May Fourth Literary Tradition and the Transformation of Chinese Literature in the 1930s

“五四”作为中国现代文学的开端,是绕不开和说不尽的一个传统和话题。文章 选择从20世纪30年代文学界对五四文学传统的反思入手,通过对五四文学与30年代文 学的阐释和评价,探究其背后所隐含的不同言说目的、方式和观照视角,由此来透视 言说者和评价者基于不同历史阶段所持的不同的文学思路。五四文学秉持的是一种人 文学科的思路,而30年代文学信守的则是一种社会科学的思路,而对于两个时代的不 同阐释和评价以及其间的种种复杂纠葛,在此都可找到准确、合理的解释。另外,通 过30年代与“五四”所持文学思路的差异,还可以反观五四文学传统以及把握30年代 文学的转型,总结五四文学传统和30年代文学传统的经验和教训。

关键词: 五四文学传统?30年代文学?文学转型?人文学科思路?社会科学思路

The May Fourth movement that ushered in China's modern literature constitutes a central and inexhaustible tradition and topic. This paper proceeds from the Chinese literary community's reflections on the May Fourth literary tradition to explore the different aims, methods and perspectives of the May Fourth and 1930s literature through the interpretations and evaluations of each period. May Fourth literature followed a humanist approach while that of the 1930s took a social sciences approach. This point can provide us with a correct and rational explanation of the different interpretations and evaluations of the two periods and their complex entanglement. Furthermore, by examining the differences in approach of the two periods, we can look back over the May Fourth literary tradition and gain a better grasp of the transformation of literature in the 1930s, and thus sum up the experience and lessons of the literary tradition of both periods.     

The Loss of Urban Order and the Ethical Construction of Urban Order in Contemporary China

快速城市化的中国处于建构城市意义、城市秩序的关键期。城市是一个空间有机 体，是人类文明要素的空间化有机聚集；城市意义是城市有机体的伦理纽带，一个没 有意义归属的城市将充满风险、冲突频发。在建构城市物质形态的同时，使城市整合 为一个有秩序的意义共同体，是实现城市可持续繁荣的内在要求。重构城市空间，从 城市物性空间、社会空间、心理空间的整合性与互动性出发，建构合理的“空间—伦 理生态”，是建构城市秩序的重要现实路径；以社区、社会组织等为载体，合理推进 以意义为纽带的集体行动，是建构城市秩序的重要伦理选择。

关键词: 城市本性?城市意义?城市秩序?空间生产?城市正义

Rapidly urbanizing China is at a critical period in the construction of urban meaning and order. The city as an organic compound of space represents the organic integration in space of the elements of civilization, while its meaning provides the ethical ties that link these elements to form an organic whole. A city without a locus of meaning will be buffeted by risks and confrontations. The realization of sustainable urban prosperity requires the integration of the city as an ordered community of meaning at the same time as its physical forms take shape. An important practical path to achieving this aim is restructuring city space in a rational “spatial‐ethical ecology” based on integrity and interaction of physical, social and psychological urban space, by means of collective action knitted together by meaning and carried out by communities and organizations.     

The New Spiritual Elements and Artistic Exploration of Chinese Buddhist Literature during the War of Resistance against Japanese Aggression

现代中国佛教抗战文学是非常时代里出现的具有特殊意义的文学史现象。这种文 学在主题表达上，将现代佛徒的国民意识与传统佛教的菩萨行精神相结合；在个体的 生命体验上，因应时代对佛学观念进行自觉、现代性的创造发挥；在社会角色的身份 认同上，以艺术方式自觉、主动呼应战时国家的文化战略；在艺术生产方式上，有力 推动作者结构的大众化与表现方式的现代化。这些新质素与趋势为学界全面、深入认 识和评估中国抗战文学对民族抗战的作用与贡献，提供了一个不可忽视的角度。     

The Intrinsic Influence of the Poetics of Yanzhi on Modern Chinese Literature

否定与批判“言志”诗学, 曾是中国现代文学转型的标志。但从五四新文学开 始, “言志”诗学不仅没有被剔出中国现代文学的审美范畴, 相反, 却借助于西方 话语得到合理的传承。“言”救亡图存的启蒙之“志”, 与“抒”忧国忧民的个人 之“情”, 中国现代文学都未摆脱“志”者“大情”、“情”者“小志”的传统思 维, 具体表现在: 主“思”派提倡文学创作的功利意识, 进而以“志”代“情”回归 “道”统; 主“情”派则提倡文学创作的真情实感, 进而以“情”传“志”, 回归 “道”统。中国现代文学的理论与实践, 虽然涂抹着光怪陆离的“西化”色彩, 但 其重新“释道”与巧妙“言志”的本质特征, 恰恰表明了它对传统文化的价值认同, 而不是简单地抛弃“传统”后走向了“西方”。

关键词: “言志”诗学 “志”与“道” “志”与“情” 古典主义

Rejection and denunciation of the poetics of “yanzhi” (literally “expressing one’s thought or ideals”) was once a marker of Chinese literature’s modern transformation. However, right from the beginning of May Fourth new literature, the poetics of “yanzhi” was not only not cast out of the aesthetic canon of modern Chinese literature but was, on the contrary, legitimately transmitted via Western discourse. Whether modern Chinese writers were expressing enlightenment ideas of saving the nation or voicing their personal feelings for their country and their people, they remained convinced that “zhi” was “feelings” writ large and “feelings” were a lesser form of “zhi.” Specifically, the school stressing the idea that “literature expresses thought” advocated utilitarian literary creation and returned to the traditional Chinese poetics of “yanzhi” by replacing “feelings” with “zhi.” Those stressing the idea that “literature expresses feelings” advocated writing with genuine emotion; they went on to express “zhi” via “feelings,” thus returning to the traditional Chinese way of thought. Both the theory and practice of modern Chinese literature have a strange “Western” tint. Nevertheless, this literature’s essential character of “reinterpreting the ‘dao’ (way)” and sophisticated “expression of thought” or “yanzhi” indicate its value identification with traditional culture rather than the simple abandonment of “tradition” in pursuit of “the West.”     

Chinese Literature's Transformation and Digital Existence in the New Century

数字化传媒的革故鼎新已成为推动中国文学世纪转型的强大引擎。网络文学的市 场化崛起打破了传统文学的原有平衡,让当今文学的整体格局遭遇数字技术的创生性 重整。第四媒体不可抗拒的技术力量导致文学大范围转向“数字化生存”,从存在方 式和表意体制上改写了文学惯例。这需要我们厘清数字化媒体在文学转型中“消解” 与“建构”的双重功能,以便从不同的学理维度上为文论拓新建构数字化生存时代的 文学观念,使数字媒介对传统的挑战变成未来文学别创新声的契机,让新媒介成为新 世纪中国文学的强劲动力和有效资源。

关键词: 中国文学?世纪转型?数字化生存

The reform ignited by digital media provided strong impetus to literary transformation at the turn of century in China. The market‐led rise of online literature has destroyed the balance of traditional literature and resulted in a fundamental digital readjustment of the overall literary structure. The fourth medium, with its irresistible technological force, has led to a large‐scale literary shift towards “being digital,” thereby changing literary traditions of existence and expression. Such being the case, we need to clarify digital media's dual function of “deconstruction” and “construction” in this literary shift so as to input new ideas from a different academic perspective into literary theory of the digital era, turn digital media's challenge to tradition into a chance for literary innovation and make the new media into a powerful driving force and effective resource for Chinese literature in the new century.     

Preservation and Innovation in Online Literature: A Brief Discussion

网络文学文本主要由传统文本和超文本组成。隐含“超文本性”的传统文本是网 络文学的根基;而超文本作为网络世界最为流行的表意媒介,它以“比特”之名唤醒 了沉睡于传统文本的开放性、自主性、互动性等潜在活力与灵性,代表着网络文学 发展的方向。超文本以去中心和不确定的非线性“在线写读”方式解构传统、颠覆本 质,在与后现代主义的相互唱和中,改变了文学的生存环境和存在方式。更重要的 是,日益走向超文本的网络文学文本正在悄然改写我们关于文学与审美的思维方式和 价值标准。因此,网络文学如何在持守传统的同时坚持创新,便成了一个值得我们深 长思之的重要问题。

关键词: 网络文学文本?超文本?互文性

Online literature contains both traditional text and hypertext. While traditional text containing “hypertextuality” provides the foundation for online literature, hypertext as the prevalent signifying medium of the cyberworld has awakened the latent energy and spirit of traditional text, making the latter more open, more autonomous and more interactive. The literature of “bits” points to the direction of future development. It deconstructs the traditional and overturns the nature of things through decentered “online reading and writing” that is uncertain and nonlinear. Hand in hand with post‐modernism, hypertext has transformed literature's context and mode of existence. Above all, the shift to hypertext in online literature is transforming our mode of thinking and value criteria in relation to literature and aesthetics. We should therefore conduct in‐depth and long‐term explorations of how online literature may innovate while maintaining tradition.     

Guanxilization or categorization: psychological mechanisms contributing to the formation of the Chinese concept of “us”

中国社会心理学在面对急速的社会变迁中，需要以变迁与文化的视角来选择研究 问题，而中国社会文化中群己关系的社会心理机制，即“我们”概念的形成机制及其 转换的可能与条件，正是一个体现着双重视角的基本问题。对这一问题的探讨不仅有 助于解释社会凝聚力、群体行动的逻辑，讨论国家与个人、社会与个人、类别与个人 的关系；也有助于培植社会转型时期的社会心理资源和社会支持系统，从而促进社会 合作。与以往单一机制的分析框架不同，通过对两个个案的讨论，研究提出了一个 新的分析框架，即：中国人“我们”概念是在社会情境的启动和价值取向等因素影响之 下，经由相互交织的“关系化”与“类别化”双重过程形成的。

关键词: “我们”?概念?群己关系?关系?关系化?类别化

Faced with rapid social transformation, the discipline of social psychology in China needs to choose its research topics from the perspective of both change and culture. A basic issue reflecting precisely these two perspectives is that of the formation of the social psychology mechanism of individual‐group relations, namely the formation of the concept of “us” in Chinese society and culture, as well as the possibility and conditions for the transformation of this mechanism. Exploring this issue will not only help us to understand social cohesion and the logic of group behavior and to discuss the relationship between the state and the individual, society and the individual, and the category and the individual; it will also help cultivate social psychology resources and support systems at a time of social transition, and thus promote social cooperation.. Unlike previous analytical studies that focused on a unitary mechanism, this study uses the discussion of two cases to put forward a new framework for analysis: that is, the Chinese concept of “us” comes into being through the mingling of “guanxilization” and “categorization” under the influence of social context priming, value orientation and other factors.     

From State Dominance to Market Orientation: The Composition and Evolution of Gender Discourse

国家、市场与传统文化是构成性别话语的三个基本要素。从改革开放前30年到后30年,中国社会的性别话语发生了明显转型,由国家主导的“泛政治化”模型转变为市场导向的“泛市场化”模型。市场化一方面改变了国家话语的叙述方式和内容,另一方面也导致了市场话语和传统话语的结盟。转型后的性别话语本质上是一种素质话语,它不再表现为一种由国家建构的、在实践中打了折扣的意识形态意义上的平等神话,而是表现为一种在现代性和个体自由的诉求中利用国家、市场和传统文化的各方力量平衡做出主体选择的精打细算的应对策略。

关键词: 性别话语转型市场化建构

State, market and traditional culture are the three fundamental elements constructing gender discourse. The three decades before the initiation of reform and opening up in 1978 and the three after have witnessed a clear transition in gender discourse in Chinese society, from state‐dominated pan‐politicization to a pan‐marketization orientation. Marketization has changed the content and form of state discourse and led to an alliance of market discourse with traditional discourse. The changed gender discourse is essentially a discourse of quality, one that is no longer presented as an ideological myth of equality constructed by the state and discounted in practice but as a set of deliberate response strategies which are adopted to make independent choices balancing the three forces of the state, the market and traditional culture in the midst of appeals for modernity and individual freedom.     

“Snow’s Proposition” and Interdisciplinary Research in the Humanities and Social Sciences

“斯诺命题”提出了“科学文化”和“文学文化”的矛盾和冲突, 以及“两种文 化”发展中的困境问题。“斯诺命题”在积极意义上涉及提出了人文科学、社会科学 和自然科学之间存在的对象的整体性与既定学科的局部性的矛盾问题, 提出了人文社 会科学“次文化”分裂和分离化倾向的问题。走跨学科之路是破解“斯诺命题”关键 所在, 其中特别要注重解决好学科研究和问题研究的结合、个体研究和团队研究的结 合、学者的个人禀赋发挥、研究的社会导向和环境导向、研究的评价体制和机制优化 等问题。

关键词: 斯诺命题 科学文化 文学文化 人文社会科学 跨学科研究

“Snow’s proposition” points out the contradictions and conflicts between “scientific culture” and “literary culture” and the dilemma of the development of the “two cultures.” In the positive sense, Snow’s proposition concerns the contradictions between the integrity of the research subject and the particularity of established disciplines, as well as the trend toward division and isolation in subdivisions of the humanities and social sciences. The key to solving Snow’s proposition is to take an inter-disciplinary path that pays particular attention to combining discipline-centered with issue-centered research and individual work with teamwork, giving full play to individual endowment, social orientation and environmental orientation and to the optimization of evaluation systems and mechanisms.     

Criminal Law Boundaries for Freedom of Speech in the Online Era*

如何划分宪法赋予公民的言论自由权利与网络时代言论型犯罪的界限，是当下司 法实务面临的重要问题。在言论型犯罪的构造中，应纳入事实与观点二分法、公事 与私事二分法、客观真实与主观真实二分法，将合理确信规则下的”主观真实”作为 踲法阻却事由；基于网络媒介的科技特点与社会属性，网络服务提供者只具备中立义 务，对之不应简单地以共犯理论或不作为犯罪理论予以入罪。在言论型犯罪的诉讼 中，原则上须根据实际或推定的被害人意愿来启动刑事诉讼程序，当言论行为严重危 害社会秩序和国家利益且被害人无法表踡其是否告诉意思时，可直接蹇用公诉程序； “严重危害社会秩序和国家利益”等入罪基准须是现实物理的秩序混乱，且行为人要 对其有故意而无任何正当目的。对跷微言论犯罪不应跷易蹇用有期徒刑的刑罚；信息 网络工具具有很大的生活用途，一般不应没收。     

The Social Responsibility of Chinese Scholars of World History: Zhongguo Shehui Kexue and the Study of World History in the New Era

近代中国世界史研究的萌生, 始于19世纪中叶, 这和中国“救亡图存” 的时代主题联系在一起。中国世界史研究的特点是与时代的脉搏同时跳动, 在各个历史时期, 它研究方向的主流, 从不曾脱离时代的主题, 表现出一种强烈的社会责任。在改革开放新的历史条件下, 中国世界史研究的社会责任, 从根本上要在坚持为人民服 务、为社会主义服务的方向上体现出来。

关键词: 中国世界史研究 中国史学 中国社会科学

Modern Chinese study of world history began in the middle of the nineteenth century and was closely related to the main theme of the times, that of saving the nation from subjugation and ensuring its survival. Its chief feature was that it was attuned to the pulse of the times; in all historical periods, the main current of its research has never deviated from the main theme of the times, showing a strong sense of responsibility to society. Under the new historical conditions of reform and opening up, this sense of social responsibility should be reflected in fundamental adherence to the direction of serving the people and socialism.     

A Century of Korean Narrative in Chinese Literature

东亚睦邻关系源远流长,近百年来却遭到严峻的挑战。在民族国家的多事之秋,中国文学和中华民族一道承担苦难,思考出路,在关注自己启蒙、救亡、独立和振兴的同时,也关注对自己的命运发生过深刻影响的国际力量,对朝鲜半岛民族国家的关注和认知具有特殊的文化情感和命运体悟。一百多年来,中国文学对朝鲜的认知经历了四个阶段：以朝鲜的亡国为鉴镜,反省危机四伏的中国现状;引朝鲜人民为共同抗敌、休戚与共的战友;在南北朝鲜分裂的局面下,引北方为战友使南方处于缺席状态;在“华风”与“韩流”的互动中,把文学对韩国的认知推向穿透历史、牵连血性的深度。

关键词: 中国文学?朝鲜叙事?鉴镜?互动交流

The harmonious relationship among East Asian countries has a very long history. However, it has faced serious challenges in the past hundred years. In these eventful years for our nation, Chinese literature, like the Chinese people, has endured hardships and pondered ways of extricating the country from its malaise. In addition to being concerned over China's enlightenment, salvation, independence and rejuvenation, writers have also paid considerable attention to important international forces that had a strong influence on their country's fate. Concern over and understanding of the Korean nation had a particular emotional charge and relevance to their own fate. Over the course of a century, Chinese literature's awareness of Korea went through four stages. In the first, Korea's loss of independence served as a mirror of China's own dangerous position, menaced on all sides; in the second, the Korean people were seen as comrades‐in‐arms combating foreign foes; in the third, when the Korean Peninsula was divided, North Koreans continued to be regarded as comrades‐in‐arms while South Korea was not acknowledged; and in the final stage, amidst the interaction between “China style” and the “Korean wave,” Chinese literature's awareness of Korea expanded through a penetrating appreciation of Korean history involving deep ties of courage and uprightness.     

Calligraphy and Modern Chinese Writers

迄今为止，中国现代文学研究已取得了举世瞩目的成就，但趋于“饱和”的状态 也使其陷入了举步维艰的境地。因此，寻找新的学术增长点就变得异常重要和紧迫。 “书法文化”与“中国现代作家”的关系，几近是一个研究空白，以往很少引人注 意，这是令人遗憾的。事实上，许多中国现代作家都与书法文化有着不解之缘，他们 在书法收藏、书法创作、书学探讨上都做出了重要贡献；反过来，书法文化也对现代 文学的存在方式、文本形式、情感表达、思维方式以及审美趣味等产生了深刻的影 响。另外，通过对书法文化与中国现代作家关系的考察，还可引发我们进一步深入思 考文学、书法、文化、教育等相关问题，以便有助于新世纪的中国文学和文化获得更 大的发展空间。

关键词: 书法文化?中国现代作家?学术创新?第三种文本?书学

Research on modern Chinese literature has achieved results that have attracted wide attention. However, its state of near “saturation” has placed it in a dilemma with no clear way forward. Finding new academic growth points has become exceptionally important and urgent. The relationship between the “culture of calligraphy” and “modern Chinese writers” is virtually a research blank and has so far attracted regrettably little attention. In fact, many modern Chinese writers have had close ties with calligraphy, making important contributions to its collection, creation and scholarly exploration. Conversely, the culture of calligraphy has exerted a profound influence on such things as the mode of existence, textual forms, emotional expression, ways of thought and aesthetic tastes of modern literature. Moreover, an examination of this relationship may stimulate us to reflect more deeply on literature, calligraphy, culture, education and related issues, which may help us gain a larger space for the development of Chinese culture and literature in the new century.     

The Guidance Function of Cases of Misappropriation of Public Funds in Transitional China—With the Reference to Criminal Trial of the Supreme People’s Court of China as a Sample of Analysis

相对于贪污、受贿等传统型腐败犯罪, 挪用公款罪不是常态性罪名, 而是针对社 会转型刑法应对的成果。该罪的立法、司法过程中存在着诸多纠结, 这使得判例参考 的价值凸显。最高人民法院十分重视对该罪判例的公布, 这为现实裁决提供了指导和 参考作用。最近10年所公布挪用公款罪判例折射出司法的重心是: 注重主体身份的实 质公务性、从形式合理性理解“归个人使用”、慎重解释“公款”的内涵。判例公布 在有利于同案同判的同时, 也成为促进理论与实践的助推器。

关键词: 腐败犯罪 挪用公款 社会转型 判例 ?刑事审判参考?

Compared with the traditional offenses of embezzlement, bribe-taking and so on, the misappropriation of public funds is not a routine charge but a result of the response of criminal law to social transition. The fact that a number of difficulties have arisen in legislative and judicial procedures relating to this offense makes the value of case reference material significant. The Supreme People’s Court of China attaches great importance to the publication of cases of misappropriation of public funds, which offer guidance and reference for real-life adjudication. Cases publicized in the last decade reflect a judicial emphasis—they focus on the official nature of the duties performed by the subject, on understanding “for individual use” from the viewpoint of formal rationality and on a cautious interpretation of the connotations of “public funds.” Publicizing such cases facilitates reaching the same verdict in similar cases and at the same time acts as a catalyst for the advancement of theory and practice.     

The stars hang down over the great emptiness of the level plain,and the moon bobs on the running waters of the Great River: thirty years of New Era research on the essay

新时期以来的散文研究已走过了30年的历程。由于种种原因，散文研究一直受到 轻视和责难。本文从作家作品研究、专题性研究、散文史建设和散文理论建构诸方 面，对30年来散文研究进行了全面系统的梳理和评析，并追寻散文研究长期被冷落的 原因。文章认为21世纪的散文研究要走向深入和阔大，必须从三方面用力：其一是要 建立现代意识的散文批评视野；其二是“化西方”与“中国化”；其三是思维方式与 研究方法的改变。这三方面不但是认识和解决当代散文问题的重要维度，而且对散文 研究具有方法论的意义。

关键词: 新时期?散文研究?现代视野?理论建构

New Era research on the essay and other occasional writing already has a history of thirty years. For various reasons, however, such research has consistently been slighted and condemned. This article offers a systematic and comprehensive review and analysis of the last thirty years of research in this field in terms of writers and their works, research on special topics, and the construction of the history and theory of this genre, and explores the reasons why it has been slighted for so long. To deepen and broaden this research in the new century, we must exert ourselves in three areas: first, we must adopt a modern vision of criticism of the essay; second, we must “digest Western theories” and “Sinicize essay writing and research”; and third, we must change our research methods and way of thinking. These three points not only offer an important dimension for understanding and solving contemporary issues relating to the essay, but also have methodological significance for research.     

New era writers: aesthetic choices and the generation gap

从20世纪90年代开始，“代际差别”越来越突出地体现在新时期50、60和70年代 出生的三个重要作家群中。他们不仅在叙事内容上表现为宏大叙事和使命意识的不断 弱化、个人化意愿的不断增强；还在叙事形式上体现为或崇尚写实风格，或追求现代 手法，或迷恋于碎片化细节等不同的审美特质，同时也折射了各自不同的审美观念。 从文化人类学的角度看，这种代际差别实际隐含了不同历史文化语境和成长记忆对人 类精神的潜在规约。代际差别虽然是多元文学格局的一种表现，但是，如何加强代际 间的精神交流，有效克服代际内部各自的局限性，同样是促进中国当代文学健康发展 的一个不可忽略的重要方面。

关键词: 代际差别?宏大叙事?个人化?文化记忆?代际交流

Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and sense of responsibility and the strengthening of individual aspirations, they also show different aesthetic traits in terms of narrative form. Some advocate a realist style, while others pursue modernist techniques or are enamored of fragmentary details. At the same time, each generation projects its own aesthetic ideas. From the viewpoint of cultural anthropology, this kind of generation gap essentially implies the effect of the latent protocols of different historical‐cultural contexts and memories of growing up on the human spirit. Although the generation gap is an expression of a plural cultural scene, the question of how to strengthen intellectual interaction between different generations of writers and effectively overcome the limitations of each generation remains an important aspect of the promotion of the healthy development of modern Chinese literature.     

Rethinking Sino-Burmese Relations, 1949-1954

1949—1954年,中缅关系实现了由疏离到改善的明显变化。由于心存疑惧,从新中国成立伊始,吴努政府就准备承认中华人民共和国。确定了英联邦国家持同样态度后,缅甸成为第一个承认新中国的非共产党国家。然而,此后一段时间内,中国的革命外交与缅甸的亲英美倾向相互抵牾,加之互为近邻的地缘政治因素的影响,两国关系处于冷淡状态。朝鲜战争爆发后,缅甸很快将“中立主义”作为外交指导原则,中国也逐步决定同“中间地带”国家发展关系。1953年,缅美因国民党残部问题交恶,中国对橡胶的需求持续上升,缅甸大米严重滞销。这一切为中缅关系的改善提供了契机。     

Commuting assignments in mainland China: cost and benefits of cross‐border work arrangements

With the close economic relationship between Hong Kong and the Mainland, work‐related commuting across the border is emerging as a common work/family arrangement in Hong Kong. To examine the costs and benefits of this at the individual and family levels, a cross‐sectional survey with quota sampling was conducted. The target group of the survey was couples with one spouse working across the border and their children between the ages of 8–17, if there were any. A resilience perspective was adopted to address both the positive and negative impacts of the work arrangement on family relationships.

Findings of the survey indicate that disruption in the fulfillment of parental obligations is the most significant cost of the cross border work arrangement. Fathers are more likely to be marginalized in their parental role due to their higher frequency of travel and limited contacts with the children. For mothers with children at dependent age, limitations in parental involvement due to the work arrangement bring a strong sense of guilt. Work‐family conflict significantly intensified their intention to end the cross‐border work. On the other hand, the results indicate that commuting assignments can be stimulating and enriching to a marriage. To maximize the benefits of the cross‐border work arrangement and minimize its negative impacts, family‐friendly work policies and a family‐friendly work schedule are strongly recommended. Successful coping strategies and the necessary resources for the successful adjustment should be further examined.

随着香港与内地密切的经济关系，与跨境工作有关的工作/家庭安排正成为一个在香港常见的现象。为了研究这种安排在个人和家庭层面上的成本效益，作者进行了一个具有代表性的配额抽样调查。调查的对象是其中一方需跨境工作的夫妇；以及如他们有子女的话，子女的年龄必须介乎8至17岁之间。本研究同时处理跨境工作安排对家庭关系的正面和负面影响。

调查结果发现，未能履行父母的义务是跨境工作安排最大的成本。由于频密的跨境工干和跟子女的接触有限，父亲更容易被排斥于其父亲的角色以外。由于跨境工作的安排以致未能与仍然是依赖年龄的子女有更多的联系，也为母亲带来强烈的罪疚感。工作与家庭的冲突大大增加了他们结束跨境工作的意愿。另一方面，研究发现这种工作安排可以刺激和丰富婚姻。为了发挥跨境工作安排最大的好处，并尽量减少其负面影响，作者强烈建议有利雇员发展家庭生活的工作安排。有效的的应对战略和所须的资源则需要进一步的研究。     

An evaluative system for restructuring the literary history of modern China

当下的中国处于一个价值多元的时代,以往的建立于进化论、阶级论和启蒙主义 的文学史观也是颇有价值的;但是,进入21世纪,由于“以人为本”与“和谐社会” 目标的提出,也由于社会时空、文学功能和美学趣味的巨大变化,教材型的中国现代 文学史已远不能适应时代、社会和文学的发展需要,因此亟待重建和确立一个更为公 正、平等与合理的价值评估体系。这个评估体系是以人道主义为最高原则,以真、 善、美为三个闪光点,其最大优势是具有普适性、超越性、公正性和人本性的功能特 点。

关键词: 现代中国文学史?评估体系?价值重建?人道主义?真善美和谐统一

China is now in an era of multiple values. While there is some virtue in previous theories on the history of literature based on the theory of evolution, class struggle and the enlightenment, when it comes to the twenty‐first century, the histories of modern Chinese literature used in teaching are far from adequate for meeting the developmental needs of the times, society and literature. This is especially so in view of the putting forward of the goals of “putting people first” and “the harmonious society,” and the great changes taking place in time and space, the function of literature and aesthetic taste. Hence there is an urgent need to restructure this history and establish a more fair, equal and reasonable system of evaluation. Such a system would have humanism as its highest principle, and truth, goodness and beauty as its three virtues. Its great superiority would be its functional characteristics of universality, transcendence, fairness, and human‐centeredness.