Xena Rules

This paper analyzes and discusses “Antony and Cleopatra,” an episode from the popular and highly intertextual action-fantasy television series, Xena: Warrior Princess, in the context of the Roman story arc in the series and more particularly as a “feminized” appropriation of Shakespeare's Antony and Cleopatra. Although Xena's version of this tragedy copies the voluptuous atmosphere of Shakespeare's play, it radically changes its characterization. The Roman triumvirate exemplifies rigid and corrupted power play: Octavius is (as yet) a peaceful idealist, but Brutus (who replaces Lepidus) has murdered Cleopatra, and Antony, although brave and intelligent, is depicted as a ruthless and over-ambitious power politician, who is only taken in by a woman much cleverer than himself. Cleopatra is the victim of the struggle between these oppressive masculine forces, and, unlike Shakespeare's Queen of Egypt, Xena, who replaces her, does not allow her feelings for Antony to divide her from her sensibilities. She never loses sight of the desirable outcome: a mutual weakening of the combative (masculine) forces of empire and colonial expansion through war, and the survival of the traditionally feminine values of peace and justice. She eliminates both Antony and Brutus, and to a much larger extent than Shakespeare's fickle and understandably insecure lover-queen, Xena, a focused and confident female superhero, acts as an empowered and pragmatic ruler, who sacrifices her own love for the greater cause of Egypt's freedom.     

“Flawed Vessels”

The 2008 election was a watershed year in presidential politics, with two prominent women, Hillary Clinton and Sarah Palin, drawing national media attention to gendered themes during the election. This study investigates whether/how the media connected these historic female candidacies to feminism by evaluating the national news media's framing of feminism during the election. Using qualitative media discourse analysis, we analyze how discussions of these two prominent female candidates, as well as Barack Obama, were linked to framing of feminism in the news media. During the 2008 presidential election, the media recast evaluations of Hillary Clinton, Barack Obama, and Sarah Palin into a discussion of the status of modern feminism. The news media framed the movement as fractured, highlighting existing conflicts within the feminist movement, while legitimizing post-feminism and choice feminism through the perspectives of the Obama and Palin nominations. The news media also trivialized the movement by emphasizing style over substance in their assessments of whether candidates were (or were not) feminists. The results suggest feminist movement actors and goals may not substantially benefit from greater media attention prompted by increasing numbers of female candidates.     

From first daughter to first lady to first woman president: Park Geun-Hye’s path to the South Korean presidency

This paper examines the role of gender and familial ties in Park Geun-Hye’s political trajectory to become the first female president of South Korea. Even though her entry into politics was heavily indebted to her kinship ties to her father Park Jung-Hee, an authoritarian leader who led South Korea from 1963 to 1979, she has consolidated her position within the party and among Korean voters as a viable, competent politician over the last fifteen years. Analyzing Korean news reports, campaign pamphlets, and her autobiography, this study reveals that Park used stereotypes of women as problem solvers in difficult times to open doors for her political entry. During the presidential campaign in 2012, Park was adept at stressing her positive “feminine” traits, overcoming the perceived weaknesses of female politicians by emphasizing her long political credentials and strengths in diplomacy and national security issues. Park presented herself as the embodiment of both change and experience through her campaign slogan “the well-prepared female president” and the public reacted favorably to the appeal.     

Underneath we’re angry: feminism and media politics in Britain in the late 1970s and early 1980s

In the late 1970s, a billboard advertisement for Gigi underwear was installed at street level in various British cities. It depicted a woman in a trench coat walking on the street at night and looking defiantly at the camera. A second image portrays her unbuttoning her coat and revealing her underwear. A caption reads “Underneath they’re all Lovable.” This billboard evoked a wave of feminist opposition exemplified by Rosalind Coward’s essay “Underneath we’re angry” attacking the Gigi advertisement for being an invitation to rape women as well as photographic works by The Polysnappers condemning the ad. This article contextualizes the passionate resistance to the Gigi advert within the time’s feminist debates, which characterized media images as oppressive towards women, the discourse around the ideological functioning of advertisements, debates on “the sexual politics of representation,” the political role of photography, social historical events, and the political significance of the street.     

The Quest for Inclusion: Jewish-Israeli Gay Men's Perceptions of Gays in the Media

This article seeks to understand the gendered dynamics of political leadership in contemporary Israeli society by examining how the Israeli press dealt with the issue of Tzipi Livni's “womanhood” and “feminine style” (or lack thereof) in the course of the 2008–2009 campaign. By analyzing the media debate surrounding Livni's candidacy to the premiership, I am able to complicate the discussion concerning the media's treatment of the issue of gender and political leadership in general and in Israel in particular. The main sources of data are some fifty items published in the daily national newspapers during the election campaign, and Livni's website. Employing a rhetorical analysis, I chart the persistent power of gender ideologies in Israeli public and political discourses and outline the ways in which they are accepted, contested and subverted. I find that although creative appropriation attempts were made to produce an alternative leadership discourse, these came fairly late in the campaign and were unfocused, and thus, ultimately, were unable to pose a serious challenge to Israeli gender ideologies concerning leadership.     

Patriarchy,Power, and Female Masculinity

ABSTRACT

This article examines the place of “butch” within the women's movement. The political potentials of butch in both her refusal of patriarchal constructs of femininity and her transmutation of masculinity will be explored. It will be argued that the butch lesbian threatens male power by severing the naturalized connection between masculinity and male bodies, by causing masculinity to appear “queer,” and by usurping men's roles. However, for “butch” to truly have feminist potential, it also needs to be accompanied by a feminist awareness and a rejection of aspects of masculinity that are oppressive to women. Hence, “butch feminist” need not be an oxymoron, but a strategy for challenging male domination and power.     

Toward Authenticity

Scholars suggest we construct stories or narratives to help us create order and rationalize events that are difficult to explain. In contemporary society, journalists serve as mediated storytellers, and one story journalists have told from the perspective of sense-making is that of mothers who kill their children, a crime that can defy understanding. This qualitative textual analysis examines ten cases of maternal infanticide to determine the collective narrative told by journalists, exploring the dialectical and rhetorical functions of narrative. The analysis reveals that the news narrative offers moral lessons about the consequences of maternal incompetence and “inappropriate” feminine sexual behavior. The author questions whether the journalistic paradigm of detachment—traditionally associated with a masculine narrative style—is the best way to tell stories of women's lives and suggests feminist research practices can be used to capture the complexities of mothering work, as well as other complicated situations in women's and men's lives.     

Becoming Pregnant

This article considers the implications of the presence of Juno's pregnant girl body in the film Juno (2007). The narrative follows the high school student Juno's pregnancy, her decision to have the baby adopted, and its birth as she attempts to determine her feelings for her friend Bleeker. As a pregnant girl, Juno persists in a state of liminality and disrupts linear ideas of becoming: becoming woman, becoming mother, becoming feminist. Having considered contemporary discourses of pregnancy, I explore Juno's representation of the pregnant body as both abject and humorous, recognising the restrictions upon girls' sexuality and moments in which they are contested. I then move to consider Juno in relation to discourses of risk and responsibility, acknowledging the ways in which the film simultaneously perpetuates and critiques the presumption that teenagers make bad parents. I argue that analysing the juncture of girl and pregnancy represented in Juno enables a move beyond simplistic expectations of “normal” feminine girlhood to recognise it as complex and messy.     

Reporting The Women's Movement

This article examines and compares how four British and American newspapers reported the second-wave feminist movement during its most active political period, 1968–1982. Through the use of both content analysis and critical discourse analysis, this study reveals that despite socio-political differences, both US (The New York Times, the Chicago Tribune) and UK (The Times, Daily Mirror) newspapers used a similar range of discourses when addressing the women's movement and its members. While coverage overall can best be described as fragmented and contradictory, I argue that on the surface, there was significantly more “positive” or supportive articles on the women's movement than previous scholars have noted. However, these news stories rarely addressed the ways in which capitalism and patriarchy oppress women as a group, and often created a demarcation between “legitimate” and “de-legitimate” feminists, the latter being anyone who deviates from traditional feminine norms. Such constructions therefore were not only politically incapable of challenging women's oppression, but helped construct feminism as a dirty word, a connotation which still exists today. This paper will also address the emergence and eventual dominance of oppositional discourses, examining the patriarchal and capitalist ideologies used in both countries to rebuff the movement, its members and their goals.     

The “Sassy Woman” and the “Performing Man”: Heterosexual casual sex advice and the (re)constitution of gendered subjectivities

Media forums that provide “sex advice” are a rich source of (sexual) information for heterosexual individuals and have been critically examined for the ways in which they construct heterosexuality (and sexual subjectivities). The representations of (heterosexual) casual sex are also prevalent across the mass media. This paper uses a Foucauldian/poststructuralist mode of discourse analysis to explore how casual sex “advice” in three self-help books (two aimed at women, one aimed at men), and online advice articles, constituted casual sex and masculine and feminine heterosexual subjectivities. Four main (profoundly gendered) subject positions were identified in the texts: the “strategic man”; the “performing man”; the “sassy woman”; and the “vulnerable woman.” It is argued that although some alternative ways of constituting heterosexual identities were provided (particularly for women), gender difference was not only implicated in such advice but also, at times, crudely exaggerated. The implications of these representations are discussed in relation to contemporary heterosexualities, heterosexual sexual identities, and heterosexual power relations.     

Performing Gender on YouTube

The contemporary online environment is often touted as a democratic space, open to perspectives that might regularly be excluded from professionally-controlled media platforms. However, females are underrepresented on YouTube, a popular video-sharing internet social media platform. This underrepresentation of women suggests that gender matters on YouTube. In order to contribute to research on gender dynamics on YouTube, this study focuses on the most-subscribed female YouTuber, Jenna Mourey. The first part investigates the degree to which Mourey's YouTube reception could be understood as misogynistic and hostile. To this end, comments on Mourey's top-ten videos were compared to viewer comments on the top-ten videos of a male counterpart: Ryan Higa. The second part of the study focuses on the content and style of Mourey's video oeuvre in order to contribute to research on YouTubers who successfully negotiate a hostile environment. Mourey's tendency to perform gender extremes—both masculine and feminine roles—is an ongoing feature of her videos, allowing her to simultaneously critique and benefit from traditional gender roles. This two-part study of gender on YouTube thus both supports research describing harsh responses to women on video-sharing sites and offers one YouTube performer's strategy for achieving success in this environment.     

Chicks,Dicks, and Contradictions

This essay examines Playgirl as a rich, yet overlooked, archive in the history of American pornography. Although the magazine often is dismissed as the token attempt of a masculinist industry to equalize its representational politics, I argue instead that a significant synergy exists between Playgirl and entwined debates over pornography, gender, and commercialized sexuality in 1970s America. Employing established conventions of the women's magazine, Playgirl utilized that form toward granting women access to explicit images. Yet given its “better lifestyling” advice on how the sexually liberated woman might find empowerment by viewing male nudes, Playgirl's reluctance to display full-frontal nudity until the midpoint of its first year fashioned an initially compromised aesthetic. Not only were women interpolated as untutored viewers within this regime of genital obstruction, but models also were all but emasculated. Consequently, the degree of male exposure that could be handled by both viewers and models was questioned, critiqued, and debated across Playgirl's letters to the editor section, aptly entitled “In-ter-course.” As an artifact of sexual media history, Playgirl is invaluable because readers are able to trace throughout its pages the ways in which changing tides of gendered power began to problematize pornography's routine dichotomy between masculine subjectivity and female objectification.     

Psychometric and Faciometric Support for Observable Facial Feminization in Gay Men

ABSTRACT

Though male homosexuality appears to be evolutionarily paradoxical, phenotypic feminization has been offered as a route for three current models positing a genetic basis for male homosexuality. We tested whether facial feminization is observable in gay men in two studies. In Study 1, using two composite images of gay and of heterosexual men, naive participants (N = 308) rated the “gay” face more highly on stereotypically feminine traits and actual femininity and the “heterosexual” face more highly on stereotypically masculine traits and actual masculinity. In Study 2, faciometrics of 428 Internet images of gay (N = 219) and heterosexual men were analyzed along six sexually dimorphic ratios. The faciometrics of gay men were more feminine, both in gestalt terms and for five of the six individual traits. The studies offer objective support for a more feminized facial phenotype in gay males that is difficult to explain through cultural or behavioral cues.     

First Politics,Then Culture: Accounting for Ethnic Differences in Demographic Behavior in Kenya

Ethnic differences in demographic behavior tend to be disguised behind analytically opaque labels like “district” or “region,” or else subjected to simplistic cultural explanations. Drawing on new political economy, sociological theory and the political science literature on sub‐Saharan Africa, this article proposes an alternative explanatory model and tests it empirically with reference to Kenya. Access to political power and, through power, access to a state's resources—including resources devoted to clinics, schools, labor opportunities, and other determinants of demographic behavior—are advanced as the key factors underlying ethnic differences. District‐level estimates of “political capital” are introduced and merged with two waves of Demographic and Health Survey data. The effects on models of contraceptive use are explored. Results confirm that measures of political capital explain residual ethnic differences in use, providing strong support for a political approach to the analysis of demographic behavior.     

“The Consummate Material Girl?”

This paper examines one facet of the media persona of high profile South African liberation struggle figure, Winnie Madikizela-Mandela: how English-language media represented her conspicuous consumption during a monumental decade in the country's history, the 1990s. In the framework of theories of post-coloniality and intersectionality, the paper analyses the discourses in a corpus of thematically coherent media texts featuring Winnie's lifestyle and consumption practices. Media narratives of Winnie's taste for “diamonds,” “champagne,” “mansions,” and “expensive clothes” are deconstructed as ideologically loaded and influenced by racialized and gendered power struggles. The extent to which Winnie is presented as having “sold out” on the liberation struggle and having “bought in” to neoliberal values is theorized in the context of the politics of wealth and poverty in a newly liberated society.     

An Interrupted Postcolonial/Feminist Cyberethnography: Complicity and Resistance in the "Cyberfield"

Informed by Foucault's theorisation of the docile body, the gaze, and the Panopticon, we analyse how the gaze is operationalised in the popular makeover show How to Look Good Naked (HTLGN). We explore how a regime of discipline is (re)produced through the drawing of boundaries constructing the feminine/masculine and straight/queer binaries. We analyse the delineation of rules and the performance of practices to maintain these boundaries, which support emphasised femininity and hegemonic masculinity. Whilst HTLGN claims to challenge the “body fascism” prevalent in the fashion, beauty, and advertising industries and rid women, and more recently men, of the shame associated with not meeting these ideals, we argue that the show's resistance is far from radical, functioning instead as a mediated ritual of rebellion, endorsing and sustaining key elements constituting prevailing constructions of femininity and masculinity.     

Sofia Coppola

Sofia Coppola is currently one of the most discussed female filmmakers in Hollywood and one of the most prominent “indie” directors working over the last decade. Coppola has also divided critics, especially with her third and fourth features, Marie Antoinette and Somewhere both drawing heavy criticism. This article draws on a range of popular and scholarly sources in order to chart the different narratives that construct Coppola's public image, including the style of her filmmaking. I focus on perspectives of Coppola's work, investigating how the director's biographical details have become bound up with the reception of her films in ways that dismiss her films as too preoccupied with frivolity and privilege. Coppola's important position as a female director of independent features, specifically her unique position as a successful woman working in the masculinized arena of independent Hollywood, and her place within a lineage of women's cinema, is frequently elided in discussions of her success and style. It is the question of Coppola's status as a female director, the ambivalent process by which this status is acknowledged and disavowed in the reception of her work, that is most compelling for feminist film theory.     

“Battle of the Mei-Meis”

On May 7, 2011, Singapore held its 16th General Election. The ruling People’s Action Party (PAP) predictably secured a landslide victory, and yet the result was contextually historic, with the opposition winning six seats from a possible eighty-seven—the largest loss for the PAP since political independence in 1965. At the centre of the General Election was a persistent media buzz surrounding two young female candidates: Tin Pei Ling of the People’s Action Party and Nicole Seah of the National Solidarity Party. While the former suffered sustained criticism, the latter received sustained praise. This article seeks to analyze the manner in which these two women were positioned as inverse feminine subjects within the mediascape. The analysis emerges from data collected from 194 sources which appeared online between March 29, 2011 and May 8, 2011, comprising political blogs, discussion forums, articles, and reports from online news sites. It aims to reveal how the gendered media constructions of, and public responses to, both women interpolate a diametrically opposed positive and negative binary of womanhood which functions to: (1) reify national discourses of ideal femininity; and (2) corroborate regional conceptualizations of “good” and “bad” feminine subjectivities.