Family Communication: Exploring the Dynamics of Listening with Mobile Devices

Listening in mediated contexts has become part of our daily routines with the growth of mobile device ownership and subsequent usage. Qualitatively, this study seeks to understand how listening occurs through mobile devices within family communication. In analyzing the data, three noteworthy themes were identified: noise, listening through posts, and inappropriate content. These themes were discussed through the lens of the Family Systems Theory and the noise component of the Transactional Communication Model. Relevant findings and participant insights offer growth and increased awareness over previous literature, current relevancy, and future opportunities to diversify and grow the research.     

TUNE OUT: MUSIC, SOUNDSCAPES AND THE URBAN MISE-EN-SCÈNE

This paper focuses upon the intersection between the MP3 player and the city. In particular it takes issue with arguments concerning the ways in which mobile music devices enable a 'recomposition' of the urban soundscape. Drawing upon Michael Bull's work on the management of the experience of the time and space of the city, as facilitated through various mobile music reproduction devices, this piece questions Bull's central claim that these devices may be used to screen out the urban soundscape. Here it is argued that these mobile music systems merely enable users to tune out of the immediate soundscape - by prioritizing the musical information overlay over the physicality of the urban environment - but that this is often interrupted by the complex imbrications of the pervasive sounds of the city.     

The meanings of citizenship: media use and democracy in South Africa

In 1994, South Africans embarked on a project to create new meanings of citizenship in order to transcend the disenfranchisement and divisions created by apartheid. This article examines the context in which new forms of citizenship are evolving in South Africa and how South African citizens use the media to give meaning to concepts such as “an active public sphere,” “civic agency” and “participatory politics.” The objective of the research is to provide information about the way in which the media contribute to the quality of democracy in South Africa through mediating citizenship in a way that improves prospects for citizens to exert influence over public decisions. As has been the case in other post-authoritarian and postcolonial settings, the continuation of existing unequal relationships to government persists even when new democratic spaces have opened up. This article interrogates the assumption that media are central to citizens’ political and civic engagements in a transitional society marked by persisting inequalities. This interrogation draws on empirical research with citizens to investigate the question that the media are central to constructions of citizenship and participation and engagement with democratic processes. Our research finds that young South Africans interviewed are disengaged from politics and find that the media does not speak to or connect with their everyday lives. They view the state on both national and local levels as not being prepared to listen to their experiences, ideas or conditions of life. While the respondents trust the media as credible institutions, they do not experience the media as being relevant to their lives. The perceived disinterest of the state and the lack of relevance of the media, work together to create a sense of powerlessness and inability to influence policy-making among the young people interviewed. For the media to intervene in this state of affairs, it would have to create more opportunities for young people to participate directly in meaning production through the media, starting by listening more closely to their experiences in order to respond to their concerns in a relevant way.     

Displacement,integration and identity in the postcolonial world

Defining the relationship between displaced populations and the nation state is a fraught historical process. The Partition of India in 1947 provides a compelling example, yet markedly little attention has been paid to the refugee communities produced. Using the case of the displaced ‘Urdu-speaking minority’ in Bangladesh, this article considers what contemporary discourses of identity and integration reveal about the nature and boundaries of the nation state. It reveals that the language of ‘integration’ is embedded in colonial narratives of ‘population’ versus ‘people-nation’ which structure exclusion not only through language and ethnicity, but poverty and social space. It also shows how colonial and postcolonial registers transect and overlap as colonial constructions of ‘modernity’ and ‘progress’ fold into religious discourses of ‘pollution’ and ‘purity’. The voices of minorities navigating claims to belonging through these discourses shed light on a ‘nation-in-formation’: the shifting landscape of national belonging and the complicated accommodations required.     

Princely states,peasant protests,and nation building in India: the colonial mode of historiography and subaltern studies

The postcolonial unity of India as a single nation state incorporating the princely states covering two-fifth of the territory and a quarter of the population that remained outside the direct jurisdiction of the colonial state has not been problematized in the colonial and postcolonial historiography of India. This problematization is nonetheless essential in order to understand the internal dynamics of the colonial social formation in India, especially the agency of peasant movements in princely states in the dissolution of tbe colonial state and in preparing the ground for the postcolonial unity of the Indian state. The tendency to ignore the agency of peasant movements in princely India during the colonial rule is what I have characterized as the colonial mode of historiography. Subaltern Studies project which claims to distinguish itself for its role in restoring the agency of peasant insurgency in colonial India is indeed a continuation of the colonial mode of historiography.     

White settler death drives: settler statecraft,white possession,and multiple colonialisms under Treaty 6

ABSTRACT

This article analyzes histories of white settler colonial violence in Treaty 6 territory by arguing that the 1870 Hudson’s Bay Company charter and transfer of Rupert’s Land and the North-Western Territory to the Dominion of Canada helped to make past imperial violence an ongoing settler colonial terror structure into the present. It argues that this transition from imperial to settler colonial control of territory is best understood by using a multiple colonialisms framework, to examine the ways in which heteropatriarchal family structures transitioned from Indigenous-European to white settler kin networks that crystallized whiteness as a racialized means to control land as private property. Following Kanien’kehá:ka feminist scholar Audra Simpson’s work, I suggest that this territory’s multiple and overlapping colonial histories (French, English/British, and Canadian) are a crucial lens through which to understand the historical and ongoing formation of Canada as a white settler state, and that these histories still relationally drive anti-Indigenous violence and the settler killing of Indigenous peoples today. The essay concludes by arguing that the seeming daily placidity of white settler violence against Plains Indigenous peoples under Treaty 6 ultimately supports a relational violence that supports a killing state and its armed citizens in the name of protecting private property for white settlers.     

Screening dirt: public health movies in colonial Nigeria and rural African spectatorship in the 1930s and 1940s

Abstract

From the inception of colonial film-making in British West Africa in the early 1930s, dirt and the cinema were closely connected. Numerous educational movies were produced to show Africans the economically, physically and morally degrading consequences of “dirty habits.” By the early 1940s, the Colonial Office had come to realise that, within the cinema spaces created by mobile health units across Africa, intended audiences processed images and messages through their own aesthetic, spiritual, moral, economic and political value systems. These systems exceeded colonial projections and defied assimilation into colonial categories of dirt. This article focuses on the complexity of intended audiences’ responses to the simple ideological formula of colonial health and hygiene films. It argues that the presence of local aesthetic tastes and values in media archives on public health and hygiene in colonial Africa represents a vital space of mediation that must be considered alongside film content and film-makers’ intentions.     

Organizational Social Media Accounts: Moving Toward Listening Competency

Researchers apply Bodie, St. Cyr, Pence, Rold, and Honeycutt’s (2012) model of listening competency to social media messaging for organizations. The article provides examples of how organizations and their social media managers, as de facto “listening agents,” can incorporate important verbal listening behaviors that represent active-empathic listening—pertinent responses, elaboration, offering advice and opinions, and answering and asking questions—into their social media profiles. In addition, guidance is provided to social media managers and organizations for how to adopt listening skills that will foster dialogue between organizations and their online publics. Potential areas for future research are also examined.     

Picturing Empire and Illness

Reflecting on recent debates within cultural studies on non-Western modernities and ‘cultural studies in/of Asia’, this essay explores a cultural history of venereal disease (VD) in Korea under Japanese colonial rule (1910–1945). The colonial representation of and discourse on VD in Western colonial settings was often built around a missionary medical account of sin and disease and a colonial dialectic of white civilization and non-white backwardness. This essay draws attention to the colonial discourse on VD in the non-Western Japanese Empire and its East Asian context, which compels us to look into the colonial framing of disease and bodies in imperial contexts where ruler and ruled shared close racial, cultural and religious affinities and where colonial medical power did not stem from white hegemony and Christian religious authority. By using methods from cultural studies and feminist history, this essay uncovers and critically reads the Japanese colonial medical and popular cultural archives on VD that range from state documents to laboratory reports to patent medicine advertisements, in order to reconfigure Japan's colonial medical empire and its underlying, gendered assumptions. It clarifies not only the legal, military and institutional bases for the intense governmental control over VD, but also the cultural image, metaphor and knowledge of VD and the biomedical female body promoted by Japan's transnational patent medical industry in close collaboration with the colonial state. By doing so, this essay sheds light on the gendered epistemic violence of Japanese colonialism.     

Law,love and being in relation

ABSTRACT

This article takes up Agozino's call for love. Yet this call is not a straightforward one. In response, I press for an appreciation of love which avoids collapsing love into 'protection', engaging instead with the Aboriginal World View described by Kombumerri and Wakka Wakka woman and scholar, Mary Graham, as a form of conduct, reflection and a practice in listening. Through two quite distinct stories offered by young people in their encounters with Australia's criminal justice system, I explore the ethics of listening and respectful relations in social and institutional settings. While the first story reveals the denial of colonial violence accompanying protectionist policies for the ‘care' of Indigenous communities, the second story shows how such patterns of denial underpin western ‘justice' systems, including for settler peoples. Responding to Agozino’s call requires that we examine the ethical act of listening and reflect on the repercussions of the failure to listen.     

A study on the influence of headphones in auditory perceptual function

The focus of this study is a human's ability to make full use of listening and hearing. This ability consists of dividing auditory information into a signal and a noise. To evaluate the risk of using headphones, the study investigated the auditory perception when a warning sound is given in the presence of environmental noise.     

Sexy and sovereign? Aboriginal models hit the ‘multicultural mainstream’

Long argued by post-colonial scholarship, Indigenous sexualities have been variously cast as pathological and abject, or fetishized and exotiziced. In the Australian context, Aboriginal sexualities have never been granted a normalized, agentic visibility in the white Australian imaginary. Since the 1990s, however, there has been an increase of ‘sexy’ Aboriginal ‘stars’ in the Australian media. This newfound visibility invites fresh questions about race, beauty, appropriation and resistance, most particularly in ways that centres Aboriginal narratives: What does it mean to be visible and ‘mainstreamed’ in a media that ‘values diversity’, whilst denying sovereignty for Indigenous people? This question is significant in the Australian context, but also has relevance for rethinking race, sexuality and media representations in colonial contexts internationally. The paper explores this newfound exposure through the voices of two Australian Aboriginal women, Samantha Harris and Magnolia Maymaru. These women have come to national and international fame as celebrated models in a fashion industry priding itself on becoming more inclusive and multicultural. It focuses on their responses to journalists over the course of their careers, as well as how the stories construct beauty and Aboriginality. I draw on Indigenous feminist scholars, particularly the work of Irene Watson, who foreground the subject of sovereignty and remind us that discourses of multiculturalism have a charged meaning for Indigenous people. I also draw on the insights of Elizabeth Povinelli who considers how sexuality intersects with discourses of empire, and how Indigenous people employ ‘creative engagements’ with liberal multiculturalism. Positioning sovereignty and multiculturalism side by side, I reflect on how Samantha and Magnolia enact a sovereign sexuality, and what this might look like. Rather than fix colonial alterity or reproduce multicultural ‘inclusions’, their narratives skirt, sidestep and ‘dance’ with the discourses constructing their lives, attending to race while transcending its colonial limits.     

The Dual State: The Unruly "Subordinate", Caste, Community And Civil Service Recruitment In North India, 1930–1955

Abstract  This paper explores the nature of the everyday state in historical perspective in colonial and postcolonial Uttar Pradesh, north India, through the lens of civil service recruitment. It argues that social relationships between different cadres of the revenue and police services effectively created a bureaucratic space in which citizens' approaches to the state recreated forms of ambiguity in the reach and authority of state power. In this sense, it provides a deeper historical basis for anthropological and sociological work on the nature of the "fuzzy" everyday state in postcolonial India. But it develops this literature further, arguing that important structural changes over independence in 1947, also transformed the ways in which caste and community lobby groups represented their corporate interests through bureaucratic recruitment. These lobby groups, as a result of disjunctions in state power and discourses, between centre, province and locality, were often able to subvert systems of caste and community reservation. In the process, their actions emphasized the inability of the state at central and provincial levels to adjust to local political identities that depended on hybridity.     

‘TODOS SOMOS PRESIDENTES/WE ARE ALL PRESIDENTS’

In light of recent discussions of Jacques Rancière's notion of the political in cultural theory and the ‘left turn’ in Latin America, exemplified in the election of Evo Morales as the first indigenous president, this essay discusses concepts of governance elaborated by Bolivian indigenous intellectuals and media activists. It engages in detail with three examples of thinking through what is arguably a broad de-colonial process: the work of the Andean Oral History Workshop (THOA) and the movement to reconstitute the ayllu; Pablo Mamani's analysis of the micro-governments in El Alto; and CEFREC-CAIB's indigenous media activism. Thinking from the perspective of a long-standing struggle against global capitalism and its colonial legacies, the political constitutes – paradoxically – a complex and dynamic process of institutionalized consensus governance. Levels of community, regional, and national governance are bound into a feedback loop where representation gives way to the ideal of ‘mandar obedeciendo’ (governing by obeying). The Bolivian ‘democratic revolution’ is hence not conceptualized merely as a widening of the citizen base – a form of inclusion that Rancière would call ‘police’-but rather as profoundly reshaping the relation between the social, the cultural, and the state, and thus of democracy itself.     

Sounding the Holocaust,silencing the city: memorial soundscapes in today’s Berlin

Silence appears frequently in discourses of the Holocaust – as a metaphorical absence, a warning against forgetting, or simply the only appropriate response. But powerful though these meanings are, they often underplay the ambiguity of silence’s signifying power. This article addresses the liminality of silence through an analysis of its richly textured role in the memorial soundscapes of Berlin. Beyond an aural version of erasure, unspeakability, or the space for reflection upon it, I argue that these silent spaces must always be heard as part of their surrounding urban environment, refracting wider spatial practices and dis/order. When conventions are reversed – when the present is silent – the past can resound in surprising and provocative ways, collapsing spatial and temporal borders and escaping the ritualized boundaries of formal commemoration. This is explored through four different memorial situations: the disturbing resonances within the Holocaust Memorial; the transgressive processes of a collective silent walk; Gleis 17 railway memorial’s opening up of heterotopic ‘gaps’ in time; and sounded/silent history in the work of singer Tania Alon. Each of these examples, in different ways, frames a slippage between urban sound and memorial silence, creating a parallel symbolic space that the past and the present can inhabit simultaneously. In its unpredictable fluidity, silence becomes a mobile and subversive force, producing an imaginative space that is ambiguous, affective and deeply meaningful. A closer attention to these different practices of listening disrupts a top-down, strategic discourse of silence as conventionally emblematic of reflection and distance. The contemporary urban soundscape that slips through the silent cracks problematizes the narrative hegemony of memorial itself.     

Ritual, Resistance and Social Reproduction: A Cultural Economy of Iron-Smelting in Colonial Tanzania 1890–1975

Abstract The paper examines the historical relationships between ironworkers and peasants of Geita and other districts in colonial Tanzania. It explores their material. cultural and symbolic practices, as well as their interaction with merchants, native authorities and the colonial state. It is argued that these ironworkers and peasants. in providing for their social reproduction, confronted the daily challenges of existence through both material (economic) and ideological (cultural) means - at once resisting and accommodating the terms of domination and incorporation.     

‘Can you get more American than Native American?’: drag and settler colonialism in RuPaul’s Drag Race

ABSTRACT

Many scholars argue for an epistemological shift from romanticizing marginalized politics and praxis to understanding them within a spectrum of resisting and reproducing normative and dominant power structures. Scholarship on drag demonstrates that drag as a performative practice that seeks to challenge gender and sexual normativities is often not beyond the logics of hegemony and normativity. Drawing on these critiques, this paper contends that drag as an art form can reproduce the racial and colonial logics of the settler state. The paper traces the workings of settler colonialism that shape drag creativity through the TV show RuPaul’s Drag Race. To do so, I theorize how Raja, the winner of season 3, performed, imitated, and appropriated indigeneity. I argue that Raja’s act as the ‘Native,’ after Lumbee drag queen Stacy Layne Matthews’s elimination from the show, demonstrates how queer people of colour can become complicit in settler colonial processes. The paper is a call to rethink drag creativity beyond assumed transgressive aesthetics, and to critically engage with racial and settler colonial formations.     

Framing Syrians in Turkey: State Control and No Crisis Discourse

The mass arrival of Syrian refugees and their continuing presence have triggered many new debates regarding migration in Turkey, which – as a result of its open-door policy – now hosts the highest number of refugees in the world. Yet, when we investigate the ways political institutions and actors have framed migration, we observe, unlike in European discourses, the complete absence of the word “crisis”. In public statements by politicians, “control” emerges instead as a recurrent (albeit implicit) theme. Here, management of the refugee issue becomes a sign of state power, exercised through various mechanisms. Through analysis of state discourse on Syrians in the Turkish media, we find that crisis framing has been deliberately avoided, which we contend is a sign of an implicit “silencing” via media control. This choice of discourse reflects a clear policy to manage public reactions to the mass arrival of refugees.