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Today Pottery Yuan Liang came to Beijing and became a signatory ceramicist at Today Art Museum in 2008, after he graduated from the Department of Ceramic Art, under the China Academy of Art, in Hangzhou, capital of East China＇s Zhejiang Province. Also that year, the museum helpedYuan establish Today Pottery, as a training center, to teach children how to make potteries. Within two years, Today Pottery was independent from the museum. Yuan became the owner of Today Pottery, and he employed teachers, who had graduated from the China Academy of Art, to guide the customers as they made potteries.     

Folk Festival Fosters Communication Through Art

CHINA'S Third International Folk Art Festival recently convened in Beijing, Dalian, Shenzhen and Huizhou, where folk artists from 15 countries performed at the opening ceremony. An art festival of this kind is held every two years. The first and the second international folk art festivals were convened in 1990 and in 1992 respectively, sponsored by the Confederation Society of China's Literature and Art. Compared with the former two art festivals, the dance     

中国妇女儿童博物馆的多彩藏品

The Museum of Chinese Women and Children is the first State-level museum to pay tribute to China's women and children. The colorful collections at the museum provide an insight into the history and lives of Chinese women and children.     

Strict Father,Loving Mother, Good Daughter

ZHANG Nan, still a student at the Industrial Art Design Department of Beijing Industrial University, has already shown great talent in her paintings. Father Zhang Bo is an army art worker and Mother Zhao Suhua works at the Beijing Xuanwu District Committee. An Unexpected Prize As part of the China Year of Tourism, the large-scale "'97 China Art Exhibition" displayed galleries from individual artists, attracting attention from the art circles. When Zhang Bo learned of the news, the Zhang family held a family meeting in which they decided to send some     

Xiuhua Mountain Museum

XIUHUA Mountain Museum,a building nestled amongthe hills,is the first private museum of the Tujiaethnicity.Its name is an amalgamation of the names ofthe couple who run it,Gong Daoxiu and her husband ChenChuhua.According to Chen,the reason that he put his wife’s     

红方剧场和黑方剧场

If you think 798 Art District is too far to go for a jaunt through Beijing＇s art culture, you can take comfort in knowing the newly opened Fangjia 46 Hutong is close by - and subway accessible. Located near the Lama Temple, this hutong art zone boasts more than 13,000 square meters of cafes, restaurants, performing arts theaters and more than 50 new art galleries and studios. It also provides venues for showing films and it is where the Beijing Modern Dance Company holds its rehearsals.     

A Creative Miao Painter

IF Xiangxi is a landscape painting, the ancient town of Fenghuang is the gem in the painting. Some overseas friends have praised its landscape and its people by calling it the "town of painting." Fenghuang has not only attracted many artists to come paint its scenery, but has also nurtured masters like Huang Yongyu and younger artists such as Chen Yanhong. Chen Yanhong graduated in 1992 from the Fine Art Department of the Central Institute for Nationalities. Half     

玛尼石刻

The Mani stone is a time-honored art form in Tibet; it integrates sculpting and painting, and it helps spread the distinct local flavor and ethnic characteristics.     

Mountain Residence at Mt.Fuchun

Yuan Dynasty paintings laid stress on landscape with literary interest. Poems, calligraphy and painting were consciously arranged in perfect harmony so as to form the style of mountains-and-water painting with the "scholars' painting" as its main theme. Huang Gongwang (1269-1354) was learned. Proficient in tonality and good at calligraphy, he began to paint mountains and streams when he was in his 50s. With his magnificent,refined and elegant style, Huang Gongwang's paintings gained important position among artists of the time. The scroll Mountain Residence at Mt. Fuchun is his most popular piece. As a paper wash painting scroll, it is divided into two sections with the previous section 31.8 cm tall and 51.4 cm long,owned by the Zhejiang Provincial Museum, and the latter section 33 cm tall and 636.9 cm long, owned by the Palace Museum in Taiwan.     

“2010·中国女性艺术大展”在妇女儿童博物馆开幕

An exhibition of Chinese women＇s art opened on March 25 at the Beijing-based Chinese Museum of Women and Children. The exhibit was part of the celebrations to mark the 100th anniversary of lnternatioual Women＇s Day.