Blood and Tears,Love and Death: Seventeenth-Century Devotional Homoeroticism and Tuptalo’s “Verses on the Lord’s Passion”

This article contends that classification of the Belkin tales as parodies— without careful analysis of how they function as such—conceals the exceptional qualities of Pushkin’s parodic praxis. Pushkin emphasizes a central paradox: i.e., that the dynamism of parody both militates against, and is fatally dependent on, the possibilities and limitations of that very form or convention which it seeks to attack. He develops a parodic technique whose fundamental movement is vigorously polemical, at once undermining and affirming a specific form or convention. This technique reveals contradictions which offer a glimpse of an unhampered freedom resistant to formal reduction and thereby inviting a new creative act. The crucial basis for this kind of parody is indeed contradiction—a form of continuous and inconclusive conflict that is the principal trope of the Belkin collection’s opening story, “The Shot.” In this sense, “The Shot” is emblematic of the whole collection.     

‘States of change’? One hundred years of the JUC

ABSTRACT

The Joint University Council for Social Studies (JUCSS) was formed 100 years ago at the end of the First World War in 1918. Its expressed aim was to coordinate and develop the work of social study departments across the UK, as part of the larger project of post-war reconstruction. In October 2018, an event entitled ‘States of Change?’ was held in London to celebrate this history and to explore what, if any, kind of future the JUC (as currently constituted) should have. At the event, I gave a short historical presentation that examined social work education’s history in the context of the JUCSS’s origins and development. This paper picks up some of the key ideas from this presentation in more detail. It will be argued that tensions which existed in the formation of the JUCSS in 1918 still exist today, not least because they are emblematic of the ambivalences and complexities that are at the heart of social work and social work education, then and now. Furthermore, it will be suggested that social work as an academic discipline must pay heed to these tensions if it is to survive—and thrive—in the academy today. (192)     

‘Without Being Walt Whitman’: Vicente Huidobro,Whitman, and the Poetics of Sight

The Chilean vanguardista poet Vicente Huidobro singlehandedly inaugurated the Spanish-language avant-gardes with his 1918 poem Ecuatorial [Equatorial], and remained a dynamic and controversial global figure until his death in 1948. This essay demonstrates how Huidobro appropriated Walt Whitman’s ‘Salut au Monde’ into this inaugural poem, taking from the US poet an elevated, comprehensive poetics of sight. But Whitman’s all-seeing aesthetic seriously threatened Huidobro’s own ethics and avant-garde poetic philosophy — Creationism — leading the Chilean to reject Whitman and this poetic vision in his 1931 Altazor. If Whitman’s poetic speaker could ‘contain multitudes’, seeing the whole world in instant juxtaposition, Huidobro’s ideal Creationist poet must instead empty himself, to create anew. Finally, this textual and historical confrontation reveals not only how Whitman brought his unifying vision to bear on his nation’s Civil War, but also how the aging Huidobro, facing World War II and the imperialist shadow of the US, wrote back to Whitman to qualify and clarify what this vision might mean for ‘America’.     

Language,ethnicity, and the nation-state: on Max Weber’s conception of “imagined linguistic community”

Methodological nationalism in sociological theory is unfit for the current globalized era, and should be discarded. In light of this contention, the present article discusses Max Weber’s view of language as a way to relativize the frame of the national society. While a “linguistic turn” in sociology since the 1960s has assumed that the sharing of language—linguistic community—stands as an intersubjective foundation for understanding of meaning, Weber saw linguistic community as constructed. From Weber’s rationalist, subjectivist, individualist viewpoint, linguistic community was a result of social actions, not a prior entity as assumed by German metaphysical organicism (and historicist holism). Indeed, Central Europe in Weber’s era was a battlefield of linguistic nationalism(s); in contrast to the national societies of the Cold War period, national borders were unstable and ultimately the multiethnic empires of the region were dismantled after World War I into ethnolinguistic nation-states. Experience of this contemporary reality brought Weber to the core of the relationship between language and politics: A language community is an imaginary one demarcated not by language itself but by conscious opposition against outsiders, with monolingual contexts within borders created artificially by homogenizing policies like linguistic standardization and national education—the first modernity of language. In this way, Weber felt, language can be a means to domination.     

Developing selves: photography,Cold War science and ‘backwards’ people in the Peruvian Andes, 1951–1966

This article explores how social science applications of photography employed in the early 1950s to both understand and change so-called ‘backwards’ people became entangled with, and drew momentum from, the geopolitical concerns of the early Cold War. Specifically, I address the employment of photography in the Cornell-Peru Project in the Andean community of Vicos, a decade-long research experiment combining development anthropology and fashionable modernisation theory emanating out of the behavioural sciences. In addition to development activities that were to serve as the catalysts of change (agricultural improvement, health and education), researchers at Vicos were at pains to uncover and validate the inner ‘predispositions’ towards change and modernity they hoped were lurking inside villagers. Reflecting Cold War priorities and concerns, researchers sought to locate a particular developing indigenous subject – one closer to liberal capitalism (and its values of self-reliance and individualism) and away from communal nature of indigenous society that too strongly resembled Soviet models of development and collectivisation. Along with an arsenal of other psychological projective tests, researchers hoped the camera’s lens would reveal this change through such subtle cues as the rearrangement of home interiors and modifications in dress, style and comportment, as well as the development of visual literacy. Following the photographic work of famed photographer and formative visual anthropologist, John Collier, Jr., during a year at Vicos, this article ultimately explores the limitations of the behavioural sciences’ hopeful uses of photography.     

Weaving a Family and a Nation Through Two Latvian Looms

Abstract

This article demonstrates the ways in which some post-Second World War Latvian refugees maintained a sense of ‘cultural nationalism’ across two generations. Using object biography, I interweave the stories of the Apinis family and two weaving looms created in German Displaced Persons camps after the Second World War that are now in the collections of Museum Victoria and the Latvians Abroad: Museum and Research Centre. When the Australian-born daughter ‘returned’ to her parent’s homeland, she was forced to confront the gap between her family’s memories and the memories of people who had remained in Latvia after the war.     

也门统一模式及其对中国的启示

二战后出现的民族分裂国家中,1990年也门统一是一体化统一模式的唯一案例。本文尝试以复合权力结构为视角,通过对也门一体化统一进程中全球硬权力结构、全球软权力结构、地区硬权力结构、地区软权力结构、国家硬权力结构、国家软权力结构六项内容的变化进行比较研究,论证"复合权力结构影响也门一体化统一"的研究假设。该结论对中国"一国两制"一体化统一政策的实施具有重要的参考价值。     

The Black Sheep of the Land: Bandits in the Polish Borderlands, 1918–1925

This article examines banditry in the northeastern provinces of the Second Polish Republic after the First World War and into the mid-1920s. It considers the devastating effects of the war, which ravaged the territory, together with policies of the Polish state that contributed to an increase in bandit activity in the eastern borderland region. This work argues that banditry here worked as a multi-level system and thrived due to the involvement of multiple social actors—the bandits themselves, locals, state authorities, and foreign aid. Furthermore, this article pushes for an examination of bandits—not merely as social outcasts or misfits—but as an integral part of the communities they emerged from. More broadly, the focus on banditry contributes to scholarship dedicated to better understanding the aftermath of the First World War and continued conflict from the perspective of everyday people.     

The long shadows of the difficult past? How young people in Denmark,Finland and Germany remember WWII*

This paper focuses on the question of how young people today evaluate the Second World War today and how this ‘difficult past’ determines their political attitudes. Furthermore, the channels through which the current young generation in Europe is informed about the events dating back to the first half of the twentieth century (e.g. parents and grandparents, schools, the media) are examined. The theoretical basis chosen for addressing these questions is the work of Mannheim (1928) on the formation of successive generations, and the theories of collective memories and identities of Eisenstadt and his followers. Our empirical evidence comes from a transnational comparison of young people’s memories of this difficult past in Denmark, Finland and Germany. From a historical perspective a comparison of the three countries is particularly interesting as they played different roles during the Second World War. The evidence highlights the different perceptions of history among youth and points to the absence of a common European understanding of what happened between 1939 and 1945. The empirical evidence comes from a research project (2011–2015) funded by the European Commission and covering 14 European countries. Its main focus has been on present-day young people’s perceptions of history and politics (MYPLACE?=?Memory, Youth, Political Legacy and Civic Engagement).     

The Family of Man in Guatemala

Placing Edward Steichen’s 1955 photographic exhibition, The Family of Man, in Guatemala reorients the show’s Cold War geography and challenges the limits of Steichen’s humanism. Steichen’s orientation was East–West, his purpose to break down what he considered to be a nihilistic binary between the United States and the Soviet Union. A North–South axis brings with it issues of hereditary, festering colonialism and comprehensive exploitation of indigenous populations, who, in the visual realm of Life magazine, were one source of the sorts of exotic images, stamped with the seal of authenticity, which made their way into The Family of Man. It is important to see how the exhibition was displaced from the stable terms of exchange with its assumed audience through its deployment as a mobile element of the United States Information Agency’s contribution to the cultural diplomacy of the United States. After reviewing the message that Steichen constructed for the exhibition, the essay will examine the uncertain, Cold War terrain that greeted it in post-revolutionary Guatemala. The essay discusses the two impresarios who made possible the appearance of The Family of Man in the Casa de Protocolo: Edward Steichen, the originator of the exhibition, and Nelson Rockefeller, the master of the bewildering context surrounding this photographic work. I conclude with some reflections on present-day humanistic projects in Guatemala.     

Profit and Philanthropy: Stock Companies as Philanthropic Institution in Nineteenth Century Germany

Philanthropy and Civil Society is often identified with the activities of foundations and non-profit organizations. Susannah Morris pointed out already that nineteenth century philanthropy included many forms of organization which we today would not identify as philanthropic in nature. The most important such form of philanthropy was the “Philanthropy and Five Percent” model which favored stock companies in the alleviation of poverty. English, German, and American philanthropists championed the limited dividend company—a stock company which was financed through shares sold to shareholders but limited the profit to be distributed among shareholders to a maximum of 5 %—as an ideal tool to produce proper housing for working-class families. Following the model of Sydney Waterlow’s limited dividend housing company in London (the Improved Industrial Dwellings Company, 1863), similar enterprises were across Germany and the United States from the 1870s to the 1910s. The more famous such institutions were the City and Suburban Homes Company in New York City, the Boston Cooperative Building Company in Boston, and the Society for the Improvement of Small Tenements in Berlin. The belief that the capitalist market could produce social welfare was the underlying philosophy of this movement. In Germany, however, the application of this business/philanthropy model went beyond social housing. Limited dividend companies were formed to support various forms of philanthropic activities from public parks and zoos to theaters and music halls. In this essay, I will discuss the transformation of philanthropy in the course of the nineteenth century with regards to the different institutional forms of philanthropy. In the first half of the nineteenth century, German philanthropists considered associations as well as limited dividend companies as the most important and effective forms of philanthropy. Up until World War I, German philanthropists had a much broader set of institutions at their hands from which they could chose if they decided to engage in philanthropy. Only after World War I, did the definition of philanthropy in Germany begin to narrow.     

From Exclusion to Inclusion? The Legal Treatment of ‘Foreigners’ in Contemporary Japan

This article provides a survey of postwar Japan's policy toward ‘foreign’ settlers, focusing on the case of ‘zainichi Koreans’–Koreans who were taken forcefully, or migrated voluntarily, from Korea to Japan during the Japanese occupation of Korea (1910–45) and settled down in Japan after World War II, and their descendants residing in Japan. The article explores how the Japanese government and society have treated them since the end of World War II, thus showing that Japan's policy toward foreign settlers has been changing from one of ‘exclusion’ to one of ‘inclusion,’ though there still remain some institutional barriers.     

Identity Imperative: Ottoman Jews in Wartime and Interwar Britain

By the onset of World War I, thousands of Ottoman immigrants, including a significant proportion of Jews, were living and trading in Britain. During wartime and through much of the interwar period, these multi-ethnic Ottomans were automatically classified as enemy aliens, subject at times to internment and deportation, stripped of their freedom of movement, and uniformly barred from British citizenship. Drawing on nearly sixty recently declassified naturalization applications of Ottoman Jews, this article discusses the demographic profile of Middle Eastern newcomers, xenophobia, and the role of the state in shaping national and ethnic identities, focusing on the British government's invention of an ‘Ottoman (Spanish Jew)’ designation that legally Hispanified Ottoman Jewish applicants, allowing them to be considered for citizenship.     

Anthropological Approaches to Modern Societies in the 1940s

At the time that Julian Steward was formulating the Puerto Rico Project, several other approaches to complex societies were being pursued by American anthropologists. Beginning in the 1920s, funders'—and subsequently, New Deal agencies'—interest in addressing social problems impelled microcosmic community studies in the United States. That approach, essentially functionalist and ahistorical, was extended to village studies in other countries, and Redfield's folk-urban continuum became the dominant theoretical framework for comprehending regions within nations. Concurrently, acculturation theory legitimized anthropological interests beyond “primitives” and offered an alternative, two-way cultural contact model. With the onset of World War II, the culture and personality approach was applied to strategic nations, providing holistic configurational depictions of national character. Steward's effort can be seen as a critique of, and alternative to, these approaches that were prevalent in the late 1940s. Building upon his method of cultural ecology, his orientation toward work, and his notions about sociocultural integration, he devised a different way of studying a total society. Steward's framework was modified and expanded by members of his team, both in the field and in the writing of the jointly authored book. While slow to have a wider impact, the project—both in its successes and its limitations—signaled new departures for the anthropological study of the modern world.     

Social documentary and personal investigations in contemporary South African photography: Tracey Derrick’s “One in Nine” series

A shell of white gauze floats against a split background in Tracey Derrick’s 2009 photograph, Inhabit – Habergeon – middle English, piece of armour to protect the neck and chest (Inhabit), both autonomous and materially frail. The shadowed wall lifts the calcified gauze towards the viewer, as its lithe body hovers above the vertical divide that separates light from dark. This position apart from the edge may be read as a passage missed or overcome. A year of invasive treatment following her diagnosis of stage two breast cancer in March of 2008 led South African documentary photographer Tracey Derrick to create a photographic series that combines her humanist sensibility with personal reflections on illness. Derrick represents meditations on her trajectory through illness in “One in Nine: My Year as a Statistic,” a collection of reposeful digital colour photographs – including Inhabit – that features the cast Derrick made to obtain accurate measurements for her prosthesis. This body of work complicates a widely held assumption that post-apartheid photography in South Africa focuses more on the individual than collective societal issues. Derrick’s unusual series warrants methodological treatment that attends to the complex ways in which the visual vocabulary and concerns of apartheid-era documentary photography overlap with the personal explorations associated with post-1994 photographic production. In this paper, I utilise socio-historical, psychoanalytic and phenomenological readings of Tracey Derrick’s photograph and “One in Nine” series to elicit an interpretation of the image and series as statement of agency within a metaphorical battle against an invisible, yet pervasive disease. By reading Derrick’s photograph through these theoretical lenses, I reveal her image to be a metaphoric assertion of tenacity and Derrick’s agency, and highlight the areas of overlap between Derrick’s documentary practice and her more personal “One in Nine” project.     

The Indigenization of American Sociology in Japan: The Contribution of Kazuko Tsurumi

This paper is an investigation of attempts at endogenization and indigenization in the history of sociology in Japan. The author begins by presenting a short history of Japanese sociology. While the issues of endogenization and indigenization had been raised in the 1910s, imperialism and the militarization of the Emperor state and society blocked this form of development. Japanese social sciences have thus mainly followed the model of Western social sciences. The issue of indigenization gained attention after World War II and especially after the late 1960s, which was a time of reflection on the extreme influence of American sociology. In this context, this paper investigates the development of Kazuko Tsurumi’s sociology, which is one of the best examples of work that deals with the issue of indigenization. Tsurumi analyzes social change from pre-World War II to post-World War II Japan by drawing on sociological functionalism. However, Tsurumi suggests that Kunio Yanagita’s theory of folklore and ethnology provides a stronger explanatory framework than functionalism, and contends that Kumagusu Minaka has developed an approach rooted in East Asia. Tsurumi advances this indigenous development theory based on the work of Yanagita and Minakata, and at the same time internationalizes this theory. This paper concludes that Tsurumi’s theory is an important medium between Western sociology and Eastern sociology.     

Cossack Identities: From Russian Émigrés and Anti-Soviet Collaborators to Displaced Persons*

Abstract

Cossack displaced persons who were re-settled in Australia as part of the post-war International Refugee Organisation scheme had already survived several turbulent eras. Anti-Bolshevik Cossacks refashioned their identities in the post-Civil War period as Russian émigrés and then, during the Second World War, as anti-Soviet collaborators of the Germany Army. At war’s end these Cossacks were rounded up by the British and handed to the Soviets. This paper traces the traumatic (and opportunistic) migration trajectory of one Cossack family, who escaped forced repatriations to become ‘New Australians’.     

LOST AND FOUND

This article examines Dovid Bergelson’s modernist writing in relationship to the shifting geography of Yiddish culture after World War I. During the 1920s, a series of debates raged in the Yiddish press about the true centre of Yiddish literature. These discussions about Yiddish literary centres, including Bergelson’s own polemic, “Dray tsentern” (Three centres), were also aesthetic debates regarding the future direction of Yiddish literature in the absence of a national home. In “Three centres” Bergelson envisions the new Jewish writer emerging from the agricultural colonies of the Crimean steppes. Though a surprising vision from a Jewish emigrant writer in Berlin, Bergelson turns to the steppes as a way to break free from Yiddish literature’s attachment to the shtetl. However, a close reading of his interwar fiction illuminates how his modernist aesthetic derives from the irresolvable conflict between the old Jewish landscape of the shtetl and the new spaces of Jewish life in the post‐World War I period.