Gender,visuality and violence: visual securitization and the 2001 war in Afghanistan

Visual securitization (the discursive processes by which images are assigned security implications) is integral to understanding how war and political violence is made possible. However, its insights have yet to be coupled with feminist international relations (IR) scholarship, which is alert to the connections between gender and (in)security. This article synthesizes these two research areas through Lene Hansen’s (2011) framework of visual securitization to investigate the gendered logics that underpinned the 2001 war in Afghanistan. By analyzing 123 photojournalistic images alongside American media texts and foreign policy discourse, I argue western images of Afghan women enacted a specific visuality through which they became constructed as a legitimate matter of security. The article makes two important contributions through this analysis. Firstly, it extends feminist understanding of the war in Afghanistan by demonstrating how the interplay between the visual and textual, and the gendered and racial logics operating within such interplay, visually produced Afghan women as a referent object of security. Secondly, this argument illustrates how gender can be critical in enabling the acceptance of visual securitizations, and how such securitizations can be enacted through gendered representations of insecurity and threat.     

Visually Assessing the First Lady in a Digital Age: A Study of Michelle Obama as Portrayed by Journalists and the White House

In a digital age in which the First Lady’s image is captured and disseminated by many different outlets, this article proposes the development of a coding instrument using Goffman’s (1979) gender displays as a new method for exploring the visual frames of the First Lady. Given the manner in which photographs are disseminated via the Internet by both official and journalistic sources, this new coding instrument takes into consideration the different vantage points that these image capturers have. Until recently, visual gender display frames of the First Lady from differing outlets have not been easily studied separately, given the fact that images disseminated by the White House had to go through the journalistic gate prior to dispersion. Ultimately, the study of photos of the First Lady as she appears in the “media” was mixed and confounded journalistic and official framing. The Internet has changed all of this and opens opportunities to study these framing sources separately. As a test of a new coding instrument to study these different framing sources, this article assesses Michelle Obama in her gender portrayal from two different framing sources: journalists and the White House. This visual content analysis demonstrates and supports the use of a new context-independent coding instrument, borrowing from Goffman’s gender displays as a method for visually studying the First Lady.     

CCTV oddity: archaeology and aesthetics of video surveillance

The paper narrates #OCTV – an art installation, performance and hacktivist project – the authors presented at the International Visual Sociology Association annual conference (Goldsmiths 2013). The installation used networked CCTV cameras and affordance of digital media to make surveillance space visible, beyond its representational value. It played with the co-constitution of the surveillance images through technologies, cultural practices, and ethics. The paper suggests the visual work of CCTV cameras is contextual to the specific configuration surveillance ecology takes. It proposes art projects as critical methodology for unpacking the social construction of the digital image. As a consequence, it recognises the challenges of using once-upon-a-time ethics forms with regards to ecologies of the visual. Instead, it suggests an ethical and political tension which should follow research ‘data’ during the lifetime of the project, and possibly in the ecologies yet to come.     

Queer visual pleasures and the policing of male sexuality in responses to images of David Beckham

Since he stepped out in a sarong in 1998, David Beckham's sexuality and gendered image has been a popular topic of discussion in the media. He has also attracted academic attention for the expanded range of masculinities he seems to represent. Some academic studies of Beckham have employed ‘queer theory’ to analyse the destabilising of gender that his public presentations seem to embody but little attention has been paid to the specifically visual dynamics of images of Beckham. In this essay, I take Sam Taylor-Wood's David (2004) as a starting point to suggest the types of visual pleasure that images of Beckham might be seen to offer to both male and female audiences. For the remainder of the essay I focus on an Armani male underwear advertisement from the 2007–2008 campaign. Informed by discourse analysis and queer theory, I identify a set of ‘queer’ responses to the advertisement, suggesting they represent the ‘policing’ of male sexuality, which often accompanies potential signifiers of homoeroticism. I conclude by considering how and why Beckham has retained his status as a heteronormative masculine icon despite his continued appearance in homoerotic images.     

Bounded Explorers: Online Constructions of Solo Women Travelers

Women have navigated the world with much less freedom than men—with restrictions particularly great for their solo, or independent, travel. Although much research documents women’s experiences of these constraints, less is known about travel media’s framing of women as solo travelers—with online media an especially neglected research area. Drawing on a leisure constraints perspective, our study examines differences in online travel articles (n = 100) targeting solo women versus men. Resonating with this perspective, as well as the findings of studies examining women’s actual travel experiences, our findings reveal a framing of women as “bounded explorers,” constrained in their solo travel by the emotional, social, and behavioral burdens imposed upon them, hinging on their perceived vulnerability and men’s perceived dangerousness. We find two processes through which women are constructed in online travel articles as bounded explorers—creating negative expectations and encouraging vigilant risk avoidance. As one of the first studies to examine cultural representations of solo travelers in online media, our research provides further evidence of gendered constraints in leisure by revealing the framing in travel articles of women as more bounded than men—a framing that may, in turn, have implications for women’s experiences in the realm of leisure and perhaps beyond.     

New soldiers and empty boys: imaging traumatic memory

This essay reconstructs one important context for images published by the Vietnam Veterans Against the War (VVAW): the testimonial practices of anti-war veterans. First in small rap sessions, and then in unofficial public hearings, anti-war veterans recollected their war experiences in an effort to inform civilians about the US war in Vietnam, and mobilise them to oppose it. Photographs of introspective veterans – lost in memory – provide a visual idiom for the experience of ‘flashing back’ that was the basis for veterans’ testimony. If these photographs signify the central role of self-reflection in veterans’ anti-war organising, they also imply a distrust of graphic war photography – both images disseminated by the mainstream media and atrocity photographs taken by soldiers themselves. Anti-war veterans worried that war photographs catered to a consumerist appetite for intense, vicarious experience and provoked only a fleeting sense of revulsion. Compounding this distrust of graphic imagery was the circulation of war souvenirs, atrocity photographs taken by soldiers of their dead and wounded victims. Exploring portraiture as an alternative to photojournalism, this essay situates images of introspective veterans in relation to the pioneering activism of the VVAW and allies them with images produced by other activists working in the visual field, focusing on Martha Rosler’s ‘Empty Boys’.     

A Christmas Tree in Flames and Other – Visual – Stories: Looking at the Photojournalistic Coverage of the Greek Protests of December 2008

In December 2008, the killing of a fifteen-year-old boy by the Greek police triggered the country's worst civil unrest in decades and an outbreak of rage and violence, which turned into a wider protest expressing deep popular discontent and frustration with ageing problems in the country. Through a content analysis of themes appearing in eight media of different genre and political orientation, and using solely images as units of analysis, this paper examines the visual framing of these protests and its function in the public screen. The findings show that two frames are used to imply a distinction between Us (as normal citizens who protest peacefully) and Them (as ‘hooded hooligans’ who protest violently).     

Dressing up Tinderella: interrogating authenticity claims on the mobile dating app Tinder

Mobile dating applications (‘apps’) have increased in popularity over recent years, with Tinder among the first to break into the mainstream heterosexual market. Since mobile dating intensifies the need to confirm that potential dates are not misrepresenting themselves and are safe to meet in person, Tinder’s success indicates that it has allayed these concerns regarding the authenticity of its users. This article combines Giddens’ conceptualization of authenticity, as the ability to reference a coherent biographical narrative, with Callon’s sociology of translation to investigate Tinder’s framing of authenticity within mobile dating. Applying a walkthrough method that interrogates Tinder’s technological architecture, promotional materials, and related media, this hybrid theoretical framework is used to identify how Tinder configures an actor-network that establishes its app as the solution to users’ concerns, enrols individuals in using its features in authenticity claims, and popularizes Tinder’s framing across public discourse. This network of human and non-human actors frames authenticity as being established through one’s Facebook profile and adherence to normative standards relating to age, gender, ethnicity, and socio-economic status. However, user discourses on other social media identify and challenge negative outcomes of this framing, with normativity fostering discrimination and Facebook verification failing to prevent abusive behaviour. This case study of Tinder paves the way for future investigation into user responses to its framing. Furthermore, it demonstrates the efficacy and broader applicability of this theoretical approach for identifying both human and technological influences on the construction of authenticity with digital media.     

How China’s flagship news program frames “the West”: Foreign news coverage of CCTV’s Xinwen Lianbo before and during Xi Jinping’s presidency

This study investigates how Xinwen Lianbo, a prestigious TV news program and a key propaganda tool of the Chinese Communist Party, framed a bloc of Western countries in its foreign news coverage in the period 2010-2015. The results of the content analysis performed in this study revealed that mixed and diverse images of the West were portrayed by the program. Interestingly, significantly more negative frames of these countries were identified after Xi Jinping took office in late 2012, which signaled a pivotal event in terms of China’s foreign policy. However, Xi’s speech to Chinese media workers on 19 August 2013 did not have additional effects on the program’s framing of the West.     

Visual studies of rural life

In the last 20 years the notion that images overpower words, and the belief that a decreasing lexical literacy among the young has been offset by an increasing visual literacy, has been repeated often enough to become accepted wisdom. Yet the precise nature of visual literacy among the young and the relationship between visual competencies and the notion of media literacy have not been fully explored or adequately specified. Concepts of visual literacy and media literacy are unproductively conflated, and visual competencies are too often assumed on the part of those that exhibit familiarity with media culture. This essay compares and analyses notions of visual competence and media literacy and argues that: (1) a cultivated awareness of the production of visual forms and characteristics, and their implications, is necessary for what has been described in the literature as ‘media literacy’; and (2) the acquisition of visual analysis skills pre‐requires a broader operational context of media literacy. Through an examination of images from religious painting to news coverage the article argues that visual competencies and media literacy skills may, indeed, be mutually dependent.     

The millstone of popular culture: Competing with the commercial mass production of cultural imagery

Visual sociologists and anthropologists attempting to create representations of social communities and cultural groups inevitably do so within a context of competing cultural images manufactured by the popular mass media. Thus, in order for sociologists and anthropologists to use visual media effectively and make an instructive contribution to our knowledge of culture and society they must operate with the fullest possible awareness of popular culture and media practice. It has become the task of visual social scientists to acquire an intimate knowledge, not only of the subject matter they hope to illuminate, but of the media through which they intend to represent it, for more than ever, the visual media is not just a tool for the study of culture but an integral part of the culture we study.     

Framing Immigration News in Spanish Regional Press

In this paper, an exploratory content analysis has been developed for a case study on the topic of immigration reported in the regional newspapers of the largest Spanish autonomous community, Castilla and Leon. This study based its research conceptualization on the framing theory in mass communication. In addition to usual issue frames and issue images, two framing devices were established for analytic variables ‐‐ the index of importance and the index of affective attribute. They formed a frame package capable of making latent frames evident by their linkage to manifest frames. Comparing to the general assumption of relevant‐bad‐news production, results obtained in this study proved that, on occasion, negative news stories could be reported as less relevant than the positive ones. The outcomes also show how concept mapping of frames was applicable to immigration issues and immigrants’ visual aspects of immigrant communities that were systematically articulated and disseminated by the press in this regional society of Spain.     

The first lady of social media: The visual rhetoric of Michelle Obama’s Twitter images

While American first ladies have long used media to craft their image, Michelle Obama is the first contemporary first lady to use social media to promote her public persona. We use the lens of symbolic convergence theory to explore the fantasy themes incumbent in images shared through Michelle Obama’s Twitter account. Since first ladies have long been perceived as representing the American “everywoman,” understanding the fantasies built into the social media image of the first lady extends knowledge about the perception of American women more broadly. Our findings indicate that Michelle Obama’s Twitter images are strategic in that they reflect the visual themes that the media traditionally use in their coverage of first ladies. Specifically, Michelle Obama’s social media messaging portrays her as an activist mother—who espouses noncontroversial causes such as education and children’s health—and a nonpartisan figure with deep familial ties.     

Intercultural praxis: Australian diploma of early childhood education preservice teacher visual literacy comparisons between Australia and Vietnam

ABSTRACT

This research investigates an intercultural praxis approach to using visual research methods, in Australia and Vietnam, with preservice teachers in a Diploma of Early Childhood (DEC) course. The paper results from limited research with DEC preservice teachers exploring the development of intercultural praxis and limited research in teaching whilst using visual images (photos). The methodology is supported by using Bennett’s developmental continuum for intercultural sensitivity and draws on sociocultural theories to consider how these DEC preservice teachers’ histories and situational contexts are relevant in understanding the development of intercultural communication. Mixed methods include a comparative analysis of student-produced visual multiliteracy images (photographs) generated in Australia and Vietnam, during 2015 and 2016, annotations on those photos and interviews with two cohorts of students (n = 27) six months after their experiences in Vietnam. Analysis is reinforced with Sorrells’ intercultural praxis framework to understand students’ capacity to use inquiry, framing, positioning, and dialogue processes as a result of their study tour to Vietnam. The paper outlines and reinforces the importance of being explicit in developing intercultural sensitivity in dynamic teaching contexts and illustrates the increasing awareness of intercultural communication with these DEC students.     

Hashing it out: an examination of the interaction of image and headline frames of marijuana in a time of flux

The perception of marijuana in the contemporary move towards decriminalization and normalization in the United States and elsewhere will be affected by the manner in which the media visually and textually portray the drug. This study examines the visual and headline framing of marijuana prior to and following legalisation in Colorado, concentrating on issue framing and the valence or tone of visuals, words and their interaction. Results reveal different valences and issues amongst outlets and across time, and show complex and sometimes conflicting pairings of images and text. Neutral news outlets, while seemingly most neutral in image and in headline, were more slanted when pairing images with headlines, although they most frequently paired neutrally toned headlines with neutrally toned images. On the other hand, liberal and conservative news outlets most frequently showed neutrally valenced images with neutrally valenced headlines. While neutral news outlets may be lauded for presenting issues in a neutral tone, they are sending more mixed messages, visually, than the other outlets. Mostly framed as a political issue, marijuana was also heavily emphasised by its criminal and medical aspects. However, conservative news outlets presented its criminal aspect more than the other outlets.     

The Syrian corpse: the politics of dignity in visual and media representations of the Syrian revolution*

This essay explores the material, phenomenological and political meaning of the Syrian corpse and the question of its dignity as represented in a series of media and visual outputs from 2011 to the present. The essay begins by arguing that the violence in Syria now targets the dead as much as the living. As such, the essay highlights the forms of ‘necroviolence’ that the Syrian corpse has been subjected to: mistreatment, erasure of markers of identity, denial of burial, mutilation and ultimately an attempt to erase it from memory. The essay concludes by arguing that the Syrian corpse is not merely the passive subject or victim of ‘necroviolence’ but can also become the paradoxical agent of what we might call ‘postmortem resistance’.     

GEEZERS,GREED, GRIEF,AND GRAMMAR: FRAME TRANSFORMATION IN THE NURSING HOME REFORM MOVEMENT

This study examines research on framing processes in the senior rights movement under the veil of social constructionism. It focuses on the emergence of the nursing home reform movement that led to the formation of the National Citizens' Coalition for Nursing Home Reform (NCCNHR) and the passing of the Omnibus Budget Reconciliation Act of 1987. The research uses content analysis to examine data from six major U.S. newspapers to examine media images of the NCCNHR. Findings suggest that a frame transformation process has countered a recent period of abeyance in the nursing home reform movement. The analysis of media images of the NCCNHR contributes to social movement research examining framing processes and abeyance.     

The public is personal: reflections on the ethical dimensions of selfie research

Derived from the standards of feminist qualitative research, this methodological reflection develops ‘the public is personal’ as a mode of critical awareness for visual culture researchers working with social media data such as the selfie. Against the prevalent logic of ‘but the data is already public’, this paper draws on empirical and theoretical insights to argue that the publicness of digital data is no indication of an individual’s consent to its use in contexts beyond how they originally intended. Rather than treating digital data as purely metric or divorcing it from its creator, researchers must be cognisant of the complex negotiations of privacy, agency, and subjectivity such artefacts represent. By centring the person behind the data, ‘the public is personal’ asserts the qualitative dimensions of publicly available digital data as key ethical considerations which defy generalities and require adaptive, reflexive responses.     

Editorial

This introductory article provides an overview and theoretical anchor for the following contributions in this special issue. The article discusses, first, the necessity for introducing a new research paradigm – ‘visual competence’ – in the social sciences (anthropology, communication science, media and social psychology, political science, sociology), arguing that the actual transformations of reality triggered by processes of globalisation and digitisation require a closer scrutiny of the visual. In a second step, the new paradigm ‘visual competence’ is introduced, focusing on four dimensions: visual production, perception, interpretation and reception competencies. A new model, the visual competence cycle, is suggested. The article concludes with a specific application example for studying visual interpretation competence in a case study of the humanising and de‐humanising effects of portraiture.     

The saga of the Crown Pilot: framing,reframing, and reconsideration

In 1996, Nabisco discontinued production of its longest running product, the Crown Pilot cracker. This move prompted public protest and subsequently garnered widespread media attention. Based on the sustained news coverage and a barrage of telephone calls, e-mails, and letters, Nabisco eventually relented and resumed production of the Crown Pilot.This case study focuses upon the “frames” used in the media coverage to help audiences interpret news stories about the Crown Pilot situation. The research attempts to explain how the public relations efforts of both the protesters and Nabisco influenced the framing. Because framing choices are among the most critical strategic decisions in the public relations process, the study has ramifications for public relations researchers interested in the concept and practitioners concerned with publicizing a variety of issues.