Disciplining "Sextext": queers, fears, and communication studies

This essay is a critical interrogation of disciplinary responses to Tom Nakayama and Fred Corey's 1997 Text and Performance Quarterly essay, "Sextext." Disciplinary responses to the essay suggest strong resistance to queer theory as a "legitimate" intellectual and critical framework. By reading the responses to "Sextext" through the lens of queer theory, and by offering a political reading of conventional studies of sexual representation, this essay suggests how disciplinary boundaries in Communication Studies are policed to protect the production of "legitimate" scholarship. By revealing these practices, this essay provides further support for the central value of queer theory to the discipline of Communication Studies.     

The specter of the black fag: parody, blackness, and hetero/homosexual B(r)others

This essay investigates the ways in which three African American heterosexual males-Eddie Murphy, Damon Wayans, and David Alan Grier-appropriate signifiers of gayness to parody, stereotype, and repudiate black gay men. These performances are also attempts to circumscribe the boundaries of blackness, ultimately suggesting that "authentic" blackness is lodged within hegemonic black masculinity. Contrary to this desired effect, the essay demonstrates how these performers, in the act of repudiation, ironically and unwittingly queer heteronormative black masculinity, securing further the dialectic between heterosexuality and homosexuality. Finally, the essay argues that these performances manifest the black heterosexual male's melancholia, his refusal to grieve the loss of his sexual B(r)other.     

Immigrant closets: tactical-micro-practices-in-the-hyphen

The theoretical and material moves within this essay suggest that culturally hybrid agents use the "closet" as a space to negotiate the intersections of sexuality and ethnicity in everyday life. Discussing some conclusions of my ethnographic research project with the Russian Gay and Lesbian Group of West Hollywood, this essay applies Michel de Certeau's notion of tactics to the daily micro-practices of queer identified immigrants as they move between the demands of overlapping and contradictory cultures. Examining the circumstances in the Russian-American-immigrant-imagined community shared by the informants in this site, I argue that, contrary to a popularized valorization of queer "outness," there is a great deal of power in the oscillation between visibility and invisibility.     

Japan's progressive sex: male homosexuality, national competition, and the cinema

This essay serves as a broad investigation of the origins of what came to be called the "gay boom" in 1990's Japanese cinema: a culmination of print media, television, and especially films which made the gay male not merely a visible (political) subject but also the site of displaced contestations of gendered (female) desire. The most visible transnational signifier of the "gay boom" was the 1992 film Okoge, a film which, in keeping with a Japanese trend which relocates the gay male as a safe displacement of female desire, posits the heterosexual female as the audience's point of identification in a film about the lives of gay Japanese men. Using this as a starting point, this essay seeks to explore how male homosexuality and gender construction operate within both Japanese nationalism and the transnational discourse of Japanese cinema's dissemination.     

Nextext

Gay men who are marked as "sexual outlaws" have unique and tense relationships with social regulatory forces, and for the porn star, the tensions are exacerbated. Surveillance, attraction, seduction, repulsion, authority, and discipline mark the communicative dynamics between the bodies of subject/object, performer/spectator, image-maker/imagined. This essay, which is a follow-up to "Sextext," is a fictional account of a porn star who navigates personal and social relationships in the context of a culture that averts overt discussions of carnal desire.     

Queering marriage: an ideographic interrogation of heteronormative subjectivity

Recent debates on same-sex marriage mark the institution, practice, and concept of marriage as a significant site of power and resistance within American culture. Adopting Michel Foucault's conception of "discipline," this essay examines how marriage discourse reinforces heteronormative power relations through its rhetorical constitution of gay male identity. Supplementing "ideographic" critique with Judith Butler's theory of performative speech acts enables us to better interrogate and resist these operations of power. This essay maps the contemporary scene of heteronormative power and resistance through two rhetorical performances of gay male identity. The marriage debates, in the first instance, demonstrate how a conventional desire for masculine agency influences the heteronormative production of gay male identity. In the second instance, gay male SM [sadomasochism] performs a concept of "relational agency," which potentially resists heteronormativity.     

Polish education in the crisis decade--the testimony of population census

"The purpose of this essay is to offer information on the links that exist between...demographic growth, education and the [labor force] in Poland, as revealed in past population censuses...taken in 1978 and 1988...." The effect of education on occupational status is discussed, and some projections for Poland's educational and employment sectors are made.     

Ferment in LGBT studies and queer theory: personal ruminations on contested terrain

The tensions between queer and gay rights theorists, not surprisingly, have grown as queer theory has developed and matured. In this self-reflexive essay, the "contested terrain" between these distinct perspectives is explored, particularly within the discipline of communication studies. The assumptions of queer theory are summarized briefly, and the author takes an autoethnographic approach to demonstrate the constant interplay between lived experience and the basic assumptions of queer theory. The author challenges both LGBT theorists and queer theorists to always consider the implications of their theories and practices.     

The cross-gender performances of Yam Kim-Fei, or the queer factor in postwar Hong Kong Cantonese opera/opera films

This essay is designed as a brief historical examination of the Cantonese female cross-dressing star Yam Kim-Fei, whose hundreds of films and opera performances in the '50s and '60s have made her one of the century's most celebrated transvestite artists. While her craft has often been relegated to studies of gender alone, I assert that the traditions of Chinese operatic transvestism she employs are not merely a relativist historical-artistic mode without political relevance but can be justifiably reclaimed for the purposes of queer interpretation and spectatorship-for indeed their original intent coincides very well with what we call "queer" today.     

"Beautiful publicity": an introduction to queer Asian film

With a few seemingly apolitical exceptions, openly queer cinemas have generally charted two opposing courses-a propagandistic search for bourgeois acceptance or a radical challenge to sexual hegemony. Yet even the most politically challenging of queer films, for example those of Pasolini, are nevertheless distributed and disseminated through the heteronormative and hegemonically capitalist means they philosophically oppose. This essay thus takes as its texts two low-budget gay male Japanese films of the 1980s, which have been made available on international home video, as opposing examples of politicoeconomic allegories enacted within the self-reflexive contexts of queer cinema and gay male political history. Taken together, the two films present an interlocking example of how Asian queer films both engage and refute "Eastern" and "Western" conceptions of homosexuality and sexual politics in general.     

Transformance: reading the gospel in drag

Despite the large body of scholarship on drag and its performance of misogyny, mimicry, and masculinity, little attention has been paid to the role of musical genres in Black drag performance and its reception. This essay explores drag performances of gospel music and its relationship with the spectator at the Biology Bar, a Black gay drag site in Chicago. By examining the shift from the club "space" to the church "place," this research locates several possibilities for queer gospel performances. Through the introduction of a theory of transformance, this essay highlights the contradictions, complications, and complexities of the relationship between the Black church and the Black gay community.     

Of mice and men: an introduction to mouseology or, anal eroticism and Disney.

This essay deals with two important comics, Walt Disney's Mickey Mouse and George Herriman's Krazy Kat, and considers the social, cultural, psychological and symbolic significance of the main characters and their creators. In the discussion of Disney and his work (based, in part on writings about him) it is suggested that he exhibited traits associated with anal eroticism, which raises an interesting question about the popularity of his work with the American public. The two dominant themes found in Krazy Kat are described as "the triumph of illusion over reality" and "anti-authoritarianism." In a comparison of the two characters, it is shown they are polar opposites: Mickey Mouse is sadistic, asexual, and anal while Ignatz Mouse, the hero of Krazy Kat, is playful, sexual, and phallic.     

Gender Differences Among Older Heroin Users

A group of 110 midlife lesbians filled out several open-ended essay questions on adolescence and midlife. Half the sample described themselves as non-traditional adolescents, e.g., bookish, rebellious or athletic. Approximately half the midlife lesbians had non-traditional dreams in adolescence, that is dreams of careers, adventure and having an impact on the world. Women who labeled themselves as "lesbians" in their teens and twenties were more likely to have been non-traditional adolescents. Women who labeled themselves as "lesbians" in midlife were more traditional as adolescents. The majority of lesbians in this sample were highly educated professional women. The data suggested that adolescent dreams and interests sewed as a source of vitality and creativity for midlife lesbians.     

China doll - the experience of being a gay Chinese Australian

This article is a stylized blend of personal history and polemical essay which investigates the relationship between race and sexuality. What starts out as a history of the narrator's experience of being a "banana"-yellow (Chinese) on the outside and white (Caucasian) on the inside-becomes a complex exploration of the various ways in which male homosexual desire is constructed and how race is both included and excluded from western constructions of homosexuality.     

Jewish disappearing acts and the construction of gender

In this essay I propose to investigate the interarticulation of race/ethnicity and gender at two fin de siècle moments: the conceptualization of the Oedipus complex at the turn of the twentieth century and the conceptualization of gender as performative in contemporary queer theory. Though these gender constructions contrast strikingly with one another-queer theory opposes and calls into question the heteronormativity of the Oedipal itinerary-both theories are produced through the displacement of racial/ethnic difference onto sexual and gender difference. One line of investigation in this essay is to relate their difference to the distinct situations of ethnic in-betweenness in which they were produced. Freud's situation as a Jew undergoing assimilation to Western European customs has been compared to that of the post-colonial subject. Judith Butler's and Eve Kosofsky Sedgwick's theories of queer performativity have been located in a post-assimilationist situation in the U.S. of the 1990s. At both moments a doubling takes place but with a radical shift in perspective. Whereas the post-colonial subject undergoes a psychic splitting in which the point of view of the colonizer predominates and promotes assimilation via mimicry, the post-assimilation subject performatively constructs difference, often by a reverse mimicry that involves identification with a subaltern group. Finally, in both situations the notion of "queer incoherence" is deployed not to negate gay and lesbian specificity, but rather to articulate such specificity as historically emergent, on the verge of definition.     

"I Am the Man!" Performing gender and other incongruities

The following essay details the genesis of the performance "I Am the Man" for the First International Drag King Extravaganza. In it the authors explain both their autobiographical performances and the relationship between their drag performances and transgender theory by linking Shakespeare to queer theory and by overlapping their personal narratives.     

Happy alone? Sad young men in East Asian gay cinema

This essay chooses as its texts three films representing contemporary gay male subjects from each of the "three" China's: HK, Taiwan, and the Mainland. Relocating the homoerotic image of the "sad young man," a trope popular from Hollywood rebellion films of the 1950s and 1960s, to contemporary China, I discuss how this masculine icon has been transformed from one of heroic rebellion to one of existential isolation. Indeed, as the politics of both the outmoded Confucian family and fractured Chinese nationhood intersect, what the sad young (gay) man rebels against is a political fluctuation which is no longer fixed; as the young man's opposition is no longer fixed, so too does he become alienated even from his own rebellious cause.     

Two Japanese variants of the absolute transvestite film

This essay compares two Japanese transvestite films from different generations-Black Lizard of 1968 and Summer Vacation 1999 of 1988. While Western transvestite conventions are usually exploited only to climactically reinforce heterosexual coupling, what binds these two films is their divergent tradition of what I call "permanent transvestism." That is, the films employ a cross-dressing which occurs extra-diegetically, is unnecessary to the plot, and which an audience may or may not be aware of depending on their geo-historical position. However, it is this non-Western tradition of cross-dressing that nevertheless imparts an aestheticization of sexual desire beyond fixed categories of "gay," "lesbian," or even our conventional ideas of transsexualism.     

The rise of homosexuality and the dawn of communism in Hong Kong film: 1993-1998

I have designed this essay as a general overview of the self-evident trend towards queer subject matter in the past decade in Hong Kong film, a trend that not only coincides historically with the 1997 handover to the Mainland but also frequently comes equipped with parent-child relationships that can be read as allegories for the colony's future as the "child" to its mother country. Queerness in HK films has both alternated between and combined indigenous forms of queerness and the imported Western variety; by charting courses through internationalized concepts of homosexuality, HK films have posited their queerness not only as an existential allegory of (post)colonialism but also as a claim (or hope) for a utopian sexuality cum utopian international politics.     

Outlaws or in-laws? Queer theory, LGBT studies, and religious studies

Many queer theorists, like many queer activists and perhaps many LGBT people in general, regard religion as so inimical to their purposes and lives that it is not even worthy of critique; references to religion in queer theory, queer studies, and even LGBT studies are usually sparse, brief, and generally derogatory. Likewise, within most of the field of religious studies, queerness is rarely an issue of concern or even consciousness except in the context of organizational tensions over the proper roles of "homosexuals." While there is a growing body of work that brings these two fields together, the study of religion seems to be adapting only haltingly and partially to contemporary developments inLGBTstudies and queer theory. This essay assesses the current state of the "proto-fields" of LGBT studies and queer studies in religion, offers suggestions for new directions in the future, and considers the potential benefits of the interaction of these fields.