Bridges

ABSTRACT

This article explores the relationship between the thinking, feeling, moving body, and a city's industrial architecture. It takes as its fieldwork site the Brooklyn, Manhattan, Williamsburg and 59th Street bridges that dominate downtown New York, and uses this to present an ethnographic understanding of lived experience as a continuous sensory exchange between mind, body, and world. New York's bridges, towering 300 feet into the air and 7,000 feet across, established a new sense of scale against which citizens could compare their finite, organic bodies. The article draws upon a practice-based research project, New York Stories, for which I recorded more than a hundred interior dialogues of random strangers as they moved around the city. People's movement across bridges, reveals them to be complex sites of perception, sensation, and experience, which generate ongoing streams of interior dialogue ranging from the trivial to the tragic. For when walking across a bridge people are no longer attached to the land or part of the city but are instead partially in the sky above the water, “making strange” the sense of being on the ground, and subjecting people to various delirious effects including vertigo, flying, and falling, before reaching the other side. It is a story told through words and images in the form of a photo-essay with accompanying text that derives from the practice-based ethnography that is also available in video and audible form online.     

The Flesh and the World: Intercorporeal Body-selves,Ageing and Dancing

ABSTRACT

In this paper I address the role that embodiment, embodied consciousness and what can be termed “extradiscursive” experiences such as body memory and ekstasis as a form of ecstatic experience assume in understanding the body-self of mature dancers. I argue that the body-self of the dancer becomes increasingly intersubjective in maturity through her/his bodily practice, and that this can be understood in terms of the notions of intercorporeity, and of the “flesh” derived from the phenomenology of Merleau-Ponty. I argue that ways of manifestation of intercorporeity in bodily experience are discursively elusive, drawing on two forms of bodily experience—body memory and ekstasis—and examining experiences narrated by mature dancers who were interviewed in my Ph. D. study on ageing, gender and dancers' bodies. I contend that the experience of ekstasis is the “glue” of a corporeal subjectivity that transforms itself through momentary identification with the world, that calls on the invisible as well as the visible. Body memory also challenges Western dualist conceptions of consciousness and bodily experience, and is more easily aligned with Eastern understandings of consciousness as embodied. Finally, I suggest that the concept of body memory is useful for imbuing the body-subject with a cohesion and authenticity through the body's capacity for nonconscious remembrance of movement through a proprioceptively stored “body history,” which enables the constitution of a coherent body-self in older age.     

A synaptic common sense? McLuhan’s tactility and electronic media rhythms

In Understanding Media, Marshall McLuhen proposed that tactility would eventually become a determining factor in electronic media, leading to the formation of a new kind of “common sense.” This article investigates whether by exploring this idea we are able to arrive at an alternative theoretical framework for understanding tactility, a framework that avoids the tactile-optic distinction and the understanding of tactility as a sensation primarily innervated through the bodily part of the hand. McLuhan’s notions of “acoustic space” and “contraction” are directly related to this breakthrough. It is further argued that the resulting theoretical framework can be enriched when considered in conjunction with social analyses of rhythms and used to account for the differentiation and customization or individualization of media use in the digital age. In this way, tactility is treated as embedded within rhythmic signals and fluctuations in media, allowing us to rethink McLuhan’s “common sense” in a singularly illuminating way.     

Modifying the Modifier: Body Modification as Social Incarnation

The notion that body modification occurs when one undertakes practices like tattooing, piercing or scarification, engenders discourses in which: (i) body modifiers endorse such practices as self‐constructive, distancing their practitioners from social regulation and a deterministic biology, whereas; (ii) critics condemn their seemingly violent, corporeal interference. However, in suspecting that such analysis should be attentive to the concurrent individual and social co‐constitution of behaviours, a sociological and post‐structural interrogation of this characterization of body modification as a “sovereign, denaturalizing” endeavour is demanded. An engagement with the originary violence of Derridian deconstruction will duly re‐conceive body modification practice as not something which introduces violence to corporeality. Rather, violence will present as a primordial differentiating process which bodies always already condition, and by which they are conditioned/produced/modified. The second issue at stake in this article will thus develop as a contestation to the characterization of “body modification” as an exclusive category of practice. Such practices do not arrive, pre‐existing, but rather manifest as the originary violence/differentiation of bodies‐as‐modifications‐which‐modify. This re‐defines modification from something that agentive subjects introduce to bodies, to something that subjects‐as‐bodies cannot help but be. Consequently, individual agency is not divorced from behaviour, but emerges as a corporeal, social production.     

Kinesthesia,Synesthesia and Le Sacre du Printemps: Responses to Dance Modernism

ABSTRACT

“Kinesthesia, Synesthesia and Le Sacre du Printemps: Responses to Dance Modernism” discusses the reception of Vaslav Nijinsky's controversial choreography to Igor Stravinsky's Le Sacre du Printemps (1913) in the light of kinesthesia, or movement sense, and synesthesia or the merging of the senses. Dr. Järvinen argues that the invention of kinesthetic sense and particularly the theory of expression linked with this notion, kinesthetic sympathy, were historically and culturally specific responses to increasing abstraction as a goal in the arts, also seen in Le Sacre du Printemps, a work aiming to produce synesthetic experiences in the spectators.     

A body passes by: the flâneur and the senses in nineteenth-century London and Paris

Abstract

The flâneur is well-known for being the most emblematic nineteenth-century observer of urban life. Critics have often compared the flâneur to a camera eye which records everything and insisted on the predominance of sight over other senses in the cognitive process. This article emphasises the embodiedness of the flâneur’s vision, which is an experience of all the senses. Urban public space can be envisaged as a ‘metabolic space,’ in which “the links between background and figures are very unstable” (Augoyard 1991). The moving body of the flâneur, which can adapt to this changing space, seems to be in an ideal position to apprehend the metabolic body of the city. The flâneur is not only a “transparent eye-ball” (Emerson 2003), he is “a living eye” which communicates with all the other senses and captures the whole experience of moving through the city. By looking at texts by Balzac, Baudelaire, Dickens and Charlotte Brontë, the article shows that flânerie is a sensory activity that shapes our perception of the city as much as the city shapes our own flâneries by transforming our bodies into scribes who write the “thicks and thins of the urban text” (de Certeau, 1984).     

Conceptualizing and Theorizing About the Idea of a “Post‐Racial” Era

I critically examine the eliminativist theories of race or racism, and the behavioral theory of racism, which provide the theoretical foundation, respectively, for the nominalist and substantive conceptualizations of the idea of a post‐racial era. The eliminativist theories seek to eliminate the concepts of “race” or “racism” from our discourse. Such elimination indicates a nominalist sense of the idea of a post‐racial era. The behavioral theory of racism argues that racism must be manifested in obviously harmful actions. And because such harmful actions are not prevalent today, this implies that we are in a post‐racial era in a substantive sense. I conceptualize some subtle forms of racism that are prevalent today, which cannot be captured by the behavioral theory, but can best be captured by doxastic theories of racism. I conceptualize a substantive idea of a post‐racial era, and then argue based on such conceptualization, that we are not in a post‐racial era because subtle forms of racism are still prevalent today.     

E-Nose for News?

ABSTRACT

Many journalists claim to have a “nose for news.” This metaphor, where a body part is used in a transferred sense for metaphorical change has occupied a central place in journalists' discourses. It appears to express something essential about their identity, profession, practice, and how they “see” and experience the world. This article uses the figure/ground approach of Marshall McLuhan to inform an exploration of the “nose for news” metaphor. By studying the “nose for news” we can understand how and why electronic noses and the Internet have made this once vital and living metaphor obsolete. We can also discover ways to reanimate this metaphor in order to: (a) help recover something of the essence of journalism expressed by journalists' claims to possess a “nose for news,” and (b) re-conceptualize the current “crisis” in journalism.     

Embracing Sculptural Ceramics: A Lived Experience of Touch in Art

ABSTRACT

Sculptural ceramic objects created by and for the body were made within the context of art-based research, in which theoretical explorations and studio practice were integrally interwoven. Studio explorations developed from theoretical knowledge gained from human physiology, and from the development of an understanding of the “lived experience” as expressed by Maurice Merleau-Ponty, through the experiences of the artist in making, and comments from visitors at exhibitions. The artworks challenge the visual hegemony of the art gallery by more fully engaging the body's sense of touch through the embrace. The sculptures, which were made by “casting hugs,” instinctively invite interaction, with soft curves that echo the human body, textures to visually entice individuals to touch, and a pleasurable weight that slows down responses. In public exhibition the artworks are enthusiastically embraced and held, broadening and articulating a tactile aesthetic for sculpture, and shifting focus from the sculptural objects themselves to one's physical and emotional experience of those objects.     

Siting Praxeology. The Methodological Significance of “Public” in Theories of Social Practices

The concept of “site” is at the center of current debates in theories of social practices as well as in cultural anthropology. It is unclear, however, how to assess the associated methodological assumption that overriding social structures or cultural formations can manifest themselves in sites. The article draws on the conception of social practices and introduces the notion of “publicness” in order to explicate how and why sociality and social structures can be accessed through “siting”. Sites as well as social practices, it is claimed, have to be conceptualized as essentially public and thus principally observable phenomena. This assumption of publicness implicit to both site ontology and theories of social practices is unfolded on the basis of a praxeological reformulation of the paradigm of joint attention elaborated in developmental psychology. To avoid presentist misinterpretations, we then conceptualize sociality as chains of practices across time and space, drawing on the works of Theodore Schatzki, Ludwig Wittgenstein, Anthony Giddens and Bruno Latour. The public carriers of practices (artifacts, symbols, media, bodies) and the translocal structures they establish acquire particular significance in these approaches. In a further step, we present some methodological consequences of the “publicness assumption” and support our arguments by referring to Pierre Bourdieu's study on Distinction.     

The Intrinsic Influence of the Poetics of Yanzhi on Modern Chinese Literature

否定与批判“言志”诗学, 曾是中国现代文学转型的标志。但从五四新文学开 始, “言志”诗学不仅没有被剔出中国现代文学的审美范畴, 相反, 却借助于西方 话语得到合理的传承。“言”救亡图存的启蒙之“志”, 与“抒”忧国忧民的个人 之“情”, 中国现代文学都未摆脱“志”者“大情”、“情”者“小志”的传统思 维, 具体表现在: 主“思”派提倡文学创作的功利意识, 进而以“志”代“情”回归 “道”统; 主“情”派则提倡文学创作的真情实感, 进而以“情”传“志”, 回归 “道”统。中国现代文学的理论与实践, 虽然涂抹着光怪陆离的“西化”色彩, 但 其重新“释道”与巧妙“言志”的本质特征, 恰恰表明了它对传统文化的价值认同, 而不是简单地抛弃“传统”后走向了“西方”。

关键词: “言志”诗学 “志”与“道” “志”与“情” 古典主义

Rejection and denunciation of the poetics of “yanzhi” (literally “expressing one’s thought or ideals”) was once a marker of Chinese literature’s modern transformation. However, right from the beginning of May Fourth new literature, the poetics of “yanzhi” was not only not cast out of the aesthetic canon of modern Chinese literature but was, on the contrary, legitimately transmitted via Western discourse. Whether modern Chinese writers were expressing enlightenment ideas of saving the nation or voicing their personal feelings for their country and their people, they remained convinced that “zhi” was “feelings” writ large and “feelings” were a lesser form of “zhi.” Specifically, the school stressing the idea that “literature expresses thought” advocated utilitarian literary creation and returned to the traditional Chinese poetics of “yanzhi” by replacing “feelings” with “zhi.” Those stressing the idea that “literature expresses feelings” advocated writing with genuine emotion; they went on to express “zhi” via “feelings,” thus returning to the traditional Chinese way of thought. Both the theory and practice of modern Chinese literature have a strange “Western” tint. Nevertheless, this literature’s essential character of “reinterpreting the ‘dao’ (way)” and sophisticated “expression of thought” or “yanzhi” indicate its value identification with traditional culture rather than the simple abandonment of “tradition” in pursuit of “the West.”     

The Social Composition of China's Private Entrepreneurs: Class and Cohort Differences*

On the basis of survey data on Chinese private enterprises over the years, we try to respond to the classic subject of “the social composition of private entrepreneurs (siyingqiyezhu 私营企业主).” In nearly forty years of development, the overall composition of private entrepreneurs has undergone major changes. The group contains a growing proportion of people who have a market background and higher education and are non-political CPCs. On further classifying the occupational mobility of private entrepreneurs into categories such as “xiahai 下海” (jump into business), “gaizhi 改制” (restructuring), “kuajie 跨界” (crossover), “tiaoban 跳板” (springboard) and “caogen 草 根” (grassroots), we find there are significant differences in the occupational mobility of entrepreneurs in large, medium, and small enterprises in terms of what they did before they founded their businesses. In particular, entrepreneurs in large enterprises are more likely to have “jumped into business” from inside the government system or after restructuring, while most small and medium entrepreneurs develop outside the system. Multiple regression and coefficient clustering analysis shows that education level and political status have varying effects on the occupational mobility of entrepreneurs in terms of class and cohort.     

Ordering tasting in a restaurant: experiencing,socializing, and processing food

Sometimes there are moments in which German speakers will state that something schmeckt gut [tastes good]. Focusing on a family celebration in a restaurant in Austria, the paper considers how in three schmeckt gut moments, participants variously order “tasting” as a process of experiencing, socializing, and processing. It is argued that while it is possible to analyse how a person simultaneously experiences sensual qualities inherent in a particular dish, socializes with others, and processes food, these aspects are not equally relevant for the people involved in the “tasting”. Different modes of ordering “tasting” can exist next to each other such that a “tasting together in difference” takes place. Following from this, this article calls for further investigation into the practical achievement of “tasting together in difference” and the enabling role of care in this process. By shedding light on how tasting is done in practices of dining out in Western Europe, it contributes to a growing set of ethnomethodologically oriented studies on how tasting and taste are done in practice.     

How and Why Movement Works: A Movement Workshop for Adults with Schizophrenic Disorders

ABSTRACT

This article explores a movement oriented group approach in the treatment of adults with Schizophrenic disorders. Examples illustrate how movement therapy was used to engage, build cohesion, and facilitate both individual member and group growth stages among schizophrenic clients in an outpatient mental health clinic. A movement approach is shown to create a sense of mindfulness through the re-generation of understanding and cooperation between body and mind. The movement is a source of awareness to foster behaviorally appropriate interaction with the environment. Thus the movement is the basis for an internalized boundary, allowing for safe interaction outside the confines of the Movement Workshop.     

The Social as Heaven and Hell: Pierre Bourdieu's Philosophical Anthropology

Many authors have argued that all studies of socially specific modalities of human action and experience depend on some form of “philosophical anthropology”, i.e. on a set of general assumptions about what human beings are like, assumptions without which the very diagnoses of the cultural and historical variability of concrete agents' practices would become impossible. Bourdieu was sensitive to that argument and, especially in the later phase of his career, attempted to make explicit how his historical‐sociological investigations presupposed and, at the same time, contributed to the elaboration of an “idea of the human being”. The article reconstructs Bourdieu's philosophical anthropology, starting with his genetic sociology of symbolic power, conceived as a form of critical theory (latu sensu), and concluding with an account of the conditio humana in which recognition (“symbolic capital”) appears as both the fundamental existential goal through which human agents strive to confer meaning on their lives and the source of the endless symbolic competition that keeps society moving. The agonistic vision of the social universe that grounds his sociological studies returns in his philosophical anthropology under the guise of a singular synthesis between Durkheim's thesis that “Society is God” and Sartre's idea that “hell is other people”.     

Measuring Support Provisions for People Living With Disabilities in South Asia: An Accessibility Index

ABSTRACT

The terms “empowerment,” “rights,” and “inclusiveness” are now commonly used in public policy, but little emphasis is placed on “accessibility” issues in the integration of disabled people. This article proposes a composite index to measure economic support provisions, such as employment, vocational training, microfinance, and safety nets. The index was tested in a case study (N= 245) of two districts in Pakistan. Results support a “cost/benefit”-based philosophy, rather than the “means–ends” goal, where the disabled poor are viewed as unproductive and risky payers, instead of giving them an opportunity to exercise their potential. Change for the disadvantaged poor can be brought about with the mandatory use of this index in local annual audits. Future research might examine the impact of the index and standardize it for global use.     

Touching Consumers,engaging the Senses in Consumption

ABSTRACT

For years, the Campbell's Soup Company advertised their brand of soup through a message of “Mmm, Mmm, Good.” This slogan reached mass audiences primarily through visual and auditory media messages of television and print. Campbell's recently switched to a new form of advertising to consumers through an IAd application. The format works through Apple iPhones by first showing an interactive ad teaser, “You're getting warmer,” then when clicked through asks consumers to download cooking applications individually to their iPhones. This shift represents a change in appealing to consumers' senses and social sensibilities. The former media approach appealed to a rational social sensibility and mass audiences of eating soup at home as an enjoyment shared with others. The latter iAd slogan and iPhones media approach appeals to a more tactile sense and individualistic sensibility. This article explores the particular confluence of social, sensory, and media factors that intersect with a marketed food brand, and discusses its implications for the way manufacturers mix and blend new sensory messages and mobile media channels to appeal to a new sensibility in people's changing eating habits.     

Social Representations Theory: A Progressive Research Programme for Social Psychology

The study “Psychoanalysis—its image and its public” intimates that common sense is increasingly informed by science. But common sense asserts its autonomy and, in turn, may affect the trajectory of science. This is a process that leads to many differentiations—in common sense, in scientific innovation and in political and regulatory structures. Bauer and Gaskell's toblerone model of triangles of mediation provided a distillation of their reading of “La Psychanalyse.” Here it was argued that representations are multi‐modal phenomena necessitating the use of multiple methodologies (comparative and longitudinal; qualitative and quantitative). In this paper we briefly summarise these arguments and elaborate ways in which social representation theory can be considered a progressive research programme. “Progressive” because as the theory has developed it has extended the range and depth of its conceptual basis; it provides a new synthesis for the social scientific understanding of the phenomena of common sense and of representation; it acts as an antidote to the reductionism of public opinion and, finally, it is a stimulus to depart from disciplinary silos. However, there remain unresolved issues: how to segment the relevant social milieus and how to close the feedback loop from common sense to science?