共查询到20条相似文献,搜索用时 31 毫秒
1.
《中国妇女(英文版)》2010,(11):58-58
The traditional Tibetan residence boasts a unique style--in terms of structure,layout and decor ,There are several kinds of dwellings in the Tibet Autonomous Region,Such as diaofang houses ,in the valley area of southern Tibet, 相似文献
4.
马东东 《青春岁月:学术版》2015,(15)
帕拉·土登沃丹的父母因为健康的原因过早的离开了人世,留下了尚不太懂事的三子三女,面对这样的局面,年轻的土登沃丹以坚强的意志承担起了家族延续的责任.他以冷静的处理身边的事情,树立了自己的家长威信.他把全部精力花费在巩固和发扬家族利益上,一切思想和言行都从维护家族的荣誉出发,不错过任何一个家族发展壮大的机会,孜孜不倦搜求家族需要的一切利益,进而使帕拉家族成为贵族社会人人看齐的完美和谐家庭,土登沃丹本人也成为西藏贵族社会中的风云人物. 相似文献
5.
6.
7.
《中国妇女(英文版)》2010,(10):60-60
There are many traditional festivals in Tibet. Every year, there are nearly 30 festivals, including Tibetan New Year, Butter Lamp Festival, Dharma Wheel Festival, Onkor Festival and Palden Lhamo Festival. 相似文献
8.
9.
10.
11.
《中国妇女(英文版)》1999,(7)
In the 40 years since thedemocratic reform, the Tibetaneconomy has developed morerapidly than at any other time inits history. Tibetan people carryhigh their traditions and continueto make great progress in theirlives and in the construction oftheir towns. 相似文献
12.
H.ZHAO 《中国妇女(英文版)》1998,(1)
I close my eyes. The children with whom I stayed with in Lhasa appear before me. In the pink world they smile. It is a strange feeling. I have been to Tibet twice. I remember how the Lhasa children would walk on the streets in Lhasa: when they spotted a man and a woman holding hands, they would sing, You Are Late, a popular song of that time. I had her in my heart a long time ago./Oh! She arrived before you. When the young couple turned around, the children would run away. Then they searched for another couple. What I most remember about Tibet is 相似文献
13.
《中国妇女(英文版)》1999,(7)
During the Tibetan CulturalExhibition held in Beijing inMarch this year there were twoTibetan dress and costume shows eachday. In order to obtain a better view ofthe beautiful Tibetan costumes, visitorscrowded the catwalk and lookedforward to the unique show long beforeit began. The show was divided into twoparts. The first part was a presentationof Tibetan costumes of various ages bya team of Tibetan youth. The secondwas a presentation of a fashion seriescalled Chinese Wind, which was the 相似文献
14.
JENNIFER LIM 《中国妇女(英文版)》1999,(1)
IN the second week of the firstmonth of every lunar year in theTibetan Autonomous Prefecture ofSouthern Gansu Province, an importantreligious festival takes place. It is theannual displaying of Buddha's imageheld in one of the six renownedmonasteries of the Gelu (YellowReligion) School of Tibetan Buddhism.Here, in the Labrang Monastery, itmarks the gathering of many Tibetan 相似文献
15.
《中国妇女(英文版)》1998,(6)
GUNBO Gyelcthan and Kalsang Tsomo am renowned Tibetan dancers from the China Central Nationality Singing and Dancing Troupe. Their home is filled with traditional Tibetan art; especially noticeable is the large blue tapestry on the wall depicting the Tibetan opera, The Hunter and the Deer, in which a hunter who has already strung his bow with an arrow is persuaded by a Raiba artist to let the deer go. The tapestry was woven based on a sketch drawn up by Gunbo and Kalsang. For them. the wise and 相似文献
16.
Barry Sautman 《Asian Ethnicity》2006,7(3):243-265
A central element of the narrative circulated by the Tibet Movement has been that China has carried out genocide and practised colonialism in Tibet. These notions are, for the most part, uncritically accepted by politicians and the media, especially in the West. This essay challenges such characterizations as inept and as obstacles to resolving the Tibet Question. It looks at whether convincing empirical evidence of physical and cultural genocide in Tibet exists, in light of the most common understanding of such practices as rooted in efforts to destroy a people and its culture. The essay also considers what the contours of colonialism have been in light of its principal modern experience, that of European, US and Japanese colonization, and determines whether the Tibet case fits these characteristics. The essay concludes that a critique of China's policies and practices in Tibet would be best served by focusing on actual problems experienced by Tibetans. 相似文献
17.
《中国妇女(英文版)》1999,(7)
Nima Tsering. a modern Tibetan painter, hascreated many works reflecting ancient Tibetancivilization as well as modern Tibetan life. He usesmany modern painting methods, but also carries onthe style of the wall paintings of Tibetan Buddhism. The painting here depicts the story that in aboutthe 7th Century AD. during the Tang Dynasty (AD 相似文献
18.
Timothy Thurston 《Asian Ethnicity》2018,19(2):143-162
Beginning in the 1980s, and continuing for over three decades since, a particular generation of Tibetans from the Northeastern Tibetan region known as Amdo, and particularly from the northern parts of China’s Qinghai province, has proven extremely productive. Why has this generation, born primarily between 1959 and 1967, been so incredibly successful? This article examines the contextual factors that may have contributed to the incredible success of this generation. This ranges from the policies and circumstances that affected their births, and the state of the cultural field at the time they reached adulthood. Personal experience narratives, autobiographies, and scholarly studies then reveal how this generation was able to access the intellectual field. Finally, I briefly discuss how the Amdo Tibetan intellectual field compares with other Tibetan and ethnic experiences in the People’s Republic of China. 相似文献
19.
李文杰 《中国妇女(英文版)》2011,(12):12-14
汉族妇产医生张军在西藏工作20年了,她的足迹遍布那曲、山南等偏远艰苦的地方,她为那里的妇女和医院提供生育方面的技术支援和指导。她不断被派往北京、上海等城市进修,将先进的医学技术、项目带回西藏。为此,她一走就是几个月甚至—年,长期过着与丈夫孩子两地分居的生活。对此,她却淡定地说:“在西藏,像我这样的人太多了。” 相似文献
20.
Dicky Yangzom 《Social movement studies》2016,15(6):622-633
The ‘cultural turn’ in social movement studies has brought a renewed outlook on new social movements and lifestyle movements. In this development on the symbolic challenge of contemporary movements, research has expanded to both music and art. However, little is known about the role of clothing in movements and how activists use it for social change. In making the case for a greater consideration of clothing’s tactical use in identity work, this paper explores the case of the Tibetan Lhakar movement. I argue that for Lhakar activists, clothing is the materialization of the political consciousness of the movement and symbolically acts as a mechanism of communication in shaping its political goals. By using social media to observe individualized collective actions of wearing Tibetan clothing, the paper demonstrates how activists frame and create new political opportunity structures for civic participation in a one party state that controls all speech and movement. 相似文献