The Vernacular Life of the Street: Ratsitatanina and Indian Ocean Créolité1

The record of an alleged conspiracy of Madagascar-born slaves and apprentices in Mauritius during 1822 offers a useful vantage onto the vernacular life of the street in the colonial Mascarene islands of the western Indian Ocean. This article examines details of the alleged conspiracy to propose that Ratsitatanina, the accused ringleader, neither planned nor participated in a servile revolt. A close reading of the trial record, however, suggests that the Malagasy language was widely spoken in Mauritius in 1822 and that Malagasy speakers maintained communities in Mascarene diaspora through frequent encounters and vernacular exchanges along urban byways. Together with colonial censuses, these documents challenge scholars to rethink the timing and nature of creolisation in the French slave islands of the western Indian Ocean. Multilingualism and cultural heterogeneity were more salient features of colonial human landscapes during the eighteenth and nineteenth centuries than commonly admitted in prevalent models of Indian Ocean créolité. This article proposes a dynamic model of creolisation for the Indian Ocean islands that emphasises the cultural and linguistic agility of subaltern colonial populations.     

Antipolitics and Counterpolitics in Nepal’s Civil Society: The Case of Nepal’s Citizens’ Movement

This article considers the relationship of civil society to the domain of the political from the actors’ perspectives. It explores the attempt by a citizens’ movement (CMDP) in Nepal to construct new political realities in the context of the autocratic regime of king Gyanendra and then during the democratic transition. This was, paradoxically, to be achieved through the construction of an apolitical space. Theoretically, this production of apoliticality by civil society actors shows that civil society is not only implicated in the expansion of what is understood as ‘political’ but also in setting its boundaries. The broader aims of the article are to contribute to the ethnography of civil society and to add to current understandings of the relationship of actually existing civil societies to the political domain. Practically, it argues that debates over whether civil society is or is not political in the Nepal case and normative positions within development circles that it should not be political are misconceived since civil society is a site for the production of both politicality and apoliticality.     

The Lovers of Venice: Musset’s Works and Life in Kuzmin’s A New Rolla

The title of Mikhail Kuzmin’s Novyi Rolla [A New Rolla] has been considered cryptic despite its evident allusion to Alfred de Musset’s “Rolla,” a poem with which it shares little. In this article I argue that the link to Musset is clear if we read A New Rolla as responding not just to “Rolla,” but also to Musset’s novel La Confession d’un enfant du siècle [The Confession of a Child of the Age] and his biography. From this composite source Kuzmin takes up the themes of a debauchee finding love, love as serial yet serious, and a love triangle in Venice, as well as an apostrophe to the kiss. Kuzmin endorses most of Musset’s idea of love, but rejects the egalitarian ideal implicit in the sympathetic treatment of the prostitute Marion in “Rolla.” A secondary allusion to Nikolai Nekrasov’s “Kogda iz mraka zabluzhden’ia” [When, out of the darkness of error] reinforces Kuzmin’s rejection of the egalitarian ideal of sexual love. The allusions to Musset and Nekrasov amount to anachronisms that partially undermine the precise temporal setting of A New Rolla. Kuzmin’s work thereby occupies an intermediate position among his period pieces, as it is neither openly playful like Venetsianskie bezumtsy [Venetian Madcaps] nor constructed with its seams hidden like the Aleksandriiskie pesni [Alexandrian Songs].     

Storytelling in Amy Tan’s The Bonesetter’s Daughter: belonging and the transnationality of home in older age

ABSTRACT

Amy Tan’s The Bonesetter’s Daughter is a fictional account of a Chinese American woman and her mother, a first-generation migrant, who is negotiating dementia in later life. Analysis of diasporic novels can provide insight into migrant belonging, especially the emotional geographies of home and emotional subjectivities of ageing that are not commonly or easily elucidated even by qualitative interviewing methods. This article examines Tan’s construction of ageing as an intergenerational, cultural and emotional process, and highlights the role of storytelling as an everyday home-making practice through which the transnationality of home in older age becomes evident.     

The nation’s body: disability and deviance in the writings of Adolf Hitler

This article takes its starting point in the Nazi ideology as it appears in the writings of Adolf Hitler, and discusses how disability and the body can be understood in the context of Mein Kampf. The article underlines how disability and bodily infirmities, alongside race, featured significantly in Hitler’s demagogic message. Although the overall image of disability was related to a sense of threat – and a culture gone wrong – Mein Kampf also contains a mixed interpretation of disability as a phenomenon, in which different and opposing disability narratives took part in the construction and the image of the body as a national property.     

Colonialism and Civil Society in Africa: The Perspective of Ekeh’s Two Publics

Although it has gained wide currency in the analysis of African politics, civil society remains a “mysterious” concept in need of proper grounding and understanding as an integral part of African social formation. This paper argues that one of the widely acclaimed canonical works in African studies, Peter Ekeh’s theory of colonialism and the two publics in Africa provides one of the most original perspectives for locating and understanding the character of modern civil society as a product of colonialism. In particular, the theory provides an explanation for why primordial attachments have remained fundamental to the structuration of civil society and why state–civil society relations have largely been fractured, instrumentalist, and dialectical in the post-colonial period.

Long-range continuities in comparative and historical sociology: The case of parasitism and women’s enslavement

Theory and Society - In this methods-building article, I show how attention to long-term continuities in female enslavement patterns helps us understand the emergence of the Black Atlantic....     

The (in)security of gender in Afghanistan’s peacebuilding project: hybridity and affect

In this article I draw on a feminist approach to hybridity to explore interview data and observations from my field research in Afghanistan. I argue that there is a logic of masculinist protection influencing the affective environment of the peacebuilding project there. The combination of a perceived patriarchal context in Afghanistan and security routines protecting civilian internationals (and Afghan elites), which rely on hypermasculine signifiers, help to create and perpetuate the conditions in which the female (for both internationals and Afghans) is marked with insecurity. I point to hybridity between the foreign and female experience, as well as resistance and reflexivity within my research. Throughout I explore fragments of power hierarchies that cut through the meaning of gender, rendering the female state a disempowering one, always referenced in some uncertain, hybrid way as protected or in need of protection.     

Performing the ‘wounded Indian’: a new platform of democracy and human rights in Bolivia’s autonomy movement

This article examines Right-wing political performances in the Bolivian Eastern lowlands where regional elites claim to be living under the authoritarian dictatorship of Left-leaning President Evo Morales. We analyse how regional elites advocate for political autonomy through embodied and spectacular performances linked to discourses of indigeneity, human rights and democracy. Right-wing leaders try to legitimise their claims for justice and territorial control by strategically aligning themselves with lowland ‘Indians’ – who are equally wounded by Morales’s plan to run a massive highway though their communities and territories. Through theatrical exhibits in the plaza and a spectacular assembly spotlighting an indigenous representative as an emblematic hero of TIPNIS, regional elites perform a shared history of marginalisation, while simultaneously presenting themselves as ‘saviors’. We argue, however, that there is a dark side to these performances, as they elide long histories of racialised labour and economic injustice in the region.     

The Representation of Arab America in Betty Shamieh’s Roar and The Black Eyed

Abstract

This article gives an analysis of Betty Shamieh’s Roar and The Black Eyed. In these plays, Shamieh presents Arab Americans as victims of Orientalism. She puts Arab Americans within the context of immigrants’ sagas in the United States in an attempt to give their experience validity and identification within larger ethnic experiences. Conversely, Arabs in the two plays are presented as victimizers and politically blamed. This confusion over the representation of the cultural and the political results mainly from Shamieh’s reluctance to offend the wide/white readership market, which is more interested in reading and watching the western stereotype of the Arab. Shamieh’s failure to stage a coherent positive picture of Arab America confirms that Arab Americans are still looking for artistic freedom and that literary censorship is still limiting their productions.     

The Emotional Experience and Expression of Anger: Children’s Perspectives

The purpose of this study was to explore and identify key themes related to a child’s experience of anger. The existing literature on children’s emotional experiences stems from adult perceptions and interpretations; this study was envisioned to investigate the experience of anger among children using their own words. Furthermore, this study was designed to illustrate a contextual perspective of children’s emotional knowledge, so that teachers, social workers, counsellors and other child mental health professionals may be able to relate and interpret children’s emotional experiences. Participants were male and female students, aged 8–9 years and in a regular grade three classroom within a community school. Through the use of semi-structured interview focus groups conducted over a span of 10 weeks, participants were invited to disclose their understandings of anger and how they experienced it. Results were analyzed via a content analysis that resulted in five themes. These themes consisted of understanding anger, origins of anger, consequences of anger, regulation and resolution of anger, and finally relations with others. Results and implications of the findings were discussed.     

Hearing/seeing dread: thought of distortion and transformation in Kafka’s The Burrow and Odradek

In Kafka’s unfinished story, The Burrow, an unidentified subterranean creature struggles while digging in a burrow, constantly engulfed in anxiety for potential intruders. His obsessive anxiety starts to be materialised in his hearing of a noise everywhere and at constant intensity. Incessantly speculating the cause of this noise, his dreadful imagination first finds it as a swarm of small fries, eventually growing into a single gigantic monster threatening his burrow, as if desiring an irresistible entity that goes beyond the idea of the individual. Inspired by this story of a creature suffocating from his lonesome effort of nesting, this paper discusses how an individual sensation of dread could potentially transcend to an ability to imagine social totality, drawing on the philosophical readings of Kafka’s other character Odradek by Benjamin and Adorno. I further argue that this process is aesthetic, correlating Freud’s idea of the uncanny with Adorno’s theory of aesthetic experience which examine the negotiation between individuation and socialisation in an experience of desubjectification. By sketching out the anxious hearing in The Burrow in reference to the disturbing seeing of object-creature Odradek, I discuss the feeling of dread that marks the transformation of individual entities into a transcendent social/collective being.     

The Fathers’ Dark Triumph: terror and the end of revolution in J.M. Coetzee’s The Master of Petersburg

This paper interrogates the work performed by the figure of the terrorist in J.M. Coetzee’s novel The Master of Petersburg (1994), a fictionalised account of the events prompting Fyodor Dostoevsky’s writing of the novel Demons. It does so to illustrate the waning of the cultural signs of revolt and revolution in the ways that they were valorised by the avant-garde movements of the twentieth century. The idea that writing is able to enact a revolt against the representational and epistemic violence of the symbolic order, is, I argue, one that Coetzee rejects. In denying writing revolutionary power, what emerges instead is the idea of art as itself terroristic: an act of violence rather than one of redemption.     

The Force of Creative Negation: The Author in Boris Pasternak’s Safe Conduct

This is a comparative analysis of the Russian re-readings of Seren Kierkegaard. The paper demonstrates a profound interdependence between the text and cultural context. Special attention is given to Lev Shestov’s presentation of Kierkegaard as “Dostoevsky’s Double” and Piama Gaidenko’s modernist depiction of Kierkegaard as a “master of paradox and irony.” The former was written in France at the beginning of the twentieth century, while the latter was realized during the “thaw” of the 1970s. This study of the Russian reception of Kierkegaard complements and links the existing European and North American interpretations of his philosophical system to the Russian intellectual tradition. The paper concludes that Gaidenko fruitfully joined the discourse on Being and Existence, even though she had no access to the mainstream postmodern debates, but she did so on the basis of Europe’s shared cultural tradition.     

‘The Rule of Men Entirely Great’: Republicanism,Ritual, and Richelieu in Melville’s ‘The Two Temples’

Abstract

This article explores the complex and multifarious reasons behind Herman Melville’s decision to refer to the English playwright Edward Bulwer-Lytton’s 1839 work Richelieu, or The Conspiracy in his 1854 diptych ‘The Two Temples’. It responds to a critical consensus that has seen the reference merely as a sarcastic attack on William Macready (whose rivalry with the American actor Edwin Forrest was the nominal cause of the bloody 1849 Astor Place Riot in New York), by contextualizing the play within traditions of antebellum American Anglophilia. By using a combination of new critical work on Anglo-Americanism and anthropological ritual theory, I show how Bulwer-Lytton’s play was significant to Melville’s artistic development. In particular, I demonstrate how the play influenced his increasing engagement with republican and theatrical forms of expression that emphasized the importance of filial relationships between America and Britain in a period of increasing hostility between the two nations.     

The Burden of Sexual Problems: Perceived Effects on Men’s and Women’s Sexual Partners

Sexual dysfunction sometimes negatively affects the individual, his or her partner, and the relationship. We investigated the relationship between the distress experienced by men and women with orgasmic phase difficulties and the perceived distress of their partner(s). We also identified predictors of perceived partner distress, and related self and partner distress to severity of the problem and relationship quality. Data were drawn from 374 men with premature ejaculation (PE) and 377 women with anorgasmia who responded to a survey regarding their sexual functioning, including their distress about their condition and the perceived distress of their partners. Results yielded an overall distress score consisting of combined self and perceived partners distress, with women showing a higher overall score and higher perceived partner distress than men. For men, significant predictors of perceived partner distress included self-distress, relationship quality, interest in sex, and arousal difficulty; for women, only the level of self-distress significantly predicted perceived partner distress. These findings indicate the burden of experiencing sexual difficulty, identify factors related to perceived partner distress, and demonstrate differences in self versus partner distress across men and women. Overall, such findings reiterate the strong need for the inclusion of the partner in any attempted remediation of a sexual problem.