Skimming the Milk,Cajoling the Soul—Embodiment and Obscenity in Sexuality: Commentary on Muriel Dimen's Paper

Responding to Dimen's bringing together the vagaries of disgust, embarrassment, and shame lurking in sexuality, I translate “Eew” into abjection. I emphasize the “otherness” of sexuality mainly through the paradoxes of the body, which can figure as a chunk of flesh, demurring in a state of “facticity” (thingness), but which can also be(come) the house of the soul, the carrier of one's spirit, one's unique individuality and subjectivity.

To capture the other's ineffable subjectivity, we have to “cajole” his or her spirit to come and dwell on the body, particularly its apertures and skin. By caressing and arousing the other, we can transform the obscenity that inheres potentially in the sexual experience into the most transcendent and ecstatic event. Abjection, “Eew,” occurs when mutual understanding, which is the embodiment between two people, fails. When embodiment collapses into being only body, it is obscene and disgusting.     

Mother-Writing and the Narrative of Maternal Subjectivity

This essay discusses how writing from a maternal perspective can construct maternal subjectivity in a linguistic form. Maternal subjectivity is understood as the aggregate of subject positions, or “representations,” experienced by a woman who is a mother. Writing can form connections between subject positions, including those which have been split off or denied because of culturally induced ambivalence, to establish a subjectivity that is multiple rather than split. Through a reading of Mary Gordon's novel, Men and Angels, I show how the text's narrative structure, as it represents a mother's discourse with her own mother, her discourse with herself, and her discourse with her child, incarnates the plurality of self positions that mothers possess and constructs a relationship or “grammar” between them. By evoking this complex maternal subjectivity, mother-writing can be understood as a gesture toward recognition–both within the text, for its characters, and outside the text, for the mother/writer.     

Encountering the ageing body in modernity: fear,vulnerability and “contamination”

This paper attempts to understand the exclusion of ageing people within contemporary society through developing a model around the notion of the “encounter with the ageing body”. It is divided into three parts. In the first, I develop a model of the encounter through combining Sara Ahmed’s notion of “affective economies” with Shildrick’s theory of the encounter with the “vulnerable self”. I argue that the fear of ageing becomes embodied within the encounter with the ageing body. Specifically, the fear is vulnerability: within the encounter, the youthful self is forced into the recognition of his/her own vulnerability. Modernity requires that this be disavowed, with the ageing body banished to the margins through sequestration to foreclose the possibility of a repeat. In the second section, I discuss the nature of vulnerability within modernity. I explore two approaches to this: in the first, the vulnerability is to the threat of death, which has become particularly problematic within modernity; in the second, the vulnerability is the loss of subjectivity resulting from the ageing body’s failure to correspond to constructions of the ideal body within contemporary capitalism. In the final section, I evaluate whether recent social shifts promise a brighter future for ageing people, arguing that although the situation is not black and white, there is, nevertheless, unfortunately currently relatively limited potential for real change for older people.     

Troubling Whiteness: Commentary on Harris's “The House of Difference”

This article focuses on Harris's (this issue) understanding of racialized subjectivity as a socially constructed phenomenon where fantasies about race are transmitted intergenerationally. I was raised as a “white” South African and I had two vivid associations to Harris's proposal that a “psychose blanche,” an invisible repository of unsignified, racially inflected thoughts, feelings, and selves exists at the heart of “whiteness.” In both cases I recalled a scene from my youth where I was taught that whites in apartheid South Africa deserved punishment and would receive this “come the revolution.” These lessons were crucial building blocks in the formation of my racialized subjectivity, and I describe and interrogate them in an attempt to add further variety and color to the landscape that Harris so deftly draws as she resignifies her “whiteness.”     

Elder self neglect: A geriatric syndrome or a life course story?

AimsTo explore the unique aspects of the elder self-neglect phenomenon and to achieve phenomenological understanding of self-neglect through the eyes of self-neglecting elders.MethodA qualitative study based on a sample of 16 self-neglecting elders. Data collection was performed through in-depth semi-structured interviews, followed by content analysis.FindingsFour major themes emerged from the older participants: “I was unlucky:” a life course of suffering; “That's the way it is:” self-neglect as a routine of life; “They tell me that I'm disabled:” old age as exposing situations of self-neglect; “My empire:” how do I perceive my old age.ConclusionsSelf-neglect is not necessarily an issue of old age, but is related to the person's life history. Self-neglect as a way of life accompanied the participants into old age, but it was not originated or created there. The overall message of the self-neglecting elders was to see them as human beings and not as old neglected people; not to label them as an “age syndrome” but to perceive them in a holistic and humanistic manner.     

Temporal Vertigo: The Paradoxes of Ageing

“I don’t feel old,” most older informants proclaim. That affirmation tells us much about the stigma surrounding old age. It tells us also about the temporal vertigo we face as we age if contemplating the multiplicity of continuities and discontinuities over time. Ageing is of interest to those who have always been skeptical about any notion of the “true self,” allowing us to puzzle over how the account the old give of themselves—if anyone is still listening—will rely upon their ability to incorporate differing versions of the self, woven into the volatilities of memory and fantasy. I explore some of the radical ambiguities in the speech or writing of those thinking about ageing. While pondering the fluctuating ties between younger and older selves, I also venture into the hazards of desire in old age and the apparently contrasting situation of ageing men compared with ageing women. Old age may no longer be the condition that dare not speak its name, but it remains the identity about which most prefer to stay silent.     

Family Social Work: The Past and the Present

SUMMARY

It is easy to blame the dysfunction of a family member on his or her behavioral patterns. I use the title, “It's the Relationship, Stupid!” not to talk down to family therapists, but to remind myself that the source of dysfunction is usually family relationships, especially the marriage relationship. This article gives several case studies for practical application of therapy techniques that focus on developing the “WE” of the family unit. One practical technique that I developed is a communication typology. The married couple (and family members) are divided into “Painters” and “Pointers.” This typology explains much of the conflict and mis-communication that leads to the breakdown of the “WE.” This article also presents dysfunction within the individual as a relationship problem and introduces the concept of the “spirit” of the individual as expressing the relationship the person has with self.     

Desegregating Love: Transnational Adoption,Racial Reparation,and Racial Transitional Objects

Transnational adoption involves the intersection of two powerful origin myths—the return to mother and to motherland. In this case history of a Korean transnational adoptee, Mina, problems relating to Asian immigration, assimilation, and racialization are central to her psychic predicaments. Mina mourns the loss of Korea and her Korean birth mother as a profoundly intrasubjective and unconscious affair. Her losses trigger a series of psychical responses that reconfigure Freud's notions of melancholia not as pathological but an everyday (racial) structure of feeling and Klein's theories of good and bad objects as good and bad racialized objects, as good and bad racialized mothers. Mina's case also draws attention to the analyst as a raced subject. The “public” fact of the analyst's and the patient's shared racial difference, and the “public” nature of the analyst's pregnancy during the course of the patient's treatment, constitutes the analyst, to reformulate Winnicott, as a “racial transitional object” for Mina. As such, Mina “uses” the analyst to manage her envy and to transition into a reparative position for race, one allowing her to create space in her psyche for two “good-enough” mothers-the Korean birth mother as well as the white adoptive mother.     

Analyzing Children's Learning and Development in Everyday Settings from a Cultural-Historical Wholeness Approach

The main point in this article is to conceptualise how demands connected to children's life conditions influence both children and caregivers. To pursue this aim I advocate an extension of Vygotsky's cultural-historical theory of children's learning and development. Vygotsky pursued a wholeness approach to children's development with his concept of “the child's social situation of development” as the child's dialectic experiential and motivational relation with his or her surrounding. This conception I extend with the concepts of institutional practice and activity setting. The conditions for children's activities are the institutional practice and its activity settings. But a child's activities in these settings also has to be seen from the child's perspective, that is, his or her motive orientation. To focus on the child's motive within an activity setting—requires the researcher to focus on the child's social situation of development to discern how the dialectic between the child's orientation within an activity setting and the demands from the setting and other persons influence the child's activities within the child's zone of proximal development.     

Tattoos and Teddy Bears: Fetishism on Exhibit in Paris

I add a developmental perspective to the picture Roth and Freedgood have elaborated regarding the significance of surfaces. With Roth's attent ion to the analytic couple and adult intersubjective interaction, I include the mother–infant dyad—what I have written about, following Winnicott, as the “nursing couple.” I now employ Meltzer's evocative concept regarding the aesthetic impact of the mother. From this perspective regarding the early maternal relation, I then address the anxieties that Freedgood, especially, highlights in relation to culture and gender. I emphasize that we communicate to and with a maternal object that is herself a complex object both in her surface and in her interior. I contend that jewelry is a concrete representation of the mother's most interesting bodily surface.     

Mum's the Word: Intersubjectivity,Alterity, and the Maternal Subject

Where motherhood and ethics are brought together, it is usually under the rubric of an “ethic of care,” with the mother-child relationship figured as a paradigmatic example of such an ethic. In this article I make use of Levinas' account of ethics as first philosophy to flesh out a notion of “maternal alterity” as an alternative to a maternal ethics based on the various complex mental and emotional tasks that make up care. This represents an attempt to recuperate something for the mother out of her often bewildering encounter with the enigmatic otherness of her child. Situating Levinas alongside a dialogue between Jessica Benjamin and Judith Butler on intersubjectivity, I attempt to disentangle maternal subjectivity from the developing subjectivity of the child and offer an account of the maternal subject as an ethical subject situated, perhaps, “otherwise” to a discourse of care.     

Anality: News From the Front

“Anality: News From the Front” is a critical commentary on Jeffrey Guss's (this issue) paper, “The Danger of Desire: Anal Sex and the Homo/Masculine Subject” and Stephen Botticelli's “Clinical Example.” In her analysis of Guss's argument, Sedgwick situates the dangerous potential of transgressive anal desire as “a revolutionary flash-point to be sought out and exploited” and highlights what she views as Guss's underlying assumption: that “danger is now altogether a thing to be decried and avoided.” Her response to Botticelli is a lively imagined relationship to Botticelli as a therapist, based on his clinical observations documented in “Clinical Example.”     

Where are we when we litigiously judge? Politics and aesthetics in Hannah Arendt and Jacques Rancière

ABSTRACT

In contrast to the scenario depicted by Carl Schmitt, contemporary theory has contradicted the “thesis of differentiation” between aesthetics and “the political.” Critical theorists claimed aesthetic analysis’ relevance for grasping aspects of the political realm. And political thought took an “aesthetic turn.” Hannah Arendt and Jacques Rancière have been influential figures in this turn. Their thought offers a clear response to the challenges to the aesthetico-political Schmitt poses. To approach Arendt and Rancière’s responses, this essay proceeds in three parts. The first section analyses Arendt’s reading of the connection between aesthetics and politics. Focusing on a major shift in her perspective on judgement, I argue that her account is influenced by the ungrounded character of politics. The second section thematises the role that the relationship of aesthetics and politics has in Rancière’s work. I claim that his writings might be read as a challenge to Arendt’s attempt to “stabilise” politics by distinguishing it from the social question. Finally, the third section explicitly contrasts Arendt and Rancière’s accounts of the aesthetic-political. I conclude by arguing that their projects are crucial resources for formulating a critical theory that should resist the exceptionalist temptation to conceive “the political” as an incontestable nature.     

“And Let the Grove,If Not the Parlour,Stand”: Home,Memory, and Gender in Mary Leapor's “Crumble-Hall”

ABSTRACT

This article focuses on Mary Leapor's “Crumble-Hall” and attempts to shed light on her gendered/class poetics. It argues that the poet uses the house as a metaphor for gendered (male) and social class (gentry) dominance as well as that through memory she assumes (poetic) control over it, demolishes and remakes it, thus forging her female/literary identity. The article also demonstrates that Leapor makes use of both social and psychological space in her poem. By appropriating the country-house convention, she creates a dialectical relationship between external space—the architectural structure; and internal space—the kitchen maid's unconscious; and points out that as the former crumbles, the latter stands because of the significance it acquires. Indeed, her memory of Crumble-Hall not only spawns years of suppression and hardship but also becomes the stepping-stone for her rebellion as well as for the creation of her verse. Her poetic empowerment is projected through the image of the grove surrounding the country house, a multifaceted symbol signifying the interrelation of home, memory, and female literary production. Overall, Leapor re-creates the past glory of the gentry house, depicts her subservient state, conveys her subversion, and finally, establishes her newfound identity as a female poet, all within the framework of fragmented memories. Consequently, she succeeds in promoting the need for gendered and class transgression, in the hope that her sisters can bring about the “crumbling” of their own “house” and remake their “home.”     

Mind,Self, and Human-Animal Joint Action

Abstract

Because Herbert Blumer maintained that symbolic interactionism was useful in examining all realms of social behavior, and advocated what Martin Hammersley refers to as “critical commonsensism,” this paper focuses on one of the most common contemporary social relationships—that between people and companion animals. I first examine the basis for Blumer's (like Mead before him and many interactionist scholars today) exclusion of nonhuman animals from consideration as “authentic” social actors. Primarily employing the recent work of interactionists Eugene Myers, Leslie Irvine, Janet and Steven Alger, and Clinton Sanders, this paper advocates the reasonableness of regarding nonhuman animals as “minded,” in that mind, as Gubrium emphasizes, is a social construction that arises out of interaction. Similarly, I maintain that animals possess an admittedly rudimentary “self.” Here I focus special attention on Irvine's discussion of those “self experiences” that are independent of language and arise out of interaction. Finally, I discuss “joint action” as a key element of people's relationships with companion animals as both the animal and human attempt to assume the perspective of the other, devise related plans of action and definitions of object, and fit together their particular (ideally, shared) goals and collective actions. I stress the ways in which analytic attention to human-animal relationships may expand and enrich the understanding of issues of central sociological interest.     

Narratives of Settling in Contexts of Mobility: A Comparative Analysis of Irish and Polish Highly Qualified Women Migrants in London

Adopting a spatio‐temporal lens, this article explores how highly qualified migrant women negotiate relationships and career motivations in specific socio‐structural contexts. Comparing migration experiences of Irish and Polish women in London, I explore similarities within and differences between these groups. Having joined the EU in 1973, Ireland can be regarded as part of “old EU”, while Poland joining in 2004 is part of the “new” wave of EU members. Migration from old and new member states is often discussed separately using different framing. This article contributes to understanding migration in three ways. Firstly, by developing comparative analysis, which goes beyond narrow and static migrant categories. Secondly, by challenging the temporary/transient versus permanence/integration dichotomy to explore a “sliding scale” of migrant trajectories. Thirdly, by illustrating how evolving relationships, through the life cycle, may enable but also hinder migrant women's opportunities for settling in or moving on.     

“I” and Self-Consciousness in the Japanese Language and in Sociology

Abstract It is often said that the Japanese lack the firm consciousness of “self” namely, they yield to groups and are absorbed in an anonymous state. Some ascribe this to the Japanese language, in which the first and the second person are expressed by various pronouns (or, in many cases, are even omitted) in accordance with the relationships between persons. By contrast the Westerner's “I,” which is usually the only pronoun for the first-person, is rarely omitted. They conclude from this that the Japanese individual does not possess as clearly defined a conception of “self” as does the Westerner. Underlying this issue are the fundamental, interwoven questions of language and self-consciousness: does “self” really exist, and does the analysis of the I in language pertain to the first question? This paper discusses these questions by considering Wittgenstein's argument that “I” does not refer to self-consciousness: rather, “self” is a metaphysical reification of “I.” These problems concern sociology, in which the “subject” of action has been the focal point of methodological arguments. I will show that Meadian interactionism and critical theory are deeply rooted in the metaphysical, subjectivist understanding of “I,” while ethnomethodology offers a perspective which overcomes both subjectivism and objectivism for studying communication.     

The Phenomenon Of The Public Wife: An Exercise In Goffman's Impression Management*

Approaching the topic of American leader-image from the perspective of politics-as-theater (political communication as exchange of symbols), this paper examines a taken-for-granted visual symbol which a national political leader is invariably expected to present: a wife. Her contributions to her husband's “impression management” techniques (Goffman, 1959) are studied in Goffman's “defensive” categories of dramaturgical loyalty, dramaturgical discipline, and dramaturgical circumspection. This analysis suggests that the visible presence of a wife in public leadership rituals offers the public voter or viewer important reassurances or symbolic guarantees about her husband's “morality”—and, therefore, his appropriateness for public trust. She has become a necessary partof his public performance because of our everyday need for “cultural absolutes” (Furay, 1977) in the image of our leadership figures.     

Commentary

It is a privilege to be invited by your editor to comment upon Mrs. Chamberlain's excellent paper. Her finding that the typology has potential for use in the process of objectifying student evaluation is naturally of great interest to me. Most educators would agree that we are very much in need of a firmer base for objective evaluation, especially in the area of field performance. I find myself in complete agreement with Mrs. Chamberlain's interpretations of her findings as presented in her article. To begin with one of the statements in her concluding paragraph, I would support wholeheartedly her opinion that objective measurements are no substitute for “an evaluation arrived at in collaboration with the student in a supportive supervisory relationship”. This, however, in no way lessens the importance of underpinning such an evaluation with as much objective data as possible.     

Confronting “Victim” Discourses: The Identity Work of Battered Women

In this article I explore how battered women both draw from and reject victim discourses in their processes of self‐construction and self‐representation. Data gathered from semistructured interviews with forty women who experienced violence from an intimate partner in a heterosexual relationship demonstrate that available “victim” discourses are both enabling and constraining. Four common representations of a victim emerged as most influential to women's identity work: as someone who suffers a harm she cannot control; as someone who deserves sympathy and/or requires some type of action be taken against the victimizer; as someone who is culpable for her experiences; and as someone who is powerless and weak. “Victim empowerment” and “survivor” discourses also played a role in how women understood and made sense of their experiences. In their attempts to construct identities for themselves, battered women become caught between notions of victimization, agency, and responsibility.