Of Bricks and Glass: Learning to Accommodate the Everyday Rhythms of Home

Abstract

Much of the growing focus of research on home cultures and materiality emphasizes eventful or disruptive temporalities: extensions, renovations, retrofits. Here, we trace how homes and lives are reshaped materially and conceptually, in response to other less disruptive temporalities of accommodation. Interviews with suburban Australian households reveal how people gradually come to know the built fabric of their home over time. Lay expertise is acquired through small material adjustments across multiple timescales: triggered by overlapping rhythms of body and building amidst broader lifecourse rhythms. To explore the role material engagements play in mediating these rhythms we focus on two ubiquitous suburban materials—glass and brick. We seek to demonstrate how bodies learn to work with the qualities of these materials and adjust their rhythms to engender comfort through dwelling in place over time. These comparatively mundane processes of spatial, behavioral and material adjustment take on further significance when connected with questions of entrenched routines and practices, material stewardship, vulnerability, and the ability of households to adapt to a changing climate.     

Writing birthing bodies: exploring the entanglements between flesh and materiality in childbirth

ABSTRACT

This article enquires into the lived experiences of childbirth as a site of ‘fleshy becomings’ that disrupts the dominantly cleaned-up approaches to organising. Theoretically, we approach childbirth as a primitively humane experience in which birthing bodies become entangled with the materiality by which they are surrounded. The empirical material of the article consists of 12 in-depth interviews with first-time mothers in Finland as well as of photographs and autoethnographic research notes taken by the two authors of this article. By empirically highlighting the interplay between flesh and materiality in the ‘making’ of birthing bodies, this article offers novel viewpoints on the discussion of embodied experiences as well as on the entangled relations between flesh and materiality in the field of organisation studies. It also makes an empirical contribution using a unique contextual example of ‘birthing’ to illustrate how vulnerable topics can be researched, offering critical viewpoints on this subject.     

A Global-Middle-Class House?1 Cultural Capital,Taste, and Kitsch

Abstract

In this article, I show how the category of the migrant house, as has been recently discussed in much scholarship, can be expanded to include another subcategory—the global-middle-class house. Recently, the migrant house has generated much research in migration studies and in disciplines of the built environment. Consequently, it has been examined through various perspectives, including home and belonging, materiality in the home, and the transnational home. It has not been examined, however, through the concepts of cultural capital, taste and kitsch, as developed by Bourdieu and others. This article applies these concepts in the exploration of the migrant house through a case study of one house and its transformation from old to new in suburban Melbourne. The article shows how the concepts of cultural capital, taste and kitsch can be utilized to expand the category of the migrant house to include the global-middle-class house. Following a theoretical discussion, the article analyses the old family house, the decision to demolish, the construction process and the redevelopment of a new house, together with an analysis of material objects in the new house and around it. The article argues that this is a specific kind of a migrant house, a global-middle-class house, because it combines popular global taste with objects taken from the ancestral past of its migrant residents.     

(IM)Materiality and Practice: Craft Making as a Medium for Reconstructing Ojibwe Identity in Domestic Spaces

ABSTRACT

Through interviews with thirteen Ojibwe, members of a Native American tribe in Minnesota, this article explores how home-based practices relate to the material and immaterial worlds and how they are impacted by a home's spatiality. Conceiving activities as processes that foster social, spatial, cultural, spiritual, and temporal connections, the analysis elaborates on how activities embedded in the craft making tradition are supported or suppressed by the domestic environment; how they relate, as well as how notions of home, culture, and identity are constructed. We conclude by highlighting culturally sensitive solutions and approaches that ease the tension between (im)materiality and the practical limitations of housing conditions.     

‘Behemoth Pulls the Peasant’s Plough’: Convergence and Resistance to Business Civilization in China

Abstract

It has been widely held that China’s development was forged from a unique pathway to that of Western countries. As a result, it has been assumed that China’s historical experience of modernization contains important lessons for other developing states. However, as we show, modernization in China can be seen as sharing many of the same assumptions of development as the West. Using insights from Cox’s work on civilizations—particularly the notion of ‘Business Civilization’ (adapted from Susan Strange)—our paper examines how modernization theoretic assumptions underpin both Chinese and World Bank perspectives on agricultural development not only within China but also across their engagements, policies, and practices of development throughout Africa. We argue that development constitutes a political project historically inseparable from La mission civilisatrice of Business Civilization, extending a form of intersubjectivity and materiality, power and rationality, based on a specific civilizational worldview. This process retains a number of contradictions and points of conflict and we focus on the resistances of traditional forms of civilization in contestations around the imposition of commercialized agriculture.     

Playing with materiality: an agential-realist reading of SethBling's Super Mario World code-injection

ABSTRACT

This article takes inspiration from Youtuber and software developer ‘SethBling’ and his 2016 ‘code-injection’ (Bling, 2016), in which, using only a standard Super Nintendo Entertainment System controller and in-depth knowledge of the console, he ‘injected’ and executed the code of popular mobile game Flappy Bird (Nguyen, 2013) into a running instance of Super Mario World (Miyamoto, 1990), effectively transforming one game into another through play. Drawing from this I propose a performative understanding of videogames (and software in general) to reinvigorate discussions of software's materiality. Though it is possible to contrast Wendy Chun's (2008a) suggestion that one can view software as ‘vaporous’ against Friedrich Kittler's (1995) assertion that ‘there is no software’, I propose a more holistic approach. Academics and users alike should attempt to see software as living a double-life: as simultaneously solid as it is (metaphorically) gaseous. It then becomes possible to embrace software(s) as performative examples of the entangled ‘phenomena’, suggested by Barad (2007), that produce everyday reality through quantum activity. I explore SethBling's code-injection suggesting that actions clearly reveal software's double existence as both tangible ‘thing’, locatable on magnetic memory, and as a vaporous non-entity. Accepting these propositions together, software can be understood as continuously re-emerging through shared activities. Following Barad, I conclude that this quality is not unique to software, but software – and videogames above all – are a useful tool for understanding a vision of reality that favours activity over materiality as the basis of our existence.     

The subject of objects: Marx,new materialism, & queer forms of life

Abstract

This article examines two interrelated themes in the scholarship categorized as ‘new materialism’: first, the aim to undermine the subject/object distinction; second, the proposition that agency exists across the material world. While new materialists, such as Jane Bennett, conceive of their approach as an intervention against the injurious effects of capitalism, I argue that destabilizing the object/subject binary and endowing inanimate objects with vitality and agency is actually a constitutive feature of capitalism itself. To illustrate this point, I turn to Marx’s analysis, providing a queer reading of his theorization of commodities. Revisting Marx’s account of commodity fetishism in tandem with new materialism yields fresh insights into the logics of capitalism, specifically, the manner in which it thrives on concurrently producing and erasing subjectivities, thereby distorting social materiality and material sociality.     

“I’ve changed my mind; I don’t want to go home”

Abstract

This article considers the motif of porosity and its opposite, impenetrability, in relation to the home or places where we feel at home. It discusses ambiguities in how the physical boundaries of the home—but also of the perceived human subject—are portrayed in the technology-pervaded world of the dystopian science fiction narrative Total Recall. Tracing the story from the 1966 novel by Philip K. Dick, through the 1990 film to the recent remake (2012), allows for a consideration of the changes in our understanding of how the boundaries between the home and its other are culturally conceived and what happens when the integrity of these boundaries are put into question. Despite their differences, we argue that all three narratives use the built structures of walls and the imagery of the container as a way of portraying the basic conflict of an outer world that tries to take possession of the protagonist’s inner life. Tracing narrative shifts, we suggest, can become a vehicle for understanding the ongoing negotiation of boundaries of the “self,” the human body, the home and even the city, and the implications these cultural negotiations have across the period from 1966 to 2012.     

My Room,My Home,My Self

Abstract

The material culture of home cannot be supplanted in its entirety when moving into an aged care facility. When the time comes, the decision of what to take and what to leave behind is not simple. This article presents the balance between practical and emotional considerations in the choice and presence of personal objects in the rooms of residents. Intersubjective relationships between material objects in the room and the people who enter that space is viewed through a narrative lens. In this way, it is the materiality of the room-as-home for the self, which is key. Three major themes relating to the objects in the room of the older person were found to be: 1. Safety, 2. Family, and 3. Home. These themes emerged from ethnographic research in an aged care setting. Participants included residents, their families, care staff, and management of the facility. The article contributes to understandings of material objects as carriers of identity and meaning in an aged care facility.     

The Collective Turkish Home in Vienna: Aesthetic Narratives of Migration and Belonging

ABSTRACT

This article explores how Turkish people in Vienna create a collective sense of belonging and position themselves in a complex web of diasporic relations, through the materiality and aesthetics of their homes. It aims to show how the efforts of displaced people to construct a belonging to the new place of dwelling are intertwined with the aesthetic and material practices of making homes. Based on ethnographic research, it will be argued that a particular “Turkish home” is collectively created through shared aesthetic practices and discourses and serves as a material and social medium both for imagining and building collectivities and for constructing and expressing ambiguities, conflicts, multiplicities and contests, played out in the aesthetics of the everyday. Challenging the common view that homes in diasporic or migratory resettlements reflect past lives and locations or a mixture of two cultures and two sets of different objects associated with them, it will be argued that Turkish homes in Vienna are made through a new and particular aesthetic, which serves to produce and reproduce a communal Turkish narrative of migration to and dwelling in Vienna.     

The Architecture of Complexity

In this paper we reflect on organizational space and its implications for organization and management. In contrast to dominant discourse in management and organization theory we address the ways in which corporate buildings, as social objects, provide a materiality to organization. Developing the concept of the architecture of complexity, we focus on space as the precondition of processes of organizing. The productive power of space lies in its potential to create and trigger complexity, as it pre-structures movement and flows of communication. Reflecting on two concrete spatial organizations (the fold and heterotopia) we suggest that the interplay of order and disorder and inside/outside relation, which these spaces provide, are spatial preconditions of organizational change and creativity.     

Objects, Words, and Bodies in Space: Bringing Materiality into Cultural Analysis

What can actor-network theory’s approach to analyzing objects offer to cultural sociology? To answer this question we ask a more specific one: How does materiality affect people’s experience of art in a museum exhibition? Research at two museums suggests that non-human agents—object and words—interact with human bodies to choreograph the art encounter. This process works through interactions between two processes of emplacement: physical position and cognitive location. Position guides location in the process of meaning-making, a relationship mediated by three mechanisms: distance, legibility, and orientation.     

Material beings: Objecthood and ethnographic photographs

This paper argues that the material and presentational forms of photographs are central to their meaning as images. Drawing on work from the anthropology of material culture, it explores the significance of the materiality of ethnographic photographs as socially salient objects. The argument suggests that, while the analytical focus has been on the semiotic and iconographical in the representation of race and culture, material forms of images are integral to this discourse.     

Distant warriors,distant peace workers? Multiple diaspora roles in Sri Lanka's violent conflict

This article provides a critical, empirically based analysis of the multiple ways in which diaspora communities participate in transnational politics related to their war‐affected former home countries. The case of Sri Lanka — and the Tamil and Sinhalese diasporas in the West — is used to illustrate how contemporary armed conflicts are increasingly waged in an international arena. Active diaspora groups have enabled an extension of nationalist mobilization, hostilities and polarization across the globe. Diaspora actors take part in propaganda work and fundraising in support of the belligerent parties in Sri Lanka, while the polarization between Sinhalese and Tamils is to a large extent replicated in the diaspora. However, there are also examples of diaspora groups that challenge war and militarism, for instance by calling for non‐violent conflict resolution, condemning atrocities by both sides, and engaging in cross‐ethnic dialogue. The article also argues that diaspora engagement in reconstruction of war‐torn areas can be a double‐edged sword, as it can reproduce — or reduce — grievances and inequalities that fuel the conflict. By discussing the many ways in which diasporas engage in homeland politics, the article challenges simplified understandings of diasporas as either‘warriors’or‘peace workers’ in relation to their homeland conflicts.     

“Our Artistic Home”: Adolescent Girls and Domestic Interiors in the Girl’s Own Paper

Abstract

By zooming in on the Girl’s Own Paper (GOP), this essay demonstrates how the production and dissemination of shared domestic cultures are directed at adolescent girls through esthetic practices of furnishing and decorating the home. The essay aims to contextualize the role of household art in the relationship between female adolescence and bourgeois domestic interiors in fin de siècle Britain. The relationship reveals three important aspects of domestic cultures: household art, do-it-yourself crafts, and material collecting. First, the GOP advises adolescent girls to read and interpret the language of household art through selection and placing, which, in turn, facilitates the construction of the textuality of interior furnishings. The GOP’s esthetic theory, an integral part of educating and improving girls’ taste, functions to enhance their room-layout skills and also construct their architectural identities. Second, adolescent girls are credited with the active role of young home-makers in the GOP. The practice of amateur upholstery shapes female youth’s artistic self-expression and manifests their autonomous control over the making of home-crafted objects. And thirdly, the act of collecting furniture pieces and decorative items functions to address the various components of a room alongside contemporary social concerns about good taste. The accumulation of artifacts allows girls to achieve a sense of materiality and ownership contained within the domestic sphere. Home decoration in general provides a focal point for understanding how the familial space becomes the site of adolescent girls’ artistic labor and household elegancies.     

Multiple Modernities

ABSTRACT

Meaning is inscribed in the material/built environment and this article considers the materiality of change in urban Africa, focusing particularly on the kitchens of a group of first-generation professionals from northern Ghana who have “made it” and now live in the suburbs of Accra, Ghana. In the hometown area, they live in or are surrounded by the architectural idiom of mud and wattle round huts, whereas in relocation, as these Ghanaians become “modern,” they create modern housing designs. The new aesthetic is performative of their cosmopolitanism, as it speaks to their aspirations for new identities and status. At the same time, members of this new elite perpetuate old practices that are tied to an old materiality. To explore the change in identity and status that is embedded in design, and the accommodation of old and new practices, I focus on the change in the kitchen as it becomes representative of a supremely modern ideal.     

Homemaking,Temporality and Later Life

Abstract

While much literature has focused on the meaning of home, relatively little has been conducted on homemaking in later life. This paper demonstrates the importance of time in conceptualizations of home. Using an extensive case study from a multi-interview study with eight older people in England, it is shown that gardening can form the basis of a temporal framework which structures a life. Importantly, gardening can seem essential in homemaking and a reason not to move to residential living. This paper builds on literature that suggests home is a process and that people’s conceptualization and experience of home develop throughout their lives. As ageing and dying have become long and complicated processes, it is argued older people may find this challenging as this makes it difficult to prepare for the end of life.     

Hidden in full view: the organization of public secrecy in Miéville’s The City and the City

ABSTRACT

In this article, we explore China Mieville’s novel The City and the City as a literary experiment for analyzing the dynamics of public secrecy. We explore public secrets as an intrinsic part of organizational life and as a framework for paying attention to the politics of organizing. First, we focus on the novel’s invention and use of the verb ‘unseeing’ to bring out the embodied and sensuous aspects of public secrecy as part of organizational processes. Second we unfold how, although the content of public secrets may turn out to be less spectacular than expected, it is exactly their mundaneness which is key to their political importance. This is important because in an increasingly disorganized and uncertain world, secrecy proliferates and the visibility of secrecy is often a strategic move to justify certain hidden actions.     

Closet and Cabinet: Clutter as Cosmology

ABSTRACT

In Central Slovakia, homes “grow” and get cluttered with age. Cabinets and closets are used to house this profusion of possessions. However, their very role as containers for precious and meaningful objects—such as expensive cut glass or family heirlooms—gives them a poetic and symbolic weight that belies their modest appearance. Based on anthropological fieldwork, this article investigates how practices of collection, storage, and display of particular genres of domestic objects create spaces of intimacy in the home that work to perpetuate a sense of family history amongst middle-aged Slovaks in and around the provincial town of Banská Bystrica. Inspired by the historiography of Walter Benjamin, as well as his biographical writings, the focus of the study lies on the relation between memory and material culture in the home. Rather than relying on narratives of consumption and aesthetic choice recently popular amongst anthropologists studying domestic decor, it forms an attempt to reengage with literature that looks to the home as a site for the poetic imagination in order to grasp sentiments that are rarely verbalized.     

Constructing an Interior Public: uchi and soto in the Japanese Sharehouse

The present article considers how the categories of private and public spheres (uchi and soto)—key terms of Japanese social behavior—are constructed through material practices in the home. In response to earlier discussions of uchi and soto that emphasized their stability, the article will explore how, in practice, their distinction is not absolute but relative, and relatively fluid. Based on fieldwork in a Japanese sharehouse, I discuss how residents used personal belongings, signs, and techniques of self-presentation to make claims about the nature of shared space, and what these claims reflected about their understandings of public and private in the more conventional Japanese home.