For the normative to emerge, we need to move away from the reductionism of hedonistic, essentialist or cynical conceptions of human nature and be able to grasp the conceptions of the good life, justice, democracy or freedom whose normative contents depend on more or less articulated conceptions of our shared humanity. The idea of philosophical sociology is then sustained on three main pillars and I use them to structure this article: (1) a revalorization of the relationships between sociology and philosophy; (2) a universalistic principle of humanity that works as a major regulative idea of sociological research, and; (3) an argument on the social (immanent) and pre‐social (transcendental) sources of the normative in social life. As invitations to embrace posthuman cyborgs, non‐human actants and material cultures proliferate, philosophical sociology offers the reminder that we still have to understand more fully who are the human beings that populate the social world.     

Franz Oppenheimer (1926), Die soziologische Staatsidee. (Die Eroberung) [The Sociological Idea of the State (The Conquest)]

F. Oppenheimer's System der Soziologie is a multivolume publication that contains a general sociology as a common basis for all social sciences; a theory of development; as well as specialized sociologies: sociology of the economy, of law, of the state, etc. Oppenheimer conceived sociology as a historically grounded universal science. Ibn Khaldun came into play in relationship with Oppenheimer's state theory. His approach directly built on Gumplowicz's “sociological state theory”. An overview on Oppenheimer's works shows that Ibn Khaldun was by no means the starting point of theorization on the state. We do not find any reference to him in an earlier publication, Der Staat (1912), that already contained the full elaboration of Oppenheimer's theory. Nevertheless, his reception of Ibn Khaldun is important: Ibn Khaldun was mobilized within the framework of a scholarly debate that was ongoing amongst European sociologists at the time, and whose key representative, Ludwig Gumplowicz, contributed significantly to his reception in the concerned period. In this context, Oppenheimer did not merely mention Ibn Khaldun in an encyclopaedic endeavor to present a complete overview on “precursors” of sociology, but as a representative and contributor to a theoretical approach which, Oppenheimer believed, they both shared.     

The sociologist and the state. An assessment of Pierre Bourdieu's sociology

This paper provides an assessment of Pierre Bourdieu's sociology based on a reading of his posthumously published lectures on the state in Sur l'État. It argues that the state was a foundational element in Bourdieu's rendition of the symbolic order of everyday life. As such, the state becomes equally pivotal in Bourdieu's sociology, the applicability of which rests on the existence of the state, which stabilizes the social fields and their symbolic action that constitute the object of sociology. The state, which Bourdieu considers a ‘meta'‐ordering principle in social life, ensures that sociology has a well‐ordered object of study, vis‐à‐vis which it can posit itself as ‘meta‐meta’. The state thus functions as an epistemic guarantee in Bourdieu's sociology. A critical analysis of Bourdieu's sociology of the state offers the chance of a more fundamental overall assessment of Bourdieu's conception of sociology that has relevance for any critical sociological perspective that rests on the assumption of a meta‐social entity, such as the state in Bourdieu's work, as a final ordering instance.     

Imagination laboratory: making sense of bio‐objects in contemporary genetic art

Public engagement in biotechnology has declined as cloning, genetic engineering and regenerative medicine have become socially and culturally normalized. Zooming in on existing bio‐technological debates, this article turns to contemporary genetic art as sites for ethical reflections. Art can be viewed as an ‘imagination laboratory’, a space through which un‐framing and rupturing of contemporary rationalities are facilitated, and, in addition, enabling sense‐making and offering fantastic connections otherwise not articulated. In this article, the framework of ‘bio‐objectification’ is enriched with Bennett's (2001) notion of enchantment and the importance of wonder and openness to the unusual, in order to highlight alternative matters of concern than articulated through conventional politico‐moral discourse. Drawing on a cultural sociological analysis of Eduardo Kac's Edunia, Lucy Glendinning's Feather Child, Patricia Piccinini's Still Life with Stem Cells and Heather Dewey‐Hagborg's Stranger Visions, we discuss how the intermingling of art, science, critics, art historians, science fiction, internet, and physical space, produce a variety of attachments that this article will unpack. The article demonstrates that while some modern boundaries and rationalities are highlighted and challenged through the ‘imagination laboratory’ of the art process, others are left untouched.     

Back to Hegel? On Gillian Rose's critique of sociological reason

Thirty‐five years ago, Gillian Rose articulated a significant critique of classical sociological reason, emphasizing its relationship to its philosophical forebears. In a series of works, but most significantly in her Hegel contra Sociology, Rose worked to specify the implications of sociology's failure, both in its critical Marxist and its ‘scientific’ forms, to move beyond Kant and to fully come to terms with the thought of Hegel. In this article, I unpack and explain the substance of her criticisms, developing the necessary Hegelian philosophical background on which she founded them. I argue that Rose's attempted recuperation of ‘speculative reason’ for social theory remains little understood, despite its continued relevance to contemporary debates concerning the nature and scope of sociological reason. As an illustration, I employ Rose to critique Chernilo's recent call for a more philosophically sophisticated sociology. From the vantage point of Rose, this particular account of a ‘philosophical sociology’ remains abstract and rooted in the neo‐Kantian contradictions that continue to characterize sociology.     

Toward a Sociology of Nature

Although we often believe that nature stands apart from social life, our experience of nature is profoundly social. This paper unpacks this paradox in order to (1) explain sociology's neglect of the environment and (2) introduce the articles in this special issue on “the sociology of nature.” I argue that sociology's disinterest in the biophysical world is a legacy of its classical concern with tracing society's “Great Transformation” from gemeinschaft to gesellschaft: while early anthropologists studied “primitive” societies that allegedly had not yet completed “the passage from nature to culture” (Lévi‐Strauss 1963 : 99), pioneering sociologists presumed that industrialization and urbanization liberated “modern” society from nature and therefore focused their attention on “urbanism as a way of life” (Wirth 1938 ). As exemplified by the articles in this symposium, environmental sociology critiques the nature‐culture and town‐country dualisms. One of environmental sociology's core contributions has been demonstrating that nature is just as much a social construction as race or gender; however, its more profound challenge to the discipline lies in its refutation of the sociological axiom that social facts can be explained purely through reference to other social facts. “Environmental facts” are a constitutive feature of social life, not merely an effect of it.     

Social explanation and socialization: on Bourdieu and the structure, disposition, practice scheme

The standard narrative of the sociology of education accounts for the perpetuation of relative differentials in class access to education by a structure‐disposition‐practice scheme in which the central explanatory weight is carried by properties of socialized agents. The dominant scheme of this kind is now that inspired by Bourdieu. In this context, it is, therefore, appropriate to interrogate the competence of socialization in sociological explanations of social events and processes. The argument adopts a position of scientific and critical realism, and it is suggested that a realist sociology might find in Bourdieu's approach, notwithstanding specific theoretical and conceptual weaknesses, a framework strong enough to sustain the multilevel explanations of inequality/difference necessary in the sociology of education.     

A Troubling Presence: Indigeneity in English‐Language Canadian Sociology

Over the past decade Canadian sociology has engaged in spirited debates on the sociology of sociological research, but it has barely begun to address its relation to Indigenous theorizing, scholarship, and politics. How does the discipline deal with the settler colonial history and current realities of Indigenous social lives, and where is the place in our field for Indigenous voices and perspectives? Drawing on Coulthard's politics of recognition and Tuck's damage‐centered research, we present here the first systematic empirical analysis of the place of Indigeneity in the Canadian Review of Sociology and the Canadian Journal of Sociology. We situate the presence of Indigeneity in Canadian sociology journals in the sociopolitical context of the time, and examine how imperialism, statism, and damage are oriented within the two journals. Most importantly, we challenge the silence in the discipline's intellectual frames and research programs with respect to Indigenous theorizing about the social world.     

People with sight impairment in the world of visual arts: does it make any sense?

Abstract

The article describes an educational and artistic project in Poland where individuals with sight impairments could learn more about visual arts through guided city tours around their greatest monuments, appreciation of art pieces and meetings with artists. During workshops, they could test their own artistic skills by creating tactile drawings, pottery sculptures, photographs and tactile picture book. The effects of their attempts were presented in a temporary exhibition in the contemporary art gallery (with an associated educational program). The exhibition was a significant experience both for the artists with visual impairments and the visitors. Through analysis of the structure and content of the artworks, the gallery visitors could understand more about the situation of people with sight impairments as they struggle with everyday tasks and how creative they are.     

Researchers Behind Policy Development: Comparing ‘Age-Friendly Cities’ Models in Quebec and Wallonia

Based on a reflexive method, this article explores the roles of researchers behind Age-Friendly Cities and Environments. Referring to Michael Burawoy's division of sociological work (professional, critical, policy and public sociology), it is structured around the international comparison of two empirical case studies: Walloon region (Belgium) and Quebec (a province of Canada). While the first case shows some difficulties faced by a limited policy sociology perspective with little room for research, the latter presents a more developed public sociology approach with larger involvement from research. If both cases started with policy links, the latter presents a special interest for praxis, through knowledge transfer as an ongoing public dialogue. Based on this comparison, the article concludes with a twofold use of praxis: on one side – knowledge in action – a public sociology position offers an original perspective on what AFC/AFE may mean and produce to avoid a limited field of actions focusing only on some stakeholders or advocates for older people. On the other side – action in knowledge – policy and public sociology question professional and critical sociology facing AFC/AFE programmes: is a purely academic knowledge of such a programme epistemologically realistic or should it necessarily be empirically fuelled?     

Philosophical affinities of postmodern sociology

Both the nature of philosophical and sociological discourses are undergoing a profound change, attuned to the gradual substitution of the postmodern sensibility for the cultural climate dominant during the modern age. In particular, philosophy sustained by legislative reason recedes, replaced by a philosophical style informed by interpretative reason; a movement in many respects reminiscent of the Pyrrhonian Crisis of the 16th–17th centuries. The passage from the orthodox consensus of modern sociology to a postmodern sociological strategy parallels this transformation. The present change, however, affects the very relationship between philosophy and sociology. From the search for the foundations of cognitive certainty, the outspoken domain of philosophy guided by the legislative reason, epistemological concerns move to the communicative problems of communally founded cognitive systems - the acknowledged realm of sociological investigation.