The Song of a Folk Artist

Zhao Chengxiang learned papercutting when she was a child from her grandmother. As she grew up. she hit upon the idea of cutting paper with her accumulation of knowledge and experience. The shapes and conceptions have a modern flair but retain a traditional sense. Because she only cuts what moves     

The Art of Seal Knobs

Seal knobs are three-dimensional displays of traditional Chinese painting. Carved with figures, landscapes, fish, insects, flowers and birds, seal knobs are a typical Chinese art with both practical and artistic function. As seals are used less and less, they have     

The Analysis of “The Dead” on Feminist Approaches

This paper attempts to explore the female characters in novella The Dead. The paper analyzes three female images almost separately and it intends to illustrate feminism in Joyce's work which vividly creates many unique women.     

From ‘Asylum-Seeker’ to ‘British Artist’: How Refugee Artists are Redefining British Art

This essay takes a case-study approach to examine how culture may be transferred from immigrant cultures to a so-called host culture. Considering the work of three visual artists who came to the UK as refugees but who are now considered ‘British artists’, it examines the effect this curatorial definition may have on gallery viewers. The author proposes that looking at work that previously might have been viewed as ‘exotic’ or ‘foreign’ but that is now classed as British forces viewers to reassess and renegotiate their understanding of the nature of ‘Britishness’ and indeed of place-Britain. Drawing on the ideas of Edouard Glissant and also of contemporary geographers about the nature of place, the study proposes that place-Britain, like all places, is in a constant and never ending state of production. The work of artists from refugee populations, shown now as ‘British art’, becomes a dynamic part of this process and a means by which new elements are transferred and added to an ever-changing British cultural fabric     

The epistemology of “addictive disease”: Gambling as predicament

This research examines the relative perception of gambling as a disease in the context of drug use/abuse, and other excessive behavior patterns, for example, workaholism. A sample of 144 adults provided subjective perceptions of disease status of 80 representative items drawn from the literature. A subset of these items represented the class of addictive diseases. These items were subjected to principal components analysis to reveal the presence of clusters or constellations of perceptually similar entities. Gambling was perceived to beless of a predicament (i.e., a potentially dangerous situation; Shaffer, 1987) than substance abuse or substance dependence, particularly if the substance was illicit, such as cocaine or heroin. Gambling was not perceived to be characterized by the underlying construct of dependence, a dimension associated with the abuse of illicit substances. Another analysis revealed that when gambling and substance abuse and dependence were perceived against ause of substances background, licit and illicit, gambling was more likely perceived as a permissible activity than a predicament which might lead to abuse and/or dependence. This same result characterizes the perceptions of alcohol use, cocaine use, chemical use, and heroin use. While individuals may recognize the potential danger of drug abuse, illicit drug use per se is not perceived to lead to drug abuse, dependence, or addiction as often portrayed by the government and media. Against a background of excessive behaviors, for example, workaholism, gambling emerged as more similar to these behaviors than abuse or use. The implications of these findings are discussed. The clinical implications of an epistemology of addictive disease were also discussed.Preparation of this article was supported, in part, by a contract (#2322905893) from the Massachusetts Department of Public Health.Special thanks are extended to Thomas Cummings, Sharon Stein and Norman Zinberg for their helpful comments on earlier drafts of this article.     

The Art of Leading and Following – A Workplace Tango

This article describes my experiences of leading a commissioned child mental health service through a process of change in my role as manager. The article uses the metaphor of the Argentine tango to conceptualize my efforts to implement leadership in my work. I look at the influence of the music, the relationship between leadership and followership, and the idea of mutual presence to draw out aspects of my experience. In so doing, I relate theory to practice and bring together various theories of leadership in a creative synthesis. The article draws away from realist notions of management theory to ask how it is that we perform leadership. It suggests that we do so by the provision of an ‘intelligible formulation’ of chaotic events. This can be reached through the reflective understanding of the nature of the work. It can also be striven toward through creative acts of ‘discernment’ of the practices of the agency. These acts are fostered through the distribution of leadership that simultaneously dissolves yet persists. The need for mutual presence is highlighted and the role of leadership outside the immediate circle of authority is examined. The use of the Argentine tango as a metaphor draws together these various strands and provides a clear conceptual framework in this autoethnographic article.     

The Dark Side of Art’s Social Turn: Towards a Discourse on the Impact of Art’s Use of Social Forms Upon the Social

The recent “social turn” in art, in which art favours using forms from social life above its own, has been extensively discussed. Relational Aesthetics by Nicolas Bourriaud, Conversation Pieces and The One and the Many by Grant Kester, essays by Claire Bishop who supplies the term “the Social Turn,” and her recent publication Artificial Hells, are now as important to the field as the art they scrutinise. Ironically, however, when this discussion regards the implications of the “turn”, it habitually addresses the effects of this development from – and for – art’s point of view, overlooking the way in which artists’ inroads into social life may be differently regarded in the social realm. As much as this represents a failure to illuminate a particular area for knowledge, it also signifies a failure to take art’s revalorised commitment to the social to its ethical conclusion: such, from two perspectives, is the “dark side” of art’s social turn. This article seeks to mitigate these oversights. In particular, it looks at art in which an artist undertakes another person’s professional work. Considering the effects of this on those whose practices are appropriated, I propose a consultative approach, involving ethnographic and empathetic modes of address. Consequently, this article does not present an answer to the question it poses, “how do professionals in the social realm see art’s appropriations of their practices?” but rather, a framework for approaching that.     

The Annihilations of “Knowing” Moral Collapse: A Discussion of Papers by Deborah Sherman,Sandy Silverman,and Malin Fors

This discussion expands on the themes of annihilation and what Apprey terms the “no place” of racial- and gender-based violence. Taking examples from their clinical work, all of the authors here reflect on the terror that was instilled in the wake of the White supremacist march in Charlottesville, Virginia. The terror was not just sparked by the event but by the response of President Trump declaring there were “good people on both sides,” that is, that White supremacists were “good” people. This shift indicates a profound sense of institutional betrayal that, as Malin Fors’s paper points out, has been central to the United States since the beginning. Integrating ideas from critical race theory, this discussion asks whether psychoanalysis can function to create what Best and Hartman, reflecting on the U.S. history of slavery, termed a “fugitive justice” in the face of what this author considers to be, a foretelling of human extinction.     

Refracted Visions: A Critique of “Mirroring Evil: Nazi Imagery/Recent Art”

This review essay focuses on the recent exhibition “Mirroring Evil: Nazi Imagery/Recent Art” at the Jewish Museum in New York. It asks questions about how the controversy surrounding this show shaped the way it was seen. It uses the notion of refraction to help explain why it remains so difficult for Americans and Jews alike to visualize evil in our own midst, especially after September 11, 2001. Entering into the space of the exhibition, it then demonstrates how particular works of contemporary art can make both visual and visceral the traces of Nazi aesthetics in contemporary culture.     

The development of sexology as a discipline∗

The founding of the SSSS in 1957 was perhaps one portent of the sexual revolution of the sixties, which would break some of the power of the antisex forces. At the time, the Society had no competititon, whereas now there are various splinter groups. It would be better had sexologists kept united in the common cause of founding a new academic discipline of sexology. Meantime, there is no department of sexology in any medical school or teaching hospital in the Western hemisphere. Sexology, because human beings are a sexually dimorphic species, deals basically with a partnership, not an indivisual. It has four branches: experimental and investigative; clinical and therapeutic; education and training; and standards and certification. The SSSS and the JOSR can contribute to a more systematic and less laissez faire growth of sexology as an academic discipline.     

The Act of Reading as a Rite of Passage: Iurii Andrukhovych’s Rekreatsii

The paper uses the massive records of the Russian imperial consulates in Canada (known as the Li-Ra-Ma Collection) as well as other Russian and Canadian sources to demonstrate the role played by the tsarist diplomats in early twentieth-century immigration from the Russian Empire to Canada. It argues that while the functions of administrative and political surveillance were always a priority for the consuls, they also served as intermediaries between the immigrants and Canadian authorities and a medium of maintaining their links with the homeland. The majority of the consuls’ clientele were temporary labour migrants of Slavic origin, who resorted to the authority of the old state in resolving their problems in the host country, usually after alternative methods such as appeal to Canadian law or private agents did not bring results. Viewing all immigrants from Russia as subject to the tsar and Russian law, the consuls assumed the dual role of guardians of the immigrants’ interests and monitors of their political orientations.     

Community Support of Ethanol Plants: Does Local Ownership Matter?*

Drawing on data from six communities in Kansas and Iowa, we explore the factors that are related to community members' current levels of overall support for local ethanol plants. What are residents' opinions about the benefits and drawbacks of local ownership of ethanol plants? How does that awareness lead to overall support of plants? Our interest is to understand how perceptions of the negative effects of the plant on the local infrastructure and environment and positive effects on the local economy influence the relationship between local versus absentee ownership and people's overall support of the plant. We use chi‐square to test whether respondents' overall support is associated with the ownership of the plant (local versus absentee), and cumulative logit mixed‐effects models to explore the factors that explain the association between ownership and overall support. Findings suggest that community members are less likely to show high support for locally owned plants, and that the greater perceived negative effects of locally owned plants on the local infrastructure and environment helps explain residents' lower support of locally owned ethanol plants in their communities. We posit several explanations for why this might be the case.     

A Feminist Trade Union Agenda? The Continued Significance of Class,Gender and Race

During the 1990s attempts to identify a feminist trade union agenda have focused on both the content and process of such a potential agenda. In a period in which trade unions have changed significantly, the general national agenda appears to be changing, acknowledging issues of importance to women. UNISON, Britain's largest trade union, has enshrined proportionality and fair representation in its constitution, developing national initiatives aimed at improving opportunities in work and in the union for women, black workers, manual workers, disabled workers, etc. who traditionally have been less well represented. Many issues affecting women generally have moved to centre stage, yet issues affecting women ancillary workers seem as excluded as ever. Through a study of cleaners in the National Health Service this article argues that workplace interests reflect wider social divisions, but in a variety of patterns depending on the social organization of work. Despite thewidening trade union agenda, particular interests — more specifically the workplace interests of working‐class women and black women — continue to be neglected.     

Visual Expressions of Corporate Superiority: A Review of Jacqueline Hassinck’s Photographic Art Project and Booklet ‘The Table of Power’

Arguing that institutional rationality constitutes a meta‐institution upon which the specific institutions of the capitalist social order depend, this paper explores the possibility that it might be interrogated through the imaginary worlds created by readers in their responses to literary fiction. It does so by constructing a fictive encounter between the response aesthetics of Wolfgang Iser and two novels by Ian McEwan, Saturday and Enduring love, both of which feature institutional rationality as a core element of the ‘reality’ from which they are constructed.

The conclusions are somewhat negative. The problems posed to McEwan’s personifications of institutional rationality, despite the author’s reputation for arbitrary and sometimes macabre plotlines, are nowhere such as to call into question their understandings of the events which befall them. Nor, reading the novels as explorations of that very one‐dimensionality, are readers likely to be induced into a questioning of their own understandings of the world. This is because the novels in question, like most modern literary fiction, have been produced within a tradition which reaches back to the romantic/humanist reaction to institutional rationality, and this makes it possible for readers to distance themselves from characters in which it is exemplified. Far from producing a critical Imaginary, readers who respond in this manner are likely to externalize any interrogations of institutional rationality suggested by its fictional recontextualization and produce, instead, one in which the superiority of their own understandings of the world is confirmed. Whilst this may be opposed to institutional rationality in the routinised sense of an antagonistic accommodation, nothing new is added by the reading of the novels.

Whilst some of the problem may lie in the characterization of the principle protagonists in the selected novels – which is both flat and static – it is suggested that there is also a problem with the initial expectation of a critical imaginary created by Iser’s theory. The fact is that its creation depends on an assumed response on the part of the reader that has no evidential basis. This empirical deficit cannot be made good either by Iser’s earlier construct of an ‘implied reader’, nor by his later posit of self‐aware role‐taking as a fundamental anthropological need. Whilst one cannot rule out the possibility that some readers might respond as Iser supposes – even to the novels discussed in this paper – there is no particular reason to rule it in either.     

‘The question of the day’: The maintenance of racial rhetoric in Queensland,Australia: William Lane and Pauline Hanson as racial ideologues

Since the late nineteenth century Australian racial ideologues have identified retrogressive immigration policies and practices with the national interest. They have consistently argued that ethnic and racial diversity will led to rapid decay and national fragmentation. In the vast north‐east state of Queensland, the most racially diverse area of Australia historically, the arguments have been most persuasively articulated. Queensland has produced, not unsurprisingly, the most vehement and obsessive racial ideologues both on the left and right of politics. William Lane and Pauline Hanson, though separated by a century, both argue that the possibilities of imminent invasion from the north, the polluting effects on national strength from non‐British immigration and ethnic diversity will destroy national cohesion. The continued and widespread acceptance of these ideas demonstrates both the virulence and persistance of racial ideologies in Australia.     

The Corpus Status of Literature in Teaching Sociology: Novels as “Sociological Reconstruction”

Using fiction in teaching sociology involves what Harvey Sacks calls “sociological reconstruction”. Numerous comments on teaching sociology provide advice and suggestions on the use of literature and “what counts” as “sociological” literature, including specific titles. This paper goes further: while the use of literature is a routine feature of sociological accounts, discerning the relevance of a novel, or a passage within a novel, to sociological themes is an analyst’s achievement. It requires work both by the teacher and the student to recognize the relevance of fiction to sociology. Previous studies on fiction in sociology focus on the pedagogic aspects of using novels but fail to acknowledge the key problem of “sociological reconstruction” attempted through the use of novels. The paper explicates the crucial and generic issue of “corpus status”, which is fore-grounded by the use of non-sociological materials in sociology.     

The End of the World as We Know It?: American Exceptionalism in an Age of Disruption

This essay explores the recent election of President Donald J. Trump against the background of the idea of American exceptionalism. It posits that there have been a variety of versions of the notion of exceptionalism, one of which involves the question, “Why is there no fascism in the United States?” It argues that Trump may render invalid the assumption behind that question and that at best during his tenure we are likely to have a continuation of the “bad exceptionalism” associated with the question, “Why is there no socialism in the United States?”     

The money size illusion as a barometer of confidence? The case of high inflation in Israel

Israel has known a very high inflation rate and two currency changes in thepast five years. Coin size estimation by 97 subjects reveals a general tendency to underestimate sizes. The specific pattern of results suggests that coin size estimation is influenced by the subject's attitude towards the coin in question, that inflation and actual value of the coin are not the only determinants of that attitude, and that the attitude remains unchanged if the coin is removed from circulation.