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1.
This article examines discourses of trauma and affective labor in the emergence of trauma training in US journalism. In a body of training texts and films used in US journalism schools, crime and disaster journalism are being refigured as affective encounters between reporters and victims; in the process, training builds a language of trauma that describes and models the news making process as potentially reparative: as an epistemological meeting point between existing knowledge of social traumas and a training apparatus that enables constructs of trauma to do the cultural production of news differently. Rather than treat the emergence of trauma training initiatives as further evidence of the hegemony of therapeutic politics, I draw from Eve Kosofsky Sedgwick's calls for reparative critique, in which transformations in the process of news production may reveal the work of affective labor and its emotional intensities as key, but often unacknowledged, features of cultural production. Analysis of training films and manuals in these curricula, on the one hand, shows their attachments to a medical discourse of trauma that borrows language and constructs from the trauma science literature, replicating forms of referentiality between wounded bodies and traumatized psyches. However, their translation into representational practices and modes of conduct for reporters – as witnesses to others' testimonies – also pose ways of understanding the burdens and affective responsibilities professions like journalism increasingly bear for displaying and interpreting social change and political upheaval.  相似文献   

2.
Compared to job‐specific conditions, the interpersonal context of work has received less attention from work–family scholars. Using data from a 2007 U.S. survey of workers (N = 1,286), we examine the impact of workplace social support and interpersonal conflict on work–family conflict and exposure to boundary‐spanning demands—as indexed by the frequency that workers receive work‐related contact outside of normal work hours. Findings indicate that workplace social support is associated negatively with work‐to‐family conflict, while interpersonal conflict at work is associated with higher levels of work‐to‐family conflict. Results also indicate that both supportive and conflictive work contexts are associated with more frequent exposure to boundary‐spanning demands. However, workers in supportive contexts are more likely to appraise these demands as beneficial for accomplishing work tasks, and are less likely to appraise them as disruptive to family roles. By contrast, workers in conflictive contexts are more likely to appraise demands as disruptive to family roles, and are less likely to appraise them as beneficial for paid work. Consequently, our findings underscore the resource and demands aspects of interpersonal work contexts and their implications for the work–family interface.  相似文献   

3.
Through ethnographic and archival research centered in Jaffa, this article analyzes how the image of the Jewish-Arab mixed city has been represented and (re)produced in the Zionist historical imagination since the establishment of the state of Israel to the present. Vacillating between romantic historicity and political violence, the image of Jaffa poses a political and hermeneutic challenge to the territorial project of urban Judaization, which ultimately failed to define and establish the national-cum-cultural identity of this “New-Old” city. This failure, I argue, results in a persistent pattern of semiotic ambivalence which, from the Jewish-Israeli point of view, positions Jaffa both as a source of identity and longing (in the distant past) as well as a symbol of alterity and enmity (in the recent past)— an object of desire and fear alike. As such, Jaffa and other ethnically mixed towns (including Ramle, Lydda, Haifa, and Acre) occupy a problematic place in Israeli and Palestinian political and cultural imagination. A bi-national borderland in which Arabs and Jews live de facto together, these cities bring to the fore, on the one hand, the paradox of Palestinian citizens in a fundamentally Jewish state, while simultaneously suggesting, by the very spatial and social realization of “mixed-ness,” the potential imaginary of its solution. Unfolding through four distinct historical modalities of urban Orientalism, this article historicizes the highly politicized image of the Jewish-Arab city and the discourse on its future. These discursive formations reconfigured the public space that enabled, paradoxically since the October 2000 events, new political claims for equal citizenship, bi-national cooperation, and Palestinian presence.  相似文献   

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This article explores the representation of victimhood in political discourse and the relation between victimhood, identity, and political agency. The empirical material is drawn from the early days of the Northern Ireland conflict and covers the debate on internment that was in operation from August 1971 until December 1975. Both those supporting and those opposing internment drew on images of victimhood—images that were vital in the construction of legitimacy and political agency. First, the rendering of detailed stories of individual suffering and victimhood produced compassion and empathy—features legitimising the different approaches. Second, the construction of victimhood involved mechanisms of inclusion and exclusion, creating “we-them” dichotomies, producing “collectives of victimhood,” which in many cases worked as a platform from which political agency could be voiced. And third, the construction of victimhood produced political truths. The victim was given a particular status embodying a particular moral integrity to determine the truths about “what had really happened,” a status that made the victim a vital agent in the political battle for “the hearts and minds.” The article stresses the importance of studying the representation of victimhood within particular historical contexts and demonstrates the complex and ambiguous effects of the representations of victimhood in violent political conflicts. The examination shows that victimhood has both humanising and dehumanising effects and, depending on the contextual framework, victimhood can create confidence, empowerment, and agency, but also disempowerment and passivity.  相似文献   

6.
Far-right political party support in Western Europe has been examined primarily in terms of the men who constitute the majority of party membership. However, few have examined why women are less likely than men to be drawn to these movements. This article attempts to bridge the quantitative–qualitative divide and assess what brings women to support the far right. Looking at five European countries using the 1999–2002 World Values Survey, results indicate that men have a slightly higher propensity to vote for the far right. This gender gap cannot be explained by value differences, but is partially a result of differences in men's and women's occupational location. Thus, this article provides some support to Mayer's contention that women's support of the far right is largely to do with their being less likely than men to be employed in blue-collar work.  相似文献   

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The golden age of Yoruba folk opera, Yoruba travelling theatre, and Yoruba theatre is over and the brightly coloured trucks carrying the companies that cruised the Nigerian Federation up to the middle of the 1980s have certainly long since been dismantled. Although many actors, musicians, and directors have indeed moved from theatre to the flourishing home-video industry, a community of actors continues to present live performances that can be categorized as “neotraditional.” This genre of Yoruba theatre is undergoing a crisis in the context of an unrelenting economic recession in Nigeria that began in the early 1980s. This situation has released tensions that lead to a real and sadly all-too-justifiable sense of insecurity and to proliferating accounts of witchcraft attacks. The outcome has been a rise in violence manifested in the unleashing of the powers of witchcraft and enflaming relations between small rival groups hitherto unified under the sway of a salaried and—at least until the beginning of the 1980s—optimistic middle class. Yoruba neotraditional theatre that represents deities on stage that belong to “an invisible world” is playing with fire and, by conjuring up the powers of witchcraft, has in turn itself been bewitched.  相似文献   

9.
Adam Katz 《Cultural Studies》2013,27(3):423-447
This article examines the work of Primo Levi, with a focus on the tensions between ‘witness’ and ‘public intellectual’ in Levi's work. It analyses the notion of ‘gray zones’ in Levi's writings, where it functions as a way of indicating transformations in political action and public discourse in the wake of Auschwitz: most importantly, the Nazi genocide undermined the position of ‘spectator’ crucial to liberal discourse by implicating the spectator as a ‘bystander’. The study goes on to discuss the concepts of ‘work’, ‘science’ and ‘intellect’ in Levi's writing, showing how these categories reflect Levi's ultimately unsuccessful struggle to uncover a mode of political thought and public intervention adequate to the changes in political space of which the ‘gray zone’ is symptomatic, i.e. a condition of universal complicity and powerlessness. It concludes that implicit (and undeveloped) in Levi's thought is a set of ‘aesthetico-political’ presuppositions concerned with the articulation of founding, legitimacy and judgement. These presuppositions challenge the reliance of emancipatory discourses upon subjectivity and the logic of self-determination, indicating the need for a politics based on ‘pedagogical accountability’. Resisting the postmodern logic of ‘testimony’, which emerges in the gap between universal claims and their performance and hence dismantles the ‘outside’ as a space of judgement, i.e. the determination of the legitimacy of actions, the politics of pedagogical accountability grounds such an outside in the conjoining of power, responsibility for the world and boundary thinking. This space ‘outside’ ideology and the circulation of subjectivities emerges via resistance to the specifically ‘anti-political’ violence pervasive in late capitalism, and through the clarification of the distinction between this mode of violence and that (‘pre-political’) violence aimed at ‘subjects’.  相似文献   

10.
Activists who take up the cause of marginalized and discriminated cultural groups often find themselves in an ambiguous position in relation to the very people whose interests they seek to represent. Inspired by the ideas of multiculturalism, minority advocates turn the cultural identity of marginalized and discriminated minorities into the central focus of a political struggle for recognition. By so doing, however, they construct a particular sectional minority identity that not only fails to give full expression to individual identities, but is usually also “stigmatized” in the sense that it is popularly associated with standard stereotypical images and negative characteristics. This article identifies this ambiguity in contemporary projects of minority rights advocacy aimed at redressing the social and economic grievances of the Roma in Central Europe. It shows how activists in the articulation of their claims rely on essentialist assumptions of Romani identity. While these minority rights claims resonate well in international forums, they also run the risk of reifying cultural boundaries, stimulating thinking in ethnic collectives, reinforcing stereotypes, and hampering collective action. By reviewing some of the recent literature on multiculturalism in social and political theory, this article explores ways of dealing with this ambiguity. It concludes that minority advocacy for the Roma can avoid the tacit reproduction of essential identities by contesting the essentializing categorization schemes that lie at the heart of categorized oppression and by foregrounding the structural inequality that drives political mobilization.  相似文献   

11.
The article questions abstract concepts like lieux de mémoire, invented tradition and imagined communities linked to a concrete field of research. It reconstructs structures and practices of the cultural representation of mythical narrations in symbolic and social spaces. The case of a rural community in Austria after World War II shows that the encoding and decoding of a heroic saga is embedded both in the macro structures of the economic and political reconstruction of the Second Republic and the micro structures of the local festive culture. In the late 1940s, the supply of the narration, a variation of the German National myth of Herman the Cheruskian, met the demand of the majority of the villagers, above all the male inhabitants. In the 1950s, the market of cultural representations had changed: the hero of village memory became a relic of village history.  相似文献   

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