Proclamations and Silences: ‘Race’, Self-Fashioning and Sexuality in the Trans-Atlantic Correspondence between Langston Hughes and Richard Rive

Abstract

The article draws on research for a larger project – a (literary) biography of writer, essayist and educationist Richard Rive (1930–1989). In this piece, the correspondence between Rive and Langston Hughes, as well as creative, critical and autobiographical works by Rive, provide the sources for an examination of ways in which the Cape-based writer forged a sense of self in the face of acute racial oppression, and how he left unspoken or deeply encoded his sense of his own homosexuality. Gilroy's notion of the creation of meaning through movement across the Atlantic proves useful to a point, but my argument is that Gilroy's ‘double consciousness’ is more applicable to black diaspora in the north than it is to a figure like Rive, who proves to be far more multivalent and contradictory in his self-fashioning as a non-racialist, a South African and both a black and cosmopolitan writer.     

Home of the Brave,Frantz Fanon and cultural pluralism

Abstract

This article examines Mark Robson's Home of the Brave (1949, USA), a Hollywood social problem drama about anti-black racism, and the brief but vivid response to the film presented in Frantz Fanon's Black Skin, White Masks (1952). Fanon enables a rethinking of some of the film's most central assumptions and the discourses upon which the story relies. At the same time, Fanon's response conveys information about his own biography and his perspectives on cultural representation generally. The article examines the film as a document that reveals competing claims about anti-black racism and, through Fanon's commentary, revisits the relationship between cultural pluralism and racial ideologies in the mid-20th century USA. The article explores the nature of Fanon's anti-racist commentary on the film as a form of 'cultural studies' that offers transnational historical insight and simultaneously provides ways of re-examining the national specificity of race thinking.     

CALL FOR PAPERS

In this article historical patterns and recent trends in black migration in the United States are examined. The purpose of the article is two‐fold: (1) to examine historical changes in the volume and rates of migration between the southern region and nonsouthern regions; and (2) to determine the relative impact of migration types on the South's changeover to net in‐migration during the 1975–1980 migration interval.

The findings of this study indicate that the reversal of the historical pattern of net out‐migration of blacks from the southern region occurred two decades after the turnaround for the general population. The southern region changed from sizable net out‐migration for blacks during the period before 1970 to net in‐migration during the 1975–1980 migration interval. The changeover was due to a substantial decrease in the number of both southern‐born and non‐southern‐born blacks leaving the South. There were also increases in the rate of in‐migration into the region among both return migrants and nonsouthern migrants. The single most important factor influencing the turnaround was a decrease in the number of southern‐born blacks migrating out of the region. This finding is contrary to much current speculation about the role of return migrants in influencing the South's changeover to net in‐migration for the black population.     

Patriarchy and incest in William Faulkner's 'Absalom! Absalom!' and Juan Rulfo's 'Pedro Páramo'

Abstract

This article presents a comparative analysis of patriarchy and incest in the work of William Faulkner and Juan Rulfo. Focusing primarily on Absalom! Absalom! and Pedro Páramo, I argue that Rulfo adopts and, at the same time, interrogates Faulkner's patriarchal model of the family: the incestuous relationships that characterize Absalom! Absalom! reappear, under different disguises, in the Mexican writer's novel. My analysis also suggests that both Faulkner and Rulfo were intrigued by the symbolic implications of incest, and exploited these implications in order to talk about the collapse of the patriarchal and cultural order in the post-Civil War South and early 20th century Mexico respectively. The conclusion maintains that, despite Rulfo's reluctance to acknowledge Faulkner's impact on his artistic consciousness, the intertextual dialogue between the two writers should be read both as a form of incest, and as a quest for a new social structure.     

Working with Leroy

Abstract

With the recent transnational turn in the humanities and social sciences, questions of translocalism have come to dominate the academic agenda. Where southern African studies has engaged with transnationalism, this has generally been pursued through the framework of the black Atlantic. This article argues that we need to supplement this perspective with a systematic engagement with the Indian Ocean. The article outlines various major historiographical traditions associated with the Indian Ocean and then seeks to draw out how these themes challenge assumptions which have been theorised on the basis of black Atlantic patterns. The paper concludes with a discussion of how a consideration of the Indian Ocean would enlarge the maps of South African literary and cultural studies.     

Time and mobility in the writing of Charles W. Chesnutt

Abstract

This article considers the elusiveness and ambivalence that characterize Chesnutt's writing in terms of the author's imaginative efforts to probe beyond the historical circumstances that condition and frame his authorship. Noting the focus on figures of absence and illegibility in recent criticism of Chesnutt, I examine the notion of a self in the process of uprooting itself that appears to preoccupy much of his fiction. In a close reading of Chesnutt's journals and his essay on 'Superstitions and Folklore of the South', I elaborate Chesnutt's conception of a literary voice as emerging from a context of commodification and contestation and oriented on a moment of posterior reception. I then discuss how this concept of a detachable voice informs Chesnutt's exploration of a transplantable self and an understanding of freedom in terms of a re-imagined social bond. This discussion focuses on the ways Chesnutt, in some of his short stories and in The House Behind the Cedars, evokes a passage from a condition of bondage to a capacity for multiple and variable attachments.     

'Re-cognition' of the borderlines of German-American authorship The case of Friedrich Gerstäcker

Abstract

Focusing on the literary life of Friedrich Gerstäcker (1816–72), this article attempts to (re-)negotiate the range of 'German-American' authorship in the light of new, transnational views of hyphenated literatures. In the process, it reexamines several of Gerstäcker's best known texts with an eye to their potential hybridity and transnational nature, resulting from the influence of, notably, James F. Cooper and William G. Simms. Gerstäcker, who had read Cooper before he emigrated to the USA, adapted the mode, style and tone of US adventure tales for German purposes – he might even be seen as writing 'American' novels and stories in Germany. This transnational format and the reception of Gerstäcker's works, in both languages and in Germany as well as the USA, make him a special literary figure that transgresses traditional conventions.     

Pulping the Black Atlantic: Chester Himes’ A Case of Rape and the Limits of Expatriation

Abstract

This article examines the early expatriate career of Chester Himes, and his overlooked Paris-set novella A Case of Rape (1956). Scholars have identified postwar Paris as the locus of a ‘Black Atlantic’ cosmopolitanism that allowed African American writers to transcend American racial and literary regimes, and in particular the stigma of black ‘protest’ fiction. By contrast, this article argues that Himes’ exile was paradoxical; defined by an exchange, rather than an ‘exceeding’ of American racial and literary stigmas. First, I explore the fetishistic racial politics that energized the Left Bank’s construction of black expatriates as symbols of individualist, masculine, and specifically western transgression. Second, I examine the way in which A Case of Rape, and its narrative of the false conviction of four African American expatriates for rape, dramatizes this paradox. With supreme irony, the novella sees the expatriate celebrity merge with a central symbol of the African American ‘protest’ novel: the black male rapist of white women. Finally, I argue that A Case of Rape is of particular importance for the ways in which it anticipates Himes’ move into pulp fiction. Like his later detective series, A Case of Rape captures Himes’ own disillusionment with conventional notions of authorial autonomy, and literary instrumentality. I conclude that expatriation worked to galvanize, rather than displace, Himes’ interest in the overdetermination of African American literature within dominant western racial discourses.     

Physicians' Discourse for Establishing Authoritative Knowledge in Birthing Work and Reducing the Presence of the Granny Midwife

This study examines regulatory efforts directed toward southern Black granny midwives in the early 20th century. Using Black feminist theory, I analyze physicians' written anti‐midwifery advocacy in The Journal of the American Medical Association and The Journal of the South Carolina Medical Association as evidence of the presence of inter‐occupational conflict between physicians and Black grannies. I argue that doctors advocated for enhanced midwifery education and midwifery supervision to eliminate midwives while defining physicians as heroes in birthing rooms. This study illustrates how physicians' professional writings substantiated doctors as veritable experts in birthing work rather than strategically targeting Black midwives.     

'Traveling Barbies' and rolling blackouts Images of mobility in Mira Nair's Monsoon Wedding

Abstract

This article proposes to read Mira Nair's film Monsoon Wedding through a critical framework provided by transnational anthropology. Such a framework suggests that approaches celebrating transnational mobility must be balanced against nationally specific forms of constraint. It is argued that Monsoon Wedding bears out precisely such a balance. Nair's film suggests that the mobility of human lives may not be quite as unfettered as that of cultural commodities. Moreover, the filmic narrative insists on a differentiation within the Indian diasporic community. Similarly, some theorists of transnationalism have cautioned that the concept of a 'diasporic community' may serve to obfuscate class distinctions. At the same time, Nair's film is read in conjunction with theories of commodity circulation. Through the image of the 'traveling Barbie', this article explores the ways in which US cultural commodities may be indigenized, while also suggesting that Indians at 'home' may hardly benefit from such indigenization. Rather, Non-Resident Indians may travel from the US to India to buy a token of their own 'Americanness' in Delhi.     

'Totalitarianism', Treason and Containment in Catch-22 (and 1984)

Abstract

Critical writing on Catch-22 has often centred (quite naturally and understandably, it must be said) on concepts such as paradox, black humour and the absurdity of the human condition. Although these approaches have certainly not been without profit and have produced interesting readings, they have also tended to obscure, under the generic nature of such frameworks, the novel's patent political concerns — concerns which, moreover, are not at all unrelated to the usual critical preoccupations. In a similar way, although Catch-22 criticism has often relied heavily on the detection of literary allusions and influences at work in the text, a most obvious source of influence seems to have been generally ignored. This essay attempts to offer a different reading of Catch-22 based on the assertion that what the novel is really about is 'totalitarianism'. Its starting point is, therefore, a parallel reading bringing together Heller's best-known book with one of the central literary texts on 'totalitarianism' — George Orwell's 1984. Focusing initially on the similar way(s) in which the two novels construct what is called a 'totalitarian' atmosphere, the essay proceeds to briefly demonstrate the bearing of the 'totalitarian' problematic on another important '60s novel, E. L. Doctorow's Welcome to Hard Times, and to offer a fuller reading of Catch-22, including a summary excursion into the difficult question of how the student of '60s American fictions should approach the concept of 'totalitarianism'.     

'If we only had some of what they have' Ralph Ellison in Wales

Abstract

During his period as a merchant marine in the Second World War, the African American novelist Ralph Ellison was stationed in Swansea, Wales. His short story 'In a Strange Country', collected in Flying Home and Other Stories (1998), is based on these Welsh experiences, and there are two other unpublished Welsh-based stories among the Ellison papers at the Library of Congress: 'A Storm of Blizzard Proportions' and 'The Red Cross at Morriston, South Wales'. This article considers these stories as a basis for exploring the cultural and historical connections and correspondences between African Americans and the Welsh. In drawing inspiration from Ellison's critical writings, the article seeks to substantiate a genuinely comparative, transatlantic approach to literary and cultural texts. This approach leads to an exploration of the ways in which the diversity of the Welsh experience – manifested in language, politics and cultural practice – led Ellison to meditate in new ways on the issues of race, nationhood and identity that he would later famously address in Invisible Man.     

The Truth About Sex-Less than Meets the Eye but Less Is More Commentary on Love the Sin: Sexual Regulation and the Limits of Religious Tolerance by Janet R. Jakobsen and Ann Pelligrini

Black feminist writing has alerted us to the interplay of racial and gender identity within the black liberation movement of the 1960s and 1970s. Elaine Brown's A Taste of Power: A Black Woman's Story permits investigation of these interpersonal and intrapsychic dynamics in the instance of the Black Panther Party. Of special interest is the complex role played by masculine introjects in Brown's struggle for individual and collective self-definition.     

‘Footnotes to Miller and Moore’: Monomyth and Transnationality in the 1986 Superhero Comics

Abstract

New developments in comics studies have begun to consider the superhero comic as a transnational, rather than American, phenomenon. This approach offers a new way of thinking about the typical story that Frank Miller’s The Dark Knight Returns and Alan Moore’s Watchmen jointly upended the comics world in 1986. While there is robust criticism to challenge the idea that 1986 was a miraculous year for comics, the continuing attention drawn by the two works requires us to think further about their apparent similarity. This article proposes the importance of a narrative of American exceptionalism within comics culture as a defining feature of the contemporary context for the production of the works. It then examines their responses to this context, arguing that they undermine the American monomyth of the superhero in different ways that originate in the different national positions of the two writers.     

The spatial politics of the past unbound: transnational networks and the making of political identities

In this article I consider the relations between historical and contemporary forms of transnational political networks. I contest accounts that counterpose a networked present against a more settled and bounded past, arguing that this contrast rests on a problematic temporalization of difference in the construction of political identities. I consider how this temporalization produces particular accounts of relations between space, politics and identity. Drawing on the insurgent imaginative geography of resistance in C. L. R. James's The Black Jacobins, I argue for a focus on the dynamic geographies of connection formed through transnational networks. I develop this position through a discussion of the relations of the London Corresponding Society, formed in London in 1792, to transnational routes of political activists, organizational forms and ideas. This account highlights the multiple political identities crafted through transnational political networks. I conclude by outlining elements of a ‘usable past’ for contemporary counter‐global struggles.     

INTIMACY,QUEERNESS, RACE

‘What do we see when we look at ourselves?’ asked South African visual activist/artist Zanele Muholi in her 2006 photographic collection Only Half the Picture. The question, a deeply challenging introspection, required black women in particular to reflect on the ways in which history has made us not look at ourselves, but be looked at. The images Muholi presented were viewed as both troubling and liberating. This article, using a queer framework, is concerned with recoding the ways in which black women's bodies and female sexuality have been represented in post-colonial contexts. Using Zanele Muholi's photography, the article opens possibilities for claiming an erotic position for the black female's ‘queer’ body. This is further complicated by racial dynamics. The article argues that such representations work against painful colonial histories of black female torture while also desexualizing the black female.     

Truth,lies, and racial consequences in Ernest Hemingway's True at First Light: A Fictional Memoir

Abstract

This article examines Ernest Hemingway's posthumously published novel True at First Light: A Fictional Memoir, by relating the author's vision of the role of Africa in the literary imagination to issues the novel raises for postcolonial cultural and historical criticism. Analyzing the novel's narrative, which draws upon Hemingway's second safari to Kenya in 1953–4, offers insight into Hemingway's 'African American' consciousness, and the new awareness that he was able substantively to arrive at for the first time in this novel, less than 10 years before his death. This awareness inaugurated what might be called a fictional reverse migration, whereby Hemingway reconnects with the black native perspective on Africa that he encountered on his first safari in 1933–4, in order to acquire material insight into what blacks were experiencing in America at the time of his second safari. Identifying this awareness also leads to the possibility of (re)reading Hemingway's racial perspective in his earlier works with African settings.     

White lies: Amelia E. Johnson's Sunday School fiction and the politics of racelessness

Abstract

This article reevaluates the cultural significance and literary complexity of the Sunday School novels published by Amelia E. Johnson during the 'Black Woman's Era'. The critical recovery of this lesser-known African American woman writer and editor focuses on her cultural activism and on the fictional strategies she deployed to challenge the limitations imposed by a white-dominated audience and publishing industry, as well as by the religious orthodoxy promoted by her denominational publishers. Problematizing the critical discourse that opposes her confrontational non-fiction writing to her racially indeterminate fiction, the article foregrounds Johnson's critique of gender, class and racial inequalities, her experimentation with narrative conventions, and her growing sense of disillusionment in the face of unrelenting discrimination, showing how Johnson's writing career illuminates the broader trends of African American women's literature at the turn into the 20th century.     

COMMON DRIVERS OF TRANSNATIONAL TERRORISM: PRINCIPAL COMPONENT ANALYSIS

This article applies principal component analysis to decompose transnational terrorism during 1970–2007 into common (worldwide) and idiosyncratic (country‐specific) factors. Regardless of alternative thresholds and filtering procedures, a single common factor is related to individual countries' transnational terrorist events. Based on a conventional criterion, Lebanon's transnational terrorism is the key common driver of global transnational terrorist incidents. With a more conservative criterion, four additional countries—United States, Germany, Iraq, and the United Kingdom—are core countries in explaining cross‐sectional correlation across 106 countries' transnational terrorism. The analysis shows that there is a marked cross‐sectional dependence among transnational terrorist incidents worldwide. (JEL C38, H56)     

Boris Eikhenbaum's Response to the Crisis of the Novel in the 1920s

Abstract

Focusing on the Russian literary scholar Boris Eikhenbaum (1886–1959), the present article considers the interrelationship of autobiographical, scholarly and fictional modes of writing. In 1925 Eikhenbaum wrote in a letter of his 'longing for acts, longing for biography'. This article views the scholar's acute sense of diminished agency in the context of the crisis of the novel in the 1920s and discusses how Eikhenbaum's own generic experimentation becomes a means of finding an answer to the question he posed to himself and his age of 'how to be a writer'. The discussion is primarily based on Eikhenbaum's autobiographical sketches in Moi vremennik (My Periodical, 1929) and his scholarly monograph, Lev Tolstoi. Piatidesiatye gody (Lev Tolstoi: The Fifties, 1928), and attention is drawn to the generic, rhetorical and narrative strategies used across these hybrid scholarly texts, which in turn become invested with a certain emotional and ethical charge. In the end, the article shows how, above all, Eikhenbaum's empathetic engagement with Tolstoi marks for him the restoration of 'biography' and the solution to the entwined epochal and personal crises of genre and authorship.