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1.
Bourdieu argues that fields of action produce a specific habitus in participants, and views this specific habitus as a mechanism through which the field is reproduced. Although Bourdieu acknowledges the habitus as gendered, he does not theorize gender as part of the mutually constitutive relationship between field and habitus. Using evidence from two cultural fields, the Toronto heavy metal and folk music scenes, I show that gender is central to the process through which field and habitus sustain each other. The metal field produces a “metalhead habitus” that privileges gender performances centered on individual dominance and status competition. In contrast, the “folkie habitus” encourages gender performances centered on caring, emotional relations with others, and community‐building. These differently gendered habitus support different working conventions: music production occurs largely through volunteer‐based nonprofit organizations in the folk field, and individual entrepreneurship in the metal field. The gendered habitus also supports different stylistic conventions: guitar virtuosity in the metal field, and participatory music‐making in folk. Applying a gendered lens to the field–habitus relationship clarifies the mechanisms through which cultural fields shape individual action, and the mechanisms through which cultural fields are reproduced and maintained.  相似文献   

2.
Bourdieu theorized that habitus structures and is structured by experiences in the social world, with childhood experiences having the strongest influence. Habitus can yield rewards in specific fields through dispositions to enact certain practices. Healthcare provides an opportunity to assess how age and childhood social class interact to produce preferences in a changing field. Are people who developed their habitus in higher social classes as children more likely to report preferences that reflect new practices? Is there greater inequality at older ages? We find that parents’ educational attainment and occupational prestige does not have a direct effect on respondents’ preferences to be involved in their healthcare decisions. However, there is a significant interaction with age, with larger gaps by childhood social class among older respondents. Results suggest that when valued practices change, socially advantaged groups can most quickly adapt. The findings have implications for the replication of class inequality.  相似文献   

3.
In this paper, I explore the limitations of Bourdieu’s “capital” with the help of Burke’s four master tropes: metaphor, metonymy, synecdoche, and irony. Both Bourdieu and Burke were concerned with theoretical reductionism. I claim that Bourdieu could not help but be reductive insofar as his metaphor of capital became the totalizing lens through which he understood society. First, I review Bourdieu’s forms of capital, noting how capital serves as the sine qua non of his theory of practice. Second, I situate Bourdieu within the PR literature. Third, I read Bourdieu’s “capital” through Burke’s (1941) four master tropes. Reading Bourdieu through Burke enables PR scholars to better understand the limitations in Bourdieu’s terminology, which leads to debunking, materialist reductionism, and relativism. I conclude with implications for future research adopting Bourdieusian and Burkean approaches to public relations.  相似文献   

4.
Jeffrey Alexander’s recent book on cultural sociology argues that sociologists must grant the realm of ideas autonomy to determine behavior, unencumbered by interference from instrumental or material factors. He criticizes the sociology of Pierre Bourdieu as “weak” for failing to give autonomy to culture by reducing it to self-interested behavior that immediately reflects class position. However, Alexander’s arguments seriously distort and misstate Bourdieu’s theory, which provides for the relative autonomy of culture through the concepts of habitus and field. Because habitus is a set of durable dispositions conditioned by past structures, it may contradict the changed structures of the present. Further, the influence of the habitus is always mediated by the structure and strategies of the field of contest in which it is deployed, so that the same habitus may motivate different actions in different circumstances. However, Alexander is correct to argue that in Bourdieu’s theory culture generally serves to reproduce, not contradict social structures. Yet Bourdieu addresses this and other problems in his later work, in which he argues for the existence of certain cultural universals transcending particular structures.
David GartmanEmail:
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5.
Fowler  Bridget 《Theory and Society》2020,49(3):439-463

This article challenges what is now the orthodoxy concerning the heritage of Bourdieu (1930–2002): namely, the judgement that his distinctive sociological innovation has been his theory of social reproduction, and that he has failed to provide a necessary theory of social change. Yet Bourdieu consistently claimed to offer a theory of social transformation as well as accounting for continuities of power. Indeed, he provides two substantive keys for an understanding of historical transformation—first, a theory of prophets (religious or secular) as the authors of heresies or “symbolic revolutions” that dispel current doxa; second, a theory of the “corporatism of the universal”: the role of intellectuals or other educated professionals in pursuit of social justice and other universalistic goals. Moreover, Bourdieu fuses his theories of “symbolic revolutions” with a materialist analysis of their social preconditions, including a fresh account of social crises. Crises—war, famine, recession, and especially the intensified precarity of the educated—have, for him, a profound impact, both within differentiated fields and across fields. Conflicts that become effectively synchronized across fields acquire great resonance within the wider field of power, particularly due to hysteresis or “maladjusted habitus.” Indeed, the appearance of crises, together with new prophetic heresies, leads the subordinate classes to question the taken-for-granted order of things and to orchestrate their resistance. Alongside his corpus of published writings, this article draws widely on Bourdieu’s posthumously published lectures. These cast a distinctive new light on how his well-known conceptual instruments can aid us in the study of historical change. They also expand on how social science itself might be used to facilitate progressive social movements.

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6.
As war challenges survival and social relations, how do actors alter and adapt dispositions and practices? To explore this question, I investigate women's perceptions of normal relations, practices, status, and gendered self in an intense situation of wartime survival, the Blockade of Leningrad (1941–1944), an 872‐day ordeal that demographically feminized the city. Using Blockade diaries for data on everyday life, perceptions, and practices, I show how women's gendered skills and habits of breadseeking and caregiving (finding scarce resources and providing aid) were key to survival and helped elevate their sense of status. Yet this did not entice rethinking “gender.” To explore status elevation and gender entrenchment, I build on Bourdieu's theory of habitus and fields to develop anchors: field entities with valence around which actors orient identities and practices. Anchors provide support for preexisting habitus and practices, and filter perceptions from new positions vis‐à‐vis fields and concrete relations. Essentialist identities and practices were reinforced through two processes involving anchors. New status was linked to “women's work” that aided survival of anchors (close others, but also factories and the city), reinforcing acceptance of gender positions. Women perceived that challenging gender relations and statuses could risk well‐being of anchors, reconstructing gender essentialism.  相似文献   

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9.
Although critics often attribute the failure of Edith Wharton's characters to achieve happiness to dichotomous, even mutually exclusive causes - that is, to deficiency of character or to force of circumstance - the theories of French sociologist Pierre Bourdieu help to illuminate the more complex cultural and literary project at the heart of Wharton's work. Bourdieu's notions of field, habitus and capital speak to the dynamic rather than static nature of social relations in The Age of Innocence, Wharton's penultimate novel about conflict between stultifying social conventions and imagined but seldom realized escapes from such restrictions. Bourdieu's work helps us to see how Wharton embraces fluid rather fixed notions of culture in both her fiction and life. Vacillating throughout the novel between love for May Welland and for Ellen Olenska, Newland Archer stands at a crossroads between the fields of marriage and romance - between social convention and individual desire. Pulled by the competing demands of these fields, he progressively loses capital in both. Wharton documents the process by which Archer becomes constrained by a habitus shared with May; she also demonstrates - through multiple examples of cultural transformation - the degree to which he creates his own experience of having missed ‘the flower of life’. Archer's problem, then, is not only the field in which he operates but his acceptance of the narrowness of this field. In contrast, through the character of Ellen Olenska as well as minor figures such as Catherine Mingott, Bob Spicer, Julius Beaufort, Emerson Sillerton and Dallas Archer, Wharton affirms the processes of social change and shows that, although one cannot help replicating social hierarchies and taste, one can participate in the constructing one's social destiny.  相似文献   

10.
Abstract

This study examines four newspaper reports and analyses the ways that “dirt,” “waste” and “garbage” function within a range of intersecting sanitation and social contexts where people and materials figure as disposable objects. My main premise is that when scoop reports in newspapers deal with the issue of “dirt” and sanitation, they often leave undertones that reveal or imply a contest for power in which actual dirt and contamination or their images and vocabularies are employed to justify exclusion from certain social privileges and positions and also to protest such exclusions. I argue and then proceed to show that when “dirt,” “waste” and “garbage” are stretched beyond the domain of health, they can offer a lens with multiple focal positions from which we may view and analyse complex political, social and economic behaviours and make sense of them. I focus on Nigerian urban spaces and analyse the reports to show how the terms have come to mark ways that literal and figurative entropy commingle to reveal the dynamics of power and social relations.  相似文献   

11.
For an entire century — from Veblen (1899) to Bourdieu (1982) — the representation of social status through cultural taste was theorized in terms of “undifferentiated” masses at the bottom, and exclusive elites at the top of the social scale. Using music-related survey data, however, recent American cultural sociology maintains that, increasingly, cultural articulation of social status is performed in a different way: high-status persons show a broad, even “omnivorous” range of tastes and an open mind for different musical styles, low-status persons show a narrow, even “univorous” range of tastes and a closed mind for different musical styles. Testing the hypotheses with data from German concert visitors results in different findings. First, American and German samples show strongly different levels in width of musical tastes. Second, musical highbrows, in accordance with the traditional paradigm, show less interest in popular styles than others and rather dislike such musics. Third, regression analysis reveals that structured symbolic distinction through cultural choices depends on the relative importance of a given symbolic universe for the individual. Discussion of findings takes up questions of method and refers to culturally and historically defined differences between the German and American sample. Simple transfer of “inductively” developed hypotheses into different cultural contexts is critcized as inadequate and misleading.  相似文献   

12.
This paper examines a unitary notion of the habitus present in Bourdieu's early works and its transformation along his sociological career, to later conceptions of a fragmented habitus concept to examine contemporary relationality and social change. The career of the concept of habitus in Bourdieu shows that interplays of habitus and fields are seen to demand increasing labour of integration from individuals as social life becomes more differentiated. The paper claims the need for sociology to engage with field analyses to advance explorations of the habitus and to acknowledge the potential pliability of the concept. It is suggested that sociology may adopt the psychoanalytic notion of ‘standing in spaces’ (and associated notions of ‘liminality’ and experiences in interstitial positons) for a productive development of the notion of fragmented habitus, and to enhance proposals that view the social with a history that is made available to humans to change.  相似文献   

13.
In this article, I examine how stereotypes are deployed in the process of experiencing national identities. Specifically, I analyse how a group of Brazilian academics who have studied in Europe and the United States have dealt with stereotypical notions of Brazilians as “warm people” who establish friendship “easily.” Ideas about a “greater emotionality,” which were often seen as negative from a European colonial perspective, are embraced and re-signified by them as a positive feature of Brazilian national identity, particularly when compared to the supposed “closed nature” of some Europeans. I argue therefore that the presence of such stereotypes contributes to reinforce a subjective sense of Brazilianess and also reveals the negotiations of power relations in the process of elaborating Brazilian national identity.  相似文献   

14.
A critical review of Bourdieu’s theory of the state is developed here against the backdrop of both his wider theoretical project and empirical studies. Elaborating the concepts of symbolic capital, symbolic violence, and symbolic domination, the centrality that Bourdieu accords to symbolic forms is compared to benchmark Weberian accounts that start with the state monopoly of violence. Reviewing also some of the burgeoning secondary literature discussing his theory of the state, Bourdieu’s writings, which encompass various antinomies, are shown to vacillate between two distinct perspectives—a strong and a weak theory of the state. His rejection of the “physicalist” approaches of Marx, Elias, and Tilly is elaborated and subject to a counter-critique, particularly in relation to the notion of symbolic “violence.” Bourdieu’s account of the state is shown to be as much a political as theoretical intervention. His antagonism towards Marxist accounts in particular is shown to be rooted in a pragmatic interest in the role of the “left hand of the state” in progressive reform; and this perspective is traced back to the twin influences of Durkheim and Hegel, French republicanism, and in particular the potential of the state to express a universal interest. At the same time, compared with sophisticated Marxist and Weberian accounts and the work of Norbert Elias and Gramsci, Bourdieu’s theory is shown to be severely lacking in the way that he deals with violence and coercion. His “expanded materialism,” particularly with the “strong theory,” bends the stick too far and overplays the symbolic basis of consent. Nevertheless, Bourdieu’s insights with regard to the pervasive influences of state practices of classification, taxonomy, delegation, and naming are shown to have real utility with regard to focused empirical investigations of the state in modern societies.  相似文献   

15.
The concept of “rapey music” has recently emerged as a social problem in feminist and mainstream contexts. Rapey music references songs that critics perceive as artifacts of “rape culture” because they allegedly perpetuate sexual violence, misogyny, and rape myths. This article draws on the concept of “fetishism” to analyze accusations that certain songs are rapey and argues that such songs can be recuperated through a kink lens. In the first part, I review the burgeoning category of songs that have been condemned in feminist media analyses and the weak evidence that connects certain songs to sexual coercion, arguing that the terms “rapey” and “rape culture” operate as negative fetish concepts. I then analyze the disproportionate and more vehement targeting of Black performers, contending that a racialized fetishization underlies this phenomenon. In the last part, I defend music branded as “rape culture” by suggesting that its pleasurable dynamic can be understood through a non-normative kinky fetish framework.  相似文献   

16.
In Punishing the Poor, I show that the ascent of the penal state in the United States and other advanced societies over the past quarter‐century is a response to rising social insecurity, not criminal insecurity; that changes in welfare and justice policies are interlinked, as restrictive “workfare” and expansive “prisonfare” are coupled into a single organizational contraption to discipline the precarious fractions of the postindustrial working class; and that a diligent carceral system is not a deviation from, but a constituent component of, the neoliberal Leviathan. In this article, I draw out the theoretical implications of this diagnosis of the emerging government of social insecurity. I deploy Bourdieu’s concept of “bureaucratic field” to revise Piven and Cloward’s classic thesis on the regulation of poverty via public assistance, and contrast the model of penalization as technique for the management of urban marginality to Michel Foucault’s vision of the “disciplinary society,” David Garland’s account of the “culture of control,” and David Harvey’s characterization of neoliberal politics. Against the thin economic conception of neoliberalism as market rule, I propose a thick sociological specification entailing supervisory workfare, a proactive penal state, and the cultural trope of “individual responsibility.” This suggests that we must theorize the prison not as a technical implement for law enforcement, but as a core political capacity whose selective and aggressive deployment in the lower regions of social space violates the ideals of democratic citizenship.  相似文献   

17.
Retracing the philosophical origins and initial usage of habitus by Bourdieu to account for the historical disjuncture wrought by the Algerian war of national liberation and the postwar modernization of the French countryside allows us to clear up four recurrent misunderstandings about the concept: (1) habitus is never the replica of a single social structure but a dynamic, multiscalar, and multilayered set of schemata subject to ‘permanent revision’ in practice; (2) habitus is not necessarily coherent and unified but displays varying degrees of integration and tension; (3) because it is not always congruent with the cosmos in which it evolves, habitus is suited to analysing crisis and change no less than cohesion and perpetuation; but (4) it is not a self‐sufficient mechanism for the generation of action: the dissection of dispositions must always proceed in close connection with the mapping of the system of positions that alternately excite, suppress, or redirect the socially constituted capacities and inclinations of the agent. Crucially, in Bourdieu's hands, habitus is not an abstract concept issued from and aimed at theoretical disquisition, but a stenographic manner of designating a research posture that puts the genetic mode of thinking at the heart of social analysis.  相似文献   

18.
Abstract While over half of the cropland in the United States is rented, interest in land tenancy within sociological circles has been sporadic at best. In light of the prevalence of rented land in agriculture—particularly in the Midwest—it is vital that further research be conducted to investigate the effect that the rental relationship has upon the various aspects of rural life. This paper takes a step in this direction by examining the social dynamics among landlords, tenants, and agricultural agency professionals to better understand how those dynamics affect the adoption of sustainable agricultural methods on rented land. This paper is theoretically informed by the writings of Pierre Bourdieu, particularly his theory of practice and his concepts of “habitus” and “field.” Toward this end, I argue that multiple (yet overlapping) social fields make up the social body of production agriculture, leading to contestation and field reconstruction. In developing this argument, a strategy for change is presented in accordance with the conceptual postulates of Bourdieu's theory of practice to promote a more widespread utilization of sustainable agricultural practices on rented land.  相似文献   

19.
This research examines how deep sea divers learn to expand notions of risk to include practices that violate formal training and may increase vulnerability to injury. Cultural constructions of “normal” or acceptable risk are learned in interaction with experienced divers who define the rules of membership and provide accounts that excuse or justify participation in high risk activities. The research explores how novice divers learn to distinguish categories of formal, normal, and excessive risk as they expand their risk involvement and attempt to achieve membership in the deep diving subculture. The study concludes with a discussion of risk normalization in everyday life and other leisure and occupational subcultures.  相似文献   

20.
To date, the postmodernist approach to family experience which considers the actor's use of discourse rather than external sociocultural forces as primordial in constituting domestic reality has become an intellectual stream which sociologists can hardly ignore. Using the Gubrium–Holstein model as an exemplar for a “more sophisticated” postmodernist approach to constructing family experience, this article attempts to outline a critique of radical constructionism which overemphasizes the discourse of actors as artfully producing reality as featured in the notions of “doing things with words” and “talking reality into being.” The critique is mainly based on the works of Schutz and Garfinkel, of which Gubrium and Holstein claim their own model share “abiding concern,” and is further supplemented by the work of Bourdieu. This article carries a commitment to rebuking the postmodernist emphasis on the discursive by highlighting that the prepredicative structure of the lifeworld—which is nondiscursive in nature—constitutes the primordial, albeit insufficient, basis of the nomos pertaining to experience as constituted.  相似文献   

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