Cultural Imperialism Versus Globalization of Culture: Riding the Structure‐Agency Dialectic in Global Communication and Media Studies

This article discusses and analyzes the dialectic between so‐called cultural imperialism and globalization of culture perspectives in global communication and media studies. At an extreme, cultural imperialism is cast as the international extension of the long‐discredited hypodermic needle theory which views cultural consumers as passive automatons. At the other end of the extreme, the globalization of culture perspective is cast as a wildly postmodern standpoint in which free‐floating individuals are said to be able to make an infinite set of localized meanings from cultural products. There has been a growing trend among many global communication and media scholars to locate a productive middle ground between cultural imperialism and globalization of culture. In this author’s view, the most effective melding of the two perspectives would situate local, creative appropriation of cultural objects against the backdrop of larger, hegemonic regional and global macro‐forces. This approach ought also to acknowledge the many complexities that characterize the intersections among globalization, culture, and media, including the ways in which the local, national, regional, and global constitute one another and the ways in which resistance to local hegemony can paradoxically fuel national or global hegemony.     

Creative cultural production and ethnocultural revitalization among minority groups in Russia

ABSTRACT

In this article, I discuss how globally circulated forms of creative cultural production and digital technologies are appropriated by minority ethnocultural activists in Russia, and how these processes result in new forms of expression of ethnic culture and reinterpretation of minority cultural heritage. I focus on creative cultural and digital initiatives that have emerged within the last 5–7 years in an autonomous region of the Russian Federation: the Republic of Tatarstan. These initiatives were launched by young grass-roots activists and entrepreneurs who are Tatars – an ethnic group that predominantly resides in the Republic of Tatarstan. As a republic with a certain degree of autonomy under the Russian federal legislation, Tatarstan has been the centre of the Tatar classic cultural production (theatre, music, arts, and literature), as well as of the Tatar language education. Under the policies of centralization and cultural unification Russia has pursued under the presidency of Vladimir Putin (2000 onwards), most of the political autonomy arrangements that Tatarstan achieved in the 1990s have been dismantled. The new restrictive ideological climate in Russia has repercussions for activism around ethnocultural questions, such as preservation of minority language and identity. At the same time, dissemination of transnational forms of cultural production and the advancement of digital technologies in Russia contribute to innovative cultural developments in the regions. Adapting these global formats and genres to the local cultural activities, the young members of the Tatar community develop new forms of ethnocultural activism. They produce alternative ways of representing and articulating ethnic identity, which depart sharply from the Soviet-born templates of representing ethnic culture. The urban activities these groups pursue allow for the de-politicization of ethnocultural activism in the conditions of an increasingly restrictive ideological and political climate in which minority activism is often equated with separatism.     

Performing India in America through Pragma-Cultural Markers

Intercultural Communication is marked in literary discourse in numerous ways. Diasporic literary discourse representing intercultural communication uses pragma-cultural markers such as food and music as tools of intercultural communication. This paper attempts to examine intercultural communication foregrounding these pragma-cultural markers as represented in Chitra Banerjee Divakaruni’s Queen of Dreams within the framework provided by Relevance Theory (:249). This paper foregrounds the manner in which writers like Divakaruni deploy pragma-cultural markers to express multiple linguistic and cultural perspectives in their literary narratives, thereby portraying an amalgamation of America and India and facilitating intercultural communication which is a dialectical process, as on the one hand the “America” that is in the hearts, minds, and words of these writers shapes their expressions and on the other, their growing presence in terms of their literary output is changing the definition of American art and culture.     

Not playing around: global capitalism,modern sport and consumer culture

Abstract The development of modern sport is bound up with processes of economic and cultural transformation associated with the global diffusion of capitalist forms of consumption. In this article I draw attention to aspects of the globalization of modern sport that were becoming apparent towards the close of the nineteenth century and then move on to consider the factors that contributed to sport becoming a truly global phenomenon in the course of the twentieth century. Consideration is given to the development of international sport and sports goods companies, the growth in media interest and the increasing significance of sponsorship, consumer culture and sporting celebrities. The global diffusion of modern sport that gathered momentum in the course of the twentieth century involved a number of networked elements, including transnational communications media and commercial corporations for which sport, especially through the iconic figure of the transnational celebrity sport star, constitutes a universally appealing globally networked cultural form. Association with sport events and sporting figures through global broadcasting, sponsorship and endorsement arrangements offers commercial corporations unique access to global consumer culture.     

Introduction: prendre au serieux la culture dans les relations internationales

Culture and international relations are related in all circumstances. On the one hand, if one refers to the discipline of International Relations, culture is an important parameter that influences knowledge production and paradigmatic elaboration. The discipline of IR is therefore culturally situated. On the other hand, when one is dealing with the phenomenon of international relations, it appears as if all social relations, international relations are orientated by the ways of thinking, beliefs and representations of its actors. At the same time, international relations create opportunities for cultural invention in order to regulate the interaction among actors.     

Translating Bourdieu: cultural capital and the English middle class in historical perspective

This article examines the ways in which Pierre Bourdieu's work on culture and cultural capital can be applied to the study of the English middle class in the nineteenth and twentieth centuries. Drawing on a wide historical literature, the article argues for the significance of culture as a constitutive element of middle-class identities in England since 1800. It goes on to examine Bourdieu's ideas of 'objectivated', 'instutionalized' and 'incorporated' cultural capital, in the context of family, inheritance, education and the body. The article identifies changes in the historical forms which cultural capital has taken and emphasizes the importance of analysing family processes of intergenerational transmission.     

Who's Afraid of the Big,Bad Wolf? Young People's Responses to the Conflicts Over Large Carnivores in Eastern Norway*

Abstract Controversies over large carnivores are often interpreted as clashes between rural traditionalism and urban modernity. Rural communities, however, have never been culturally monolithic, and modernization will increase the diversity. To probe such diverse and changing attitudes towards nature, I conducted a qualitative study of young people in a rural community in eastern Norway. Contrary to popular images of such communities as unified against “pests,” all typical views of the carnivore issue were present. Those in favor of the large carnivores were typically middle‐class youths with a strong “outward” orientation, while those who wanted to shoot the predators were mostly working‐class boys with strong ties to the local hunting culture. This pattern was interpreted as a conflict between dominant and subordinate forms of knowledge, and between abstraction‐oriented and production‐oriented cultural forms. Aside from the growth of the pro‐carnivore middle‐class segments, the most significant effect of modernization appeared to be the removal of many young people from the subject matter of the conflict. A “subculturalization” of the working‐class hunting culture also could be discerned, however.     

Who needs Cantonese,who speaks? Whispers across mountains,delta, and waterfronts

This essay digs into the ‘dirtiness’ of cultural studies to prioritize praxis, or as the way my mountain folks collect summer lotus: putting our feet in the muddy water, and finding ways to get the stems underneath the smooth leaves. Using Cantoneseness as a case to locate such ‘dirtiness’, I draw on personal/familial histories as well as research projects to tell how conjunctures of Cantoneseness are politically and unevenly lived. This complex journey travels roughly from my childhood in the Yuebei mountains of northern Guangdong through my teenage and early adult years in the Pearl River Delta (PRD) to my current location as a temporary resident in the East Pacific port of Vancouver. I selectively emphasize and speak on three different locations: first, the rural inland Cantonese location of Yuebei mountains – the borderland and hinterland experiences of my family and myself living what the mountains would offer and how these have changed; second, the industrial superior Cantonese location of PRD in Shenzhen and Guangzhou – my personal experiences and identities as a migrant youth, combined with a case study including interviews with migrant peasant-workers and their children; and third, the western transnational Cantonese location of East Pacific waterfronts in Vancouver and Richmond – my personal engagement with social activism as an ethnicized, international student, combined with a narrative study including interviews with social activists with different Cantoneseness and migration routes. While this mix of whispers speaks in its own way towards using cultural studies with more seriously (global) space-sensitive and (social justice) praxis-sensitive approaches, the primary focus is more modestly on my autobiographical accounts and research efforts as a specific case: to show some strategic locations of ‘Cantonescape’ on the one hand, and to invite wider conversations around cultural-spatial politics on the other.     

Racism and Xenophobia

Racism is perhaps the most serious basic problem affecting the welfare of people referred to as migrants or black people in Europe today. Racism is not just about personal racial prejudice but also about institutional processes, ways of thinking and ways of doing things that are deeply ingrained in European culture, including health care—especially mental health care. The prevention of racism in a health service requires a clear statement of intent in a race equality policy that generates monitoring systems, action plans and forward planning. Combating racism must go hand‐in‐hand with the promotion of cultural sensitivity in health care; equal opportunities in access to a service must be balanced by strict control of institutional racism in the quality of the service and employment practices.     

CIVIC LABORATORIES

This paper examines the extent to which the perspectives of science studies and actor-network theory can be combined with those of post-Foucauldian governmentality theory to understand the processes through which cultural institutions fabricate distinctive entities and bring these to bear on the governance of the social. The argument is developed by considering the respects in which the procedures of museums and the distinctive forms of cultural objecthood these give rise to can be illuminated by comparing them to laboratories. This prepares the way for an examination of the ways in which such forms of objecthood have been mobilized in programmes of social and civic governance both within museums and outside them, paying due attention to the differences between their functioning in these regards in the context of liberal forms of government and more directive forms of role. These general arguments are then illustrated with reference to contemporary debates focused on the refashioning of museums as instruments of cultural diversity. The paper concludes by reviewing the respects in which the perspectives it develops suggest the need to question the analytical effects of the extended concept of culture that has underlain the development of cultural studies and contemporary sociological understandings of culture.     

Culture,Region, and Cross‐National Violent Crime

Past cross‐national crime research has focused on structural factors with considerably less attention paid to cultural predictors. We extend the culture of honor thesis by identifying the importance of cultural gender inequality and test a direct measure of it on cross‐national violent crime rates. While prior research typically uses regional variables as proxies for culture, by using a direct cultural measure we are also able to identify whether culture contributes to explaining the regional associations found previously. Based on national surveys of 153 nations and more than a million respondents, this study is able to explore cultural, structural, and regional predictors of violent crime rates cross‐nationally. Two regions, Latin America and sub‐Saharan Africa, are far above the rest of the world in terms of violent crime rates. It turns out that most of the standard structural variables found to be important in previous cross‐national studies no longer have significant effects when controls for these two regions are imposed. On the other hand, we find that our measure of cultural gender inequality has one of the largest associations with violent crime rates, net of region, and also explains portions of both regional associations.     

Transcending Borders,Bridging Gaps: Opening a Dialogue Between the U. S. A. and Italy’s Migration Turn

ABSTRACT

This essay discusses recent theoretical engagements in the fields of migration and postcolonial studies in Italy by examining their contribution to American and transatlantic studies. It focuses on cultural critiques and manifestations which seek an interrogation or revitalization of Italy’s cultural identity. The analysis draws on the many links between past and present, a confrontation of the histories of migration from and to the country. For instance, the Italian/American influence is remarkable on transforming views of Italian identity, particularly regarding (im)migration. The objective of this paper is twofold. On the one hand, it examines how artistic productions compel the Italian society to come to terms with the past. This phenomenon attests to a unique social and cultural transition in Italy, and represents a breeding research ground within Italian studies and the Anglo-dominated area of postcolonial and diaspora studies. On the other hand, the essay investigates how these changes enhance to the role of transatlantic migrations. In doing so, the significance of such cultural productions is framed within ongoing epistemological and scholarly endeavours. This is exemplified by the abundant number of publications, seminars, conferences and new curricula challenging, as well as advancing, contemporary debates on migration, multiculturalism, identity (Italian-ness) and memory.     

Understanding the Influence of Traditional Cultural Values on Indonesian Parenting

The aim of this conceptual article is to consider the available literature regarding associations between cultural values and parenting in Indonesian society. Research focusing on parenting in the Indonesian context is limited, although there are extensive studies regarding parenting and its implications for child development in Western cultures. Indonesia is one of the most heavily populated and culturally diverse countries in the world, with more than 200 ethnicities represented. Because cultural values are likely to influence Indonesian parenting and, therefore, child development, there is a need to understand the ways in which Indonesian traditional cultural values influence parenting style. In this article the small amount of literature regarding parenting specifically in Indonesian culture is overviewed. The key outcome of this article is to highlight the need to better understand how cultural values influence parenting in Indonesia and, in turn, how these influence child outcomes, particularly under conditions of some cultural change. Recommendations for future research regarding associations between Indonesian cultural values and parenting are provided to stimulate more empirical attention to this area to support Indonesia’s adaptation to the modern global environment.     

‘Aboriginal mass culture’: a critical history

In Australia, some Aboriginal art objects are celebrated as fine art of great cultural, aesthetic and economic value, while the vast majority are judged to be stylistically derivative and intrinsically compromised by overtly mercenary market forces. This article introduces the concept ‘Aboriginal mass culture’ as a means for understanding the significance of the often maligned forms of the Aboriginal art and culture industry in Australia and to address the problem of why it continues to be difficult to demarcate the space of Aboriginal fine art. While a canonical and connoisseurial art history approach must disavow the vast majority of ‘Aboriginal art’, this article embraces a sociological perspective and turns an analytical eye upon the Aboriginal art and culture industry in its entirety, treating it as a phenomenon of visual culture that mediates Indigenous/non-indigenous relations within national public culture. It offers a critical history of ‘Aboriginal mass culture’ from the market for ‘Aboriginalia’ in the post-Second World War era through to the unruly Aboriginal art market of the present day. In so doing, it illuminates some of the drivers of these cultural forms across commercial, governmental and civil society domains. Its analysis reveals the way in which ‘Aboriginal mass culture’ manifests the unique social and economic circumstances that underpin Aboriginal art practices and the ways in which Aboriginal art is entangled with a redemptive political and civic project in Australia that has sought to affirm a resilient Indigenous presence and stimulate new visions of nationhood, heritage and intercultural fellowship.     

Mobilisierung, Staat und Demokratie

The explanation of the emergence and consolidation of democratic regimes is one of the most important topics of political sociology. The main theoretical approaches can be divided into actor- and elite-theories on the one hand and structure- and modernization-theories on the other. This article combines actor- and structure-centered theories following the discussion of Lipset’s thesis of the connection between socio-economic modernization and democracy. Its theoretical starting point is the assertion that the emergence and consolidation of democratic regimes can be explained with reference to the power resources and interests of collective actors. These are determined in two ways by structural conditions: first, the social structural basis for the mobilization of collective actors changes with socio-economic modernization processes. Second, the mobilization of actors is dependent on certain conditions, which are influenced by modernization processes. The role of the state is emphasized, because the state can strongly affect the conditions of mobilization for collective actors in the civil society, and therefore block processes of democratization. The interests and power resources of state elites are not only conditioned by endogenous modernization processes, but furthermore by exogenous, geopolitical conditions. Therefore, the final result is, that socioeconomic modernization processes are a necessary but not sufficient condition for democratization.     

Theorizing Globalization

I sketch aspects of a critical theory of globalization that will discuss the fundamental transformations in the world economy, politics, and culture in a dialectical framework that distinguishes between progressive and emancipatory features and oppressive and negative attributes. This requires articulations of the contradictions and ambiguities of globalization and the ways that globalization both is imposed from above and yet can be contested and reconfigured from below. I argue that the key to understanding globalization is theorizing it as at once a product of technological revolution and the global restructuring of capitalism in which economic, technological, political, and cultural features are intertwined. From this perspective, one should avoid both technological and economic determinism and all one–sided optics of globalization in favor of a view that theorizes globalization as a highly complex, contradictory, and thus ambiguous set of institutions and social relations, as well as one involving flows of goods, services, ideas, technologies, cultural forms, and people.     

The arrival of critical citizens: decline of political trust and shifting public priorities in China

Political trust has been in decline in China. In this article, we capture this decline as reflecting the modernization of Chinese political culture. While the government managed to deliver a sustained period of rapid economic growth, the public's trust in it is diminishing through two mechanisms. On the one hand, Chinese citizens are acquiring stronger liberal democratic values, which make citizens more critical toward government institutions. On the other hand, changing political culture is also shown in the citizens’ shifting of their priorities toward the expansion of freedom and empowerment of citizens. Decades of socioeconomic modernization, therefore, meant that the era of critical citizens has arrived in China.     

Oppositional consciousness,cultural preservation,and everyday resistance on the Uyghur Internet

The Internet has potential as a tool for propagation of minority cultures and identities. As China is a multi-ethnic, multilingual society, people of varying cultural backgrounds and across the Chinese diaspora may be found participating in Chinese language sites. However, little attention has been paid to the separate online activity among any of China’s 55 officially recognized ethnic minority groups, such as the Uyghurs, especially in their native languages. In this paper, we consider in what ways digital media such as interactive online community forums (UY: munbar) may be used by one ethnic group, Uyghurs, as a means of mobilizing their community to preserve their culture and support their community. As the majority ethnic group within a region of China noted as among China’s most politically sensitive, Uyghur use of computer-mediated communication provides a rich source of study.     

What Is Love without Mourning? Male Intimacies and Cultures of Loss

In this article, the author considers loss and mourning in relation to male homosexual love. He uses mourning as a framework through which to raise questions about the social and cultural status of gay male love in contemporary societies. He argues that loving within heteronormative cultures of intimacy creates forms of vulnerability for gay men and that this is often compounded at times of personal loss. He uses a psychoanalytic framework to consider the important role of culture in the mourning process and reflects on the ways that cultural forms, practices and representations provide the context through which mourning can be both facilitated and disabled. Recent examples from popular culture are used to consider the important role, and often significant absence, of symbolic frameworks through which gay men can enter into dialogues of mourning. In conclusion, the author argues that the social valuing of loss is intimately bound up with the social valuing of love.