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1.
Virtual communication continuously gains importance in modern society, as the growing success of “social networking platforms”(SNPs) like Facebook, XING or StudiVZ indicates. In this article we compare such platforms in regard to their instrumental vs. expressive orientation. It is supposed, that amore expressive orientation of a platform like Facebook or StudiVZ is not only functional to manage contacts to friends already known outside the internet (“social searching”), like studies on user's reports on their own motivations have recently shown for Facebook, but also helps generating new contacts to people not already known before (“social browsing”). This more implicit function might be promoted by the trust-promising visuability of a person's network contacts, especially in the face of strangers. An online survey on StudiVZ with n = 1316 randomized participants confirms both hypotheses.  相似文献   

2.

Since the 1990s, the European Union has launched different programs to promote urban development plans. Implementation and outcomes evaluations have resulted in a “European urban acquis” concerning the importance of comprehensiveness, collaborative governance, and participation to promote “good plans.” However, the evaluation of the quality of local plans, has received less attention. This article analyses quality of local plans developed under the framework of European Policies in Spain applying the plan quality evaluation approach, as well as factors explaining quality levels of these local plans. A scale to measure plan quality is proposed based on five main dimensions (fact base, objectives, policy actions, plan governance, evaluation). 64 local plans are analyzed applying content analysis. RgW and AD tests are used to measure codification reliability. Confirmatory factor analysis (CFA) is used to assess the validity of plan quality scale. Lineal regression is applied to analyze the impact of different aspects of planning process included in the ‘European urban acquis’ on plan quality. Main results show that CFA validates the scale proposed to measure local plan quality as a second-order factor; and point out objectives and policy actions as the most important first-order factors. Public participation during planning process, and more comprehensive plan across different policy areas, are the main factors explaining ‘good plans’. Therefore, the importance of the ‘European urban acquis,’ is confirmed in order to produce ‘good’ urban development plans; and the article provides a validated scale to evaluate the quality of urban development plans, and their main dimensions.

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3.
This article explores maternal desire, loss, and control by reading Carolee Schneemann's performance Interior Scroll (1975) through Tracey Emin's photographic print I've Got It All (2000). More specifically, I consider Schneemann's work on the energy of female sexuality and maternal desire through Emin's recurrent visualizations of sexuality and maternal loss. The artists' refusal to disengage with the commodified (dis)pleasures of femininity leads me to consider the differently contextualized handling of these issues in each artwork. I explore the mediation of the body of each artist by positioning Emin's work as a “source” for my reading of Schneemann's performance. Invoking the notion of “preposterous history” (Bal 1999), I argue that the concepts of the “live” and the “mediated” are differently intensified by operating outside of the constraints of chronology. Hence the inter-generational dialogue between these particular female artists, whose work has been produced at different historical moments, is itself generative of thoughts and ideas that are irreducible to the individual works.  相似文献   

4.
Studies of women's use of popular media have highlighted how these contested genres may be used by women to create a space of their own. Is this also the case when the media text in question is a digital game and the community around it moves online? Investigated via a netnographic approach, this article analyses the articulated experiences of playing The Sims 2 and The Sims 3 in relation to how the players perceive the activity's function in their everyday lives. Seven emic categories are identified and discussed in the inductive analysis, namely “relaxation and dealing with stress,” “playing according to mood,” “managing and taking control,” “experimentation,” “get what one does not have,” “making something one's own,” and “creative outlet.” A central denominator of these seven categories is the notion of a space of one's own in the widest sense of the phrase. In the discussed accounts playing becomes a way not only to escape other obligations for a while but also in various ways to work with the self and its place in everyday life.  相似文献   

5.
The following article deals with the connections between the typological method proposed by Paul Lazarsfeld and the Grounded Theory. The question how good typologies in qualitative social research can be constructed will be raised. It will be argued that formal criteria are necessary but not sufficient in judging whether a typology is good. The typology also needs to be relevant in its contents. The article will show that the Grounded Theory can help to solve this problem by creating attributes for typology construction analogous to the Grounded Theory's process that is used to generate theory. On the other hand, Lazarsfeld's concept of “attribute space” can be of assistance for the process of “theoretical sampling” proposed by the Grounded Theory by providing a systematic scheme for selecting the cases to be studied. The article will conclude with an empirical example illustrating the issues mentioned above.  相似文献   

6.
《Journal of homosexuality》2012,59(2):245-264
ABSTRACT

A recent opinion piece published in the Sydney Morning Herald expresses a widely held perception that, among young same-sex attracted men in Australia, “queer” has well and truly supplanted “gay” as the language and lens through which self and practice is generated. In this article, I discuss findings from a qualitative research project that studied notions of community among young gay men, and argue that this assumption should not be taken for granted. The article explores participants' understandings of the concept of “gay community,” arguing that the young men studied share a common definition of community: one based on a conventional liberal model which prioritizes sameness and the cooperation of individuals to achieve common goals. This is of particular importance in that problems around “fitting in” with these understandings are also raised. In examining the potential place for queer alternatives to these formulations, however, the article finds that queer attracts little support among participants, raising questions about the bind young men may find themselves in if they prioritize sameness as fundamental to community, yet feel themselves to be excluded from community by their own or others' perceived difference.  相似文献   

7.
《Journal of homosexuality》2012,59(4):665-683
ABSTRACT

This article examines the place of “butch” within the women's movement. The political potentials of butch in both her refusal of patriarchal constructs of femininity and her transmutation of masculinity will be explored. It will be argued that the butch lesbian threatens male power by severing the naturalized connection between masculinity and male bodies, by causing masculinity to appear “queer,” and by usurping men's roles. However, for “butch” to truly have feminist potential, it also needs to be accompanied by a feminist awareness and a rejection of aspects of masculinity that are oppressive to women. Hence, “butch feminist” need not be an oxymoron, but a strategy for challenging male domination and power.  相似文献   

8.
《Journal of homosexuality》2012,59(4):648-664
ABSTRACT

This article surveys the critical debates around Walt Whitman's “Calamus” cluster, arguing that a “queer” reading of Whitman—one that does not see him as, for example, a closeted homosexual who censored his work for fear of being “outed”—is both historically accurate and politically efficacious. While previous efforts to reclaim Whitman as “our great gay poet” are understandable—particularly given critical readings of Whitman that denied the homoeroticism of his poems—today, a reading of Whitman as homosexual threatens to simplify our understanding of the history of homosexuality and to blunt the power of Whitman's poetry to continue to “queer” normative understandings of sex and gender identity categories and their relationship to politics.  相似文献   

9.
Recovering a Dialectical View of Rationality   总被引:1,自引:0,他引:1  
In this article, I argue for an interpretation of Messick's (1989) theory of validity that supports a dialectical over a technical view of rationality in making validity judgments. A primary theme underlying Messick's theory is the “Singerian” approach to inquiry where one system of inquiry is observed by another in order to open "their underlying scientific and value assumptions to public scrutiny and critique"(pp. 61–62). Against Markus (this issue), who argues that a “completion” of Messick's theoretical project is necessary to support a single, best justified validity judgment for any given test use, I argue that Messick has provided a means of maintaining validity theory and the judgments it supports as ongoing accomplishments, always open to other perspectives, and critically reflexive in light of those challenges.  相似文献   

10.
《Journal of homosexuality》2012,59(1):150-165
ABSTRACT

This article examines psychiatrist Harry Stack Sullivan's approach to the issue of homosexuality. Sullivan (1892–1949), well-known for his interpersonal theory of mental illness, is believed to have accomplished a high recovery rate in his treatment of schizophrenia during the 1920s. Most of his patients, as well as Sullivan himself, were concerned about their “homosexual” orientations. He encouraged physical affection between male patients and male attendants, believing that it would free patients from their guilt for their “unconventional” sexuality. But he kept his compelling practice hidden, not bringing it into open discussion to confront the definition of homosexuality as “sickness.” This article traces the process in which the omission of the important aspect of Sullivan's practice began during his lifetime and continued in the scholarship since. In so doing, the article suggests a nuanced understanding of this important figure in the U.S. intellectual and cultural history of homosexuality.  相似文献   

11.
This article attempts to map the discursive terrain that marks contemporary engagements with feminism in Germany. In particular, the article explores a 2010 interview with Germany's family minister, Kristina Schröder, and its coverage in the media. Based on a discourse analysis, the article traces four discursive themes that characterise contemporary negotiations of feminism: a repudiation of the figure of the “feminist-as-lesbian”; a postfeminist sensibility; an individualist and neoliberal outlook; and a limited engagement with differences amongst women. By theorising these discursive strands, the article places the German context into wider debates. More specifically, it makes contributions to existing research by demonstrating how particular stereotypes—e.g., feminists are against heterosexual sex—attach to feminism through reiteration. In addition, it intervenes in current debates about gender politics by demonstrating how statements about “western” women's emancipation work in tandem with problematic discourses about “other,” allegedly oppressed women, to construct the western, autonomous, feminine subject.  相似文献   

12.
This article examines the representation of Black women's weight in contemporary diet advertising and African American film. It positions socioeconomic class as a significant factor that distinguishes between “good” weight and “bad” weight. I argue that there is a distinction to be made between representations of poor and working-class fat Black women and middle-class fat Black women. The increased presence of Black women as diet spokeswomen is also questioned. The social construction and filmic representation of the African American cuisine “Soul Food” and the political economic notion of neoliberalism are used as frameworks to deconstruct how notions of self-discipline, personal responsibility, and citizenship impact upon Black women's bodies. As a case study, I examine the careers of Oprah Winfrey and Gabourey Sidibe and the ways in which their weight has been differently coded based on class, the neoliberal rhetoric of “personal responsibility,” and food. I ultimately critique how contemporary media has helped to shape contemporary discourses on Black women's weight.  相似文献   

13.
《Journal of homosexuality》2012,59(4):545-580
ABSTRACT

In this article, I examine the history and resurgence of interest in sexual reorientation or reparative therapies. I begin with a critique of the contemporary “ex-gay” movement, interrogating Exodus as the prototype of a politico-religious transformational ministry that works to “cure” homosexuals, and examine how Exodus utilizes ex-gay testimony to deceive harried homosexuals looking for escape from the effects of internalized and cultural homophobia. Next, I investigate how reparative therapies function as orthodox treatments that charismatically meld conservative religious perspectives with medical science to produce a pseudoscience promising to treat homosexuality effectively. In this regard, I assess the ongoing debate regarding gay-affirming versus reparative therapies by first looking at the history of medicalizing homosexuality and then surveying the debate spurred by Robert L. Spitzer's research. I conclude with a consideration of research needed to measure whether efficacious change in sexual orientation is possible.  相似文献   

14.
Feminist film criticism is widely thought to have started in the late 1960s and early 1970s when the “Images of Woman” debate associated with critics such as Marjorie Rosen provided the foundation for later developments in feminist film theory. Antonia Lant has recently claimed the immediate post-1950 period to be a barren time for female-authored publications on film and cinema. This article argues that, contrary to received wisdom, the post-war period (1945–1959) in Britain was a time when women's film criticism flourished, with writers such as Dilys Powell, C.A. Lejeune, Catherine de la Roche and E. Arnot Robertson enjoying high-profile careers. Moving beyond a simple recovery of women's “hidden histories,” this article highlights the points of connection between the post-war period and later film criticism informed by second wave feminism. Through a case study of de la Roche and Robertson this article explores how women critics in this period were similarly preoccupied with screen representations of women and women's roles within the film industry, anticipating the later concerns of Rosen and others. I argue that a cross-media focus is a productive method for generating insights into women's critical agency at this time, and conclude that women's film criticism demonstrates something of the wider shifts taking place in gender relations in British society.  相似文献   

15.
This article develops a feminist critical approach capable of responding to the uniquely pessimistic portrayal of female friendship in Crush (Alison Maclean 1992, NZ). Crush questions the possibility of supportive or empathetic relationships, disclosing instead a powerful feminist “need” for violence, between women. This poses a challenge for feminist theory which has yet to be fully understood (it is the first aim of this article to remedy this). Secondly, the article uncovers the same pessimism at the centre of Melanie Klein's psychoanalytic theories of idealisation, demonstrating the “negativity” of Klein's work and its value for feminist approaches to cinema spectatorship.  相似文献   

16.
This article focuses on the construction of one's relation to pornography in contemporary media by examining agony columns of young adult women's magazines. The analytical approach employed is a “close reading” from the perspective of queer theory, purposing both to “queer” the portrayals of heterosexuality and to critically review representations of non-heterosexuality. The focus is especially on the role of affects and emotions in moving subjects “toward” and “away” from porn and producing conceptions of gender and sexuality. On the one hand, the positive affects of excitement and interest are associated with men in the data corpus, whereas the negative affects of disgust and upset are usually connected to women. On the other hand, affects are absent when discussing queerness. The study thus offers an application of Ahmed's notion of the productive role of emotions both in expanding the idea of productivity from constituting ethnicity to establishing gender and sexuality and also in directing attention to the absence of affects or emotions in constituting norms.  相似文献   

17.
This paper foregrounds the voices of women who read chick lit or watch contemporary chick flicks or both, and who, to date, have been absent in the scholarship on representations of women's sexuality in this genre. It is informed by an empirical study of responses from forty-one Australian women to an anonymous Internet survey that asked, “How do you think women's experiences of sex are portrayed in the chick genre?” and “If you were a writer of the chick genre, how else would you portray women's sexual experiences?” Following the works of Jonathan Potter and Margaret Wetherell, and Joke Hermes on “interpretive repertoires,” the data reveal that most readers draw on two repertoires to interpret representations of women's sexuality—one, as “passive or asexual,” and the other as “perfect with Mr Right”—both of which are situated within a wider “romantic love” frame of reference. Participants are, predominantly, critical of the way women's sexuality is represented in the chick genre. The findings, that also show that most readers have a preference for texts that show a broader range of sexual representations for women, are discussed in the light of current theorizing about postfeminist texts.  相似文献   

18.
A Body of Text     
This article re-evaluates the relationship between gender identities, embodiment, sexuality and text-based, synchronous CMC (computer-mediated communication). A discourse analysis was conducted on two different IRC channels: #Cyberbar, a channel that hosts predominantly “straight” male/female gender performances; and #Queer, a channel mostly visited by participants who articulate “gay male” gender identities. The notion of embodiment played a pivotal role in both channels, as demonstrated by the identification of three “interpretative repertoires” that involve the invocation of corporeal aspects in the participants' performance of gender and sexuality. This invocation reaffirms gender's status as connected to a binary sexed body, which limits the scope of gender performances in a text-based environment such as IRC. However, the discursive interactions in #Queer did articulate alternative interpretations of masculinity, which challenged traditional heteronormative standards governing “male behavior.” Eventually, it is concluded that the discourse in both channels is constructed by participants who bring their everyday, embodied experiences online. IRC might be a textual environment, in contrast to many of the web's popular graphical spaces, but this does not mean that the body is any less present.  相似文献   

19.
This paper examines one facet of the media persona of high profile South African liberation struggle figure, Winnie Madikizela-Mandela: how English-language media represented her conspicuous consumption during a monumental decade in the country's history, the 1990s. In the framework of theories of post-coloniality and intersectionality, the paper analyses the discourses in a corpus of thematically coherent media texts featuring Winnie's lifestyle and consumption practices. Media narratives of Winnie's taste for “diamonds,” “champagne,” “mansions,” and “expensive clothes” are deconstructed as ideologically loaded and influenced by racialized and gendered power struggles. The extent to which Winnie is presented as having “sold out” on the liberation struggle and having “bought in” to neoliberal values is theorized in the context of the politics of wealth and poverty in a newly liberated society.  相似文献   

20.
This article analyzes the racial and sexual politics of the “don't ask, don't tell” storyline on Showtime's series The L Word. It situates The L Word within a political economy of media industry and policy advocacy organizations to argue that the show participated in a form of “policy-tainment” by producing critique of both existing government policies and the role of racial representations in oppositional political strategies, and finally exercising influence in policy networks.  相似文献   

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