Xena On The Cross

This article examines those moments in Xena, Warrior Princess (XWP) in which Xena appears on the cross. Its purpose is to use those moments to explore how the messianic paradigm that dominates western heroic literature and popular culture affects and is reinvented in XWP. The paper argues that while XWP critiques the embedded violence and misogyny within this paradigm, the producers' commitment of XWP to a liberal vision threatens to pre-empt this critique with Xena's death in Japan and Gabrielle's reconstruction as a just warrior. Ultimately, the inconsistency between Xena's death and the explanations for it and the show's general rejection of the embedded violence of western ideals of justice invite a different reading of the show's ending than the producers may have intended.     

From Beatles Fans to Beat Groups

While much is written about the cultural influence of the vocalist-driven girl groups and female singers of the early-to-mid-1960s, an air of mystery continues to shroud this era's all-girl rock bands—in the UK, US, and worldwide—that performed, recorded, and often wrote their own material. Influenced by the Beatles and the British beat boom that followed, these bands are an important missing link in rock music history, as they epitomize a less overtly gendered, if short-lived, period of the genre. In an era between Betty Friedan's 1963 Feminine Mystique and the changes to come with 1970s second-wave feminism, a handful of musically minded young women were determined to transform their Beatles fandom in order to become co-creators of what was not yet a resolutely masculinist music scene.     

Sexual Messages in Black and White: A discourse analysis of Essence and Cosmo

The research presented employed critical discourse analysis to examine advice columns on sex and women's sexual freedom as expressed in two popular women's magazines, Essence and Cosmopolitan, over a three-year period. Essence has a Black female audience, Cosmo a predominantly White female audience. Critical discourse analysis is concerned with language as a primary force for the production and reproduction of ideology and belief systems that come to be accepted as common sense. The study asked whether and to what extent sex talk in these two magazines mirrored tenets of sexual liberation as set forth by “second-wave feminism.” Findings showed that while both magazines reinforced women's right to sexual pleasure and to ask for what they wanted, Essence came closest to mirroring the tenets of women's liberation by advocating women's right to say no to men's bad behavior and to be their own persons. By contrast, Cosmo advised women to be innovative in exciting and keeping their men and to be more flexible in managing men's less than desirable behavior.     

Reporting The Women's Movement

This article examines and compares how four British and American newspapers reported the second-wave feminist movement during its most active political period, 1968–1982. Through the use of both content analysis and critical discourse analysis, this study reveals that despite socio-political differences, both US (The New York Times, the Chicago Tribune) and UK (The Times, Daily Mirror) newspapers used a similar range of discourses when addressing the women's movement and its members. While coverage overall can best be described as fragmented and contradictory, I argue that on the surface, there was significantly more “positive” or supportive articles on the women's movement than previous scholars have noted. However, these news stories rarely addressed the ways in which capitalism and patriarchy oppress women as a group, and often created a demarcation between “legitimate” and “de-legitimate” feminists, the latter being anyone who deviates from traditional feminine norms. Such constructions therefore were not only politically incapable of challenging women's oppression, but helped construct feminism as a dirty word, a connotation which still exists today. This paper will also address the emergence and eventual dominance of oppositional discourses, examining the patriarchal and capitalist ideologies used in both countries to rebuff the movement, its members and their goals.     

Between the look (la mirada) and the Escape (la fuga): the imaging of women in Solanas' La hora de los hornos and Tangos/El exilio de Gardel

This paper revisits the issues raised in debates on the politics of recognition from the point of view of media practitioners and their experiences in covering women's issues and perspectives. It explores the concerns regarding the attempts to improve media coverage of women's issues and perspectives by looking into one particular women's programme, BBC Radio 4's Woman's Hour. The analysis is based primarily on interviews with members of the Woman's Hour's team and complemented by basic information on the presence of different subject areas and speakers in a sample of actual programming. The paper explores the criteria employed by journalists in their day-to-day decisions regarding the issues and approaches appropriate for the specialist women's programme. It discusses interviewees' definitions of Woman's Hour items and the three main factors that influence their selection of issues and the ways to approach them. The first factor concerns the identity of the programme: its issues, voices, and their diversity. The second factor is the listeners or, more broadly, the public and the ways it shapes Woman's Hour. The third factor is the professional and institutional context of the programme. The concluding discussion examines the ways in which Woman's Hour combines or oscillates between recognition and deconstruction of women's/gender identities, producers' interests and the perceived interests of their audiences, and feminist politics and journalistic principles.     

“Difficult,Messy, Nasty,and Sensational”

Feminist publishing played an important role in the feminist art movement of the 1970s and into the 1980s, and Heresies: A Feminist Publication on Art and Politics was a key journal in this landscape. This paper argues that Heresies is important not only because it was a forum for some of the most influential feminist art women of the period, but because it experimented with an editorial structure that required participants to reckon with the discomforts of difference. Editors of the periodical took seriously the feminist critique of hierarchically structured organizational cultures and both promoted and practiced collective publishing. Moreover, through an emphasis on editorial statements, I consider how Heresies gives expression to the affective entanglements of the women involved in Heresies' specific form of collaboration and collective feminist politics. An examination of the editorials as sites of affective intensity helps to come to an understanding not of what women were thinking, writing, and making, but how they may have felt about their work and their relationships with women with whom they worked.     

The Erotic Lesbian in the Spanish Sexploitation Films of the 1970s

This article studies the representation of female homosexuality in the newly born erotic Spanish cinema of the 1970s, questioning the political and social implications of these first representations of lesbianism which contributed to shaping the first democratic discourses around women's sexuality. In order to do so, it looks at some of the most relevant films of the genre (most of which have never been studied before) and examines their portrayal of lesbian sex, focusing later on the figure of Ignacio F. Iquino and his film The Mask as the main representative of this genre in order to prove how the narrative construction of the eroticizing lesbian was largely based upon fascist conceptions of homosexuality.     

The biology of the voleClethrionomys rufocanus: A review

The biology of the gray-sided voleClethrionomys rufocanus in Hokkaido, concerning taxonomy, morphology, phylogeny, distribution, and natural history, is reviewed. Applied issues in forest management (damage, control and census) are also mentioned. AlthoughClethrionomys rufocanus of Hokkaido was originally identified as a distinct species,Evotomys (=nowClethrionomys) bedfordiae Thomas, 1905, current literature generally refers to the gray-sided vole of Hokkaido asClethrionomys rufocanus or asC. rufocanus bedfordiae (vernacular name, the Bedford’s red-backed vole). The gray-sided vole is the most common small mammal in Hokkaido. It inhabits open areas as well as forests, and mainly feeds on green plants. The gray-sided vole has a high reproductive potential; litter size: 4–7; gestation period: 18–19 days; maturation age: 30–60 days old. Although spring-born individuals usually attain sexual maturity in their summer/fall of birth, their maturation is sometimes suppressed under high densities. The breeding season is generally from April to October, but with some regional variation.Clethrionomys rufocanus has a rather specialized diet (folivorous), particularly during winter when it feeds on bamboo grass. Many predators specialize on the grey-sided vole in Hokkaido; even the red fox, which is a typical generalist predator, selectively feeds on this vole. Damage by voles’ eating bark used to be sever on forest plantations in Hokkaido. Censuses of small rodents have been carried out for management purpose since 1954.     

Television And The Domestication Of Cosmetic Surgery

An exploration of the discursive production of cosmetic surgery on the television shows Extreme Makeover and Nip/Tuck illustrates that these programmes contribute to and reflect the processes through which cosmetic surgery has become domesticated within increasingly globalised contexts. I demonstrate that across a range of cultural sites, including some feminist scholarship, the press, and surgical television, post-feminist frames have displaced feminist frames for comprehending cosmetic surgery, enabling the culture's surgical turn. Feminist attention to risk, oppressive standards for appearance, and the cultural and discursive location of suffering around the deviant body is displaced by the post-feminist celebration of physical transformation as the route to happiness and personal empowerment. It is this logic that is played out through Extreme Makeover's rendering of surgery as the solution for personal suffering and a meting out of justice to the “moral” individual. Extreme Makeover explicitly domesticates cosmetic surgery by publicising its benefits and undoing the former imperative to hide surgery rather than be viewed as “inauthentic.” As a corollary, the show promotes a system of visual eugenics where “unaesthetic” raced and gendered facial and bodily features are erased. Nip/Tuck gestures toward feminist responses to surgical culture through making its violent interventions into the body explicit, by including a feminist character, and through incorporating plot lines which critique the narcissism and gendered cruelty of surgical appearance work. However, these gestures serve as dramatic devices, the political potential of which is curtailed by the requirements of the melodrama to favour sensational story arcs and to retain a degree of sympathy for the surgeon leads. Thus, both shows contribute to a post-feminist mediascape which renders the inevitability of the culture's surgical turn, providing limited frames for viewers negotiating their own responses to the meanings of cosmetic surgery.     

The Cinematic Quiet Girl from The Breakfast Club to the Badlands

This essay is intended to counteract the omission of the quiet girl from critical media thought and to recuperate her for film history and feminism. The quiet girl is a visible presence across numerous films and genres, from heartfelt melodramas like Corrina, Corrina to gruesome horrors like Carrie. Within these diverse texts, the quiet girl represents a consistent threat to authority. She keeps her thoughts to herself and, as such, just beyond the reach of other's surveillance, delineation and control. Her silences unravel the self-certainty of others and deny them access and closure. But, the threat the quiet girl poses is always in danger of being contained via her transformation into a more outgoing—that is, more knowable—version of herself. If all else fails, the quiet girl risks banishment or death. One text that circumvents the containment of the quiet girl, however, is Badlands. In Badlands, the girl protagonist's increasing silence over the course of the film coincides with her increasing freedom from male rule, suggesting the potential that silence holds for girls and feminism.     

The influence of social conditions on mortality rates

In this study the author examines the general problem of estimating the influence of social conditions on mortality rates and suggests that the methods of multiple regression analysis extensively used for this purpose cannot always be relied on to give the kind of results required. The argument is illustrated by reference to the work of Woolf and Waterhouse (J. Hyg., Camb., vol. XLIV, no. 2, 1945) on infant mortality in the county boroughs. The Confluence Analysis of Frisch, applied to their results suggests that the statistical series used by these authors are multicollinear, and use of Hotelling's method of Principal Components suggests that these five series represent not five but only two fundamental influences. One of these, almost equally strongly loaded in three of these series is identified with the ‘general social conditions'— a complex of bad housing and low money-incomes—which these and other writers have studied. This leads to the suggestion that the use of multiple regression analysis in attempts to estimate the separate influences of the individual constituents of this complex are likely to be unprofitable and misleading. It is suggested that the available information relating to social conditions in various districts can be most usefully employed in the form of a complex index which might be constructed by means of some form of Factor Analysis.     

The US National Intelligence Council on the Changing Geopolitical Landscape

The National Intelligence Council, a body reporting to the Director of National Intelligence, draws on expertise from within and outside the US intelligence community to assess strategic developments bearing on national security. In addition to its classified reports (notably the National Intelligence Estimates) the Council also issues unclassified versions of some of its work. In December 2004 it released a report, Mapping the Global Future, the outcome of a year‐long study known as the 2020 Project, looking at geopolitical trends in the world over the medium term. Robert L. Hutchings, the NIC's then chairman, writes in a preface that this report “offers a range of possibilities and potential discontinuities, as a way of opening our minds to developments we might otherwise miss.” It differs from a preceding NIC exercise, Global Trends 2015 (2000), in the wider range of experts consulted—preparatory workshops were conducted in a number of countries—and in the heavier store it places on formal scenario development. While the underlying scenario‐building techniques employed are not spelled out in the document (some are described elsewhere on the NIC's website), four specific “fictional scenarios” are selected to enliven the report: Davos World—illustrating “how robust economic growth, led by China and India, … could reshape the globalization process”; Pax Americana—“how US predominance may survive the radical changes to the global political landscape and serve to fashion a new and inclusive global order”; A New Caliphate—“how a global movement fueled by radical religious identity politics could constitute a challenge to Western norms and values as the foundation of the global system”; and Cycle of Fear—proliferation of weaponry and terrorism “to the point that large‐scale intrusive security measures are taken to prevent outbreaks of deadly attacks, possibly introducing an Orwellian world.” (The quotes are from the report's executive summary.) The excerpt reproduced below comprises the section of the report headed “Rising Powers: The Changing Geopolitical Landscape,” omitting text boxes and charts. The summary table appended is taken from the beginning of the document. The full report is available at http://www.cia.gov/nic/NIC_globaltrend2020.html .     

Chicks,Dicks, and Contradictions

This essay examines Playgirl as a rich, yet overlooked, archive in the history of American pornography. Although the magazine often is dismissed as the token attempt of a masculinist industry to equalize its representational politics, I argue instead that a significant synergy exists between Playgirl and entwined debates over pornography, gender, and commercialized sexuality in 1970s America. Employing established conventions of the women's magazine, Playgirl utilized that form toward granting women access to explicit images. Yet given its “better lifestyling” advice on how the sexually liberated woman might find empowerment by viewing male nudes, Playgirl's reluctance to display full-frontal nudity until the midpoint of its first year fashioned an initially compromised aesthetic. Not only were women interpolated as untutored viewers within this regime of genital obstruction, but models also were all but emasculated. Consequently, the degree of male exposure that could be handled by both viewers and models was questioned, critiqued, and debated across Playgirl's letters to the editor section, aptly entitled “In-ter-course.” As an artifact of sexual media history, Playgirl is invaluable because readers are able to trace throughout its pages the ways in which changing tides of gendered power began to problematize pornography's routine dichotomy between masculine subjectivity and female objectification.     

Lesbians Bait the Military

This article analyzes the racial and sexual politics of the “don't ask, don't tell” storyline on Showtime's series The L Word. It situates The L Word within a political economy of media industry and policy advocacy organizations to argue that the show participated in a form of “policy-tainment” by producing critique of both existing government policies and the role of racial representations in oppositional political strategies, and finally exercising influence in policy networks.     

Gender and Racial Stereotyping in Rape Coverage

This article uses critical discourse analysis to discuss and analyse articles about rape that appeared in a South African newspaper, Grocott's Mail, between 14 October, 2008 and 29 October, 2009. Drawing on existing literature on “rape myths” in media coverage of rape, this article argues that Grocott's Mail perpetuates racial and gender stereotypes through the way in which it reports on rape. While not all of the articles included in the analysis use rape myths, most use one or more when discussing rape incidents. Specifically, Grocott's Mail tends to use rape myths that blame the victim for the rape and de-emphasise the role of the perpetrator in the rape.     

Preposterous Histories

This article explores maternal desire, loss, and control by reading Carolee Schneemann's performance Interior Scroll (1975) through Tracey Emin's photographic print I've Got It All (2000). More specifically, I consider Schneemann's work on the energy of female sexuality and maternal desire through Emin's recurrent visualizations of sexuality and maternal loss. The artists' refusal to disengage with the commodified (dis)pleasures of femininity leads me to consider the differently contextualized handling of these issues in each artwork. I explore the mediation of the body of each artist by positioning Emin's work as a “source” for my reading of Schneemann's performance. Invoking the notion of “preposterous history” (Bal 1999), I argue that the concepts of the “live” and the “mediated” are differently intensified by operating outside of the constraints of chronology. Hence the inter-generational dialogue between these particular female artists, whose work has been produced at different historical moments, is itself generative of thoughts and ideas that are irreducible to the individual works.     

Unraveling the Enigma of the Russian Mortality Crisis: A Review Essay on Charles M. Becker and David Bloom (eds.), The Demographic Crisis in the Former Soviet Union*

Richard Stone , Some British Empiricists in the Social Sciences , 1650–1900 Arup Maharatna , The Demography of Famines: An Indian Historical Perspective Timothy W. Guinnane , The Vanishing Irish: Households, Migration, and the Rural Economy in Ireland, 1850–1914 Gail Kligman , The Politics of Duplicity: Controlling Reproduction in Ceausescu's Romania Rosalind P. Petchesky and Karen Judd (Eds.) , Negotiating Reproductive Rights: Women's Perspectives Across Countries and Cultures