首页 | 本学科首页   官方微博 | 高级检索  
相似文献
 共查询到20条相似文献,搜索用时 15 毫秒
1.
神的神秘     
只要是人,就永远见不到神,但可以感受到神的存在。不要问为什么,这就像人见不到空气但空气照样存在,人见不到暗物质而暗物质念兹在兹,只是不和你打招呼。我原来以为这是视网膜的事,没进化好。后来发现不是这么回事,人和神压根就不在一个共同的界面上。  相似文献   

2.
本文通过对傣族寨神勐神祭祀的考察,提出祭祀具有鲜明的集体表象特征,是在集合群体的共同参与中进行。集体表象特征表明傣族寨神勐神祭祀是社会性的存在,具有引导和规范人们行为的教化作用。  相似文献   

3.
神鼓     
民族传统文化的一点一滴,都能够折射出这个民族的精神内质,哪怕是在巫婆神汉的唱词当中,也会体现出文化的精髓,或其父祈福迎祥,或消灾解难,总之难逃对美好生活向往的夙愿。  相似文献   

4.
神兵团     
在峻岭重叠、山路崎岖,背靠乌江天险的黔东地区,自1932年,涌现出各种名叫“神兵”的农民武装。他们以反对苛捐杂税为宗旨,口号是“灭兵、灭款、灭捐”,作战十分猛勇。红军到来后,经过争取  相似文献   

5.
单神向配偶神演变现象的发生与我国本土文化内涵息息相关;与自然哲学中宇宙观的阴阳互存生万物的观念分不开;天地万物的分化过程既是相互对立又相互转化。单神向配偶神的演化过程同样遵循这样的宇宙阴阳和合观。神之配偶神的演变方式与社会原因是文章所关注的要点。  相似文献   

6.
神画师的弟子赵清阳在黄南藏族自治州热贡艺术馆,人们常看见一位中年人,天天都在不知疲倦地绘制藏传佛教艺术唐卡。他常常从早干到晚上深夜,一天要干上十几个小时。他叫启加,是青海省同仁县年都乎乡尕沙日村一位藏族农民的儿子,出生于1940年。少时在本村寺院当了...  相似文献   

7.
神谝陕西     
正咪咪猫,上高窑,金蹄蹄,银爪爪,上树去,逮嘎嘎,嘎嘎飞了,把咪咪猫给气死了。从回民街的青石砖瓦,从小雁塔的音乐喷泉,从大雁塔的钟声里……在陕西的每一个角落,在大量外来游客的间隙里,你肯定也能听到一些纯粹的陕西话,雄壮浑厚,古韵悠长……如能闻听着一遍遍像音乐一样迷人的陕西民谣,能把你的耳朵都给听酥了。  相似文献   

8.
王文澜  张亚辉 《民族学刊》2016,7(3):17-24,98-102
In his famous book The Golden Bough,James Frazer mentioned one special custom found along the shores of Lake Nemi in Italy. The forest king who lived beside Lake Nemi, was not only once a prisoner, but also the murderer of his predecessor. Why did the King have to be killed? How could he be killed? This was the very starting point of James Frazer’s divine kingship study. This was in contrast to the common idea held in many cultures, that kings, or even gods, would die. However, in the most primitive societies, kings and gods also had a symbolic duty. People be-lieved that their king took the responsibility to maintain the order of society and the natural world. In that case, it was obvious that if the king became old and weak, the society and order would be in danger. The way used by primitive people to solve this problem was to kill the king when he became weak, and to rebuild this symbol of order through the accession of a new king. This worry about the loss of order and fertility, Frazer explained, was the reason why they choose to kill their king, who was also a god to them. To prove his theory, Fra-zer used many examples. Among them, the exam-ple of the Shilluk of Nilotic Sudan was the only real case of a people killing their king. All the kings were possessed by the spirit of Nyikang, who was not only a hero and king in their history, but also the god who created the universe of the Shilluk people. In Shilluk, it was not the king who ruled the country, but the spirit who possessed him. For that reason, once the king showed his weakness and age, he had to be killed or commit a suicide so as to keep Nyikang in a healthy body. This case was mentioned by James Frazer, re-examined by Evans-Pritchard, and discussed by Henri Frank-fort and David Graeber. The Shilluk people lived in Sudan, in the Ni-lotic area alongside the Nile River. Their kingdom consisted of y many hamlets and occupied by linea-ges. But all these hamlets and lineages shared the same king, who was believed to be the descendant of their semi-divine hero and first king, Nyikang. Nyikang was believed to bring the fertility of men, of cattle, and of the crops. He lived among his people and blessed them. He was a mythological figure who represented a changeless moral order and the stable structure of the state. The Shilluk people believed that the king was the embodiment of Nyikang, and, thus, shared his divinity. All the Kings were believed to be descended from Nyi-kang. The king could be killed for two reasons:when he could no longer satisfy his wives, it was time for him to die and make room for a more vig-orous successor; or he would be killed by one of the prince who coveted the shrine at night. There were many graves of kings and of Nyikang all a-round the kingdom, but all the Shilluk people knew that Nyikang was not buried in any of them, he would never die. The king, however, was the container of the Nyikang’s spirit. Thus, after his death, he was no longer divine, so his funeral would be a clan affair rather than a national affair. In Frazer’s opinion, Shilluk kings confirmed their rule and power by maintaining their connec-tion with the god, Nyikang. And, he gained divin-ity from this connection. However, this divinity was not permanent. In the same way, the stability of the Shilluk social order was also not permanent, so the complete failure of that power would cause the danger to the entire society. When the new king ascended the throne, the social order would be re-established. So, to kill the old king when he could no longer take responsibility for the whole of society was the way for the Shilluk to release the tension and handle the danger which resulted from their king’s death and to keep the social order. Several decades after the publication of The Golden Bough, Evans - Pritchard gave a talk at The Frazer Lecture ( 1948 ) . He looked at the Shilluk custom of killing their king together with the social structure of the Shilluk kingdom, and pointed out some of the unreasonable explanations made by James Frazer. He believed that this cus-tom, which Frazer explained as the way the Shilluk maintained the divinity of kingship, had political reasons and social functions. Based on his field-work, Evans - Pritchard described the political structure of Shilluk as follows: Shilluk hamlets consisted of one to fifty different families. Each hamlet was occupied by members of an extended family or a small lineage. The headman of a hamlet was also the head of a lineage in the settlement. All the Shilluk settlements composed a common polity, i. e. the land belonging to the Kingdom of Shillukland. There were two chiefs in the hierarchy between the king and the settlements. These were the Ger, who represented northern Shillukland, and the Luak, who represented the southern shil-lukland. Those two chiefs each ritually represented half of the kingdom, and they played a very impor-tant role in the election of the new king. Evans-Prichard discovered that there were very close con-nections between the kings, the princes and their villages where they were born. The pregnant wives of the kings would be sent back to their natal villa-ges to bear their children, and the princes were brought up by the headmen of their natal villages. Except them, all of the princes had their royal cli-ents ( Ororo) in the villages. These were the com-panions of the prince, so they would live in the capital with the prince if he was chosen to be the king, and would return to their village to guard the king’s tomb. This information will help us to see and understand the social structure of Shilluk soci-ety. The dual balanced structure of Shilluk society was represented by the southern-northern opposi-tion. We find that the Shilluk kingdom had a double configuration—one that was politically re-flected in its territorial division, which was divided into northern and southern parts, and the other one was ritually reflected in the rituals related to the cult of Nyikang. The king and the capital specific-ally stayed in the center. As Evans - Pritchard said, Northern Shillukland and Southern Shil-lukland were the arches of the kingdom of Shilluk, and kingship was the keystone. This duality was clearly represented in the election system and in-vestiture. The investiture of the new king would take place about a year after his election. Since this ceremony was meant to rebuild the social or-der, all the hamlets would participate in it. After the old king’s death, the spirit of Nyikang would no longer stay in his body. Instead, it would move to an effigy of a hamlet which was in a far north dis-trict of Shillukland. The effigy would be sent by the army of north to the outskirts of the capital, where there would be a ceremonial war with the king’s army. Since Nyikang was in the northern army, it was obvious that the king would fail. Then, the ef-figy of Nyikang would be put on the king’s chair. Then, the king would sit on the chair, and, as a result, the spirit of Nyikang entered into the body of the new king. Now, there would be another war— because Nyikang had entered into the body of the new king, the northern army failed, and, they would then take the effigy back to the shrine. This ceremony not only illustrated the tension be-tween the north and the south of Shillukland, but also the tension between the god Nyikang and the human king. And all these tensions were resolved through a unified kingship. We find that Shilluk society, no matter whether within the vertical and horizontal structure of the southern -northern op-position, or among the different hamlets, they all had different objects to show their loyalty. Howev-er, all these differences would be reduced when they faced a unified national symbol— Nyikang or divine kingship. The king did not belong to any single tribe or hamlet after the ceremony. He be-came the symbol of the happiness and continuity of all the Shilluk people. From this ceremony, Evans -Pritchard re -explained the reason for the special custom of the Shilluk. He asserted that in Shilluk society, the king’s death would cause chaos and many dangers. The king had died in the way they described be-cause they were afraid of exposing the tensions hid-den within the social structure. So, this tradition was only a political myth hidden under the facts. The second kind of death of the king was that he was killed by a prince. Evans-Pritchard believed that all Shilluk princes received support from their natal villages. If all the tribes had their own king, the Shilluk kingdom would definitely be torn apart. So, they still needed a center from which to build the whole kingdom, i. e. the kingship. In a king-dom of this kind, if the king attached himself to one hamlet, other hamlets would fight for their own rights. So, because the kingship was permanent and ensured the unity of the whole kingdom, it should be emphasized. In contrast to Evans-Pritchard’ s structural-functionist explanation, the American archaeolo-gist, Henri Frankfort, made his analysis of the customs of the Shilluk based upon the methodology of mythology. He compared the divine kingship of Egypt and Shilluk in his book Kingship and the Gods. And, based upon the process of the combi-nation and separation of the king and the gods, he discussed the function of divine kingship. In E-gypt, the pharaoh was called “the Lord of Two Lands”. This title involved two gods who were en-emies:Horus and Seth. They were respectively the Kings of Upper and Lower Egypt. Even when Seth had been defeated by Horus, it did not mean that he totally disappeared. This is because he had his own function within the existing order. Horus was not only a mythological figure, but also was one which reflected on the pharaoh. The pharaoh was always regarded as Horus or his embodiment. This idea is quite similar to the connection of Nyikang with the Shilluk king. However, in Egypt, there was another god who had a close connection with the kingship, that is, Osiris. In Egypt, the dead king was believed to change into Osiris, and the king on the throne, just as Horus, was regarded as the son of Osiris. Beside this connection, in the myths, Osiris was said to be the “Ka ” of Horus, which was something like energy, and for the king, it was somewhat like a kind of ruling power. This kind of father-son relationship also ex-isted among the Shilluk people. When Evans -Pritchard described the ceremony, he mentioned that Dak, the son of Nyikang, was also honored. However, in Shilluk, Nyikang meant all the kings, no matter whether dead or alive. What was more important is that Shilluk kings themselves were not gods, they were just processed by Nyikang, and it was Nyikang who was the real ruler. That was the reason why the accession ceremony of the king was so important. However, in the Egyptian view, the concept of kingship itself was more complicated than that of the Shilluk. All the Egyptian kings themselves were gods, and their orders, as god’s order, must be obeyed. So, although there was a stable kingship in the two societies, the roles played by the king were totally different. However, we can still find some basic elements of the divine kingship from these two cases. Because the king himself was a human being, he would definitely turn old and die. In order to resolve the social stress caused by the succession of the kingship, the kingship had to be stable. So, the king must have a relationship with the gods. It was the god and the kingship that maintained the unity of this structure. In 2011 , David Graeber published his paper titled The Divine Kingship of the Shilluk in which he used theories from political science to discuss the relationship between Nyikang and the Shilluk king . He tried to use this case to understand the e-mergence of the state and power. He compared the political status of Shilluk with their myth and cos-mology. He proposed three very important con-cepts:i) divine kingship which was absolutely dic-tatorial and had god-like authority—and was one in which this divine god went beyond the morality;ii) the sacred kingship which was ritualized and exemplary—this was a kind of prophetic and legis-lative king ; iii) violence and antagonism with no reason - the subject of the violence was the sover-eign and the people. All of these three concepts, David Graeber said, could be found in the Shilluk Kingdom. That was not because they were so -called primitive ethnic groups, but because this kingdom was a “Utopian State”. In other words, this kingdom, or the construction of its main cit-ies, was an imitation to the cosmic order, and, therefore, did not need a management institution to rule it. However, because this could never exist in the real world, violence appeared. David Graeber divided the kingship into two types: the divine and the sacred. In the former, the king was believed to be the god itself. And, in the latter, the kings were those who brought and created order. However, if order was set up by a king, it was asked whether or not the king himself still stayed within the order? So, the extreme type of sacred kingship would be the denial of the limi-tation of the king’s life. David Graeber suggested that the King of Shilluk did not have real power. The responsibility the Shilluk king undetook was the order of the whole cosmos. When he became weak, he could no longer judge and rule based on the cosmology. This is the reason why he had to be killed. We can see that the king who ruled the state according to the cosmology was more like a divine king, so his fate was that he must be killed by people. However, after he was killed, the for-mer “scapegoat” became the god and was wor-shiped by the people. The social order was rebuilt because of the king’s death, and in doing so he be-came the embodiment of the strength needed to re-build the social order. So, we can note that in Shilluk society, although people expect stability and order, they cannot allow the rule to become a central control and monopoly. The king should be in the center of order, but because the king would definitely become old, people tried to reduce the disorder through killing him. Due to the limitations of the king, he was trapped in the absolute authori-ty of the divine kingship, and the infinite order of the order. Hence, he was killed again and again. The appearance of the king was to resolve the dilemma within this society. He tried to build a U-topia, but was trapped in it because of his own limitations. Just like the kings were killed con-stantly, the conflict between sovereignty and the people would never stop. David Greaber pointed out that this constant opposition was the origin of state. This opinion totally refuted existing political theories, o matter whether they were that of Max Weber or of those who believe that it was through making law and rules to solve the conflict or the so-cial tensions in Africa, for their opinions were based on the perspective of nation state. However, in Africa, at least in Nilotic Sudan, they were u-sing this conflict to build their state. Graeber’s ar-ticle indicated that in the war between the sover-eign and the people, the sovereign is limited, and can never win truly. It reveals a new possibility for the construction of a nation state and political sys-tem. To sum up the discussions above, we have found that in those societies with divine kingship, the reason for the king’s divinity was because he undertook the people’s expectation of a stable soci-ety, and the fertility of crops, and livestock. Be-cause these expectations were not stable in them-selves, people either believed that their king him-self was a god, or tried to ensure that their king was in a healthy state. The similarity between them was that people had to keep the kingship stable and reduce the tension and chaos caused by the king’s death. From their fear of disorder and the fear of powerful order, we can even find a variety of ways of thinking about a perfect and eternal order, as well as on an imperfect and limited life. Thus the King always connected with a stone, for people al-ways expect a stable and changeless eternity.  相似文献   

9.
瑶族神符     
瑶族神符,是瑶族宗教文化的重要组成部分。在瑶族的宗教活动中,往往是经文、咒诀、神符同时使用.缺一不可。我们知道,瑶族宗教的主要特征是多神崇拜和祖先崇拜。在瑶人的传统观念中,宇宙间的天界、阳间、地府、水府,是神秘的鬼神世界,它们主宰着人间的祸福,风调雨顺,人寿年丰,六畜兴旺,是善神的保佑和恩赐;而各种灾害,人畜疾病、则是野神恶鬼作祟所造成的。对善神,瑶人举行“还愿”等隆重的祭礼仪式和在节日庆典中,谢恩祈祷。而对付野神恶鬼的刹手锏,就是神符。瑶人认为,神符具有很大的神威,可以镇妖、驱邪、斩鬼、救疾、护身、保宅,“驱邪外出,引福归堂”。  相似文献   

10.
原始宗教问题,是一个复杂而困难的问题。摩尔根在其巨著《古代社会》中,尽管对涉及古代社会一系列重大问题,都有过精辟的论述,唯独对于宗教问题却尽量地避开了。他直率地承认:“宗教观念的发展,由于本身环绕着相当多的困难,以致这个问题可能永远得不到充分圆满的说明。宗教涉及想象和感情方面的东西太多,因此也就涉及相当多的不可确知  相似文献   

11.
每一个哈尼人听见这首古歌,都会对艾洛山生发出一种由衷的虔敬之情。不管他置身在世界的哪个角落,艾洛山都会像掩埋他胎脐的圣地,久久地攫着他的心。 艾洛是黄连山东部的一个枝杈,这是一个典型的分水岭,又是两个县的交界。这里分冒出12恒水(注),流向岭岗  相似文献   

12.
如果时间能倒流,让今天的科学家们把宇宙形成的原因告诉我们的先民,那些可敬的祖先们会不会瞠目结舌? 实际上,诸多的创世神话为我们展示了另一种意义上的世界,尽管可以将它们归结为蒙昧状态的产物,但千白年来,活在这些创世神话中的诸神却为我们建立起了一种不死的精神,那就是对人类的无私奉  相似文献   

13.
一、关于神的起源 神并不是从来就有的。一般认为,神的观念始于原始社会后期。 神是怎样产生的?学术界说法颇多,有自然神化说、图腾神化说、祖先神化说、英雄神化说、巫师神化说和帝王神化说,等等。  相似文献   

14.
自然物被神化后,仍用原来的名称称呼。《诗经·黄鸟》:"彼苍者天,歼我良人。"《诗经·瞻卬》:"瞻卬昊天,则不我惠。孔填不宁,降此大厉。"诗句中的天用"苍"、"昊"形容,它是自然物的天;又能"歼良人"、"降大厉",它又是被神化、有意志的天。自然物的天被神化后仍称为"天",鲜明地表现在诗句中。《晏子春秋》卷一:齐景公因久不降雨而让卜人占卜原因,卜人回话:"祟在高山广水。"话语中的山、水分别用"高"、"广"修饰,它们是自然物的山水;又能作祟,它们又是被神化、有意志的山水。自然物的山、水被神化后仍称为"山"、"水",显豁地表现在话语中。  相似文献   

15.
物以神聚     
正范扬先生在当代中国画坛负有盛名,从1984年创作的大幅主题性作品《支前》获第六届全国美展铜奖开始,几十年来,他在艺术上激情涌发,以开阔的思想观念不断探索,笔耕不辍。他的画路宽广,山水、花鸟、人物皆长,写意、工笔、书法跨界贯通,喜欢在表现题材和形式语言上多做尝试,从挑战自我出发,达到得心应手的境界,大  相似文献   

16.
<正>湖北省恩施土家族苗族自治州巴东县信陵镇土店子村是第四批全国少数民族特色村寨、省级民族团结示范村、湖北省美丽乡村建设试点村、湖北省美好环境与幸福生活共同缔造活动示范村,近年来,该村立足资源禀赋等实际,因地制宜发展特色产业,把铸牢中华民族共同体意识贯穿于乡村振兴全过程,让各族群众共享产业发展成果,促进各民族共同创造美好生活。  相似文献   

17.
赫哲族世代繁衍生息于乌苏里江和松花江、黑龙江的中下游。他们与世居我国东北到西北的其他少数民族一样,都曾崇信萨满教。 萨满教是原始宗教的一种晚期形式,形成于原始社会末期,具有明显的氏族部落宗教特点。他们相信万物有灵和灵魂不灭;认为“萨满”(巫师)是人与神灵之间的中介,并能凭借神力医病驱鬼、占卜吉凶。大至军事政治行动、渔猎生产,小至生活起居、出行动土,都要请神灵抉择和护佑。认为自然界的一切变化,人间祸福,渔猎丰欠,都是各种神灵“意  相似文献   

18.
自永隆元年(公元680年)吐着军队攻陷西川安戎城后,西洱间地区诸蛮相继也被吐着所征服。于是,吐着开始了对西洱河北部铁桥地区的乌变一个多世纪的统治,也掀开了吐着与唐廷争夺南诏势力百年拉锯战之帷幕,直到贞元十年(公元794年)南诏大破吐善于神川之后才结束了吐着在铁桥地区的统治历史。那么,在这一百余年当中,吐着为何要设都督府于神川铁桥地区?其辖境多大?人口组成和管理机构怎样?在唐、着西南战争中的地位如何?这些问题,过去虽有文献涉及,但缺乏专题性和系统性。在此,笔者想在前人已有成果的基础上作一番拙劣的管窥合测…  相似文献   

19.
蜚声中外的“神蜉”勉先1992年5月中旬,第八届世界发明与新产品展览会在美国的匹兹堡城揭开了帷幕。此次中国参展的120多个项目产品只拥有40多个展位,浦北酒厂就占了其中之一。当不同肤色不同国籍的客商鱼贯走过展厅来到黄国建他们的展位时,都被这古老东方的...  相似文献   

20.
本文从西藏最古老的原始信仰"苯教"入手,进而逐一对英雄祖先的崇拜、动物的崇拜、神山圣湖的崇拜和数字与六字真言的崇拜等现象,进行了方方面面的介绍和分析,从而揭示出西藏独具一格的民族信仰形成的原因,以及与其他地区不同的宗教信仰特色和文化特色.  相似文献   

设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号